The Art of Crime

In 1888, the malefactor known as Jack the Ripper killed at least five women—Polly Nichols, Annie Chapman, Elisabeth Stride, Catherine Eddowes, and Mary Jane Kelly—in the poverty-stricken district of Whitechapel, East London. In the first episode of this season, we discuss the victims’ lives and times as well as their deaths.

Show notes and full transcripts available at www.artofcrimepodcast.com. 

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For decades, Willy Clarkson reigned as London’s most famous theatrical wigmaker and costume designer. Also renowned as a master of disguise, he did business with countless customers intent on concealing their identities. According to Clarkson’s early biographer, Jack the Ripper was one of them. However, documentarian P. William Grimm has recently argued that Clarkson and Jack were one and the same person.

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In 1887, American actor Richard Mansfield originated the dual role of Dr. Jekyll and Mr. Hyde in Boston. His performance as Hyde was so terrifying that audience members fainted. In the late summer of 1888, he took the show to London, presenting it at the metropolis's foremost playhouse. Just weeks after Jekyll and Hyde opened, the Ripper claimed his first canonical victim, and Mansfield aroused suspicion as the culprit.

Lewis Carroll was teaching math at Oxford when he befriended Alice Liddell, a colleague’s daughter. Even though their friendship ended in scandal, it led to one of the most beloved children’s books of all time, Alice’s Adventures in Wonderland. In 1996, psychotherapist Richard Wallace accused Carroll of committing the Whitechapel murders, claiming to have discovered compromising anagrams in Carroll’s writing. 

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When the Prince of Wales, later King Edward VII, hired the brilliant James Kenneth Stephen to tutor his eldest son, Prince Eddy, Stephen and his student became fast friends. Some believe they were more than friends. After publishing two volumes of poetry, Stephen suffered a mental breakdown in 1891. Based on what happened next, Stephen’s tantalizing relationship with Eddy, and violent themes in his writing, several commentators hav...

One of the most important painters of his generation, Walter Sickert gravitated toward scenes of low life and at times depicted women who appeared to be dead. In the 1970s, a man purporting to be Sickert’s illegitimate son implicated the painter in the Whitechapel homicides. Sickert has since become a favored Ripper candidate and has received more attention as a possible perpetrator than any other artist covered this season.

Singer and composer Michael Maybrick was the Victorian equivalent of a pop star in 1889 when his older brother, James, died under enigmatic circumstances. In 2015, writer and director Bruce Robinson nominated Michael as the Ripper, based on what he believes happened to James as well as Michael’s involvement in the Freemasons, one of the most secretive and talked-about fraternities in Victorian England.

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In 1910, Dr. Hawley Harvey Crippen poisoned his wife, Cora, and fled to Canada with his mistress in disguise. Detective Walter Dew, who cut his teeth on the force while hunting for the Ripper in 1888, donned a costume of his own as he pursued the fugitives. Like the Whitechapel murderer, Crippen is dubiously said to have procured his disguise from wigmaker and costume designer Willy Clarkson.

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In 1913, Marie Belloc Lowndes published her novel, The Lodger, inspired by a story that painter Walter Sickert heard from his landlady. At one point, the heroine attends a farcical inquest, during which a witness offers bogus testimony. This fictional debacle resonates with one of the more bizarre episodes in the Whitechapel murders.

Show notes and full transcripts available at www.artofcrimepodcast.com. 

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In 1884, the Reverend Samuel Barnett and his wife, Henrietta, founded Toynbee Hall, a charitable institution meant to improve the lives of Whitechapel residents. From its inception, Toynbee Hall offered both arts education and programming. The Ripper’s victims died within walking distance of its doorstep, and Bruce Robinson believes that the Hall was essential to Michael Maybrick’s s plan to get away with murder.

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Arthur Conan Doyle rose to fame as the inventor of Sherlock Holmes. Not unlike his literary creation, Doyle had a knack for making inferences about others based on observation alone and even brought that talent to bear on real-life criminal cases. He also weighed in on the Ripper killings, drawing curve-ball conclusions about how the murderer committed his crimes.

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A diehard Communist, David Alfaro Siqueiros fought in the Mexican Revolution in the mid-1910s. Over the next several decades, he would revolutionize the theory and practice of muralism in Mexico and abroad, largely inspired by his radical politics. In 1940, his political convictions led to a less honorable enterprise when he spearheaded an assault on the home of Russian revolutionary Leon Trotsky as he and his family slept in their...

When Valerie Solanas moved to New York in the early-to-mid 1960s, she wanted nothing more than to become a writer. Within a few years, she approached perhaps the most admired—and reviled—artist in the United States, Andy Warhol, proposing that he produce her pipe-bomb of a comedy, Up Your Ass. Though promising at first, their relationship went south, and in 1968, Solanas walked into Warhol’s studio with the intention of shooting hi...

Nero became emperor of Rome in 54 A.D., largely thanks to the scheming of his mother, Agrippina. The teenaged ruler showed promise early on, yet major flaws swiftly revealed themselves, including an obsession with becoming a musician. As his enemies multiplied, Nero retained power by brutal means. In 59, he ordered one of the most notorious assassinations of the century, inspired by a special effect he saw at the theater. 

After the assassination of his mother, Agrippina, Nero threw himself into the performing arts like never before, training to become both a musician and a tragic actor. He even toured Greece to compete in its famous sports and arts festivals. As Nero’s megalomania and abuses of office grew more outrageous, however, a group of conspirators plotted his assassination.  

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After serving in WWI, German painter Otto Dix rose to fame in the 1920s partly through his unflinching portrayal of modern warfare and the toll it took on the human body. However, these themes landed him on the blacklist following the Nazi seizure of power in 1933. After a no-name carpenter masterminded—and nearly pulled off—a daring attempt on Hitler’s life in 1939, the Nazis came knocking at Dix’s door, suspecting that he aided t...