Ep. 120-Steal My Sunshine (Len)

You can't stop the bum rush as Louie, Ryan & Al avoid the butter tarts as they discuss Len and the music video for their smash hit, "Steal My Sunshine."

Episode Transcript

Speaker 1 (00:04):
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Speaker 2 (00:22):
Hello and welcome to episode one twenty of Throwback Music
Video Review podcast, and tonight we will be reviewing len
steal My Sunshine for Halloween episode.

Speaker 3 (00:41):
Think after You're Talking with You that comes in Yeah.

Speaker 2 (00:47):
Steal My Sunshine is a song by Canadian alternative rock
band Len from their third studio album, You Can't Stop
the bum Rush. The song was initially released on the
soundtrack to the nineteen ninety nine crime com film Go,
which resulted in the song receiving heavy airplay. Then it
became the lead single from You Can't Stop the bum Rush,

(01:08):
which was released on June twenty second, nineteen ninety nine,
by music label Work Group. The music video was directed
by lead singer Marcos Stanzo and currently has eighty one
million views on YouTube.

Speaker 4 (01:20):
Wow Wow, So guys, what is your history with.

Speaker 5 (01:25):
Steal My sons Man? Absolutely nothing? I mean, I know
the song sounds great. It's my top ten sound right there,
my party song man. But you know, actually, maybe about
ten years ago, just looking around for some videos and
that song, I don't know why, but it just popped
up and I was like, wow, I haven't never really

(01:45):
seen not actually I have seen the video back then,
but like to study it and kind of looked up
like about them. You know, usually that's what you kind
of go down the rabbit hole. But I just knew
the Andrea True Connection sample I was more familiar with.
I used to work for a bank and that was
our on the and they didn't have like a central

(02:06):
like you know, sound system, so they would always play
like a low CD. And that's the seventies class that was.
That was the one the would always I'm like, I
love this song, it's great. But no, not really. I
didn't know anything about them besides this song. And to
think that this is their third album, that's nuts, right,
it's craziness.

Speaker 3 (02:21):
I think the song, I mean, of course it was
everywhere off, yeah, but this is like this is the
time of like where I was like, man, fuck k
rock unless it's like flashback five hundred stuff. I was
just like, no, I at that time, I worked at
maybe i'd still at Walmart or maybe doing only weekends
at the Walmart and still working at the school district. Right, Yeah,
And I worked at Walmart. I was a bike mechanic

(02:44):
for Walmart. So I worked in the back, right, and
I would fix all the bikes and build all the bikes.
And at that Walmart it was like a central hub.
Like if you bought a bike at any of the
Walmarts around, you could bring it to our Walmart and
we would like tune up your bike. Right, So I
was me and another bike, like a bike mechanic who
actually into bike shop at one time. And then I
was like kind of like his helper. And he looked

(03:05):
like Alakis from Everclear. He he even like dyed his
hair blonde to even look more like him, and like
he was he was marryed and he had kids. But
he was like the guy that was like hooking up
with everybody at Walmart. It was funny. He was like
the Walmart rock star and he would play fucking ki
Ock and he would only play kay rock on the radio, right,

(03:27):
and I would bring in this is like how old
it was. So there was like tapes and CDs and
I would bring in CDs everyone's also when he would leave,
I would put in like either like the Substance album
or something like that, you know, like and then I
would play that, and but he just always wanted to
kay ok all. So it would be like in the morning,
I would get there or listen to Kevin and Bean,
and then we would listen to like the lunchtime thing,
and you would just hear the same fucking seven songs

(03:49):
over and over again at that time, and this song
would play all the time, like all the time. But
I mean it's it's a peppy song. You know, even
if like you hate that like this song doesn't you
can't help but like nod your head to this song.
You know it has the more and more more sample
which kind of like carries it. And that song is

(04:10):
like undoubtedly a great song. You know, it's such a
good song. So it's like you're gonna and then it
had every like weird trope, like it's it's weird, like
when you listen to this full album which I did
for this fudcast a, Yeah, it's so weird that every
song has a little bit of another song from like
four years ago that they kind of stole to try
to make a hit. It's really strange. But it's like

(04:33):
in every genre and like there's like a weird pop
punk song, there's like a weird like alternative like song,
indie song or even alternative song. There's a weird like
there's a lot of like weird hip hop songs even
like funk. Yeah. It kind of yeah, exactly like very
Dala Homa sapient kind of style, like indie kind of
like stuff. Bis Marquis on one of the tracks, which

(04:55):
is like weird. I mean, it's it's cool because I
love bis Marquis, but it's like Bismurkey's are he kind
of like old and a couple of years he passed
his prime, you know, like he still rocked it out
on this track, but you're just like, what's this guy doing?
You know, it's like it's almost like this someone Yeah. Well,
it's like it's like if I right now, you did

(05:16):
like a whole album of like music from like when
I was in high school, you know, where this guy's
a little bit older and he's like making songs that
sound like when he was in high school that were hits.
It's kind of yeah, yeah, yeah, yeah, so, but this
is a standout because it's kind of different, you know,
and I think a lot of the production from the
Dust brother that helped produce it. I think because the

(05:36):
production on this fucking song is amazing. When you listen
to it now, like off of Apple Music in my
car you blasted, Oh my god, it sounds great. It
pumps those speakers. Yeah yeah.

Speaker 2 (05:46):
The Dust Brothers, I only know of them from the
Fight Club soundtrack. Yeah yeah, that's how I know those
guys are phenomenal.

Speaker 3 (05:52):
Yeah yeah. Other than that, and then the fashion from
the the video is a big thing because I saw
the video like a million times, and like the fashion
from the video, it just reminds me of almost every
girl that I dated around that they look yeah that
kind of like you mean the pregnant.

Speaker 5 (06:08):
Sound pregnant, So that like.

Speaker 3 (06:10):
It's funny because it looked because I remember, like I
was dating a girl at the time and she would
get like the Dahlia fashion catalogs. I don't know if
you guys know what that is. Do you know what
that is?

Speaker 5 (06:21):
Dahlia? It sounds familiar.

Speaker 3 (06:22):
So there's this like there's like dah yeah, l yeah, Delia.
So there's like this fact and it was all this
kind of like ex girl fashion and like you could
it was kind of cool because you could just order
it from this catalog and it was like very like
hip and it was like, exactly what the sister what's
her name, Sharon? Sharon? Yeah, what she's wearing in Like

(06:44):
it's all like that kind of stuff, those wrap around sunglasses,
those like little baby teas and you know, and it
was that whole thing. And she would get the magazine
and the models were like our age at the time,
and I would be like, oh my gosh, like where
these girls.

Speaker 5 (06:58):
Live, like.

Speaker 4 (07:00):
Where Louis developed this type kind of you.

Speaker 3 (07:03):
Know, and it's very like it really, it just reminisced
like B York a couple of years before that. Yeah,
and it's just it's just that B York era. Yeah,
that nineties York like baby tea, baggy pants in those
like weird like futuristic sunglasses. You know. It's that exactly
the whole White two King.

Speaker 4 (07:26):
Era.

Speaker 2 (07:26):
Like for me, it's I I honestly dodged this song
around that and it's heyday you don't remember the song back.

Speaker 4 (07:33):
I The song really hit.

Speaker 2 (07:35):
Me when we saw a Dodger game. It was fan
appreciation night back in the mid two thousands, and it
was the last game of the year. The Dodgers didn't
make the playoffs that year, and we were leaving the
stadium and they started playing this song when we're leaving
and appropriate so still so right, and so it was like, hey,
you know, it's kind of fun, you know. And then
I started hearing it more on on you know, internet radio,

(07:58):
and and then like.

Speaker 4 (07:59):
It sounds pretty cool.

Speaker 2 (08:00):
And then you know, like as a ritual for us
after we do a podcast, we started watching review future
music videos to kind of talk about get some ideas
and what we want to do. And then you know,
this song came up on the algorithm. And then this
first time I saw the video was with you guys
not too long ago.

Speaker 3 (08:14):
And when we first started doing this podcast, yeah, back
in the days. My wife is like, you guys should
do that, so that like this is like way back then.
I like really like I like, maybe like the second
podcast that we.

Speaker 5 (08:26):
Do, she's a fan or just no, she likes the song.

Speaker 3 (08:29):
I mean she was a DJ at she was a
DJ for a radio station at the time, and she's like,
this is a hit. And she like, have you seen
that video? It's it's just like a time capsule time
you know.

Speaker 5 (08:38):
You know it kind of it's funny because it's it
was almost like a goof right, like we would hear
the song because yeah, I never really took it seriously,
but when you listen to it's a great hands down,
it's a good song. Like it's a you know, like
like you said, it'll make you like not and kind
of move. But obviously it's because of the more and
more and more. Yeah, but yeah, and his singing they're singing.

Speaker 4 (08:57):
Is it works?

Speaker 3 (08:59):
Yeah, I made it's a perfect one hit wonder.

Speaker 5 (09:01):
It's exactly completely perfect. It's a radio friendly song.

Speaker 3 (09:04):
And if you like it's so funny because I do,
you have you listen to the whole track because for
the video it's cut down, so there's like there's like
this ending part that's like this weird hip hop thing
that's kind of like it's not that good. But the
beginning part, the talking part, and then the talking part
in the middle that's there that's like no, I'm just
saying like that's like almost like a straight up I mean,

(09:26):
what they're saying is different, but it's so like sweater
song from like Weezer, which did that too, you know,
and then also Arrest in Development Tennessee has those those
little parts too. It's like there's all these like cribs
from his songs that you could almost like if you
listen to music from that time, you're just like, oh,
he stole it from there. It's a direct ripoff. It's

(09:47):
so crazy, you know, like and it makes sense like
now when I'm like looking back at it, but back then,
I was like, oh, yeah, there's you know, there's this
weird interluwe where they're talking about their friend who's depressed
and they want to bring him tarts, you know, which
are like a thing from Canada, you know.

Speaker 5 (10:00):
Watching that mini doc we just watched right now about them.
It's funny because he said that repeatedly, right, They kept
saying that, like the music project was really just to
annoy Yeah, right, And you know, listening to the whole album,
it's like, don't stop the mom rush. It is kind
of like because you know, you're expecting more of the
Steel My Sunshine songs, but you don't get that. You

(10:21):
get like there's a lot of hip hop app style
music right to it, and like you said, as some
punk rocks and pop punk stuff.

Speaker 3 (10:26):
And there's even like a weird, canny experimental graft works song.

Speaker 5 (10:31):
Too, absolutely like cynthy kind of stuff with all vocoder.
Huh yeah, that one that's so strange.

Speaker 3 (10:37):
It's like in a German accent too. It's a German
accent also. Yeah.

Speaker 5 (10:41):
So I think they were just trying to they're kind
of messing with people almost, you know, like they have
the money and it's like, hey, I can do whatever.

Speaker 2 (10:47):
I think they just got on like a lot of
fucking meth recording. What it is it might be as
a recording where the they felt like main.

Speaker 5 (10:57):
God, he he's been recording since he was like a
team like a young Yeah, so he's really interested in
I can see him like being eclectic and like mixing
a lot of different genres together, you know. But I
don't think he really had like a specific vision and
what kind of music to make. It was more really
like to bring in people he knew and then but
if he was able to make money off it, there
you go. Man.

Speaker 3 (11:16):
What's is his name's Matt Mark Marcus Manzo, Marcus Donzo.
So he is someone who's like was a part of
maybe the Canadian indie scene and that's why. I mean
he has a lot of close relationshs with like some
forty one at that time. And then broken social scene,
you know how it is, especially when we've started getting
into like a community, start just jamming with other people
and writing stuff, and it just seemed like that was

(11:38):
what he was what was happening in you know, there
was like this like indie scene and they were just
hel They would stay up all night, get fucked up
and then write songs or good ideas, and I mean
they would party. Yeah, who hasn't done that a million times?
You know, turned the four track on and you you
know saple something. Yeah, yeah, exactly. But I mean he
got big and he got money, so he was able to,
you know, put a little bit of backing behind it.

Speaker 5 (11:59):
Whenever they wanted to do.

Speaker 3 (12:00):
He could write a cool fake song of a different genre.

Speaker 5 (12:04):
You know.

Speaker 3 (12:04):
Like even even that like sym Woll Coder song, it's
still kind of like, well this is kind of cool.
It just doesn't make sense in this album at all,
and it is kind of cheesy, but the productions really well.
And like if someone if he sold this to like
another band, that would probably do it add a little
bit of their flavor to it, it actually might be
a really really cool song, you know.

Speaker 5 (12:24):
I think that's one of the things. If they if
he just like like honed his sights on a certain
kind of genre or maybe like trim the fad a
little bit, I think, you know, production wise and songwriting wise,
they've got something going on.

Speaker 3 (12:34):
Yeah, but it makes sense that it was just to
piss people off. It's like, oh, we're just gonna do
every song different.

Speaker 5 (12:39):
And I mean even all his interviews and even all
the performances like the one it's like a Canadian TV
show that they showed it on there in the mini
doc but him and his sister are wearing these huge
clown suits and they're singing steal My Sunshine while the
guys spinning the records are playing, and in between the
rappers would come in and start doing like a drop
of verse. So again, they're just trying to like fuck
with people.

Speaker 3 (12:58):
I think they're like the Andy Kaufman of Yeah, Halifax.

Speaker 2 (13:03):
I mean, yeah, like they didn't really take themselves too seriously.

Speaker 4 (13:06):
I guess right, that's what that's the like.

Speaker 2 (13:09):
You know, they didn't like the song actually got big.
They felt really uncomfortable by that kind of thing.

Speaker 5 (13:14):
Yeah.

Speaker 3 (13:15):
The album. The album feels like I could go to
my my hard drive right now and all my sessions
of all my songs that I have, and I just
picked like the nine ones I like the most, and
I just put them on an album and they're gonna
be dramatic. There's like a jazz song on there, just
because like whatever I was writing at that time, you know.
But it's just like I just grabbed it and like
dumped it onto an album. And that's what it feels like.
He just grabbed a bunch of things. He's like a

(13:36):
bunch of Proctice projects he's been working on, and dumped
him on this album.

Speaker 5 (13:39):
Because he can at that point. Yeah, yeah, he's got
that hit single.

Speaker 4 (13:42):
Yeah, So it's not like a prog rock album by sticks.

Speaker 2 (13:44):
No no, no, no unifying story, the opposite of last album.

Speaker 5 (13:51):
But I did the bulk of my research on Andrea
True because she did about more than fifty adult movies.

Speaker 4 (13:57):
Now, were you serious?

Speaker 5 (13:59):
Yeah?

Speaker 4 (14:00):
Is a porn start. Yes, I had no idea.

Speaker 3 (14:02):
Girl really he is?

Speaker 5 (14:04):
No, I didn't know she's uh in Sweden, that's where
where she's from. No, that's not where she's from, but
that's where she made the movies, and then even here
from the seventies, I think even early eighties a lot.
And then she after a while when she got her
she really wanted to be a musicians singer, and she
got that hit, and then she thought, you know what,
I want people to think I'm I'm an artist rather
than because that's what she was known for, is her

(14:25):
poor in pornography that she was. I had no clue
he has something.

Speaker 4 (14:30):
I guess some research.

Speaker 5 (14:30):
Right, I'm done with that.

Speaker 3 (14:36):
I'm gonna write a biography now because remember.

Speaker 2 (14:38):
When Tracy Lord's actually had a you know, a movie career. Yeah,
like she had not a movie career per se, but
like she actually did a record as well. Really nice
they played I think the clubs too, you know, back
in the day when we used.

Speaker 3 (14:49):
To go, oh yeah, I tak a velvet.

Speaker 2 (14:51):
Hit, right, yeah, velvet hits hit. That's right, our generations
and true. Okay, so I guess we recapped each one's histories.
We'll be right back after these messages now.

Speaker 5 (15:03):
Recapp recap, recap, the recap of the recap.

Speaker 4 (15:08):
All right, it's time for some pop quiz.

Speaker 3 (15:11):
Here we go, so Lynn, still my sunshine pop quiz.
Guess what it's about? Is it about lymb It's about
the sun? Baby, Oh, it's about sunshine itself.

Speaker 4 (15:21):
We're getting sun facts.

Speaker 3 (15:23):
This is the kind of a weird questions. Here we go.

Speaker 4 (15:24):
Is it movie sunshine?

Speaker 3 (15:26):
It's movie sunshine? Boil sunshine? All right, Here we go.
It takes eight minutes for light from the Sun to
reach the Earth. Before that, how long does it take
for light to travel from the Sun's core to the
Sun's surface. Here we go, question right, I'm when to
you first with us? Right, A ten minutes, B, three weeks,

(15:47):
C nine months are D two hundred thousand.

Speaker 4 (15:50):
Years from the Sun's core to its.

Speaker 5 (15:52):
Circuit surface and then from there too? Oh man, crazy,
I even know. Let's go with D. Let's go all
in one thousand years, my friend, you are correct, yeah years, Yeah,
you're right.

Speaker 3 (16:04):
The fact it takes a significantly longer time for it
to go through the core to get to the end
of the sun.

Speaker 5 (16:10):
Considering this, yeah, huge, right, yeah.

Speaker 3 (16:12):
Possibly millions of particles are coming out of it, you know,
so it just takes longer for it's so dense. You know,
it's crazy. Here we go out all right, the Sun
is considered to be a medium sized yellow dwarf star.
But how many earths would it take to fill the
volume of the sun. Here we go, ay nine earths,

(16:34):
B five hundred and forty earths C one point three
trillion earths are D four billion earths.

Speaker 4 (16:41):
I go, it's four billion earths.

Speaker 3 (16:43):
You are correct, wrong, it's actually one point three million.
So the Sun's volume is three hundred and thirty eight
quad trillion cubic miles. Well, Earth is is only two
hundred and twenty nine trillion metric miles. So trillion.

Speaker 4 (17:02):
Yeah, pathetic.

Speaker 3 (17:03):
Yeah, we are on a lane, little.

Speaker 5 (17:07):
Planets a lot, and I imagine filling that in well.

Speaker 3 (17:10):
And that's why it's so far away we can still fill.
It's so crazy, right, Bryan. Number three, The Sun is
considered to be probably in it's like middle age right now,
right right, it's middle aged. It's around what forty five
or something like.

Speaker 4 (17:22):
That, so it's still you know, working in a cubicle something.

Speaker 3 (17:25):
Yeah, it's going to go through it's a midlife crisis
pretty soon.

Speaker 4 (17:27):
It's cyber truck.

Speaker 3 (17:30):
It's a bite a cyber truck pretty soon. But how
long will it take before it's death. Okay, we're going
to go A for four thousand, five hundred years, B
eight hundred thousand years, C seven point eight million years,
are D six point five billion years.

Speaker 5 (17:48):
It's gotta be billion. I'm gonna go with billions billion.

Speaker 3 (17:50):
And you're so good at that, you're correct.

Speaker 5 (17:52):
Yeah, I'm only going big because it's the Sun. Yeah,
that's what I'm thinking.

Speaker 3 (17:55):
Yeah, it's gonna take a long time for that hydrogen
to expand and then blow up and turned into a
black hole.

Speaker 4 (18:01):
I'm glad we're you know, we're gone.

Speaker 5 (18:04):
We're long gone.

Speaker 4 (18:04):
We'll get away gone and black hole sun and uh right.

Speaker 3 (18:07):
Yeah, will probably be like there'll be robots everywhere, and
it'll be like AI, there'll only be robots alive. Okay, right,
I mean al the mass of the Sun accounts for
ninety nine point eight of the mass of the entire
Solar system. You understand that.

Speaker 4 (18:22):
Yeah, that's a lot, it's a lot.

Speaker 3 (18:23):
RW. But what makes most of the other zero point
two percent of.

Speaker 4 (18:28):
The Solar system?

Speaker 5 (18:28):
Yeah?

Speaker 4 (18:29):
Just empty dark matter?

Speaker 3 (18:30):
Well I'm gonna give you turn out, professor. Here we
go a dark matter B Jupiter, C comments D. Nobody
will ever know.

Speaker 4 (18:43):
I'm standing by my first answer.

Speaker 3 (18:45):
Dark latter, Well, you're completely wrong. It's actually be Jupiter.
Jupiter is so huge it actually takes up a humongous
part of the Solar system.

Speaker 5 (18:52):
Wow, it is.

Speaker 4 (18:53):
It is insanely huge.

Speaker 3 (18:54):
Yeah, so you should have known that before you answers wrong.

Speaker 5 (18:57):
Yeah, set me straight. That's that big?

Speaker 1 (19:04):
Is that?

Speaker 5 (19:04):
I mean, I know it's big, just one, but dang.

Speaker 4 (19:07):
Have you ever been to this one site like on
on the internet? Right?

Speaker 2 (19:09):
It's uh, it's like imagine like you're you're flying from
the Sun. You're starting from the Sun and then going
you know, like going through the entire Solar system.

Speaker 5 (19:18):
But each each.

Speaker 2 (19:19):
Pixel or like I don't know, like a square pixel
represents a you know, like a mile in space, and
so like between after Mars, before you get to the
you know, the Jovian planets, the gap is enormous.

Speaker 4 (19:33):
Like you don't even just utter nothing.

Speaker 5 (19:36):
Right until you got the asteroid belt right there.

Speaker 4 (19:38):
Yeah, it's crazy.

Speaker 3 (19:41):
A question about that. Here we go, right. The ature
world who had many myths and legends to explain solar eclipses,
including the Chinese dragons and the Vikings sky wolves, but
the Vietnamese folklored what creature caused the eclipse by eating
the sun? Here we go for spring, rolls, dark matter, glass, noodles. Okay,

(20:01):
here we go. Hey a frog? Be a horse? See
a demon? Or d a snake?

Speaker 5 (20:09):
A demon?

Speaker 3 (20:09):
You're wrong? A frog? Yeah? So in Vietnamese porklore, a
giant frog would escape its master and go and eat
the sun. And then that's when it was ah.

Speaker 5 (20:20):
Interesting, interesting, right, you stole the sunshine? Right?

Speaker 3 (20:24):
The Aurora borealis, the northern lights are caused by the
disturbance in the Earth's atmosphere due to solar winds. But
what is the name given to the phenomenon when it
occurs in the southern hemisphere? All right? Aurora corales, Aurora, Australias,
Aurora alacticus, are Aurora meridium Aurora? Me?

Speaker 4 (20:46):
This is down under it I'm going with Australias.

Speaker 3 (20:49):
You're correct. So yeah, so it's no for the Roman
god of dawn. So that's all I guess that's what Australia.

Speaker 4 (20:56):
I had no idea.

Speaker 5 (20:57):
Give me second, Okay, we can't see.

Speaker 4 (21:01):
Canada, believe me, I'm blind.

Speaker 3 (21:03):
That's right, you guys. Ready for lightning? Lightning? Around here
we go?

Speaker 5 (21:08):
Oh, man, it's getting chilly in here.

Speaker 3 (21:10):
So we're going because we're talking about a Canadian band.
Let's see. How about you guys know about our friends
to the north Canada. Oh no, right, Oh, here we
go pop Quay's true or false. Canada is the second
largest country in the world.

Speaker 5 (21:23):
It's true.

Speaker 3 (21:24):
That is true.

Speaker 4 (21:25):
Wow, I had no idea.

Speaker 5 (21:26):
Are we going?

Speaker 3 (21:27):
Popways is back and forth?

Speaker 5 (21:28):
Right? Yeah?

Speaker 3 (21:28):
Ok, here we go out. The coldest capital is Ottawa,
the coldest capital in the world. True or false.

Speaker 4 (21:34):
The coldest capital in the world. World, that's a false.

Speaker 3 (21:38):
You're correct, the second coldest capital first, because I think
it's like somewhere like in Russia or some of that,
right Sandavia, Yeah, Ryan. Canada has nine providences in three territories.
True or false?

Speaker 5 (21:51):
Like eight. I'm gonna go with true.

Speaker 3 (21:54):
It's false.

Speaker 4 (21:54):
There's a sweeper at you, right.

Speaker 3 (22:01):
Oh. Montreal has the world's second largest speaking French language
other than Paris.

Speaker 4 (22:07):
That is true.

Speaker 3 (22:08):
That is true.

Speaker 2 (22:09):
Been there saying how that place is.

Speaker 3 (22:13):
It's awesome, though, Ryan. True or false?

Speaker 5 (22:15):
When sorry?

Speaker 3 (22:16):
Four cities in Kinada have the population over one million.

Speaker 5 (22:19):
Yeah, that's true.

Speaker 3 (22:20):
That is true. Toronto, Edmonton, Vancouver, Calgary, and Montreal.

Speaker 5 (22:27):
True.

Speaker 3 (22:28):
Oh, Canada has six time zones true or false?

Speaker 4 (22:32):
False?

Speaker 3 (22:33):
Nope, that's true. That's crazy, right six?

Speaker 4 (22:36):
What did they call them?

Speaker 3 (22:37):
They call them? I don't know. I didn't write those owns.

Speaker 2 (22:39):
Is it like Mountain Pacific, Super Central, Vega Central.

Speaker 3 (22:43):
I don't know.

Speaker 4 (22:43):
Australia, Australia, Australia as Central.

Speaker 3 (22:47):
Mediterranean ran Ran. The coldest temper ever recorded in Canada
was negative sixty three celsius on February third, nineteen fifty seven.

Speaker 5 (22:59):
Fourth I would go true, that is true.

Speaker 3 (23:03):
It was in the Yukon.

Speaker 5 (23:04):
There we go really cold.

Speaker 4 (23:06):
Huh dang oh, I'm living in the ice age.

Speaker 3 (23:10):
Scant Tune, Saskatra is reported to be the sunniest place
in Canada, with two thousand, five hundred and thirty seven
hours of sunshine per.

Speaker 4 (23:17):
Year and no sunshine was stolen there.

Speaker 3 (23:21):
Try to still their sunshine.

Speaker 4 (23:22):
You can't, you can't. It's like vampires just like hate
that place. That's true.

Speaker 3 (23:26):
Nope, it's false. Heaven it's Eastern van.

Speaker 5 (23:32):
You didn't know that.

Speaker 3 (23:34):
You don't know?

Speaker 2 (23:35):
Right's busy researching and true episode.

Speaker 3 (23:42):
Right? Sure fault the population Kinada twenty eleven. No to
go back to field eleven. I'm going was approximately thirty
four point three million.

Speaker 5 (23:50):
Sounds hard. That is true. Yeah, for a big country,
second largest people.

Speaker 3 (23:56):
Well, Knada hosts the Olympic Games three times, seventy six
in Montreal, nineteen eighty eight in Calgary, and in twenty
ten in Toronto. True or false?

Speaker 4 (24:06):
That's false.

Speaker 3 (24:07):
That is false. In twenty ten it was Vancouver.

Speaker 5 (24:09):
Yeah. Winter, you're saying that winter limit.

Speaker 3 (24:12):
Yeah, yeah, Ryan, I think you might know this one.
The world's largest totem pole was raised in Victoria, Canada,
in nineteen ninety four. It stands fifty four point ninety
four meters.

Speaker 5 (24:24):
Tall, probably in Saskatoon.

Speaker 3 (24:25):
But true, it's true. How Queen Elizabeth the Second is
the Canadian head of state.

Speaker 4 (24:34):
That is true.

Speaker 3 (24:34):
That is true.

Speaker 4 (24:36):
Yeah, she's in the money. That's that's how Ryan.

Speaker 3 (24:39):
The English version of Canada's national anthem was written by
Robert stan Lee Weir for the Diamond Jubilee in nineteen
seventy four.

Speaker 5 (24:47):
That's false.

Speaker 3 (24:47):
That is false. It was nineteen twenty seven.

Speaker 5 (24:49):
He's got to be seventy four, Yeah, right around for
a while.

Speaker 4 (24:53):
Yeah, Andrea true was you know, starting her career.

Speaker 3 (24:58):
Obsession forty Andrew shoot and I was the national flag
of Canada came into being in nineteen seventy five to
replace the Union Jack.

Speaker 5 (25:08):
That's a good question. Now I'm talking about the Maple
Leap now right right, the modern I don't know they
have the Union jet, but that makes sense.

Speaker 2 (25:16):
I'd say it's probably nineteen seventy three, so i'd say false.

Speaker 3 (25:20):
False. It's nineteen sixty five, so twenty years earlier than
I said.

Speaker 5 (25:24):
But still that's a pretty recent recent I didn't even
know that.

Speaker 3 (25:27):
Okay, all right, Ryan, Number fifteen. The West Edmonton Mall,
once the largest wall of the world, is now the
fifth largest indoor shopping mall, but still claims to have
the title of the largest indoor amusement park. True or false?

Speaker 5 (25:39):
This is true.

Speaker 4 (25:40):
That is true.

Speaker 3 (25:42):
Oh, the Cian Tower in Toronto is the world largest
free standing structure.

Speaker 4 (25:46):
Free standing structure.

Speaker 3 (25:48):
Yeah. False, that is false.

Speaker 4 (25:49):
Yeah, there you go.

Speaker 3 (25:51):
Last one, Ryan, Canada is the largest producer of pottish
in the world. Pot a spot a s h. It's
like a magnesium like they get magnesium from it.

Speaker 5 (26:01):
Oh Man.

Speaker 3 (26:02):
False, that is false. They're the world's largest producer of uranium.

Speaker 5 (26:06):
Really wow, radiated.

Speaker 2 (26:10):
It's crazy there you guys, go all right, that's the
pop quiz.

Speaker 4 (26:15):
Let's talk about the music video, guys.

Speaker 3 (26:17):
So again, let's do a little bit of backstory about
the song. Song song song, right. So Mark talks about
how he went raving all one night partying, probably got
super drunk and high, and then went back to the
studio with his buddy, who is Brandan from the social
from this, he's going to be future in the social scene,
broken social scene, right, and he played him more and
more more.

Speaker 5 (26:36):
Yeah, he was djaying right right. They're just kind of
hanging out there.

Speaker 3 (26:39):
And that's classic when you've got home from the club.
You're still kind of messed up, but you want to
keep the party going. There's some tur there's a there's
a record player. You're gonna put something on. Rights, of course,
So he woke up in the morning and then decided
to sample the song, right, So that's kind of like
the whole like nugget of the song. That's when he
woke up his sister right the next.

Speaker 5 (26:59):
Day when they were what he wanted to record record it. Right.

Speaker 3 (27:02):
Then he recorded the song, did all the song and
then put it underneath his bed where it did for
like a year, right, collecting dust. He said, the reel
was all like all dusty and stuff, right.

Speaker 2 (27:10):
And she's like, you know fine, she sang her parts
in the gun completely forgot about it.

Speaker 4 (27:14):
Yeah yeah she did here, it's like a chore.

Speaker 3 (27:16):
It seems like she was just kind of like whatever,
you know. Yeah. So then his one of his friends,
who was like a kind of a R a R
guy for record label or something like this, right, heard
the song and said like this is a good team.
He pushed for it, performed to do it. So then
they they ended up adding more to it. They did
the talking parts and stuff like that too. Right, That's
when he talked about like, oh, one of the guys,
Derek from some forty one was in the studio with us,

(27:37):
and then the guy from Broken Social Scene is one
that did some of the talking right with the conversation
back and forth, the conversation very quickly.

Speaker 5 (27:44):
Their first two albums no hits, right, there was nothing big,
but it was released in like major record labels.

Speaker 3 (27:49):
Was it. I didn't know that.

Speaker 5 (27:51):
I thought, No, they weren't big, right.

Speaker 4 (27:53):
No, No, they were just underground.

Speaker 5 (27:54):
I mean, you know, they were.

Speaker 6 (27:55):
Just starting out and probably released like a punk band
and stuff.

Speaker 3 (27:58):
Like that, and I think the two albums sounded differently too, right, So.

Speaker 2 (28:01):
Okay, and it's funny he's like the royalties that he
got the broken Social Scene guy from the song, he
got twenty five hundred dollars for it flat fee, right,
he just used it to buy gear for his start
his you.

Speaker 3 (28:14):
Know, the two albums were recorded independently, okay, and then
this one it came more with like a like a
I mean you could tell it. There's a lot more
hipni influence to and stuff like that. So so that's
just kind of like strange, right, they just he's just
I think he was just a guy that was, like
we said, from before, he was just writing songs and
he's kind of like stockpiling them, you know in different
prolific yeah stuff.

Speaker 2 (28:34):
So okay, So video basically starts through at an airport,
you know, getting ready to fly.

Speaker 4 (28:39):
See the cinnabon right there.

Speaker 3 (28:41):
Well you could tell it. They talked the record company
wanted to make a video, right, so the record so
they said that they they had in their contract that
they do their own art for their albums and they
record their own videos. So you know, he directed the video.
So there's a lot of like numbers that go around.
But what I got was they got one hundred and
fifty thousand to budget for this video.

Speaker 5 (28:58):
So and again very smart move, right. This guy knew
what he wanted to do and he was able to
pull it off.

Speaker 3 (29:03):
Well, he's kind of doing like the DIY thing, you know,
he's still trying to keep those punk ethics exact ethos.
And it was a five day shoot and they spent
a lot of it on the flight on. Yeah, they
brought all their friends with them.

Speaker 4 (29:15):
Right flying how many like those guys like.

Speaker 3 (29:17):
We didn't count, but there's a lot of people that
it does.

Speaker 5 (29:19):
At least the mini docs said.

Speaker 3 (29:21):
There's like three girls, right, and then the rest of
our all dudes, right, And you could tell that they're like, Okay,
let's just start filming, you know, like here, you know,
it's so funny.

Speaker 4 (29:27):
It's like a very real world kind of style.

Speaker 3 (29:29):
Oh, it's so MTV. It's so crazy for that.

Speaker 4 (29:33):
Time party, that kind of stuff, the spring break.

Speaker 3 (29:36):
Yeah, so real world. So I think that's maybe why
it's such a time capsule of that time. It's so crazy, right, right,
So the five day shoot, they would start every day
for the recording at one pm because they were so
hungover from the night before.

Speaker 4 (29:49):
Buy enough five hundred pounds of booze. I guess right.

Speaker 3 (29:52):
Yeah, they bought five thousand dollars worth of liquor to
last them for five days of the recording. They broke
the elevator taking it. That's a big thing. There was
no permits for any of the shots. They originally wanted
to rent Harley Davison's, which would have been weird to
see them writing Harley Davison. Instead, they were able to
rent the motor scooters because that rental place took one

(30:14):
person who had a license morecycle license and then but
then gave them all scooters because you need it. You
still need a moticycle licence for those schools driving around, right.
But they were able to get them all the scooters,
and that's why they did scooters instead, which makes a
lot more sense for this whole video.

Speaker 2 (30:27):
I mean, for the vibes of this video, like Harley,
just the kind of song this is, and that's just
like Hardley is like the opposite.

Speaker 5 (30:34):
It would work.

Speaker 4 (30:35):
But yeah, those scooters with the vice stickers on them.

Speaker 5 (30:37):
What's with the vice stickers? Was anything on that?

Speaker 3 (30:39):
It said that he had some like connection to like
publishing and in Canada before and I was looking up
Vice like if he had a connect and it said
that in one of the docs that I watched, it
said that he did have a connection with Vice, but
like a really early connection, maybe when it was like a.

Speaker 4 (30:56):
Zene Advice was still a zen or on that.

Speaker 3 (30:58):
Yeah, right, so maybe he had a little connection to that,
but he's not anywhere like when you do a Google
search like his name and Vice rather than like stories
about Lynn, there's nothing connected. So I think he was
just like an early contributor or an early something device.

Speaker 2 (31:11):
I could so, so you think they ran the scows
and they put the Vice stickers on the Yeah, I.

Speaker 3 (31:15):
Think they put the Vice stickers on the scooters. So
maybe he still had a connection or.

Speaker 5 (31:19):
You know, a little plug, right.

Speaker 3 (31:21):
Yeah. And at that time, like Vice is a Canadian,
it was a Canadian thing, you know, that's where it's from.
I don't know, Yeah, Vices Canadian. So it was just
like probably promotion to some people he knew, you know,
I bet you. So I try to do a little
bit more retental on that, but I couldn't really find anything,
so I would have had to do like really crazy
and say research on it, you know. But I could

(31:41):
see like, you know, him being a part of like
the punk scene and the whole music scene there and
him getting kind of stuff in that way get written
that by advice, Yeah, yeah, totally, or maybe doing.

Speaker 5 (31:52):
Like hung out in the same circles.

Speaker 3 (31:53):
Yeah, exactly.

Speaker 2 (31:54):
He knew the guy, and I was like, hey, I
got these vice stickers, you know, just put him the
thing and he might.

Speaker 3 (31:58):
Have wrote a story about getting fucked up out a rave,
you know, like yeah.

Speaker 2 (32:03):
But yeah, so you know, we got the dynamic of
basically you know, Mark and his sister Sharon, Yeah, and yeah,
just they just chilled, very happy, go lucky, and she's
riding behind him on the on the on the scooter.

Speaker 4 (32:16):
He's singing.

Speaker 2 (32:16):
You know, he's just wearing his Yankees hat like it
looks very breathy, but some optimistic voice of his.

Speaker 5 (32:25):
I mean that's what the song is about, right, I mean,
And it's kind of like the enjoying and.

Speaker 3 (32:29):
He's using like every single trick that you can with
for a cheap video, which is like slow SlowMo, and
then you know, singing it halftime so it matches up.

Speaker 2 (32:38):
You know, it was off though a couple of times
when the steal My Sunshine with she's singing it, he's
not even saying it, but you hear it anyway.

Speaker 3 (32:45):
Yeah, they're just probably doing it on someone.

Speaker 5 (32:46):
You got the Agley comic book.

Speaker 3 (32:49):
Yeah, and then all the boxes and everything like yeah, actually.

Speaker 2 (32:55):
I mean that that's kind of what separates it from
other music videos, you know, And I remember that was
kind of like the like that the yeah, the slow
mo Happy Go Lucky, Semi fish Eye lands, you know,
like that. Like I even like I knew it became
a cliche when I saw a mariachi band doing the
same trick and their music videos too.

Speaker 4 (33:11):
They're in the limo all partying out.

Speaker 5 (33:13):
But they're right but at the same time, the same time,
around the same time. Yeah.

Speaker 2 (33:18):
But but the thing is, like the lyrics of the song,
it's about a guy coming down from being from drugs.

Speaker 5 (33:24):
But but maybe that was his experience, like all this
fun and all this absorbing nature and whatever, the sunshine
and then coming down then he started you know, when
you start thinking about like what he just did the
past three days? I think, right, that's how long he
was partying for.

Speaker 3 (33:36):
Oh yeah, I mean it's kind of like you steal
my shirt, I'm not gonna be happy. I'm over. I'm
all like that, and you know, you know, after you
hard depression, you know, Like so.

Speaker 2 (33:46):
There's a discussion. I went to a Reddit thread about
this song. Someone was said that Sunshine is actually a
name from the Mollies that they were music and they
were like, you know, steal.

Speaker 4 (33:56):
My Sunshine is like someone's trying to steal their.

Speaker 5 (33:58):
Mollies, right, which in taking away their their party.

Speaker 3 (34:02):
Yeah, that makes a lot of sense to my buzz man.
It's this video makes so much sense that how it looks.
I mean, it looks like an MTV TV show and
all that stuff like that. When I was listening to
the whole, I mean, this sounds like a Canadian band
filtered through the Daytona Beach, Florida filter. And this is
exactly what you get, right, I mean, it's so like,

(34:25):
if not I would think these guys are from I
thought they were from Florida. Originally, yeah, they looked apart
they look like they're from Florida. Yeah yeah, but then
there's something a little off, like they're in Florida.

Speaker 4 (34:35):
That's not gonna fly.

Speaker 3 (34:36):
And it's something different, right, yeah, but it's like I said,
four years a little too late with a lot of
like the sounds and stuff like that. You know, so
it makes more sense, you know that. You know, if
you're not from like a big city, you get things
a little bit later. I mean before, not now now
everything you get.

Speaker 1 (34:51):
Yeah.

Speaker 3 (34:52):
Yeah, but even like I was talking to people who
are from like Hawaii and we were talking about the
song Party at ground Zero. We're talking about Party at
Ground Zero, and there's only oh, oh what year that
movie that's not fish Bones Fishbone, right, And I go, oh,
it's that's nineteen eighty five. I know that's nineteen eighty five.
That's just it's so in nineteen eighty five. It's about Reagan,
it's about like nuclear holocaust, you know, it's about all

(35:12):
that stuff. And then she's like, no, it's from like
about the nineties. I think I think it's like eighty
nine because she's from Hawaii.

Speaker 2 (35:18):
Like they didn't, oh they m the culturally behind.

Speaker 3 (35:22):
Yeah, yeah it's And then and then they told me like, oh,
you know Fishbone used to travel here all the time
and play them in like the nineties, right, And I
was like, oh, yeah, that makes a lot of sense,
and it does have that weird that Canadian a little
bit behind the time, but Florida with a little bit
of Florida on it.

Speaker 5 (35:37):
I mean, you know, there's there's parts of the world
where they're still doing the New Higgins as if it
was like a brand new thing.

Speaker 3 (35:42):
Yeah.

Speaker 5 (35:43):
Yeah, it's kind of like that, yeah, where it does
take a little bit of I don't know what it is,
publicity or whatever it is, but sometimes some parts of
the world.

Speaker 3 (35:50):
Yeah, I'm not trying to speak like some coastal elitis
early you say, like some stuff back in the days,
it would take long for things especially.

Speaker 4 (35:57):
I mean they barely bought a lin Drome.

Speaker 3 (36:00):
You're ready to buy a Lindro like you can.

Speaker 4 (36:02):
Be getting, you know, like a more updated drum machine.

Speaker 5 (36:06):
I have a feeling he likes more is a classic man,
I'd get an drum.

Speaker 3 (36:12):
But I talked about other other things too that you know,
whenever a record company would give Himney would go buy
like vintage gear all the time, and it was just
like a he seems like kind of like a nerd,
like a music nerd, you know.

Speaker 5 (36:22):
Like and he's been doing it for a long time,
so you know, he knows what he likes, right, yeah, yeah.

Speaker 3 (36:26):
I was reading a lot of the comics about people,
I mean the in the comment section about how people
were when they were young, how they were so surprising
a pregnant woman on a music video partying really And
I think that was shocking when I was young when
I did see this video too, because she's all, she's
all she's like Dan too, and she like has her
shirt lifted, like you can see her belly. And I

(36:47):
was like, oh, yeah, that's true, Like you didn't really
see that. That was kind of shocking back then, you know,
that was pret like.

Speaker 2 (36:53):
I guess, yeah, you don't really see that that kind
of thing, especially in a music video.

Speaker 3 (36:57):
Yeah, yeah, you know, but.

Speaker 4 (36:58):
I think it just yes, she just happened to be there.

Speaker 5 (37:00):
It was it's a happy man.

Speaker 3 (37:01):
She's one of the friends. She was one of the
she's one of the three girls. That's that they slew
her in then and everything, you know.

Speaker 4 (37:08):
With the sister, I thought she was just a pedestrian.

Speaker 5 (37:10):
Think she was she was in the bar scene.

Speaker 2 (37:13):
She's but she was in the bar, but that was it,
Like she wasn't in like the scooters or no.

Speaker 3 (37:18):
No, no, no, she's on the she's on the dock.
She's on the docks.

Speaker 5 (37:21):
I think she was jousting one of them. And is
that her.

Speaker 3 (37:25):
Talk about the jousting, Yeah, the American that jousting. I remember,
like you know, every beach at that time they had
that like set up, and I was like, oh, that
seems like weird.

Speaker 2 (37:35):
I mean, this kid just jumps, you know, but in
a very homerotic way. Though.

Speaker 3 (37:40):
They seem like don't they just seem like the drunkest,
most annoying people, Like you don't want to be Yeah,
you're the guy who's working the jousting, collecting tickets and
like these other fighting You're just like fox these I
got a lot of customers here, you know.

Speaker 5 (37:54):
Yeah, I can guys see him being like, yeah, they
come down.

Speaker 3 (37:58):
You know, you go to another city, you get all
messed up, and you just abuse the people's city.

Speaker 5 (38:03):
Like you know, I guess their whole like ideals are
like pissing everybody.

Speaker 3 (38:08):
Yeah, yeah, they want to just piss people off.

Speaker 5 (38:09):
Be bright and loud, the same. Yeah exactly.

Speaker 2 (38:13):
There's like people on kick you know, kick streaming that
that's like their entire purpose is to piss off people.
They prank people, they get in their space and then
you when they get a reaction, they win, They have content.

Speaker 4 (38:27):
It's a streaming service, you know.

Speaker 2 (38:28):
It's so it's like a YouTube doesn't allow that kind
of stuff anymore, but this platform does. So that never
never to Kick good because it's horrible if your son
starts watching stuff from kick you know, be careful, right
because there's a lot of jerks there. Their trick is
not to be funny or make you laugh. It's just
to make you fuckingis piss.

Speaker 5 (38:50):
And then get content out of it.

Speaker 4 (38:51):
And get content out of it.

Speaker 3 (38:52):
And have you been Have you been kicked before? It
sounds like.

Speaker 2 (38:54):
It's no, but something something's gonna go down if I
ever get some.

Speaker 5 (38:59):
People don't some people get hurt.

Speaker 4 (39:01):
Some people do get hurt.

Speaker 5 (39:02):
Yeah, all of a sudden.

Speaker 3 (39:03):
We like Alvion for the thing because he killed fourteen
year old kid who put a cone on his head
and took off running ice cream cut you know, like
the street up.

Speaker 2 (39:14):
I could see him beat kickstreamers. But yeah, I think
that you know, they're they're a little too.

Speaker 5 (39:18):
I just feel like they're going to be a little
bit more.

Speaker 3 (39:20):
I think that's why I think I have a feeling
like that's why a lot of people are relating to
this video now because it is very like YouTube. It
is very like real world and like they're just like
fucking around and it looks like one of those like
YouTube guys who owns a warehouse and they're like doing
weird ship in there, you know, for like.

Speaker 5 (39:36):
They have a channel, right and yeah, actually, yeah, yeah,
actually put up.

Speaker 3 (39:40):
We're gonna spend four hours trying to make a water
bottle stand up, you know, like or whatever they're doing.

Speaker 5 (39:44):
You know, exactly.

Speaker 3 (39:47):
I could see why this is like a lot of
people relate.

Speaker 5 (39:49):
I never thought about that, but you're right, it is
now more so than ever. This is relatable because like
the little stunts are doing, Yeah, that's something they would
actually feature in one of these.

Speaker 3 (39:57):
They're on the little the little scooters all like a
the kids have the little scooters now and are doing
like mobs and stuff like that.

Speaker 4 (40:03):
You know.

Speaker 2 (40:03):
It's but I don't know, but this one feels a
little more organic, like they were themselves.

Speaker 4 (40:07):
They're not like following a script.

Speaker 3 (40:09):
No, no, that that's the whole thing. They just did ship
and they didn't and recorded it and then edited it later.
So it's that's why it feels so real and it
wasn't anyway.

Speaker 5 (40:17):
It was just really to shoot the music video.

Speaker 2 (40:19):
Right, Hey, if you're if you're a permit, much like
these kickstreamers.

Speaker 3 (40:24):
You know, you wake up in the morning, you're hungover,
and you start drinking again and then like let's go record,
and they're just like yeah, ah, pumped up. You know,
I'm sure at night by the time the sun when
the stone, yeah, when the sun has been stolen from them.
It's probably the most depressing sad thing. They're all throwing
up and.

Speaker 2 (40:40):
They must have breaked a billion hotel rooms, right, and
they broke that elevator.

Speaker 3 (40:43):
They broke that the freight elevator. Just the regular paid
for that?

Speaker 4 (40:46):
Did they pay for that? You think? I don't know
or no?

Speaker 5 (40:48):
Not?

Speaker 2 (40:48):
Actually they could probably sue their place because they were.

Speaker 5 (40:52):
Put in danger, right right, Yeah, I don't know.

Speaker 3 (40:55):
So the it's weird, like the brother and sisters during
this video, the relationship is weird. They're supposed to not
be on good terms, right.

Speaker 5 (41:02):
That's I've read a lot of Yeah, there was a
period where she they didn't talk for a long time
and then they reconnected and then made that album.

Speaker 3 (41:09):
Oh it was before that they had a falling out.

Speaker 5 (41:12):
Well they don't. It's hard because you don't really get
any information. Yeah, yeah, personal lives. But supposedly she moved, right,
she'd move to UK. I believe now she moved. Now
she's there. There was a period where they didn't speak
for a long time, like I don't know, seven years,
and then then when they reconnected, they recorded an album.
I haven't heard that one, Yeah, but they did. That's
that's how they and he attributes them making more music

(41:34):
because they start to talk against Okay, So.

Speaker 3 (41:36):
Yeah, it seemed like there was like a falling out
and there kind of were like, you know, annoyed with
each other like that, but like much like siblings, you know,
like I always thought they were like a couple when
I was young. I didn't know their brother sister because
the way that they're so like affectionate to each.

Speaker 4 (41:49):
Other, you know, they like the reverse white stripes.

Speaker 3 (41:51):
Sorry, right, yeah, that is true. Right, they're saying that
they're brother sister where they're really married.

Speaker 2 (41:57):
I mean, it's a little PDA for you know, sibling thing.
But I guess that's just part of the charm. They
they're just that's just how they work.

Speaker 3 (42:03):
Yeah, maybe they were just like partying and it's like, well,
then again, if you're talking about yeah, if you're talking
about sunshine as ecstasy or molly, you know, one of
the main things about it is you get really touchy,
like you know, you're always hugging and you know.

Speaker 5 (42:17):
Like you're it's not necessarily a sexual thing, but just
the feeling of touch. The tactile sensations are very full. Right,
that's like the.

Speaker 2 (42:25):
Most Yeah, like you have tried this drug, which what
are we talking about?

Speaker 3 (42:30):
Yeah, they might be rolling, they might be totally rolling,
right y yeahep.

Speaker 5 (42:35):
You're up all night and you know, and.

Speaker 3 (42:36):
This is like pre nine eleven.

Speaker 4 (42:38):
This is pre nine eleven, the optimism of pre nine eleven.

Speaker 5 (42:41):
Right, Yeah, you can go wrong.

Speaker 3 (42:42):
You get sneak drugs through you know, you should be good,
right Canada. But I know, like after the music video
and they started touring and playing and stuff like that,
there was a lot of stuff that happened that kind
of like derailed their career. Whe's like they were almost
trying to kill their career. Yeah, when they came to
tour America, one of their friends, Yeah, you.

Speaker 4 (43:01):
Got canceled because because he ran with alcohol numbers on them.

Speaker 3 (43:05):
Yeah, he had a forty and he ran through the
border and then they got denied they couldn't come to
do live TV on.

Speaker 4 (43:11):
David Letterman, you know, right, they got canceled.

Speaker 3 (43:14):
So like there's like a lot of things where they
were kind of like their own worst nightmare. And you
can't tell like maybe they were doing it on purpose
or they were doing it, you know, because he talks
about how it kind of got out of hand and
he didn't really like it.

Speaker 5 (43:24):
Do you think the big a big part of it
is because of that song.

Speaker 3 (43:28):
Yeah, it was just that one song.

Speaker 5 (43:29):
It is, right, it's not so much like anything else,
but it was with that song.

Speaker 2 (43:32):
And it's like, I mean, if you're an underground band,
all of a sudden, you're a big worldwide Billboard number
three chart topping, not a chart topping, but you know
it's it's top three in the Billboard charts. But just
a single though, yeah, just a single, but still like
this and people know you that jarring right, Imagine that
your life's not the same again, where you can't walk
the street without some point.

Speaker 5 (43:53):
That's what he says. Yeah, they sing the song in
his face. Imagine like, oh my god, that's how id.

Speaker 3 (44:02):
And then it was in the movie. It was a
part of the movie tho. So that was like pretty big,
you know, especially with like a you know, peopul people
of a certain age. That was humongous. That's a huge movie.
So that's another thing.

Speaker 1 (44:12):
It was.

Speaker 3 (44:12):
It not not only just the radia play was that too?
Would that soundtrack was huge. I remember my girlfriend at
the time having that soundtrack on like CD or something
like that.

Speaker 5 (44:19):
Remember the CD you remember your house.

Speaker 3 (44:21):
You would see it at the warehouse all the time.

Speaker 2 (44:23):
Big aspect Sarah Poly with that that angle, the late
nineties angle, it was like their big as tiny legs
and stuff, tiny bodies.

Speaker 3 (44:32):
All like super vibrant colors, right like that's all that
that whole like downwy Danny Boyle like right light, yeah, yeah.

Speaker 4 (44:38):
And they used the Danny Boil stuffon too.

Speaker 2 (44:40):
But the word go that Serpentine bowld pot that everybody
seemed to love back then.

Speaker 3 (44:46):
Did Danny Boyle create the nineties?

Speaker 1 (44:47):
Is that what it?

Speaker 2 (44:47):
What happened kind of shaped my night a lot of
my nineties for sure. Trainspot to be the nice beginn
When Trainspotting came out there yeah, that's true.

Speaker 4 (44:55):
That's not true.

Speaker 3 (44:57):
What are yours? Trainspotting ninety six, Yeah, twenty six, I'm sorry, guys, Yeah,
because it's all in the theaters, right, But this video
is pretty much just them, you know, messing around in
the town. There's a couple of the shots with the
girls on the pier walking and but it's pretty quick.
It's a pretty fast.

Speaker 5 (45:13):
So a lot of beach goers, like city scenes of
like people kind of hanging in.

Speaker 4 (45:18):
Like spring break.

Speaker 5 (45:18):
Yeah, that has thing.

Speaker 3 (45:19):
It's all completely emptv spring Break.

Speaker 2 (45:22):
Yeah, I mean, you know a year later is Who
Let Dogs Out?

Speaker 4 (45:26):
Kind of has that kind of vibe, right.

Speaker 3 (45:28):
Oh yeah, it totally is the ty boyl bright saturated colors.

Speaker 2 (45:33):
Yeah, we're just surprisingly our number one most loaded show
at the moment.

Speaker 5 (45:37):
You can't Stop, Can't Stop, and it sapped the bum
rush on on that one. But do you do you
blame them for like like almost kind of sabotaging their
own careers.

Speaker 2 (45:46):
Could they could spiral to doing even worse things like
not it's not their art anymore. They are buy more
harder drugs and then getting a heroin addict and you're
plotting there it out rights the right thing.

Speaker 5 (46:01):
I think I think so too. But you know what's
strange is that it is kind of sad that you
get that hit and it's and the majority of that
hit is a is a sample. So I mean it
almost kind of like your your credibility is kind of
like yeah, you know what I'm saying. So it's like,
I wish the other songs were also.

Speaker 3 (46:16):
The thing about the album a lot of and then
on some of his other works too, he used a
lot of samples. So that is very very expensive. That
eats up a lot of your you know, production costs,
and then a lot of your after money too. You know,
like they probably maybe didn't get that much money for
this because the sample is pretty much the song.

Speaker 5 (46:34):
You know, Now, if you're on tour and you're playing
it live, are you still paying?

Speaker 3 (46:37):
No for live? For live, it's yours.

Speaker 5 (46:39):
It's only radio, It's only radio.

Speaker 3 (46:42):
And buy this. That's how you make you make your
money by touring.

Speaker 5 (46:46):
Touring merch merch.

Speaker 3 (46:49):
Did you know Mark's rap stage name the Burger all
right right? Because he loves burgers?

Speaker 4 (46:57):
Got fired for fired wimpy that would.

Speaker 3 (47:04):
You gotta listen to the whole album? I Will, I Will,
It's wild, especially that like vocoder.

Speaker 5 (47:12):
Yeah, craft work and song that they made a lot
of pop punk, right, and a lot.

Speaker 3 (47:17):
Of hip hop hip hop. There's a couple like this
is an acoustic song too, or now just a strummy
indie kind.

Speaker 5 (47:23):
Of sound right where they sing also to get like together,
kind of like human League.

Speaker 3 (47:28):
Yeah, well that's the inception he wanted to write a
human league Don't You Want Me kind of song, right.

Speaker 5 (47:35):
Like boy girl kind of like alternating vocals.

Speaker 3 (47:39):
Is there anything else from this video that you remember
all or not?

Speaker 5 (47:41):
It stands out for me?

Speaker 4 (47:42):
Yeah, pregnant lady the swimsuit butting her butt and is
that really what?

Speaker 5 (47:50):
Yeah?

Speaker 4 (47:50):
And towards the end there was.

Speaker 2 (47:52):
A girl in the blue bikini shaking her butt. It's
not tworking per se, but she's jigglinging enough.

Speaker 4 (47:56):
You know. That was kind of cool.

Speaker 3 (48:00):
That's kind of cool. Well, it cool enough for you
to remember.

Speaker 5 (48:01):
It, right.

Speaker 4 (48:02):
Yeah.

Speaker 2 (48:03):
Basically the versus are being kind of touchy peely, but
I think that's just the molly in effect.

Speaker 4 (48:07):
So that's cool. That's cool too.

Speaker 2 (48:09):
Yeah, this is what a four minute video. It's it's
pretty simple. It's a simple video. We've tackled much more
complicated epics like Last Time with Mister Roboto that you
need a separate video to strapolate the exact meaning of
that thing.

Speaker 3 (48:27):
I'm trying to pull up. And yeah, it's it's all
just like the same kind of thing, same kind of
party vibes. Have you ever heard this out at a
club or anything like that?

Speaker 4 (48:36):
No?

Speaker 5 (48:36):
No, no, right a club?

Speaker 1 (48:38):
No?

Speaker 2 (48:38):
Yeah, it will mellow everyone out, man, it'd just be like,
you know, if it's good to like, if you have
a pool party, yeah, party, Yeah, like your DJ, you'll
put this in a pool party, right, you know.

Speaker 5 (48:48):
An hang out people are Yeah.

Speaker 3 (48:49):
I think I would even play it at a dance party.

Speaker 5 (48:52):
Yeah.

Speaker 3 (48:52):
Yeah, And I might dance party. Yeah, I might speed
it up a little tiny bit, but I might probably
woud speed it up a little bit. But yeah, everybody
would go crazy for just from the nostalgia factor.

Speaker 5 (49:02):
Now, where do you think they would play this? What
station here in LA back in ninety nine? It's not
a care rock?

Speaker 3 (49:06):
They played on care Rock?

Speaker 5 (49:07):
Now, did they?

Speaker 4 (49:08):
I'm sure all the pop stations played.

Speaker 3 (49:09):
Yeah, I'm sure kiss a fan played it. Yes, seven
And I think it was one of those crossovers where
they played it.

Speaker 5 (49:14):
Yes, I think that's the appeal, right, it's such a
radio friendly song that all stations can play.

Speaker 2 (49:19):
Like Mega ninety eight points something. Remember Mega, it was
more of a you know, like a pop station.

Speaker 5 (49:23):
Two Why one O seven and that was more alternative.

Speaker 2 (49:26):
There is a Mega was there was a Mega ninety
eight point three in Canada.

Speaker 3 (49:29):
They got played on the alternative stations.

Speaker 4 (49:31):
Really. Yeah, so this won't make the Flasta five.

Speaker 5 (49:34):
Well, if you look at their genre, let's say, like Wikipedia, right,
you know they give you the genres. It's like hip hop,
alternative in.

Speaker 4 (49:40):
The alternative in my little.

Speaker 5 (49:42):
Yeah, indie pop and yeah, so you know it took
a swath of genres.

Speaker 3 (49:48):
And punk there was like a funk popping okay, so yeah,
I mean it's kind of just a basic video. But
I think the in the nostalgia factor of how it
is just a crazy time capsule that time.

Speaker 2 (49:59):
And the thing is that is it because of the
backing music or the or the vocals the same you
know the vocal No.

Speaker 3 (50:05):
I think the whole video, the whole entire thing, the
people acting what they look like. Yeah, I think that's
what it is.

Speaker 2 (50:12):
See when I heard this song, just like that, that
sound like the nineties to me, I must have heard
of the nineties and just subcontent absorber.

Speaker 5 (50:19):
But completely you know it more and more and more,
I know, totally. Yeah, did you catch it when they
when you heard the song?

Speaker 2 (50:24):
No, I didn't, but I do remember that, but somehow
with more and more and more, it didn't stick with me.

Speaker 5 (50:29):
Right, right, So they did a pretty good job masking it, right.

Speaker 3 (50:31):
Yeah, Yeah, I didn't get it until I was told that.
I'm like, oh yeah, and then I'm like, oh, yeah,
it's the whole song.

Speaker 6 (50:37):
But it sounds really familiar with that, right that that
because even like the chorus, there's a the piano is
kind of like a little piano line that's a little
bit different, but it's just kind of every other every
fourth chord that it's like hitting another note on and
then they they're just.

Speaker 3 (50:53):
Doing a filter sweep of that piano that's almost playing
the same thing, but just like every other one. So
it's our you know, I'm a different octave, so it's
almost the same thing too, which is there's just with
the filter. That's what I'm telling it saying. The production
of it is was really done very well because it
hides a lot of that a lot of it with
a lot of different weird noises that are going around
and sounds and synth sounds and stuff like that, and

(51:15):
then all the like yelling and like talking throughout little
parts where there's like a little like voice things, and
I remember, like hear like a little siren in one
part two, and there's all these like little weird little
tricks they're doing to like kind of like make it
sound bigger than it than what it did actually is,
because it just sound pretty big when you listen to
it like now. So it's interesting.

Speaker 4 (51:34):
It is, all right, I guess that concludes the discussion
music video.

Speaker 2 (51:40):
We'll be right back for some notable YouTube recap comments.
Back with some notable YouTube comments. Okay, it's time for
the notable YouTube comments.

Speaker 5 (51:54):
It land Raine makes that.

Speaker 3 (51:57):
All these YouTube corments were they're all around same rights.
It's all about nostalgia. A lot of moms, a lot
of older moms talking about how they children listen to
the song now and they get nostalgia about it. A
lot of you know a lot of that kind of stuff,
a lot of the I just bought my daughter an
outfit that looks just like that, because you know, nineties
are back and stuff like that. A lot of that

(52:18):
kind of stuff. But here we go with the first comment,
the one OGGI. Nostalgia hits hard with this one. I
love the carelessness of the nineties, the sun, asking my
parents for things, seeing my friends every day, lack of
mobile phones, playing footy all day. And I think this
guy's from England, munching on sausages and grilled sausage, grilled

(52:38):
on the fireplace, drinking soft drinks, coming back home after
a long day of being out in the sunshine. I
give anything to go back to that time. I mean, yeah,
if you think about that, I mean there's a lot
of stuff there is, you know, a lot of gang
problem no matter where you're from.

Speaker 4 (52:53):
I guess you know, yeah, you know. It's weird because
he's talking about being in England, but it gets unshine
there too.

Speaker 3 (53:00):
I was London.

Speaker 4 (53:06):
I'm kidding.

Speaker 3 (53:07):
Here we go unmesh from four years ago. I liked
this girl I worked with, and I remember her saying
that she liked this song. I wanted to surprise her
with the CD for her birthday. I didn't know the
group's name, so I thought I'd sing the song to
the best bite clerk lucky they knew who it was
and who I was talking about. I mean, how do
you remember that where you don't know what the name
of the song, you have to sing it to the
people at at the store.

Speaker 4 (53:29):
It's repeated to you a billion times in this song.

Speaker 3 (53:32):
She was very happy and laughed when I told her
how I got it, and then she did become my
girlfriend that summer. This song always reminds me of her.
Ps now she's dead now.

Speaker 1 (53:42):
Just kid.

Speaker 3 (53:46):
I purposely left out all the saddays because there's a
lot of Saturdays. I always bring the saturds. I don't
want to bring a sad one today. This is the
last one tech Noir five, I see. I love the
fact that this song was released at the time where
there was no Facebook, no Jersey Shore, no Instagram, no
Twitter trolling, none of that bullshit angry if you had

(54:06):
a tattoo back then, it would genuinely shock people. This
is pre nine to eleven. The world was dark then,
so this guy's talking about a dark world. Yeah, it
wasn't dark. It wasn't I'm sorry it wasn't so dark then, Okay,
But I'm glad I was eighteen when this song came
out and I enjoyed it during my time time period
of nineteen ninety nine. They were so happy in this video.

(54:27):
I will never forget seeing the pregnant woman during the
dance video. Lol. People forget how in the nineties where
music was fun and inspiring. Let's bring that back. So
one of those guys that's on YouTube that hates new music.

Speaker 2 (54:38):
Now, I remember too, Like you know, the the nose piercings,
that tongue piercings were also getting into that time, the
breadth fiercings and body mods that was booming into.

Speaker 3 (54:53):
Is that one like trap stamps people would hang themselves from.
I remember seeing that like on MTV, Like they would
say things in their back yeah, like a son, yeah, yeah,
you know, all that kind of weird stuff started coming in.
Is that when like all those that's when all the
raves and the festivals were getting really big, right or

(55:13):
is that pre that? No, it was still it was
still going strong, right, like Daisy Carnival, Carnival and all
that kind of stuff like that. So that was like
that stuff started lending into like alternative music and alternative
culture where it was already its own alternative culture.

Speaker 4 (55:28):
But movies already, but the horror movies.

Speaker 3 (55:30):
Yea, yeah, but it was its own culture, but it
started blending into like what we now call alternative culture,
and like that kind of started blending and you would
see Woodstock back then all that really bad that really
bad dark with exactly.

Speaker 5 (55:45):
So yeah, it's that that culture, right. Yeah, it's like
the mixture of scenes and like now it's a little
bit more smooth when when scenes kind of mixed together,
but back then.

Speaker 3 (55:53):
You know, back then it was it was a rough
scene mix because you're getting like all the bros and
stuff like that where that we're into like alternative stuff,
and then maybe even like that club stuff mixing in
with goths and punks who were you know that weren't
in that browie are indie kids that weren't that broi
And then it was just kind of a weird collide
where it was like.

Speaker 5 (56:11):
You got the agros with the sensitives.

Speaker 3 (56:13):
You know, yeah, yeah, the agros, Yeah yeah, the agros
the sensitive was just not a good mix, and it happens.
It was crazy. Yeah.

Speaker 2 (56:19):
Okay, so lend steal my sunshine. Would you keep it
or would you throw it back?

Speaker 5 (56:25):
Go ahead?

Speaker 4 (56:27):
Now, I'm keeping this video it is. It is fun.

Speaker 2 (56:30):
I do appreciate and strive for, you know, times like this.
I don't know, it seems innocent and fun as far
as like what they're doing. The lyrics tell otherwise though,
But just the overall vibe, I.

Speaker 4 (56:42):
Do like this. I yearned for this kind of vibes
in my daily life, but.

Speaker 2 (56:46):
I don't have enough of a cool you know party
friends that would get in scooters and ship and drive
in Daytona Beach and Slovo with me and you know,
and have a sibling on my back. But I like
this video though, just the overall simplicity of it. There's
a song that we talked about in the past, you know,

(57:07):
the New Radicals, right.

Speaker 5 (57:08):
It's in the same time and.

Speaker 2 (57:11):
That kind of optimistic you know, but this one they're
in the mallee.

Speaker 5 (57:14):
I like that, Yeah with them all you know that.

Speaker 2 (57:16):
And that's that's another time capsule of how we you know,
live back then as far as like just to have.

Speaker 3 (57:22):
That's right, it's almost the same video, but it's just
in the mall instead. Is it that Canadian while they
were talking about Edmonton.

Speaker 2 (57:30):
Small coaster in there? But but yeah, to me, it's like, yeah,
it's it's full of positive vibes and I could certainly
use a lot as many of that right now.

Speaker 4 (57:39):
So yeah, keep her.

Speaker 5 (57:41):
After much deliberation, you know what, I'm going to keep
the band. I'm going to keep this song. But the video,
I don't know. Man, A Hard Time is going to
be a soft throwback for me. I think I couldn't
really relate with what was happening. I felt like if
either they made a different I feel like they spent
all their money and it showed, and it kind of

(58:02):
showed a little too much for me. I mean, that's
what I'm saying. But but the song is is so good.
I kind of it kind of gets categorized in that
the song is so good that I wish a different
video video I would have able to come up with.
It's not a bad video. I mean it's fun, but
I don't maybe it's the locale, you know, like that
whole scene, it's just not my vibe. Man, it's not

(58:24):
my jam. I couldn't. I could never see like so
you know, sometimes if that's those are the visuals like
you as a person, that's you're taking away from it.
It's like, oh, I don't know if I could even
you know, like listen to that song and I'm there,
I wouldn't get that that that vibe that I'm kind
of looking for. But overall, I mean, it's it's great,
it's not it's nothing wrong with it. But again, as

(58:44):
on a personal touch, it's just not for me.

Speaker 3 (58:47):
Like you know, you don't see yourself at a tank
top and yeah Florida that jousting.

Speaker 5 (58:53):
No, not maybe that, but yeah, overall the songs is great, man,
and I urge people to listen to the whole album
because I think it's a it's a shock that's not
necessarily a bad thing. I'm just saying that as as
somebody who tries to make music myself, Like I understand,
like you want to make all the influences that you've
ever had in your life, you know, you want to

(59:13):
make these kinds of songs. So but that's it's a
soft throw. I mean, it's not bad video.

Speaker 4 (59:21):
Still guess that that's for me.

Speaker 3 (59:25):
No, I kind of feel the same way about I
have the same feeling about Ryan, like what Ryan feels.
It's like when this song came out, I didn't like it.
It was like kind of the bane of my existence.
It was like that that k rock thing, and then
the everything in the video is every is everything I
hated at that time, like all that time of MB God,

(59:45):
I just it was the bro culture thing. It was
just so like I don a boneheady kind of you know,
and I just hated all that kind of stuff. I
was not that. But you know, listening to the song
now and you know, in hindsight and listening to the
whole album, it is a shocking. Listen to the whole
album it is it is a shocking piece of art.

Speaker 5 (01:00:02):
You know.

Speaker 3 (01:00:02):
It is wild how it just zigs and zags, you know.
But the video I think it's a great time castle
all the time. It's a great time castle of everything
that I hated at that time.

Speaker 5 (01:00:12):
Good way to put it.

Speaker 3 (01:00:13):
Yeah, yeah, yeah. And it's but for that all that,
I'm gonna throw it back, ye.

Speaker 4 (01:00:16):
Throwing it back.

Speaker 5 (01:00:17):
Yep.

Speaker 2 (01:00:18):
What if Louie, you know, you're still working Walmart and
they drive up into the bike section and then with
their scooters he this, fikes, we wrecked it because they
did wreck four scooters in the shoot.

Speaker 3 (01:00:29):
Oh they did read that?

Speaker 2 (01:00:30):
Okay, yeah, like there was a there's apparently like they
cut the scene apparently like when the guy starts doing
the spreads with his scooter on, he crashed and he
crashed his scooter. So but yeah, they apparently lost four
scooters in this one. What if they brought the scooters
at Walmart? I think, what I do they're filming. I
go to the men's section, grab a bucket hat and
say let's go, baby, let's do this.

Speaker 3 (01:00:51):
We just start going like no, but this is like ah, yeah,
this this was rough man. These are the These are
the kind of people. If I'm on one side of
the street, I will walk on the other side of
the street to not like, you know, it seemed like
I was watching Isaoid Shut yesterday, right last night, and
you know the part when Tom Cruise is walking down

(01:01:13):
the street and then those guys are you know, because
are calling them like gay and all this stuff like that,
you know, and that's the kind of like scene like that.
They remind me like those kinds of they're not sorority
because it's it's pre like those sorority bros. I mean
that was around, but we would never see that those
are narsty.

Speaker 4 (01:01:29):
They're just absolutely they're just.

Speaker 3 (01:01:30):
Jerks, you know, like and it would it would you know,
it's just drunk people, and it's like, hey, man, I
don't want to be a part of your fucking you
know thing. And that always made me uncomfortable and I
hated that.

Speaker 5 (01:01:39):
Just to be fair, I'm not saying they are. I'm
just saying there there was enough trauma in my life
exactly that stuff has happened to me. And unfortunately they
kind of look like, yeah, they have this kind of vibe.

Speaker 4 (01:01:51):
They look like them.

Speaker 2 (01:01:52):
But like I don't know, like when I see Sharon,
it kind of diffuses the situation.

Speaker 3 (01:01:56):
Yeah, but I know she might be some kind of
you know, I've seen girls like that go and punch
someone in the face. It's like a guy in the face. Yeah. Yeah,
And that's the kind of exactly the same kind of
trauma that I've seen exposed to. It's like, I just
it makes me. I get I get so much anxiety
from that kind of stuff, you know, because waiting for
the fucking pin to drop and then I just get

(01:02:18):
beat up by like seven people and a girl, you know,
like at the same time.

Speaker 4 (01:02:22):
So it's like the album yeah, but illustrated for me.

Speaker 3 (01:02:26):
So that's the thing. It's it's not them personally, because
they actually seem like probably pretty cool.

Speaker 2 (01:02:31):
It seems like that's why, like if you avoid those
kickstreamers I was talking about exactly.

Speaker 5 (01:02:36):
So if you remove the visuals right and then you song,
then the rocks. I'm feeling it, man, now I.

Speaker 3 (01:02:41):
Think the song is pretty cool.

Speaker 2 (01:02:43):
Okay, So that concludes the spook My Sunshine episode.

Speaker 4 (01:02:50):
For Halloween season.

Speaker 2 (01:02:52):
We're gonna try to squeeze it one more Halloween, the Real,
the real Halloween episode. If you guys are cameras on
your network right now, you'll be seeing that AIRPI Studio
is going to go through a little renovations. So the
I don't know how I'm gonna work this with editing
and timing because I'll be out of my editing computer
for a little bit for.

Speaker 3 (01:03:12):
Just going to Nightmare before Christmas level where the Halloween
goes all the way to Christmas.

Speaker 2 (01:03:16):
Yeah, but you know, like it might come out after Halloween,
but hopefully you're still in the spirit of the Halloweens
movie season.

Speaker 4 (01:03:23):
I will be reviewing. Billie Eilish is very friend.

Speaker 2 (01:03:30):
Okay, kids, thank you for listening and we'll see you
next time.

Speaker 4 (01:03:35):
Happy Halloween.

Speaker 1 (01:03:37):
Thank you for joining us at t NBR podcast. We
hope you're on your show as much as we enjoy
recording it. You can subscribe to us through your favorite
podcast feet and follow us as T and br podcast
on Instagram. You can also be comments, check chas and
go rate us a five star on Apple Podcast.

Speaker 3 (01:04:00):
Now that we're in a good counter headspace and a
good sun headspace, we could talk about.

Speaker 5 (01:04:05):
I'm feeling the sunshine. Maybe when we go talk about
they should have.

Speaker 3 (01:04:08):
The you know it has that weird rewind. At the
beginning of the song, I was lying, I will seeing
in that a desk recording a podcast today. That's pretty
good and Ryan are with me

Speaker 4 (01:04:30):
DMV