Gramophone Classical Music Podcast

The soprano Adriana González has just released a new Audax album, 'Rondos for Adriana', inspired by her namesake, the Italian 18^th-century diva Adriana Ferrarese del Bene. Ferrarese was Mozart's first Fiordiligi (Così fan tutte) and she sang Susanna in the Viennese revival of Le nozze di Figaro in 1789.

Toronto's ARC Ensemble have been exploring the music of composers forced to flee their homeland by the Nazis. The most recent release in Chandos's Music in Exile series – of music by Ernest Kanitz (1894-1978) – drew an enthusiastic welcome by Gramophone's critic Richard Bratby, a review that closed with the hope that 'there's more Kanitz to come'.

James Jolly spoke by Zoom to the ARC Ensemble's Artistic Director Simon Wynberg about...

The soprano Marina Rebeka and her husband, the sound engineer Edgardo Vertanessian, founded their record label, Prima Classic in 2018, and in the years since have built up an impressive catalogue. To coincide with the release of their latest project, Verdi's Simon Boccanegra, recorded live in Naples, they talk to Gramophone's James Jolly about what inspired them to create the label and how they approach developing their catalogue. 

In this week's Gramophone Podcast, the last of 2025, we explore the life and music of Ludwig van Beethoven (1770-1827). Editor Emeritus James Jolly talks to Richard Wigmore – a long-standing contributor to our pages, and an expert on the music of the classical and early romantic periods – about this musical Titan. They discuss Beethoven's transformative role, through the three periods that have been applied to his creative life, in...

As another year of preparing and publishing many hundreds of reviews draws to a close, the three team members most involved - Reviews Editor Gavin Dixon, Deputy Editor Tim Parry, and Editor and Publisher Martin Cullingford - take time out to discuss what lies behind the process, and how we decide which albums are named Gramophone Editor's Choices. And, after that, they celebrate their own personal pick of th...

In this week's Gramophone Podcast we remember Alfred Brendel, one of the most significant and much-loved musical figures of age, in the company of his son, the cellist Adrian Brendel, who takes Editor Martin Cullingford around the pianist's library and studio and reflects on what his books, art and belongings tell us about him. He also talks about a very special event on January 5, at the Barbican in London, at which fellow artists...

We're joined for this week's Gramophone Podcast by composer Thomas Adès and two members of the Ruisi Quartet, violinist Alessandro Ruisi and viola player Luba Tunnicliffe, to talk about their recording of Növények, Adès's setting of seven Hungarian poems for mezzo-soprano and piano sextet. They explore this fascinating work with Gramophone Editor Martin Cullingford, which is newly released on the Platoon label along with Haydn's St...

In May this year, the Concertgebouw – Amsterdam's legendary concert hall – played host to the 2025 Mahler Festival. Originally scheduled for 2000, the centenary of the first such event, but moved back by five years due to the pandemic, the Mahler Festival saw all of Mahler's symphonies performed chronologically over two weeks, and performed by a handful of the world's great orchestras. The Eighth Symphony fell to the local band, th...

Mao Fujita, who took second prize in the Piano category at the 2019 Tchaikovsky Competition, released an album on Sony Classical of 72 preludes back in the autumn of 2024 – the three sets of 24 by Chopin, Scriabin and Akio Yashiro. Now as a pendant to that project he has recorded another six, by Ravel, Rachmaninov, Mompou, Franck, Busoni and Alkan. These have been issued individually over the past couple of months, and on November ...

The composer, academic and writer Robin Holloway has just published a new book, Music's Odyssey, An Invitation to Western Classical Music (Allen Lane). He's Emeritus Professor of Music at the University of Cambridge, where James Jolly went to visit him a couple of weeks ago to talk about the book's genesis and aims.

The podcast features an excerpt from Holloway's Second Concerto for Orchestra played by the BBC SO conducted by Olive...