Ep. 127-Da Ya Think I'm Sexy (Revolting Cocks)

Come on sugar let us know! Al, Ryan & Louie discuss the chaos that is the 1993 music video for RevCo's cover of the Rod Stewart classic, "Da Ya Think I'm Sexy?"

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"Da Ya Think I'm Sexy" Music Video

Episode Transcript

Speaker 1 (00:04):
Thank you for joining us at t NPR podcast. We
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Speaker 2 (00:24):
Hello and welcome to episode one hundred and twenty seven
of Throwback Music Video Review podcast, and tonight we will
be reviewing the Revolting Cox I E. Revco's cover of
d I Think I'm Sexy? Do You Think I'm Sexy?

(00:44):
As a cover song by industrial supergroup Revolting Cox from
their album Linger Ficking Good. The song was released as
a single in September nineteen ninety three. The song's music
video is directed by Thama c Ranion Rain one Run
and currently has one hundred and seven thousand views on YouTube,

(01:04):
which is a lot for a video that's hard to find, right.

Speaker 3 (01:07):
Oh, this is super hard fun ye right?

Speaker 2 (01:09):
I have to find it and send you the YouTube
link that's right for you guys to research this music video.

Speaker 3 (01:16):
You have what do you have to put in search
to find this video?

Speaker 2 (01:19):
Official music video?

Speaker 4 (01:20):
Okay, so otherwise you'll just get the album versions.

Speaker 2 (01:24):
Yeah, just basically just the audio version with the cover
art on it. That's usually the If you put official
music video then this will come up. This music video
can be found if you bought the Ministry's DVD music
video Coomplished called The Tapes of Wrath came out in
early two thousands. So that was the Ministry, which is
a part of the supergroup of REVCO. So, guys, what

(01:46):
is your history with this song?

Speaker 5 (01:49):
Shit the song in particular, man, the song in particular.

Speaker 4 (01:53):
Now, when I was when I was doing my little,
my little research on the song, you know, obviously you
go down the rabbit hole and you start to feminists
about your club days, and of course that's really it's
probably we all share the same thing where we started
thinking about those days in the you know, mid nineties,
going to the club, starting to go to the clubs.
And we've always talked about this, but a lot of

(02:14):
the clubs that we frequented were always industrial clubs, right right.
Those are the you know, the goth industrial scene, Helter
Skelter Industrial and Control Cotrol Factory.

Speaker 5 (02:24):
Oh man, that's the best one.

Speaker 4 (02:26):
But the first maybe few times I went to the club,
this song was one of the ones that I always
stood out beer Sears and Queers of course, was the
other one by them, And you know, I started going
down the rabbitle and and I got some of the
throwcilled cults, some of the kmfdms, and man, it gave
me that that weird rush, you know, like the It's

(02:48):
kind of like junkies always talk about that first time right.

Speaker 5 (02:51):
Chasing the dragon.

Speaker 4 (02:52):
It's like, oh, that's so exciting, right, It's electrifying, and
you can never really get that same feeling again. But
I did get a little electricity in my body as
I was watching the videos and listening to the song.
But then the other side of it was it made
me realize that I don't have the fight in me anymore.

(03:12):
I just don't have.

Speaker 5 (03:12):
It in me.

Speaker 2 (03:13):
I'm like you basically say, you grew up.

Speaker 5 (03:15):
Yeah, I'm doing well. Yeah.

Speaker 4 (03:17):
But big part of it was it's not probably something
that I can like jam in the car I'm listening
to for so long, like the whole album for example,
But if I hear it like a song and in
a different type of music and the song, yeah, I
could totally vibe to it, but just pure that don't
I don't have it in me.

Speaker 3 (03:31):
Oh you got a nation of language vibe now exactly.

Speaker 4 (03:35):
You know, I've been infiltrated, right, Like your your mind
has broadened, and like you've been exposed to so many
other things, and you know, the those things that you've gone
through in life, and it just makes you see a
different perspective on music and the way you kind of
process it as you're listening to it. But don't get
me wrong, there's a special place in my heart and
in my mind when I hear it. I go back
to those mid early mid nineties, late nineties, hanging out

(03:57):
with you guys and going to the clubs, lining up,
you know, rip up the La Weekly.

Speaker 5 (04:01):
You know, ten thirty, get the five dollars pass.

Speaker 4 (04:04):
Yeah, so all that sorry, yeah, right before ten thirty,
ten thirty one or something weird.

Speaker 2 (04:09):
Nope, nope, you got to pay the full.

Speaker 5 (04:10):
Sorry, man, you got to pay eight dollars.

Speaker 3 (04:12):
And you're waiting in line, you're hoping to get in
before to eight dollars in nineteen ninety five money, Yes,
that's insane, right, that's like two thousand dollars, right.

Speaker 4 (04:20):
And we barely worked a few hours here and there,
you know, whatever, job.

Speaker 2 (04:23):
Yeah, if you listen to the last podcast may allow us,
it's five bucks.

Speaker 5 (04:26):
Exactly, it's two weeks.

Speaker 2 (04:28):
Of a lot.

Speaker 5 (04:29):
That's a lot. It's a crazy but you know that
that's it. That's really that's what it brings me back to.

Speaker 4 (04:34):
And again I have I love that that era because
it's part of the growing up, right, and you know,
it's hard for me to forget about it. But yeah,
this one of these are the songs that really.

Speaker 2 (04:46):
Define that time.

Speaker 5 (04:47):
It was exciting because I knew nothing about it.

Speaker 4 (04:49):
It's scared the hell out of me because it wasn't
really my thing until you go there and you kept
going there and then you see the people around you.
You know, it's like, and I'll be honest, I was
never really one hundred percent into it as far as
like even.

Speaker 5 (05:01):
The scene itself. I really just love the people watching
the industrial scene.

Speaker 4 (05:06):
Yeah, just that in general, you know, because I watched
the people and like, you know, I knew this was
Oh this is different. Nobody knows about this and it
felt special to me, right, but we could all kind
of reminisce and share about it.

Speaker 5 (05:17):
So that's my experience.

Speaker 3 (05:19):
No, my experience is very similar, right because I was
there too, but it's it's that thing where at the
time alternative was becoming mainstream. So in high school, a
lot of the stuff that we're listening to was starting
to get kind of more a little bit more mainstream.
So you go to this place, you're not supposed to

(05:39):
really be there because we have school the next day,
because it was on Thursday and we're still in high
school at the time. I was underage, so I had
a fake ID. We're going to this place. We had
enough money to get in. We didn't have enough money
to buy drinks because we didn't even drink at that time.

Speaker 5 (05:54):
Nor were we twenty one at this club so much money.

Speaker 3 (05:58):
We're at this club over all night and just kind
of people watching and listening to this song, and we're like,
what the fuck is this? It's horrifying, But it's also sexy, yes,
because everybody's dancing very sexy, and you're like, wow, this
is good, and you're like this is kind of hot

(06:18):
and like making like turning things in my brain, you know,
oh yeah, And then but you're like, I can't probably
be a part of this because these people are already
hardcore into it, and you don't want to be a
poser because we're already at that age like it.

Speaker 2 (06:32):
You know, they're probably just like, oh, yeah.

Speaker 5 (06:35):
Well they don't know. I bought into it more than
we did, and they're.

Speaker 3 (06:38):
They're they're a lot more braver than I am, you know.
And I was like, I can't do that, you know,
but it's very cool. And I don't even know how
to find I don't know who this is. I don't
know how to find this. I don't know where to
buy this, so I could only hear it here because
it's not playing on the radio. I can't Google search

(06:58):
this because exists the Google didn't exist, and AOL search
isn't that good. And I probably could do it.

Speaker 2 (07:07):
I don't even think it all existed yet this right.

Speaker 3 (07:10):
Maybe a little bit, there's already aim right, maybe the next.

Speaker 2 (07:14):
Year was the year maybe the year after nineteen ninety five,
because we don't have computers.

Speaker 5 (07:19):
I think, yeah, I was so earthlinking at this time,
like coasting it.

Speaker 2 (07:23):
No, I remember, like.

Speaker 3 (07:24):
Just like I didn't have a computer at this time yet.

Speaker 2 (07:26):
Now, I don't think any of us did until we
had your cool friend Mark, right, you know, the rest
of Peace, who showed us his home office which is
like the greatest setup. My fucking brain saw back that.
I was like, what, you have a computer in your bedroom.

Speaker 3 (07:41):
But at this at this time, we're finding new bands
that we know about at the library in rock books,
so I mean this is like analog finding bands or
at the record store, which maybe Hot Topics had a shirt,
but we weren't looking through.

Speaker 2 (07:57):
That Hot Topic that had it.

Speaker 3 (07:58):
No, I mean not Hot Topics. I mean like they
go to Melrose maybe yeah, Malros, but we're not looking
at that area. We're only getting the rock. Yeah, we're
hot Rocks. We're looking at the big bands like the
Cure depeche Mode or the Cure joy Vision. You know,
you still the shirts today. We're not going to the
Revolting Cock shirts or any of that like Chicago scene

(08:19):
at that time, you know. So it was new to us.
We felt like we were like learning something secretly that
no one else knew, especially at our high school. Like
I don't think anybody at our high school knew any
of this stuff. Hell right, and we're hearing these songs
and they're like really cool and they're sexy and they're
kind of evil and its dirty and like sleezy.

Speaker 5 (08:44):
And it turned something on to us.

Speaker 3 (08:45):
Huh, yeah, this is before indie sleez. It's already sleezy,
you know. And the people that are dancing, We're like, wow,
those people are fucking hot and they're like brave enough
to do this, and they're dancing on the stage and.

Speaker 2 (08:55):
People wearing patent leather pants, skirts and a lot of fish.

Speaker 4 (09:00):
The thing was is that those people were like that
twenty four to seven where we were there only from
the hours of ten thirty two or three or four
morning and we were out.

Speaker 5 (09:11):
No.

Speaker 3 (09:11):
No, those are the people we would see shopping at
like Vital Fetish, dressed like that in the daytime.

Speaker 5 (09:17):
They were like, whoa where they work? They were already
like that. Yeah.

Speaker 2 (09:19):
Yeah, you guys know, I was seduced by that aesthetic
that I adopted it to be my own identity for
the past twenty five thirty.

Speaker 3 (09:28):
Well, but you were you were brave enough to do that,
and it hit according you that you were like, this
is going to be me.

Speaker 5 (09:35):
That's me.

Speaker 2 (09:36):
Yeah, where I was like.

Speaker 3 (09:38):
I cannot withhold that for the rest of my life.
I will die at twenty three. I will die four
years later, five years later after that. If I try
to keep this lifestyle up, and I'm like, I have
to be I have to become amy because I will
die after this. And little did I know that Swede
would come around and I'm like, it's pretty close.

Speaker 2 (09:58):
That's my scene.

Speaker 5 (09:59):
You know what.

Speaker 4 (10:00):
This is a common story among people who I don't
want to use the term scenesters, but you know, people
who enjoy. It's hard because for us, it's really the
clubs that really kind of set this whole thing off, right,
all right, the clubs of loving music because we were
exposed to so many different things.

Speaker 2 (10:15):
Clubs specifically goth industrial.

Speaker 4 (10:17):
Club absolutely, because you didn't know anything about it until
you were immersed in it and then you start talking
to people and they start to naming bands.

Speaker 3 (10:24):
And also none of us had older brothers in the scene.

Speaker 5 (10:27):
Right exactly.

Speaker 4 (10:28):
Yeah, you didn't know anybody older that like this kind
of like stuff.

Speaker 3 (10:31):
Yeah, we're we saw that Ali Weekly and we went there.

Speaker 2 (10:35):
Right, We saw the ads for these industrial clubs and
Elie Weekly and you have to like cut up the
little coupons that are.

Speaker 3 (10:41):
At Little flysup On to go to this club.

Speaker 2 (10:43):
So it's like basically like free for before ten ten
pm or something like that or five dollars pass at
a certain time. But it's cool is that those flyers
would have some controversial face making a screen subversive, sexy
even maybe, and then leather yeah, with the surrounding band

(11:04):
names that they would play there on the border of
those of those ads, which is like, okay, so.

Speaker 3 (11:09):
The cure's there's go.

Speaker 5 (11:11):
For late late teens. That's like, oh ship, you know,
culture clubs. I get hooked into all this.

Speaker 2 (11:17):
Well, well, my experience with this song specifically is probably
around the same time as you guys were. This song
was playing, like, oh my god, I loved the Rod
Stewart version, and they made this fucking sleazy assue cover
of it, and I'm like, I'm sold. I'm hooked, you know.
I like this cover. I like this take. But I
didn't really get into Revolting Cox though, you know. So
I got more into the surrounding orbiting bands around Revolting Cox,

(11:40):
which is like Ministry, Skinny Puppy, or I just branched
out more to KMTM Front two four two NITSAREB and
t k K and all that. So I branched out
and kind of leaving this band and kind of in
a weird dust we're like okay, because RIFKO was also
hard to get as far as like accessibility. The records
would be like thirty dollars twenty five to thirty dollars

(12:02):
in nineteen nineties money which I didn't have. I was
working with a five dollars a week once I had
to like not go do anything at all for a
month to afford a Revolting Cox record, and that's not
going to happen.

Speaker 3 (12:14):
So they're also like the band that like the other
sleaziest bands, like like Buttle Surfers, you know, like I mean,
it's like other indie sleazy, weird bands. This was like
their favorite band, and then they would go and play
with them or do shows with them, right sing with them,
and so it was also like the niche of the
niche of the niche band that was the It's interesting.

Speaker 2 (12:36):
Made it's more exciting exactly, yeah, because yeah, like I
mean forty four two also you know collaborate with them,
like not the entire band, but like one of the
members of Front two four to two. So it's like
this Revolting Costs is a super group, as they say.
So it had like you know, one guy from Front
to four to two, collaborating with the guy from Ministry,
collaborating with the guy from Pig or the drummer from

(12:57):
Ministry as well.

Speaker 3 (12:58):
It's like it's these are all personalities, which is a
reason why All Alpha is that this band didn't really
do anything because there's so many like fucking minds in it.

Speaker 2 (13:10):
They put on amazing live shows, but the output of
work not not that many because they're too busy with
their own bullshit. Right as far as listening to like
my experiences again with this with this song, it was
a club staple and they still play it to this
very day. It always brings people to the fucking dance floor.
It's not revolting. Cox's most aggressive.

Speaker 3 (13:32):
Song, Beersters and Queis is a very aggressive song.

Speaker 2 (13:35):
Back then in the nineties, that song can get away
with having that title, but now it's no this will
this song will not fly at all.

Speaker 4 (13:42):
But you know, we just for some contacts, and we've
mentioned this in the past, just imagine, you know, for
the listeners who are not really familiar with that kind
of scene, it's kind of hard to picture because you
can't really explain it unless you've actually been to one
of those places.

Speaker 2 (13:56):
This is imagine the Blade Rave. If you see other
first Blade movie, imagine those people there without the blood
thought the blood showering from the sprinklers, but just imagine
the people who look like in the Blade Rave or
even in any fucking the Moral Kombat Rave in the
first Moral Combat movie. You'll see those kinds of people
in these places.

Speaker 3 (14:14):
Are the Seven Club or Yeah Club from the movie seven.

Speaker 2 (14:17):
Yeah, from that one. But you know sense you know,
Spikey Dildo, right, Spikey strap on. But imagine these people
just there to have a good fucking time.

Speaker 5 (14:27):
You know, and getting might intimidating.

Speaker 2 (14:29):
Yeah, they might look into but nine time they're the
nicest guys you'll ever meet. But for someone who's I
guess you know, you see you come from some super
religious sect like an Amish or something, I could only
imagine they'll get a heart attack seeing those kinds of people.

Speaker 4 (14:44):
It's probably equated as something you know, satanic, Yeah, evil.

Speaker 2 (14:50):
Easily, because that's the iconography too, especially in this music video.

Speaker 3 (14:53):
A lot of Yeah, most of the people I think
we've met from those clubs are just like nerves got
into like this kind of music, you know, like their
comic book nerds, their you know, magic the.

Speaker 5 (15:07):
Yeah, I think the lesson that we're trying to say
here is that these were just regular people who enjoy
this particular scene and not unlike you know, let's say
somebody who's into like, you know, the the Brownie's or whatever.

Speaker 2 (15:21):
We're seeing people and you'll be surprised how many are
in the education system exactly from this scene. Right.

Speaker 5 (15:27):
It's just a matter of like minded people who like
this kind of music.

Speaker 4 (15:31):
It's kind of hard, man, This music is hard, Like
when I would hear it and the vocals, you know,
and the guitar riffs, it can drive somebody like, you
know away, because I don't know if I could, you know,
really roll with these people. But we took that chance, right,
and it kind of really shaped us in one or
more ways, right like in our own music, the way
we listen to other music, the way we get into
and not to become a reference point for us, you

(15:52):
know what I mean?

Speaker 3 (15:53):
Yeah, what about the song, the Rod Sturt song, I
have a lot of.

Speaker 2 (15:57):
I mean, yeah, it's a good song, you know. Song
came I ninety seventy eight, one of the very first
songs I remember as a child. Yeah, Like I was
probably like four or five years old, and I you
know that dude. Yeah, that part stayed with me forever.
When I first heard it, this version at the club,
I was like, oh, my fucking god, no fucking.

Speaker 5 (16:17):
I know this song.

Speaker 2 (16:18):
So yeah, so you know, to me, it's like, Okay,
I feel at home here. But yeah, the Rod Stewart
song though, I mean, it's basically about the song about
you know, hooking up from a club, right, which is taking.

Speaker 4 (16:30):
Someone exactly what interested us, you know, going to these places, right,
The sexiness of it, the strangeness and like you don't
know what's going to happen, you know.

Speaker 3 (16:40):
And they say when they were writing the song, they
were going for Neil Rogers vibe, So that's just that chic.
They're going for a disco vibe, you know.

Speaker 2 (16:47):
So it's for sure, and it's you know, at that
time it was sexy. It was it felt the vibe
of the seventies. This song really like encapsulated that period
in time. It's like when it got up to this
early nineties version, it's showed the sleaziness of the concept
of hooking with some hooking up with someone at a
strip bar and listen with his music video or in

(17:11):
a club. Not everybody you'd meet or hook up with
a club is a winner. You'd meet some fucked up
people in there, right, I mean, I have had my share.
I'm sure you all didn't. And you you always want
to treat them like the angels you hope they are.

Speaker 4 (17:25):
But you know, it's weird because there were so many
clubs happening at that time. I mean, I'm sure there's
so happening today. But the question is like why we
were why we were so attracted to that scene. I
think partially because it was so different.

Speaker 2 (17:37):
It was so different.

Speaker 5 (17:39):
You'd go anywhere else, you know, you go to your
malls and you'd go to maybe you're at school, but if.

Speaker 2 (17:43):
You see a goth chick at a moss like, whoa,
it's like fucking seeing the sasquatch.

Speaker 4 (17:47):
Right, because it's well, listen to No Rain, because you'd
marry the two of like, you know, clubs and then
like the outside world, Oh just actually people like that.

Speaker 5 (17:56):
That's still I.

Speaker 2 (17:58):
Mean, you had your goths chicks at your school.

Speaker 4 (18:00):
There's plenty, Yeah, there's plenty, but yeah, but even they
didn't go to these clubs.

Speaker 5 (18:03):
Man, that's weird.

Speaker 2 (18:04):
We're kind of like so so you kind of one
up them in a way.

Speaker 3 (18:06):
Well, we were just like anti them, like we're anti school.

Speaker 5 (18:10):
So it's not like we talked about going to these places.

Speaker 3 (18:13):
We're just like, we don't want to be around these people,
and these people aren't there, so let's have fun. Nobody
knows us here.

Speaker 4 (18:18):
The thing is, those people at the at school, they
were just there because it's that classic teen angst and
I want to be different and stand out whereas we
And it's not like putting us on a pedestal. It's
just more like, well, yeah, I've seen like the worst
of the worst of these clubs, you know how crazy
you can get. Yeah, And I didn't have to like
say that I was doing these things. It's so I
didn't need to do that because I just knew because

(18:40):
I was there. I was trying to live those both lives,
you know, like your school and trying to be in
the scene, but not necessarily like trying to I don't
have to be this.

Speaker 3 (18:48):
I don't have to be this at school.

Speaker 5 (18:49):
Yeah.

Speaker 3 (18:49):
Yeah, I'm here to do school. I'm not here to
do that. Yeah.

Speaker 2 (18:53):
Yeah, some people it's twenty four to.

Speaker 4 (18:54):
Seven, right, that's exactly what I'm saying this is more
like an intellectual endeavor.

Speaker 5 (18:58):
We're like studying people.

Speaker 4 (19:00):
Like, wow, there's people that are into that, and they're
into that all the time, where we could kind of
float in between worlds almost.

Speaker 3 (19:07):
It's an interesting thing, and like learning about that it
helps you kind of grow because you're like, oh, well
you could actually be yourself and it's not that weird.

Speaker 4 (19:16):
Yeah, it's part of kind of growing up, you know,
that's finding your identity and like where you feel comfortable
around because it's intimidating at first, but then you start
talking to these people, it's like they're just no people.

Speaker 2 (19:26):
Yeah, they're so regular. Yeah right, they have like you know,
you see like big, long haired, dark, crazy ass makeup
and then his voice is like five octapes up or something.

Speaker 5 (19:34):
They're just really goofy, and.

Speaker 2 (19:37):
It's like it's so resetting and it's so refreshing. It's
like we are just regular people. They're just they watching
symptoms like you.

Speaker 4 (19:44):
But you know what's sad is that people do make judgments.
They see these people and they automatically think, oh, they're
saving cat, you know, and it's like, well, we're lucky
enough to know, like, no, they just regular people.

Speaker 5 (19:57):
Just kids. Young kids are trying to get into you know,
a group of people, like.

Speaker 3 (20:01):
A lot of them are finding out that they're just
like nerdier than exactly. Yeah, it's just kind of funny.

Speaker 5 (20:06):
They like the same ship.

Speaker 2 (20:07):
Yeah, they also like the same ship, but they're also
caddy as fuck too. I mean some of the most
some of the most, like the judgmental people, do I
have met our God? Like, oh my god, he's wearing
those pants with that top.

Speaker 4 (20:22):
And I'm curious how many people and I'm sure there's
a lot of people who kind of have shared the
same sentiment, right, like who explored and like got into
those different scenes and they did, you know, frequent those
kinds of clubs, but not necessarily like fully live that life.

Speaker 5 (20:35):
You know, Like a lot of people did went to
those clubs.

Speaker 3 (20:37):
I think there's a lot more people than not, you know, Yeah,
I think so too. Yeah, there was a lot more
probably teachers and sociors that we didn't know that were there.

Speaker 5 (20:45):
A lot of them were professionally.

Speaker 2 (20:47):
Yeah, I met some people there, like man, you know,
the millionaire.

Speaker 5 (20:52):
It just happened to love that kind of.

Speaker 2 (20:54):
Thing, that aesthetic, you know, can't blame them it's a
very hot, sexy aesthetic, you know.

Speaker 3 (20:58):
For those are the people that would buy his drinks
were They're like, oh, well you're in high school still,
I'll buy you a drink. I'm like, oh, thank you.
And I thought that was a million dollars.

Speaker 4 (21:07):
And that's not to say that doesn't happen in other scenes.
It just it just happened to for our youth, our experiences.

Speaker 5 (21:13):
Yeah, so yeah.

Speaker 2 (21:15):
The thing I'm sexy though, was a soundtrack of that
point in time for like man for sure that and
you know, came up the light the war against this
is the song. It's not the songs aren't those words?
Aren't that in the lyrics like friend for I Got
twenty like a prayer? The songs we've done in this podcast, those.

Speaker 4 (21:33):
Were back when I listen to that Ah Daisy chained
for saying, Oh man, how brings you back?

Speaker 3 (21:39):
Yep? So the director did he direct a lot of
music videos? There?

Speaker 2 (21:44):
No, he was in production of a lot of horror movies.

Speaker 3 (21:46):
Oh okay, so he was.

Speaker 2 (21:48):
He was a kind of a horror connoisseur. So he
put whatever his know how in this music video on it.

Speaker 3 (21:54):
It does look like a horror It does have horror
movies from that time, vibe Arangoni very.

Speaker 4 (22:00):
Like Tales from the Crip early nineties kind of you know,
not that vibe perversions of science. I don't know if
you guys remember the shows.

Speaker 3 (22:06):
It's very like where it's like a horror movie but
it's funny, yes, yes, comedy, yeah, it's kind of gross
out comedy, not gross out like comedy like that we
know today, but like horror gross out. Yeah. Yeah, it's
the nineties. It's very bright.

Speaker 2 (22:19):
Okay. So Thomas Rangioni has has some credits for Honey
I Brew Up the Kid. He was the visual effects
guy in there. He directed the Ramone substitute music video
their cover of I Guess the Who The Who the who?
Oh Yeah, one of those British bands, so yeah, they
covered that one. He also was in charge of the
wish Master's visual effects movie and he did the visual

(22:40):
effects for The Guyver with Luke Skywalker in there. Mark
Hamill is No Guiver. Guivers, a nineteen ninety one sci
fi movie with starring Mark Hamill. He did the special.
He was a special effects coordinator for The Crow Salvation
back in two thousand, so.

Speaker 3 (22:54):
Not really so he's a special effects guy.

Speaker 2 (22:56):
Yeah, special effects guys, which you know video some of
us in the A lot of prosthetics, a lot of
practical effects.

Speaker 3 (23:02):
And he blew up the kid. That's interesting.

Speaker 2 (23:03):
Yeah, yeah, blew up the kid, I guess. And that
was his last gig. I don't think he's alive right now.

Speaker 5 (23:10):
He will.

Speaker 2 (23:12):
Actually, yeah, he died. He died in twenty sixteen. What
so Yeah, the November eighteen, twenty sixteen, a few days
before my birthday.

Speaker 3 (23:22):
Was it a special effects.

Speaker 2 (23:25):
He died doing special effect?

Speaker 3 (23:27):
You love a bus or something?

Speaker 2 (23:29):
Okay, be all right, it's time for the pop quiz. Okay.
Revolting Cocks is a band comprising musicians from other industrial acts.
Which of these bands has not collaborated with Revco? Okay
A knits Av B Skinny Puppy, c Front two four two,

(23:51):
d KME FDM, Ryan have to go with d came
FtM Ryan came at them, has not collaborated, Louis, I'm
going to go with that too, DM. You are both wrong. No,
knits av they never collaborate, really, Yeah, they've collaborated. Skinny
Poppy two four two was one of the funding and
came F d M.

Speaker 5 (24:12):
Yeah, with n but Oker only appeared in the video, right,
and really he's yeah.

Speaker 2 (24:16):
He's appeared in the.

Speaker 3 (24:19):
Music doesn't count his collaboration.

Speaker 2 (24:21):
It's pretty collaborating, right, Okay, finish this sentence, all right,
finish the sentence. The video was banned by Canada's music
video station Much Music for a copious amounts of gore
b extreme bad taste. See he's donistic and trashy or

(24:41):
d anti feminism?

Speaker 5 (24:42):
Right, Canada, Let's go with feminism?

Speaker 2 (24:48):
Is it anti feminine?

Speaker 5 (24:50):
Anti feminism?

Speaker 2 (24:51):
I'm gonna do the trash you on with the trash
hedonistic and trashy's you're both wrong. It's extreme bad taste.

Speaker 3 (24:58):
Oh what, I guess it's that's why I was like, basically.

Speaker 2 (25:03):
I guess the umbrellas, yes, specifically right, I'll I was.

Speaker 3 (25:08):
Trying to think of the word that they would use
back then.

Speaker 2 (25:11):
All right. Exterior shots of the music video took place
outside the Ridgely Theater, located in forth Worth, Texas. In
the year twenty eleven, the theater was put in this
list all right. A the Tyrn County's Database of Condemned Properties.
B the Environmental Protection Agency's list of radioactively Contaminated Sites.

(25:36):
Ce fort Worth, Texas's demolition's list or d the National
Register of Historic Places.

Speaker 5 (25:42):
I'm gonna go with the demolitions list see.

Speaker 2 (25:44):
Ryan demo list.

Speaker 3 (25:45):
I'm going to her historical list.

Speaker 2 (25:47):
Louis correct, how it is, they did put it in
the National Register of Historic Places.

Speaker 3 (25:52):
A pretty place.

Speaker 2 (25:53):
Yeah it's still around. You could you could book a.

Speaker 5 (25:56):
Party, just exterior, right, not the interior part, the interior
and the extent.

Speaker 2 (26:00):
Yeah, it's our building, man, let's just scior so if
I want to have you can, yeah, you can for
a good you know, for I'm sure for textans dollars.

Speaker 5 (26:10):
My retirement party could be there.

Speaker 2 (26:11):
Okay, right, okay, guys, it's time to put on your raincoats.
All right, it's the lightning round.

Speaker 5 (26:19):
Chilli man, okay.

Speaker 2 (26:21):
I Revolting Cox is a supergroup comprised of members from
other popular industrial bands. Supergroups, by definition, are musicians that
have reached successes as solo artist or as part of
other bands. Example, Tin Machine, right, David Bowie.

Speaker 5 (26:36):
And all those other guys, all those other successful.

Speaker 2 (26:45):
This is Louis or to a lesser extent, broken social
I'm kidding, I'm kidding. I wrote that to kind of you.

Speaker 3 (26:54):
I'm not even that big as broken. Okay, so they're good.

Speaker 2 (27:00):
The question for the Lightning round is which of these
bands are not a super group?

Speaker 5 (27:04):
Okay, okay, that's good.

Speaker 2 (27:06):
Okay, and sorry with Louis now okay. Louis Trio comprises
of Dolly Parton, Linda ron Stand and Emma Harris.

Speaker 3 (27:13):
That's false.

Speaker 2 (27:14):
That is true. There they are real, super.

Speaker 3 (27:17):
Bowl they are. Isn't there a band called Trio that?

Speaker 5 (27:20):
Yes?

Speaker 2 (27:24):
Well, yeah, but they have the same cheese. Okay, Ryan
swing Out sister lead singer carn Drewry was from Flesh
for Lulu and pianist uh Adney Cournell play keyboards for
Shreek Back.

Speaker 5 (27:37):
That's false.

Speaker 2 (27:38):
You are correct, Yes, he does learn super good Okay,
Louis pig Face Martin Okay, yeah, it's super group, so yeah,
Martin Athens, William Rifland, a lot of the guys from Revco.
UHR Resner was part of that. At one point, the
Ogre there was there's video you can watch Ogre and

(28:01):
Trent Rezor singing together. That's mind blowing to me. Okay, Ryan,
English Jazz funk band Level forty two.

Speaker 5 (28:10):
All right.

Speaker 2 (28:10):
Singer Mark King was a founder of Starlind vocal band,
keyboardist Mike Lindap was from Mike of the Mechanics, Mike
and the Mechanics, and guitar Snathan King played for Sly
in his family Stone.

Speaker 5 (28:21):
Said, Mike O the Mechanics or Mike Mike Mike Mike.

Speaker 3 (28:27):
Same, I was bringing King into it ouspaper band King.

Speaker 2 (28:34):
No, okay, it's Mark King of Starland, okay. Louis told
the Wet Sprocket okay. Glenn Phillis played for the Wild Seeds.
Todd Nichols played guitar for the Jesus Lizard. Bassist Dean
Dinning was a founding member of the Camper van Beethoven,
and drummer Carl Thompson was the first run for Mud.
Honey told the Wet Sprocket. Are you a supergroup or not?

Speaker 3 (28:57):
Yep, it's the There's probably yes, But for my own sanity,
I'm gonna say no, they're not.

Speaker 2 (29:04):
You are sorry we correct because they can come on.

Speaker 3 (29:11):
They can't be a super groul Yes, I just.

Speaker 5 (29:15):
Grabbed those like a blind melon contemporary song.

Speaker 3 (29:19):
Though that's a good song, but come on, David Bowie
in the super groove, you can't just make a supergroup.

Speaker 2 (29:25):
Okay, Ryan, the two one three, it's Snoop dogg Warrang
and Nate Dog not.

Speaker 5 (29:31):
Fame, but I'm gonna go with yes, you're correct, Yes,
they are a super group.

Speaker 2 (29:35):
Okay, Louis, Yes, the Neurotic Disorders, Steve Jones of the
Sex Pistols, Duff mccake and Guns and Roses, John Taylor
Duran Duran and Matt Soum of Guns and Roses, the Cult.

Speaker 3 (29:47):
I'm gonna say that because all those guys have a
connection Tuatuers. I'm gonna say, yes, you are correct. Yeah, yeah,
I think they're hauling.

Speaker 2 (29:54):
A together cocaine.

Speaker 5 (30:00):
Hollywood somewhere.

Speaker 2 (30:01):
Speaking of Hollywood, Ryan, the Hollywood Vampires. Oh, there you go,
Alice Cooper, Johnny Depp, Joe Perry of Airsmith, and Tommy Hendrickson.

Speaker 5 (30:09):
Of Alice Cooper's. Yes, that's their supergroup. Correct, Yes, a
huge fan.

Speaker 2 (30:16):
Okay, Lily, this Mortal Coil, Evil Wats Russell, Elizabeth Fraser
and Robin Guthrie of Cocktail Twins.

Speaker 3 (30:23):
In my opinion, they are a supergroup.

Speaker 2 (30:26):
Yes, okay, fine, I was thinking to name more names,
but you got it. But yeah, English Dance, Yeah, that's
it's an amazing collaborations only lest for like since the
mid eighties. And that's it.

Speaker 3 (30:38):
If you have this singer for the Cocktail Twins in
your band, you're a supergroup.

Speaker 2 (30:43):
Again. Finally, Ryan, the Lords of the New Church.

Speaker 6 (30:46):
Yes they are, Stid Vadis the Dead Boys and Brian
She's the damn Dave Tragruna of Champ sixty nine and
Nick turn of the Barrack Uda.

Speaker 2 (30:59):
Okay, guys, prepare for a thunderstorm because it's another.

Speaker 5 (31:05):
Is a monsoon, right, dude?

Speaker 2 (31:07):
Okay, this is very simple, very quick, hopefully, as we
all know. Do you Think I'm Sexy? Is a cover
song by Revco from broad Stewards nineteen seventy eight Classic.
Which of these songs are not a cover song? Okay,
so treat him right? By chub Rock.

Speaker 3 (31:24):
I'm gonna say yes, wrong, Okay, Ryan.

Speaker 2 (31:29):
Girls just want to have Fun by Cyndi Lauper.

Speaker 5 (31:32):
Oh Man, No, I don't think it is.

Speaker 2 (31:35):
You are definitely wrong. It is a cover by Robert
Hazzard and this is what the song sounds like.

Speaker 3 (31:50):
Hold it's a good song, dude, that's yeah, what.

Speaker 2 (31:57):
Year seventy eight?

Speaker 5 (31:59):
Wow? Good? It's like punk, right, yeah, it's like American
New Way, right.

Speaker 3 (32:08):
Yeah, it's very cool. I still like the other version better,
but this is really cool.

Speaker 2 (32:13):
I mean people were dogging on this version. But yeah, okay,
so Louis yes, always something that will remind me by
Naked Eyes. Is that a cover song or not?

Speaker 3 (32:27):
I'm gonna say yes, you are correct?

Speaker 2 (32:29):
Yeah, okay, And this is the original version by Beyond Warwick.

Speaker 3 (32:34):
Actually, yeah, sixty three.

Speaker 5 (32:38):
Correctly.

Speaker 3 (32:40):
It's like a Bostva.

Speaker 5 (32:41):
Yeah, we won't get intro for this if we talk
about over it.

Speaker 3 (32:46):
No, yes, I've heard. I think I have this vinyl.

Speaker 5 (32:57):
Okay, just a side note. One of our friends of
the pod cast used to be neighbors with Naked Eyes,
right really yeah.

Speaker 2 (33:06):
That's right.

Speaker 5 (33:07):
Yeah, so funny you know that.

Speaker 2 (33:09):
No, I didn't know that.

Speaker 5 (33:10):
Where they live now? No?

Speaker 2 (33:12):
No, no, where they used to live in sam Pedro.

Speaker 3 (33:14):
Yeah, where they live in sam Pedro. The guy from
Naked Guys live next sord to them.

Speaker 5 (33:17):
Man, Wow, I always get Frank the Naked Eyes.

Speaker 3 (33:21):
We saw him in the saw him the Elevator a
couple of times. He's all rock start out he still
is it cool?

Speaker 2 (33:27):
He looks like fucking Gary Newman now or something with
a fake wig, and.

Speaker 5 (33:32):
He's done that, right, fake wig, it's fake wig.

Speaker 3 (33:37):
It's real, it's a real wig.

Speaker 2 (33:38):
How about that? Okay? Ryan Riders in the Storm by
the Doors.

Speaker 5 (33:44):
M M. Not familiar, but I'm gonna say now you
are correct.

Speaker 2 (33:50):
It is not a cover. It's definitely a Doors original. Okay, Louis.
I love rock and roll by Joe and Jet and
the Black Hearts.

Speaker 3 (33:58):
Yes, let's cover you are correct.

Speaker 2 (34:01):
By the Arrows.

Speaker 5 (34:03):
Moving sat here two weeks before.

Speaker 2 (34:08):
In nineteen seventy four.

Speaker 5 (34:09):
Oh wow, go for note right, but it.

Speaker 3 (34:16):
Sounds better with with Jone Jets Young Jets vision.

Speaker 2 (34:20):
Yeah, but you gotta imagine nineteen seventy four.

Speaker 5 (34:24):
No, it's.

Speaker 2 (34:28):
Like I don't. I can't imagine.

Speaker 3 (34:32):
They were before their time.

Speaker 2 (34:33):
Yeah, they were before their time?

Speaker 5 (34:34):
Right mine as well? Bus karaoke for her? Right, I
mean it's exact something the same.

Speaker 2 (34:38):
Yeah, okay, Ryan Rhythm as a Dancer by Snap.

Speaker 5 (34:43):
What are you that because then when that came out? Right, yeah?

Speaker 2 (34:47):
Or nineteen ninety ninety one, Yeah, I.

Speaker 5 (34:50):
Think it is. I'm gonna go maybe I'll get your
a disco song something.

Speaker 2 (34:53):
No, you're wrong, really, okay, Louis Eazy say you Winter
by the Blank by the Bengal.

Speaker 3 (35:01):
Yes, that's the fucking covers.

Speaker 2 (35:03):
Yes, you are correct. Venus by Simon Garfunkle in nineteen
sixty six.

Speaker 5 (35:13):
That's another one.

Speaker 3 (35:14):
I really like this version.

Speaker 5 (35:15):
It's so good.

Speaker 3 (35:16):
It's so good. But the other version so good. With
the movie, it's like less than zero rat right because
like Robert Cheer goes down on some guy from Crack
or something. No, the the Bengals version fucking rock. That
guitar part is cool.

Speaker 2 (35:35):
And and that's and the Bengals sser their favorite song
that they've ever done too. So okay, Ryan, your Turn
Unchained Melody by the Righteous Brothers. Is that a cover
or not?

Speaker 5 (35:46):
It's a good question. I'm gonna say no, it's original.
You're wrong.

Speaker 2 (35:50):
What it is, sung by A Todd Duncan in nineteen
fifty five.

Speaker 5 (35:55):
Is the original versions haunting? Huh?

Speaker 2 (36:01):
Yeah.

Speaker 3 (36:05):
It sounds like a like an Irish.

Speaker 5 (36:07):
Yeah ballad song, like one of those off episode Twilight zones,
you know, where it's like somebody's slinging Oh man, that's
it's creepy, but I like it. I like it.

Speaker 2 (36:20):
Yeah. You can find the video of him singing. Todd Duncan. Yeah, Okay, Louie, Okay.
This is more of a I thing for industrial fans.
Life is Life by Live Boch.

Speaker 5 (36:34):
Deep cut.

Speaker 2 (36:35):
This is a deep cut. But at the same time,
if you're listening to a radcast about Revo, you would
know about live back. So a song called Life is
Life by Live Box, which is a very popular song
amongst the industrial people circles. Is that a cover song
or not.

Speaker 3 (36:47):
I'm gonna say it's a cover because of why would
you bring it up?

Speaker 2 (36:50):
Because that's one of the songs I wanted to do
to for this show. Yeah, Like, this is the music
video for light Box Life is Life. Who is right
by the way. It is a cover by a band
called Opus. It came out nineteen eighty four. Live came
out like a few years later with their own version
of this. But I don't know if you've heard the
original lib the Live Box cover, but this is the

(37:11):
original one. Have you heard the song for I.

Speaker 5 (37:19):
Can't say that I have.

Speaker 3 (37:23):
It sounds like a it sounds like it's live too.

Speaker 2 (37:30):
Yeah, it is a live version, but this is the
one that circulated by who origin Opus a band called OUs.
But if you guys get you know some time. Listen
to the to the live box version and compare to
this one nothing like it's no, it's it's not for

(37:51):
note similar but they don't use guitars and this little
nice reggae beat.

Speaker 3 (37:57):
I say, yeah, it sounds like a like a sting song, or.

Speaker 2 (38:01):
It's more martial industrial. If you know what Marshall industrial
sounds like. What is Marshall indus is a march It
sounds like a marching sound.

Speaker 3 (38:08):
Okay, so like yeah, like military martial Yeah.

Speaker 5 (38:13):
Okay, so okay, Ryan.

Speaker 2 (38:14):
Finally, last question, Night Joe by Rednecks.

Speaker 5 (38:19):
Mm hmmm, I don't know. I'm gonna go with yeah,
it's a cover.

Speaker 2 (38:24):
Correct, Yes, it is the song right kind of it's uh,
it's yeah, Well they took that was a very ancient
song from the eighteen sixties. Really, that's been covered many
times since then. And this is the one of the
earliest ones I could find from nineteen in the fifties,
This by sung by Karen Dalton's.

Speaker 5 (38:54):
Good though, what First of all, who who who did
Catton night Jump? No, not not this one, but the
one that's popular.

Speaker 2 (39:12):
At the club Rednecks they called the Redneck Yeah, they
called Rednecks.

Speaker 5 (39:15):
Like with an X, Right, I like this version.

Speaker 2 (39:17):
Where did you come from? When did you go?

Speaker 5 (39:19):
Yeah? That one?

Speaker 2 (39:20):
So yeah, that concludes the pop quiz.

Speaker 3 (39:22):
You always played that song to you after.

Speaker 2 (39:26):
It's usually that and and the Grid, the grid swamp
thing with banjo, the creepy ass banjo. All right, we'll
be right back for some music video discussion. All right, guys,
talk about the music video for DA Think I'm Sexy?
Why is it dah Like it's it's.

Speaker 5 (39:42):
So it's an Irish thing, but Rod Sewart's not.

Speaker 4 (39:45):
It's Bobby Well it's not either, right, that's like an
Irish thing but dies like Dad in Irish.

Speaker 5 (39:52):
Yeah, but yeah it is weird. That's maybe that's the thing.

Speaker 3 (39:56):
It's like, Dad, do you think I'm sexy?

Speaker 5 (39:58):
Or is it? I mean, it makes it more kind
saying super Yeah.

Speaker 3 (40:02):
Maybe is this like to like change it a little bit?

Speaker 1 (40:05):
Yeah, but yeah.

Speaker 2 (40:07):
The music video starts off with the sign at the
Ridgely Theater, Fort Worth, Texas. The historical historically condemned, uh
you know, shows the sign girls girls girls neon everywhere? Right,
this is pre l ed era too. Yeah, it's you
know that you get the camera panning down from the
outside of the marquee to this.

Speaker 5 (40:30):
You know what car is this?

Speaker 2 (40:31):
Right?

Speaker 5 (40:31):
It's a classic, right, it's convertible. Convertible, right, it's a
Cadillac or something like that.

Speaker 2 (40:36):
It looks like it. And yeah, the protagonist of our
music video rolls up, Yeah, rolls up. There's no parking
lot in this venue, so you go to valet, right,
no valet. You just pull up on right in front
of everybody, and he's greeted by you know, a bunch
of show girls, and I guess you know, like this guy,
this old guy. Oh yeah, well before that is there's

(40:56):
a little you know, a little devon doing a little.

Speaker 5 (40:59):
Drum roll, and that's the very beginning.

Speaker 2 (41:01):
Yeah, yeah, the curtain drum rolls. But you know it's
an actor named David Friedman who's been a lot of
horror movies as well. It's kind of a horror staple
character actor. So I guess I don't have the director
called in his men he right, So so yeah, like
he gets greeted by those people and you know a.

Speaker 5 (41:19):
Lot of a lot of sexiness and where you've got
kind of like a barker type guy.

Speaker 2 (41:24):
Right, and yeah, that's David Friedman's.

Speaker 5 (41:26):
Right, And then you oh it's the same guy that's playing.
Oh okay, so he doubled up.

Speaker 2 (41:29):
On multiple roles in this kind they're paying good money, better.

Speaker 4 (41:35):
Dollar, dam and then double and then you got a
dancer already, like a very voluptuous dancer. I would have
stopped myself, man, yeah, and I.

Speaker 2 (41:50):
Totally would have.

Speaker 3 (41:55):
Like, hey, ticket here, or would turning on my ev.

Speaker 2 (41:59):
I think you get the you know, a little break
because your cars, right well you used to more so, Yeah,
he's invited in this you know Chris Connelly.

Speaker 5 (42:09):
Who is He's white eyed and like, yeah, what's happening.

Speaker 2 (42:12):
He's the singer on in this one. Like if you
see if you watch other Revco videos, it's not him singing,
but in this in this music video.

Speaker 4 (42:19):
He's the one dropping the bo when he's not singing
out what is he doing playing instruments or.

Speaker 3 (42:24):
Do they just have guest singers?

Speaker 2 (42:25):
They just have guest singers, you know, it's usually the
guys in the background in this music video. They would
be playing either sense or guitars or or drums.

Speaker 3 (42:33):
So al Jorganson's in the video, but he's not doing
anything in this song, right well, he sings, he sings
the chorus forgot about that, and he's got in the background, right, Okay,
he's the because of the Tommy gun and then yeah, okay.

Speaker 2 (42:49):
I don't know, like uh, like he invites him inside
the strip joint and he's like having a good time
and uh and he sees the you know, one of
the one of the strippers getting you know, like the
kind of paying more traditions, like, yeah, that's right. I mean,
we've all been in strip clubs before.

Speaker 5 (43:04):
I don't know what you're talking about. What is that
you mean?

Speaker 2 (43:10):
Men have been never miss this.

Speaker 3 (43:13):
If strip were like this, like beautiful theaters that you
could go into, it would be kind of nice.

Speaker 5 (43:18):
Usually say this is more like burlesque.

Speaker 3 (43:20):
Yeah I've been to I mean like this, yeah have
you heard.

Speaker 5 (43:27):
I've heard of it.

Speaker 2 (43:27):
I've never been.

Speaker 3 (43:28):
And they're always like theaters like this too, exactly.

Speaker 5 (43:30):
It's not your typical strip joint.

Speaker 6 (43:33):
It's more like there's a little bit more wrestling in
that too, which is a little bit historical type the
probably condemned in a few years, but.

Speaker 2 (43:41):
Reactive waste in the corner.

Speaker 3 (43:42):
So he gets in right a lot of Hawaiian trees.

Speaker 2 (43:45):
He's having a drink, having good time.

Speaker 5 (43:46):
He's already seated, right, and this show happening.

Speaker 2 (43:49):
He's in the back. You know, he's in the conservative
era and not in the not in the ramp where
the high rollers are dropping their dollar bills, right.

Speaker 5 (43:55):
But no one's dropping any dollar bills right there.

Speaker 2 (43:58):
I think it's the economy was so bady. He just
got sworn in. I think, so the whole NAFTA thing
hasn't taken off yet.

Speaker 5 (44:09):
Okay, So he's having a drink, he's watching, yeah, and
attention to.

Speaker 2 (44:13):
This super Yeah.

Speaker 3 (44:15):
He does seem more like a burlesque show than a
strip club, right because the strip club, the tops are
off right.

Speaker 5 (44:21):
Yes, there's no polls. It's just dancing kind of like
performing in front of you.

Speaker 2 (44:24):
Right yeah. Yeah, But and then there's Tommy guns, and
then well there's there's you know a lot of a
lot of this music video is interspice with the actual
band just hanging out with these you know, like green
screen backgrounds of skulls and just floating skulls on them,
and you got fucking alj Riganson playing with a Tommy

(44:45):
gun or an oozy or whatever that is, and got
the other bands playing drums. Really lazily. You got William
Riflan in there, right, you know, he's he passed away
a few years ago.

Speaker 5 (44:56):
The drummer.

Speaker 2 (44:56):
Yeah, they guy playing drums. But there's also what band
is he from? Pig Face? Big Face also did ministry
as well, and shoot Paul Barker, Okay, amazing musician by
the way. He's he's the one who basically, you know,
just helped really reinvent ministry, you know, with the more
aggressive industrial sounds.

Speaker 3 (45:17):
After the eighties, kind of for the synthpop era ministry,
you know, like but yeah, after thee.

Speaker 2 (45:25):
And then yeah, so with this more aggressive on the ministry,
it also introduced uncle al to cocaine and.

Speaker 3 (45:33):
And all the devout but he was a dowey drugs
before that.

Speaker 2 (45:36):
I'm sure it did, but it just went like in
the hyper.

Speaker 3 (45:39):
Nerve that when all the piercings came into Oh yeah, yeah, yeah.

Speaker 2 (45:50):
He was a handsome guy. He still was a very
handsome guy here, but like nowadays, he's looking really unfortunate.

Speaker 3 (45:55):
He's an older man.

Speaker 2 (45:56):
He's an older man, but I guess, I guess so
all of us. But anyway, so so he's checking out
this this one burlesque stripper and when the chorus hits,
it becomes Uncle Al's face. That's the best party video
bar none. And I love how he reacts like it's
an awful morph too. It's like it's not Michael Jackson

(46:19):
levels of black and white when morph, it's like it's
like an early nineties budget horror movie morph right from
the girl's face to Al Drigons.

Speaker 3 (46:29):
It almost looks like it's just like a copy and
paste of his picture.

Speaker 2 (46:34):
Yeah, yeah, might as well just like, yeah, like literally
photoshop his head in there, not.

Speaker 3 (46:38):
Even photoshopp It looks like word like they did it
on a word document or something.

Speaker 5 (46:42):
But was his face moving though he was Yeah, he
was scary.

Speaker 3 (46:47):
Yeah, like a word document gift.

Speaker 2 (46:50):
So yeah, that's this one highlight highlight number one of
the music video. What else did you guys find out?

Speaker 4 (46:55):
Well, you know, one of the other ones that's kind
of weird is as they're kind of panning and there's
a guy that kind of like beating on like a
Ventrol crystummy. Yeah, there's a scene where he's punching, but
the camera is just panning to to all this, like
all these weirdness is happening.

Speaker 5 (47:11):
So is that kind of like, yeah, is it kind
of like a hellish environment that he's because yeah, there's
entering that place.

Speaker 2 (47:19):
Where the barker, the carnival marker guy, he presses something
and the end the table where you know Chris Conney was,
it switches over to a different room, like a like
a secret room, and then there's all this debauchery happening,
and he sees this this Garden of Earthly Delights situation.
What's the yeronymous bosh.

Speaker 3 (47:38):
What's the space horror movie? Where like they actually go
into like the dimension of Hell. It's like a space
like whoa or you know they watched the video like
what the fuck happened on the spaceship?

Speaker 2 (47:54):
Yeah, so yeah, the strip was another dimension apparently.

Speaker 5 (47:58):
You know, like the levels of Hell into these different worlds.

Speaker 2 (48:01):
So yeah, you get to see all you know, all
these all these like just hellish I guess, I guess visuals.

Speaker 5 (48:07):
Yeah, and all this imagery is going crazy.

Speaker 2 (48:10):
But you know it would cut to the band playing
as well, you know in the green screen with the
skulls floating skulls and stylistic shots, and you got Algebraus
not playing anything, just like posing with his gun, pretending
he's shooting something, right, it's probably high on.

Speaker 4 (48:22):
But there was also another guy with a gun too,
like like you know, military or oh yeah, like a
real fucking he's like a black panther almost. It seemed
like yeah right, he had like the cap the gun
with him too.

Speaker 2 (48:34):
Yeah. Do you think there's are real weapons or like
the props?

Speaker 5 (48:38):
Yeah?

Speaker 1 (48:39):
Yeah.

Speaker 2 (48:39):
The crow already happened around this time, right, yeah, so
you know I can't just funk around with fake guns
like real guns.

Speaker 3 (48:45):
And it's got crow vibes of this video for sure,
like the like the.

Speaker 2 (48:49):
Club scene and crow kind of thing with a k
on it.

Speaker 4 (48:52):
It's funny too because the lyrics there's two lines that
they change, right, the buying the ten cents for the
rubber and also the ky jelly. Everything else is exactly
the same lyrics.

Speaker 2 (49:02):
But the sign really slowly just like almost is he
there to.

Speaker 5 (49:05):
Hook up or he's just really there to watch the show? Right?

Speaker 2 (49:08):
When you go to a strip club you kind of
want to think you want to hook up with one
of those girls.

Speaker 5 (49:12):
Right, Well, the mentality is there for sure, but he
was he is I mean I didn't really see him.

Speaker 2 (49:17):
I mean he came in there in style, but he ends.

Speaker 5 (49:20):
Up with one of the women's answers.

Speaker 2 (49:23):
Much like if you compared this to the Rod Stewart
music video, he does go home with a girl from
the bar, and he does go home from one of
the girls from you know, like she's apparently a B
movie actress as well. Lenea Quigley, the one that he
takes home with her the dark hair, No, not the
dark hair, the one with the blonde hair. Oh okay,
that's Lenia Quigly, the one with the dark hair that

(49:45):
we all were wroggling over.

Speaker 5 (49:47):
But do you think that he goes into hell like
his own?

Speaker 2 (49:52):
Yeah, I think I think he got manipulated, but the
carnival Barker into that httle.

Speaker 5 (49:55):
Healthscape because his eyes were like a you know, like
he kind of like lost himself right in what right?

Speaker 2 (50:00):
And he was you know, he was drinking the nice
I don't know what do you think was he? Was
he drinking like Uzo or something absent absinth maybe absent?

Speaker 5 (50:07):
You remember that drink motherfucker the audio?

Speaker 2 (50:11):
Yeah, the amf the classic one. Yeah, that was my goat?

Speaker 5 (50:14):
Is it really? That was my go to drinking different
alcohols in it?

Speaker 2 (50:18):
Yeah, I have the ingredients or I try to make
it at home. I could not do it. No, I
haven't had a great AMF in years.

Speaker 3 (50:24):
So there's also the woman from the Shining bathroom scene,
and the bathroom is in there too, right, we can't
forget about her.

Speaker 2 (50:32):
Literally quickly, she invites our protagonist Chris Connelly into the
room seven and she.

Speaker 5 (50:43):
Busts the substance straight up, like reverse substance right reever.

Speaker 2 (50:46):
Substance, and the Demi Moore aspect of her comes out.

Speaker 5 (50:50):
If you've seen the movie.

Speaker 3 (50:52):
I've seen the movie, that also happens in the Shining right,
She's like a beautiful woman and then yeah, kiss her
and then the old idio.

Speaker 5 (50:58):
Oh my god.

Speaker 2 (50:59):
Yeah, so it's they took a lot of cues from that.

Speaker 5 (51:01):
And he just stands back and she sings the cars right.

Speaker 2 (51:04):
The cars. Yeah. Well he's like horrified and where like
she just you know where she just took off the
skin suit.

Speaker 5 (51:11):
Yeah, she's she's holding it.

Speaker 2 (51:12):
I mean that's some good practical effects, right.

Speaker 3 (51:14):
This video does pass the Bechal test though, right, No,
he doesn't.

Speaker 2 (51:18):
Just kidding out.

Speaker 3 (51:20):
Well, no, women were talking talking about about that was
that was literally trying to find.

Speaker 2 (51:29):
She sings, but she's talking about her though not not
not some guy.

Speaker 3 (51:35):
But the lyrics are changed, right because I don't remember
the original one talking about lube.

Speaker 2 (51:40):
Out of k y jelly and there's two lines and
he laughs a little bit. I think they snuck that
on him and whatever.

Speaker 4 (51:47):
Yeah, there's a lot of money back in Nice because
he asks for a dime to call his mother.

Speaker 5 (51:52):
He's the lion in the Rod Stewart version, So I
call my mother.

Speaker 3 (51:58):
He says they needed tense to buy a rubber, right.

Speaker 5 (52:01):
I don't know if it's sent sense, but that's I
think it's like.

Speaker 2 (52:04):
A dollar a buck to get some rubber, because you know,
I think that's around the going rate, the market rate
of rubber or some some trojans.

Speaker 3 (52:12):
Back in the early Nice, I remember at the club
they were giving about free like the bulls. Yeah, especially
in Hollywood back then, Yeah.

Speaker 5 (52:18):
West Hollywood, it was always a bowl of rubbers.

Speaker 3 (52:20):
Right, yeah, yeah, a bowl of like loub tooch is.

Speaker 5 (52:23):
They did have that as well.

Speaker 3 (52:24):
You're as scary as a little boy from high school
this wait what no, I kind of touched that. That's
where my fingers will fall off, you know.

Speaker 2 (52:33):
Basically just this video is just a lot of Garden
of Earthly Delights, chaos, right, a lot of horror.

Speaker 3 (52:39):
The interesting thing about this video is it's the same
year as nine Snail's Broken, which is the album or
the EP that's between Pretty Heat Machine and downwards Viral, right,
and then downward spiral videos just get more artsy for
this kind of it's not the same John. I mean,
people are so weird about nice nails if they're the
same John or not.

Speaker 2 (53:00):
You know, so, hey, he hung out with these guys,
I know, that's the thing.

Speaker 3 (53:03):
That's the weird thing about it is I think there's
also a lot of haters in like the musicians in
this where they all hate on each other's bands too.
On top of it, that's why they can't keep a
super bad group for a long time, you know. Yeah, yeah,
So it's just interesting to see this video in the
start of this kind of horror, well like not like
underground kind of you know, B movie horror into this

(53:26):
scene and then where kind of Trent takes it, you know,
with actual pretty big directors later on.

Speaker 2 (53:32):
You know, it's just really but I mean, he had
his own studio already, right, so, and he's kind of
an Altrur musically.

Speaker 3 (53:39):
So and he's like the younger guy out of all them.
He's kind of like the comer up. So like it
sees where you could see where he takes his vision,
it takes a little bit of it and then kind
of goes on.

Speaker 5 (53:49):
You know.

Speaker 3 (53:49):
It's just very interesting.

Speaker 2 (53:50):
He took it to another level.

Speaker 3 (53:51):
Yeahh for sure.

Speaker 2 (53:52):
You know, these guys just kind of just like a
little But this is a.

Speaker 3 (53:55):
Video that you wouldn't I would They wouldn't show this
on MTV right now.

Speaker 2 (53:59):
Where's this video?

Speaker 3 (54:00):
It's just it's on a VHS that they sell it,
you know, I mean yeah, and it was in ministries.

Speaker 2 (54:06):
Like yeah, greatest.

Speaker 5 (54:09):
Hardcore fans.

Speaker 2 (54:10):
I mean, I'm sure they tried to sell to MTV.
But I mean, yeah, sleazy videos to back and then.

Speaker 3 (54:16):
I mean, it's not that much different than hair metal video,
you know, like definitely not.

Speaker 2 (54:21):
I mean it's not really like to me if I
saw this music video, because I've never seen this music
video until like not too long ago, and if I
saw this back in the nineties, I'm just like, oh,
it's a funny ass video. That's all I think about it. Yeah,
as a teenager, I.

Speaker 3 (54:34):
Mean they add the horror. Like it's like girls, girls girls,
but with like horror.

Speaker 5 (54:37):
Yeah, part of it horror, sex comedy, horror kind of genre.

Speaker 3 (54:41):
It's not unlike a Montley Crue video, but they just
add the horror to it, which is interesting.

Speaker 2 (54:46):
Yeah, I mean the Monley Crew video did also garner
some controversy and it's day. Yeah, they have to edit
that down, but especially with the old Tipper Gore era.
I don't know, but this song, yeah, like I don't
I don't think it never got actually got any airplay. No,
I don't back in your in your local night flights.

Speaker 5 (55:03):
I mean even now, it's hard to find. Yeah, you
know what I mean.

Speaker 2 (55:06):
So you have to find it. If you're a Ministry fan,
then you probably seems to be your tenant nobody.

Speaker 3 (55:10):
You have to hit a link from al in your text.

Speaker 2 (55:13):
Yeah, and you're next the middle of a Friday night.

Speaker 3 (55:15):
If anybody wants to see If anybody wants to see
this video just textile, he'll he'll send it to you.
I got it.

Speaker 2 (55:21):
I got ready.

Speaker 4 (55:23):
You know it ends in that weird just from the
beginning of the Barker guy, but he's like a devil again, right, Yeah, yeah,
it just ends there.

Speaker 2 (55:29):
It just tells him he's the devil all along. Welcome
the hell bro all the devils here.

Speaker 3 (55:34):
The club is Hell, tempting you into a beautiful theater
that you with women, you know, and guns and.

Speaker 5 (55:40):
Everything everything that you can possibly think of.

Speaker 2 (55:42):
Right, yeah, you got you got Scott from Anthrax two seconds.

Speaker 5 (55:47):
There's also a scene it was like, is that a
tank or something?

Speaker 4 (55:49):
That's yeah, there was a tank, right, that's a kind
of movement, but the only really show the bottom part
of it.

Speaker 2 (55:53):
And probably could the budget.

Speaker 3 (55:55):
You couldn't afford the rest of the rest of the
real tank.

Speaker 5 (55:58):
Everything that you could think of would send you to hell.
They kind of put all that into the imageries.

Speaker 2 (56:03):
Yeah, but yeah, you know, you gotta imagine Ministry around
this time when they already came up with Psalm sixty nine,
you know, very anti war, anti establishment. But I think
this is them having fun, just having hanging out with
their friends, you know, and just like let's just do
a side project.

Speaker 5 (56:19):
And they up with the director and then yeah, right,
and find.

Speaker 2 (56:23):
The directors have fun. I mean Revco was I guess
they were generating cash.

Speaker 4 (56:27):
But you know, they did stick to the lyrics, right,
and he goes to a place where he's trying to
hook up, and he does hook up, and then that's
what ends up happening to him.

Speaker 5 (56:35):
But in themore, you know, yeah, lends. Yeah.

Speaker 3 (56:39):
But when you like hear about this like Chicago scene,
like it seemed like at the beginning of it, everybody
was kind of friendly and they're all kind of like
just doing stuff together. And then you know, that kind
of fell apart pretty quickly.

Speaker 2 (56:52):
You know, well, if alcohol al alga is involved, most
likely it will it will probably go to ship. He's broke,
he's burned bridges with almost every collaboratores Ad.

Speaker 3 (57:01):
I think there's like a lot of like partying involved
and stuff like that. That's probably what it was.

Speaker 5 (57:05):
But I mean.

Speaker 2 (57:07):
All that that one friend, it just.

Speaker 5 (57:08):
Goes a little over.

Speaker 3 (57:12):
A little much, a little too much.

Speaker 2 (57:14):
So okay, and now we'll be right back. I guess
there's some notable YouTube comments. All right, this time there's
some notable YouTube comments. Okay. BBN Flippin' says, there are
times I missed the dark days of my life, the friends,
the club's relationship and music. I miss not the drama though.

(57:40):
Jersey Double at Jersey Double says, fun fact, due to
a temporal anomaly in the fabric of reality, the Rod
Stewart version is actually a cover of this song. Okay,
Sniffy Poop says, always thought of that out of ky
jelly line was changed on the lyriacy at the last
moment to get that reaction.

Speaker 5 (57:58):
Yeah, that's goodt I.

Speaker 2 (58:00):
Died Wisdom says I always wondered what would look like
if you mixed show Girls and the Texas Chinsaw Massacre.

Speaker 5 (58:05):
Now I know.

Speaker 2 (58:07):
And finally, Misty Rob ninety nine says, I can't help
but get from Dustin don Vibes a club that has
bad news written all over it.

Speaker 5 (58:17):
Yeah, yeah, I didn't even think about that, Yes, right, Like.

Speaker 2 (58:20):
I can easily see Centin Tarantino being a fan of
this music. Yeah, maybe that's where he got the idea from.

Speaker 5 (58:25):
Right love? Was that kind of horror?

Speaker 3 (58:27):
Let's raw? Robert Rodriguez right or yes?

Speaker 5 (58:29):
Yes it is?

Speaker 2 (58:30):
Okay, guys, I think I'm sexy. Would you keep it
or would you throw it back?

Speaker 4 (58:35):
You know, in the last year, I've been so heavily
into these early late eighties early nineties horror shows, particularly
You Got Tales from the Crip I don't know if
you guys remember she Wolf of London Loving Curses?

Speaker 5 (58:50):
Yeah, these are deep cuts man for versions of Science No.
One season how at Nightmare Cafe?

Speaker 2 (58:56):
Any that I remember Freddy's Nightmare?

Speaker 1 (58:59):
Yeah?

Speaker 4 (58:59):
Yeah, but this this is Nightmare who Also Robert England
is also in it. Again, these are like six episodes
that never really made it. But it's all this kind
of stuff and it's funny that you sent this or
you wanted to do this video and you know, and
while I'm really heavily into this kind of Wow, yes,
I really got into it, you know, because it's that
it's that those practical effects. It's always it's that genre

(59:22):
of the borderline comedy but also very creepy horror, and
I've always loved that stuff. But yeah, I'm going to
keep it because it it's just that coincidence of actually,
you know, marrying my favorite two genres of all time. Yeah, man,
that's what's a weird coincidence. You know, there's a lot
of coinstance in my life lately. But yes, that's a
good key for me, all right.

Speaker 2 (59:40):
Keeping it.

Speaker 3 (59:42):
No, this is I really like this time capsule of
this Time. The horror part is really cool in like
how everything's practical, which is really really cool. And then
just like the green screens and everything else that are
in it, you know where they're like doing the dancing
and stuff. And it's not just like a weird green
screen of like you know, them driving or something like that.
There's like weird ship. It's just like weird and it's funny,

(01:00:05):
and I think that's what it's meant to be. Funny,
supposed to be like sexy, but it's.

Speaker 2 (01:00:10):
A celebration of just like humanism, and these guys are.

Speaker 3 (01:00:13):
Just going crazy and having fun and it's it is funny,
but this is a great time castle all that time.

Speaker 5 (01:00:21):
Also, I had no idea existed. I had no song.

Speaker 2 (01:00:26):
Like I've been very like lately, I've been surprised, like
a lot of songs that I've been dancing to for
all these actual music actually had music videos, and not
like they're just new like someone made music videos out
of their songs. There were actual company produced music videos.
So like, yeah, ask for me, you know this music
video like on the surface, like yeah, I got a
good laugh, and this is like amazing to see them.

(01:00:47):
I like how Chris Conny looks. I always like that
aesthetic of the dark cowboy. You a long haired cowboy
wearing all black, right, really cool? Yeah, Like he kind
of looks like Sev like Kevin Key from Skinny Puppy,
you know, if you had if he had like funnier
looking ears, you know. And I'm like, yeah, you know,
he's playing a character and he's like having fun, and

(01:01:07):
all of a sudden he's playing like this shocked victim
of whatever the fuck this Hellscape strip club is.

Speaker 5 (01:01:14):
You know, Like I look.

Speaker 2 (01:01:15):
Initially I'm like, oh my god, this is this music
video so called Russell, And then it was like, oh
my gods, looking at it with twenty first century eyes,
this music video is so bad. It was a time capsule, though,
you know, it's what they got at the time. They're
working with what they got, and definitely they didn't get
hundreds of thousand dollars to produce a music video like
a lot of nineteen nineties bands, and like Blind Melon,

(01:01:39):
he came out the same year too, even compared a
lot different. But yeah, I'm keeping this one too. But
you know, I'm keeping this one too. But like to me,
it's like, I know, this is a bad, awful music video.
No it's one of those, but it's on purpose, right,
so bad.

Speaker 5 (01:01:58):
I think they wanted to be right, you know what
I mean, they were trying to get in the water.

Speaker 2 (01:02:03):
You know, they're trying to be They're not trying to
be badass, and just like being nonchalant. And I like
how just like, yeah, the bands aren't really serious. I mean,
we like it when they buy in, but they're buying
in by being so indifferent and just how deadpan delivery
of this song too right. I think the reason they're
not rocking out like Blind Melonie.

Speaker 3 (01:02:21):
The reason I kept it is because the lead singer
is so unflinchingly serious, which is cool, and he's just
cool doing it and everybody else is going crazy, and
that's really cool. I mean, if there's one person on
the set who's being you know, cool, then it's very
It adds a lot.

Speaker 5 (01:02:36):
To the video. He kind of reminds me also of
us being at a club. Yeah, yeah, it's crazy.

Speaker 3 (01:02:44):
He's a good looking cat. He's doing his job. He's
a good actor. I like this acting. It's good.

Speaker 2 (01:02:49):
I remember when I was a perversion of when they
first introduced their Bonded show, and I thought that was
like the hottest thing I've ever seen in my life.
I was like, if that's happens to me, like I'm out.

Speaker 4 (01:02:58):
Here, bored, jaded, old man, I'm so dude, But I
remember that being the hottest exciting.

Speaker 2 (01:03:05):
Is that right?

Speaker 5 (01:03:06):
Yea talk about the spending time?

Speaker 2 (01:03:08):
Okay, guys, right and you're up next. What you got
for us?

Speaker 5 (01:03:12):
Oh man, I think we're going back ten years, ten
years three. Nothing I can do.

Speaker 4 (01:03:17):
We're gonna do Bonnie Tyler's total The Clips of the Heart,
About Time, About time?

Speaker 5 (01:03:22):
Right? Oh man?

Speaker 2 (01:03:24):
Now that's a fucking music video.

Speaker 4 (01:03:28):
I try not to like dive into it yet because
I kind of want to surprise myself. So but yeah,
I think that's a It's one of those It's one
of these so tune in folks earworms song too.

Speaker 5 (01:03:41):
It is.

Speaker 3 (01:03:42):
It's one of those songs too, like I like to
make fun of, like nothing I could do with totally
the clips of the fart so easy.

Speaker 2 (01:03:49):
Yeah, Okay, Thank you for listening. Guys. We'll see you
next time and buy us a coffee.

Speaker 5 (01:03:56):
By the way, I try and buy us a coffee.
Dot com slash d m p R podcast.

Speaker 2 (01:04:02):
DMPR podcast, Thank you so much for listening. And see
you next time.

Speaker 1 (01:04:07):
Thank you for joining us at t m BR podcast.
We hope you enjoy our show as much as we
enjoy recording it. You can subscribe to us through your
favorite podcast feet and follow us at t n p
R podcast on Instagram. You can also be comments, suggestions,
and go rate us a five star on Apple Podcast.

Speaker 5 (01:04:26):
Man, you guys remember back in the day when then
there's cigarette girls. Yes, miss those on gum cigarette mints.

Speaker 3 (01:04:34):
Right about cigars off them too.

Speaker 5 (01:04:36):
Yeah, they're very sweet, nice, you know, they're always so Yeah,
they're so beautiful, and you always think that they give
you the attention and you're like me, you're talking to me.

Speaker 3 (01:04:48):
I'm giving you money.

Speaker 5 (01:04:50):
Thank you.