All Episodes

September 3, 2020 4 mins

People have been depicting wildly lavish foods for a lot longer than Instagram has been around. Learn about the history of what people eat versus what they show in this episode of BrainStuff.

Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

See omnystudio.com/listener for privacy information.

Mark as Played
Transcript

Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Welcome to brain Stuff production of I Heart Radio. Hey
brain Stuff, Lauren vogelbam here. Flick through your Instagram feed
and what do you find? Juicy burgers oozing with cheese,
massive steaks lathered with butter, deep fried candy bars atop
mountains of ice cream? And is that gold leaf towering

(00:22):
bloody Mary's crowned with bacon and corn, dogs and pizza?
And enough already? Who actually eats all this? Even during
a global pandemic? These posts haven't gone away, They've just
been supplemented with banana bread. Is our obsession with hashtag crave?
Where the hashtag food porn? Hashtag noms ever going to end? Well?

(00:42):
If history is any guide, and it is not anytime soon.
A study out of the Cornell Food and Brand Lab
from found that at least since the sixteenth century CE,
western painters have depicted food more luxurious, rare, and in
dull gent than what people of the time actually eight
from day to day. In a press release, co author

(01:06):
Andrew Weiss's logal said, our love affair with visually appealing,
decadent or status foods is nothing new. It was already
well established five hundred years ago. Narrowed down from an
initial group of seven and fifty paintings, the researchers focused
on a hundred forty Western, European and American paintings that
depicted small family meals. The paintings spanned five hundred years

(01:29):
and depicted a grand total of a hundred and four
different types of food. Focusing on a time of change
in European and American cuisines allowed the scientists to look
at a context in which medieval dishes and cooking styles persisted,
but innovative techniques and newly traded ingredients from around the
globe were becoming more well known as the drive for
colonization introduced Europeans to everything from cinnamon to tomatoes. To

(01:55):
analyze the changes over the years, the researchers grouped paintings
into three categories according to year of creation, the era
of European exploration and colonization that is fifteen hundred to
sixteen fifty, the Era of Enlightenment sixteen fifty one to
eighteen fifty, and the industrial slash post industrial era eighteen
fifty one to two thousand. The researchers focused their examination

(02:20):
because most paintings of feasts or banquets are perhaps obviously
hard to square with what's historically known about how people
really ate from day to day, and not that wildly
lavish banquets didn't happen. By the fifteen hundreds, Decorating food
with the aforementioned gold leaf was so pauti in Italy
that authorities in Padua suggested that, in order to preserve

(02:42):
the supply of gold, no more than two courses of
any given feast should be gilded. But that wasn't a
daily thing for most people, and just as nobody today
is getting instagram famous with pictures of their microwave dinners
or plates of box pasta, painters of Yore also avoided
the humdrum of ham or porridge. In fact, the most

(03:05):
frequently eaten foods, which included chicken, eggs, cheese, milk, and squash,
were the most infrequently painted. And here are some other
interesting takeaways from the study. Italian paintings depicted sausages at
more than twice the rate of other countries. More than
half of the paintings from the Netherlands contained lemons, which

(03:25):
is a decidedly nonindigenous fruit imported from the tropics, and
shellfish were most commonly painted in countries with the smallest coastlines,
but its frequency of appearance dropped over time as shellfish
became more prevalent in those areas. Lead author Brian Wansink
said meals involving less than healthy foods aren't a modern craving.

(03:48):
Paintings from what's sometimes called the Renaissance period were loaded
with the foods modern diets. Ward is about salt, sausages, bread,
and more bread. Today's episode was written by Christopher Hasciotis
and produced by Tyler Clang. For more on this and
lots of other lavish topics, visit how stuff works dot com.

(04:10):
Brain Stuff is production of I Heart Radio. Or more
podcasts to my heart Radio, visit the I heart Radio app,
Apple Podcasts, or wherever you listen to your favorite shows.

BrainStuff News

Advertise With Us

Follow Us On

Host

Lauren Vogelbaum

Lauren Vogelbaum

Show Links

AboutStore

Popular Podcasts

Dateline NBC

Dateline NBC

Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com

The Burden

The Burden

The Burden is a documentary series that takes listeners into the hidden places where justice is done (and undone). It dives deep into the lives of heroes and villains. And it focuses a spotlight on those who triumph even when the odds are against them. Season 5 - The Burden: Death & Deceit in Alliance On April Fools Day 1999, 26-year-old Yvonne Layne was found murdered in her Alliance, Ohio home. David Thorne, her ex-boyfriend and father of one of her children, was instantly a suspect. Another young man admitted to the murder, and David breathed a sigh of relief, until the confessed murderer fingered David; “He paid me to do it.” David was sentenced to life without parole. Two decades later, Pulitzer winner and podcast host, Maggie Freleng (Bone Valley Season 3: Graves County, Wrongful Conviction, Suave) launched a “live” investigation into David's conviction alongside Jason Baldwin (himself wrongfully convicted as a member of the West Memphis Three). Maggie had come to believe that the entire investigation of David was botched by the tiny local police department, or worse, covered up the real killer. Was Maggie correct? Was David’s claim of innocence credible? In Death and Deceit in Alliance, Maggie recounts the case that launched her career, and ultimately, “broke” her.” The results will shock the listener and reduce Maggie to tears and self-doubt. This is not your typical wrongful conviction story. In fact, it turns the genre on its head. It asks the question: What if our champions are foolish? Season 4 - The Burden: Get the Money and Run “Trying to murder my father, this was the thing that put me on the path.” That’s Joe Loya and that path was bank robbery. Bank, bank, bank, bank, bank. In season 4 of The Burden: Get the Money and Run, we hear from Joe who was once the most prolific bank robber in Southern California, and beyond. He used disguises, body doubles, proxies. He leaped over counters, grabbed the money and ran. Even as the FBI was closing in. It was a showdown between a daring bank robber, and a patient FBI agent. Joe was no ordinary bank robber. He was bright, articulate, charismatic, and driven by a dark rage that he summoned up at will. In seven episodes, Joe tells all: the what, the how… and the why. Including why he tried to murder his father. Season 3 - The Burden: Avenger Miriam Lewin is one of Argentina’s leading journalists today. At 19 years old, she was kidnapped off the streets of Buenos Aires for her political activism and thrown into a concentration camp. Thousands of her fellow inmates were executed, tossed alive from a cargo plane into the ocean. Miriam, along with a handful of others, will survive the camp. Then as a journalist, she will wage a decades long campaign to bring her tormentors to justice. Avenger is about one woman’s triumphant battle against unbelievable odds to survive torture, claim justice for the crimes done against her and others like her, and change the future of her country. Season 2 - The Burden: Empire on Blood Empire on Blood is set in the Bronx, NY, in the early 90s, when two young drug dealers ruled an intersection known as “The Corner on Blood.” The boss, Calvin Buari, lived large. He and a protege swore they would build an empire on blood. Then the relationship frayed and the protege accused Calvin of a double homicide which he claimed he didn’t do. But did he? Award-winning journalist Steve Fishman spent seven years to answer that question. This is the story of one man’s last chance to overturn his life sentence. He may prevail, but someone’s gotta pay. The Burden: Empire on Blood is the director’s cut of the true crime classic which reached #1 on the charts when it was first released half a dozen years ago. Season 1 - The Burden In the 1990s, Detective Louis N. Scarcella was legendary. In a city overrun by violent crime, he cracked the toughest cases and put away the worst criminals. “The Hulk” was his nickname. Then the story changed. Scarcella ran into a group of convicted murderers who all say they are innocent. They turned themselves into jailhouse-lawyers and in prison founded a lway firm. When they realized Scarcella helped put many of them away, they set their sights on taking him down. And with the help of a NY Times reporter they have a chance. For years, Scarcella insisted he did nothing wrong. But that’s all he’d say. Until we tracked Scarcella to a sauna in a Russian bathhouse, where he started to talk..and talk and talk. “The guilty have gone free,” he whispered. And then agreed to take us into the belly of the beast. Welcome to The Burden.

Music, radio and podcasts, all free. Listen online or download the iHeart App.

Connect

© 2026 iHeartMedia, Inc.