February 11, 2025 • 60 mins
This week your BFF's celebrate Black history by hanging out with the one and only Jade & XD (Jade & XD/Gettin' Grown) to talk about both our favorite Black history moments and our favorite Black history anthems. We also give the cold and the horns in NYC their flowers.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
The Black Fat Film Podcast is a production of iHeartRadio
and Doctor John Paul LLC. Hey everyone, welcome to another
episode of the BLACKFEFTFM podcast where all the intersections of
identity are celebrated. My name is John, also known as
Docta Don Paul, and know your ears have not betrayed you.
What you hear in the background is in fact sirens
(00:22):
and horns. Because I am currently in New York doing
some press for my book and also doing some other
stuff with people and friends and things. But my god,
I have I've gripped and griped about it online, so
y'all gonna get it here too.
Speaker 2 (00:40):
How do y'all live?
Speaker 3 (00:41):
Like this.
Speaker 2 (00:43):
True story?
Speaker 1 (00:44):
Like someone was driving a big ass truck this morning
and it was probably eight a thirty five. I turned
over and went back to sleep, literally nine point fifteen,
ham ha.
Speaker 2 (01:00):
I was like, sir, like, what what is this? Like
I'm trying I was trying to get my sleep in.
What is going on?
Speaker 1 (01:08):
But literally for five minutes, this man and I don't
know what. I don't know if he was trying to
deliver something. I don't know what was happening out there.
I'm on I'm on the seventh floor, so I can't
even see like the ground, I can't even see what's happening.
But he just would not lay off of his horn,
and I said, that's gotta be. That's really gotta truly
be a New York thing. So I was like, you know,
and and to the people who are like John, you
should use ear plugs? What about my life? Glenn Coco
(01:30):
like what about my pain? Effie?
Speaker 2 (01:32):
Like I don't.
Speaker 1 (01:33):
I just I'm in that place where I'm like I
shouldn't have to wear ear plugs. That's either here another
I'm happy to be here. I'm glad I got here safe.
I leave tomorrow and I'll be back in a couple
of weeks. So with that being said, how are you
joho ife?
Speaker 4 (01:45):
We all got paid?
Speaker 5 (01:48):
Uh live live.
Speaker 6 (01:51):
Who Hey, y'all is sha boy joho or cowboy Joho?
I'm here to tell y'all East Coast is. If y'all listeners,
y'all really are built different, and I love that for you.
I was in Cleveland over the weekend and for a
family wedding, and while it was beautiful because you lit snow,
it was cold as fuck like I have never in
my life experience the Arctic chill of the East, like
my bones was called, y'all, how your bones get cold?
(02:15):
How my bones get cold? Like the way I had
on layers? I did the right I had. I had
a fur CoA which I was given, I was giving pamp.
I was like, well, I'm looking like.
Speaker 3 (02:23):
A boss right now. But how like, how how were
my timbers shivering? Likemers?
Speaker 4 (02:28):
Was real for me?
Speaker 2 (02:29):
It was cold. Yes, I have those thermal Do you
have those thermal things? The armor? What are they call
under armor? Thermal situations?
Speaker 3 (02:39):
Do you I had a thermal on.
Speaker 6 (02:41):
I don't know if it's a m I didn't feel armored.
I didn't feel armored. I was I was still and
I didn't feel thermal either. But really, I just realized,
like I'm just a weak, weak bitch, like I was
spiritually strong, emotionally fortified, but East Coasters y'all physically built different,
and I'm jealous.
Speaker 3 (02:58):
I need to know how to do that. Y'all have
my whole respect.
Speaker 1 (03:01):
I will never say a word, amen, amen, I will Yeah,
I'll never this cold. This kind of cold is literally
like I was literally standing out on the street like
earlier this week, and I had on all the right things.
I was told by my good friend uh Drell to
put on and I still was cold, and I was
like this this this like, this ain't me. I'm not
built this like California is literally what I am built for.
(03:22):
But all that to be said, this week we have
brought back two of our favorite people to the show,
Your famous, your favorite bitches from what I like to
call one of the best podcasts to ever exist.
Speaker 2 (03:38):
Thank you. We could not do we are.
Speaker 1 (03:40):
For those of you who do or don't know, we
are doing a whole episode from the title y'all know
black hearstry, and so we wanted to make sure that
we bring on to the people who truly they just
embody blackness in the way that we love Jade and next,
welcome to Welcome back to the show.
Speaker 2 (04:00):
How are you doing, babies?
Speaker 4 (04:01):
Hello, Hello, back in this cut like.
Speaker 2 (04:11):
This cut like.
Speaker 1 (04:12):
Niggas and but oh we speak your name, We really do,
we really speak your name.
Speaker 2 (04:19):
But how are you both doing? Outside of I am
dying at.
Speaker 7 (04:23):
You all being so cold, because weeks ago it was
it was supremely worse, and I'm like they.
Speaker 5 (04:31):
These niggas would not have survived.
Speaker 7 (04:35):
Just a couple of weeks ago you all would have
ship would not have shift and Cleveland is.
Speaker 4 (04:41):
Cold though this fifty degrees here, he sounds wonderful.
Speaker 5 (04:46):
I would.
Speaker 4 (04:47):
I would frolic, it's hot, it's blazing.
Speaker 5 (04:52):
Where's my mid drift? Like I'm wearing it out right now?
Speaker 3 (04:58):
You know, Okay, stop, okay, let let me.
Speaker 6 (05:00):
Really so well because like like the way like it
was so weird, weird freakings for me, like wearing on
the car the heater was on sixty, and I was like,
why is it so fucking hot in this car right now?
Speaker 3 (05:12):
Like sixty is hot to me in the winter time,
like or like like.
Speaker 6 (05:15):
The shock your body's going through shocks because you go
from chasing outside cold to the top a warm, sometimes
swamp ass restaurant and be like and like it's like
my body is who I'm saying. I was like, I'm
not gonna say, Judge from being out here like yeah,
who I have to give it to y'all just and
I know it's like I was.
Speaker 5 (05:37):
But I listened, and.
Speaker 7 (05:39):
Judge, we listened and we but I geggled.
Speaker 3 (05:46):
I get.
Speaker 6 (05:50):
We're sapping the habit that you're here for laughs to
keep on the last wreaking out tradition of sabbing our girl,
our lab Queen Tisha Campbell and the.
Speaker 3 (05:58):
Fact that we are still here despite freezing.
Speaker 6 (06:02):
And I want to keep the show by asking what
is your favorite or most important Black history moment? It
can be populturally, it can be like actual history, right,
that can be anything for me. I'm making a fun
and pop culture.
Speaker 3 (06:15):
Between two things.
Speaker 6 (06:16):
One is Easter raised interview with the Emmys in twenty
seventeen when she said I'm reading everybody Black, and the
two she said, I'm still ran back Asian change bitch.
Speaker 3 (06:25):
He was really such a.
Speaker 6 (06:26):
Phrase I was heard around Black America like in that moment,
we all understood what that meant and how that felt.
Speaker 3 (06:30):
I mean, ever, black folks are up for wins. People
ask me who do I want to win? Girl? Everybody black?
I don't give a fuck about white folks now.
Speaker 6 (06:37):
And I'll just say this, this this this past Grammys.
It was most pleasing to me to have me to
have seen you know, you know this, uh this, you
know a white woman who has won many of awards,
not when it's not with a single one. And if
once he sat down, I don't know, I'm an issue
was not really that much. But she said that I
(06:57):
mind her business the entire time.
Speaker 3 (06:59):
I'm not lived. For one, I was like, no, what
I stand her?
Speaker 2 (07:02):
Wait?
Speaker 1 (07:02):
Are we talking about Are we talking about Sailor Sailor Tift?
Or are we talking about Billie eyelash Uh Sailor Tift?
Speaker 3 (07:11):
But Billy, I don't have much have much to say
about her. But but but you know.
Speaker 6 (07:17):
But miss Sailor, she really sat there drunk her wine,
mind her business, not drinking her water, mining her business.
Speaker 3 (07:23):
Can I live? I was like, no, a girl. For once,
For once, I was happy that you were there to
do nothing.
Speaker 6 (07:29):
The second one for me would be Solange and jay
Z in the elevator, because y'all do this day.
Speaker 3 (07:35):
We do not know what exactly happened.
Speaker 6 (07:37):
We do not know, but we do know is that
Solange will absolutely throw a handsun necessary and that's all.
It's all I need, really is that she was that
Migro can fight and we'll fight for her sister.
Speaker 3 (07:47):
And that's what I live for. So that's mine. Jade
x d past y'all and then pasta John for the
last ladies.
Speaker 4 (07:56):
First, Okay, that's fair, that's fair. I have to one
is quite notable, and the other one should be, but
it isn't. The first one. A notable moment in black
history is when Tyra got shot learning.
Speaker 8 (08:18):
Oh damn, Yeah, yeah.
Speaker 4 (08:23):
Because why there was no reason for her to die
of that movie. And and number two. You know, this
(08:46):
is something I think about often. It's both pop culture
and both just historic in general. And you know, I
think about this a lot like it was a cultural reset,
a shift, even the slap at the Oscars.
Speaker 8 (09:03):
Yeah, yeah, it's more of more of like a sociological
reflection that I that I embark upon, you know, every
now and again, because it is expresses the true savagery
of the human spirit.
Speaker 4 (09:22):
And I feel like we as a people, you know,
need to study that and be showcased. It should be
in history books, like, you know, in a Hopton Mifflin
text somewhere.
Speaker 2 (09:34):
Yeah. Yeah, you're not wrong. You're not wrong.
Speaker 4 (09:38):
Our country tis of the with the copboard wagon on
the front.
Speaker 5 (09:44):
Yeah, none of mine are notable. Let me scratch that.
They're notable, but they're not.
Speaker 7 (09:51):
You know, I figured, you know, the diggers who created history,
I'm gonna let them have that. That's not a problem.
I didn't need to be a part. But my first
one is Tammy Roman and the cigarette. Uh you can't
say it neither, because you latina. I would have loved
to be present for that. I feel like niggas left
(10:11):
Tammy out to dry in that moment alone and while
she handled business all by herself on her lonesome, just
her and her cigarette. I still wish I would fly
on the wall, part of production or part of the cast.
I wish I was there for that, right on that
(10:33):
deck the cricket. I don't give a fuck.
Speaker 5 (10:35):
I wish I was there.
Speaker 7 (10:38):
Ray Kwan running up on Joe Budden many years ago,
you know, I got a first what I would like
you all go do your own research, but I'm giving
you homework to go go find out about the time
that Ray Kwan ran up on Joe Budden with an
(10:58):
honorable mention of Mickey facts in the background.
Speaker 4 (11:03):
It is an You know, I used to work with
Joe Budden's father.
Speaker 5 (11:08):
I have time worked with Beyonce.
Speaker 4 (11:10):
Yeah he was yeah, Joe Budden, mister, butten used to be.
Speaker 5 (11:20):
Why would I laugh at that?
Speaker 2 (11:22):
That was classes and egregious.
Speaker 6 (11:25):
It was grecious, how disgusting I was.
Speaker 4 (11:30):
I was like, yeah, he was Adan at the Mens
Shelter I worked at so but yeah, but it was
so funny because years before that I had read it
to Joe Budden at a barbershop at Union New Jersey,
Union City, New Jersey, and he had that one song
(11:53):
and it was like who are can I? So, I
was like who are Like? He was like like, no argument,
no autographs please. It was like, there's nobody in here, sir,
it is a Tuesday.
Speaker 2 (12:06):
That's how he said. Yeah, he's only had that sumthing.
Speaker 4 (12:09):
Up and that other one song with Marcus Houston.
Speaker 3 (12:13):
Oh, I don't know that.
Speaker 4 (12:15):
I think he does price Picks commercial. I'll tell you
that prize picks.
Speaker 2 (12:22):
What's that?
Speaker 4 (12:23):
Gambling problems in America? That's what it is.
Speaker 5 (12:27):
A sharp program.
Speaker 1 (12:36):
I just want him to turn that damn fire like
the like he always has on that fireplace. It's like
sky high and I just like, baby, these people are
sitting here burning up and you.
Speaker 4 (12:48):
And I think it's I always say that's ironic because
he looked like a catfish, so I'd be like, why
are you so close to the heat.
Speaker 5 (12:54):
Of he does.
Speaker 1 (13:02):
Sext catfish? My god, I want to name the episode
sexy Catfish.
Speaker 4 (13:08):
Who Okay?
Speaker 5 (13:17):
Oh, god.
Speaker 1 (13:18):
Okay, so I had some written down and I genuinely
now I have some.
Speaker 2 (13:24):
So I'll say this.
Speaker 1 (13:25):
So, uh, last night when I was at dinner, I
was talking with my friend about this because I'm working,
I'm getting ready to start working on another project.
Speaker 2 (13:33):
And I mentioned, do y'all remember the show? What was it?
Speaker 1 (13:38):
Called to Tell the Truth? Do y'all remember that show? Okay,
so memory unlocked for you all. So Mother Love for
those of you who are a certain ame, Mother Love
used to show and she did, and it was called
to Tell the Truth. And basically these people would come
on the show and they would tell people.
Speaker 2 (14:00):
Were secrets and oh yes, because it was forget.
Speaker 4 (14:04):
Forgive, forgive, forget, you're confusing, You're to tell the Truth.
Show was hosted by this white man and they had,
oh my gosh, watch it because let me tell you something.
It was so it was so messy because they'd have
to It was almost like how to get a get away?
(14:26):
But who wants to be a millionaire? But instead of
questions that they had to answer about like like what's
the genus name of sheep, they had to be like
like did you what the.
Speaker 5 (14:39):
Business?
Speaker 4 (14:42):
And if you say yes, then you advanced to another
you know the next section of money x D.
Speaker 1 (14:49):
You are a certain person like mine in terms of
like knowing these random shows. Ye, but yes, forgive and forget.
This was the show Mother Love hosting, and she you
would have these people come and tell the whole darkest
secrets to their friends and family and then pray that
they be behind this door, and then the door would
fly open and nobody would be there, and they basically
(15:11):
would be yeah. And so that's one of the black
Oh my god, so I get us out of here.
So I'm driving the boat and so that was one
of them. The other the other one is I is
(15:32):
a it's a tie between my god, what a moment.
It is a tie between a'm rosa being by New
York and uh Montgomery, Montgomery.
Speaker 3 (15:46):
That happened?
Speaker 2 (15:47):
Was it two years ago?
Speaker 4 (15:49):
Yes?
Speaker 6 (15:50):
Yes, our our year, our the white chair.
Speaker 2 (15:56):
Yes, the a hero, We salute the we salute our.
Speaker 5 (16:01):
Fade and water. That's that's that's what they called it.
Speaker 3 (16:06):
That is my day right there. That is my right actually.
Speaker 5 (16:10):
Steal that as well.
Speaker 7 (16:12):
I would have loved to be the sneaker on the
young man who jumped off the boat to swim to shore.
I like I the pigeon on the dock watching everything.
Speaker 5 (16:25):
I would be the chair.
Speaker 2 (16:31):
On the dock. I would have wings folded just be.
Speaker 6 (16:34):
I would have my I have my b grade peck
breast out everything.
Speaker 5 (16:40):
It was just that's a good one.
Speaker 2 (16:46):
But those are the ones. That's a good one.
Speaker 3 (16:50):
Free, that is that is that is fantastic.
Speaker 6 (16:53):
Also, Rosa, I would just say that in that season,
I'm gonna try it really was.
Speaker 4 (17:01):
I was.
Speaker 6 (17:02):
I was here for that show, and I was like,
is so bad? But she's such great TV. But New
York ate her up and I was here for it.
Speaker 2 (17:08):
So she read her the house down booths booth.
Speaker 3 (17:12):
Okay, well, now that we have stood y'all in our
such journal truth. We got to a quick bait, we
got to get quick break. But but we will be
back girl.
Speaker 6 (17:21):
It's like a ton of We will be back with
the black ass category of the week in just a second.
Speaker 2 (17:38):
All right, y'all.
Speaker 1 (17:39):
So this week we wanted to regale you all with
some joys of some harmonies of blackness here and so
this week we are jumping into the category with our friends.
And I was like, there's no way we're gonna be
able to have a whole conversation about black music, black history,
black anthems without inviting I like to what I like
(17:59):
to call like the legends of the playlist. Y'all always
have such good songs and auntie jams and all of
these different things. Again, listeners, if you don't listen to
Jaden XD, their show just honestly is not only is
it full of laughs, but a lot of their show
is filled with great music. And so I was like,
let's invict them on. Let's have a really powerful and
(18:21):
uplifting conversation around a lot of the songs that we
just find a lot of joy in. And again, when
I put the ask out, I initially told them they
don't have to be true black history songs, just songs
that honestly speak to you as black people. And so
I asked each of them to come up with five songs,
at least five songs, and if they have a couple
(18:42):
of honorable mentions, that's cool too, But we wanted to
make sure that we gave you at least twenty songs
to get you through the rest of black history to
be able to listen to.
Speaker 2 (18:52):
So with that being said, we're gonna go ahead.
Speaker 1 (18:56):
So I will start off with mine with an explanation.
We'll go to Jade, we'll go to x D, and
then we'll go to Joho and we'll just round robin
it until we get our last one and then yeah,
well we'll just kind of start there. So we're calling
this podcast anthems, podcast black anthems, and my first one,
(19:18):
I hope I didn't steal this from any planthems.
Speaker 6 (19:22):
Yes, yes, plantum yes, yes.
Speaker 1 (19:26):
Yes, yes, I am starting with a bone crush, never scared.
M h Yes, I'm starting with bone crush, never scared.
And that is the reason why is because that's just
kind of the energy I'm giving off these days. These
(19:46):
white people continue to just keep trying it and they
think that I'm over here fearful, and I'm like, I
ain't never scared. I ain't never scared, Like just what like,
I'm not, I'm never scared. So that's where that's what
I'm starting with. So so next, Jade, what is your I.
Speaker 7 (20:04):
Think the first one on my list I'm going to
do would be the year was nineteen ninety seven and
a song came out that really just had us shaking
our asses in the parties very properly and I feel
like we still do get hype when the song comes on.
(20:24):
It's Queen Pin's Party and a Party.
Speaker 5 (20:29):
You know, ran all through.
Speaker 7 (20:33):
And so I just feel like it feels my black spirit.
Speaker 5 (20:38):
It is also it doesn't get the credit that it deserves.
And so yeah, Queen Penn Party and a Party is.
Speaker 2 (20:43):
My first track. No, thank you.
Speaker 1 (20:48):
I support that. I leave that, thank you, thank you.
We speak, Yes, XD, what is your first What is
your first pick?
Speaker 4 (21:02):
All of mine are thematic, They're all historical, They're all
important to the fabric that is Black Americana.
Speaker 5 (21:12):
The fabric.
Speaker 4 (21:14):
I would like to start off. Yes, I would like
to start off with the music that is declarative of
love and ownership of sexual autonomy. It also is one
of the blackest songs of all time, however you choose
(21:37):
to define it, okay. It was written by a gentleman named.
Speaker 2 (21:47):
Oh, I Know where You're going, I Know where You're going.
Speaker 4 (21:51):
There with you, and it's called Juicy Fruit.
Speaker 9 (21:56):
It's about pussy and bussy and not bubble gum positivity.
Speaker 4 (22:09):
And celebration of black bodies.
Speaker 1 (22:14):
Because my favorite line in the song it's so it's
it's just such a oh when when the beat drops
He's I'll be your lolly pop and they drop that
that that trunk out.
Speaker 2 (22:26):
You can lick me every juice juice.
Speaker 4 (22:31):
That was a declarative statement, you know. And here's the problem.
You know, current black music is, oh it's it is.
They're so demanding and so just like Naggy, this was
a yeah. This was however, like a request, you know,
something like. It wasn't as needy or as a lot
(22:53):
of new music is. It was just very we're saying this,
We're all owning it. We're all in this moment. You
can lick me everywhere because it's juicy, and it's just
about them and their other partner. It's about it's about consent,
you know, which is important in all forms and facets
(23:14):
and who we are communication, yes, and you know, exploration
is something that we should celebrate.
Speaker 3 (23:24):
I live, okay, Okay.
Speaker 6 (23:27):
So I was like, y'all tested my, like my my
historical knowledge because y'all throwing songs I was, I.
Speaker 3 (23:34):
Was not yet born.
Speaker 5 (23:34):
I'm going to confuse you so many more times.
Speaker 4 (23:37):
I feel y'all threw me off with boat Crush.
Speaker 2 (23:44):
That was.
Speaker 6 (23:47):
Okay, but I think I can add to the to
to thegeist because this song. I was raised on the
song for my dad and he rest in pes stroking
my Clarence Carter, you want to hold out songs, that
was what's about. Actually, I'm shrugging to the west from
the out of the best. Okay, short, don't struggle so fast?
(24:07):
And my stuff in time you can see that my whoop.
Speaker 4 (24:10):
Yes, Now that was about I remember when they had
remember them Time Life, Body and Soul Elections or whatever,
and they had that song because remember Clarence Carter shot
a video decay, and that's the song that they kept
playing in the commercial, stroke in to the East, whatever reason,
(24:34):
I've been stroking that, whatever reason, it'd be like an
already commercial that came already after but like, but yes,
it was that. I was like they America has celebrated
nasty music since.
Speaker 5 (24:45):
The beginning of time.
Speaker 1 (24:49):
M hm, yes, yes, yes, yes, yes, So staying in
that lane, I feel like that's that's kind of what
we're gonna where we're gonna be going. I want to
go ahead and I want to shout out so this
this person, this woman, and there are all women in
my my my blanthem anthems, my blanthems, They're all women.
(25:12):
I remember being eight, and I remember the film Baps
coming out. I was about eight or nine when Bats
came out, and that's also black history. For those of
you who've never watched, Please m hm yes, yes, yes, yes, yes.
And I remember a song from one of the It
(25:37):
came out around the same time. This woman asked a
very important question. She said, do you really want to
touch it? Do you really want to fuck with me?
Speaker 2 (25:50):
Tonight?
Speaker 1 (25:51):
I want to say that I believe that Monifas Touch
It is.
Speaker 2 (25:57):
One of the most important songs of our time, second
to second to Adina.
Speaker 7 (26:03):
Howard's Okay, wait a minute now. It's so fascinating that
I'm going right behind you because you know, while freak
like me, yes, it gets it deserves all the flowers.
The next song on my list is actually Anna Howards
you can be My Nigga.
Speaker 5 (26:25):
Because that does not get the love.
Speaker 2 (26:28):
That it deserves.
Speaker 7 (26:31):
I would like to recite okay opening lyrics to you
can Be My Nigga in.
Speaker 5 (26:37):
The first verse.
Speaker 7 (26:38):
As I lay here just smoking on a blunt, the
situation is getting blurrier and blurrier. See, he don't understand
that a girl's gotta do what she's gotta do. And
so you know this is about women empowerment, femin empowerment,
it is also about the state of the world because
I too lay here smoke on a blunt because the
(27:01):
situation is getting blurrier and blurrier, you know what I mean. So, uh,
that's why that was next on my list.
Speaker 4 (27:09):
Yeah, you know, yeah, you know, if you whisper those lyrics,
it's like a prayer.
Speaker 5 (27:16):
As I here smoking on a blunt.
Speaker 4 (27:22):
And blurr a song proverb. Yes, I would like to
switch gears. I do know that when this episode comes out,
it will be love Week. Shout out to all the
Gallantines and punkin times and all that stuff, right, all that,
(27:47):
and so I I really want to talk about like
one of the greatest love black love songs of all time,
on top of just love songs in general. I know,
oftentimes we go to Luther Vandross's hearing, right, Yeah, Like,
I mean, that's that's the standard. But I really want
us to peel back the onion here and the seventies
(28:13):
wrote about black love in a way that I don't
know if we'll ever be able to achieve that type
of love and adoration and.
Speaker 5 (28:25):
Very beautiful song but still not no.
Speaker 2 (28:27):
No, no, Yeah, it's a beautiful song.
Speaker 4 (28:31):
My song is My next song is Billy Preston and
siritas with you. I'm born Again, And I want to
read some lyrics to it, because even if you want
to go YouTube to cover with Justin Guarinian Tamyra Gray,
it's even great there. But anyway, Billy says, come bring
me your softness, comfort me through all this madness. Woman,
(28:53):
don't you know? With you, I'm born again, And she
comes back with come give me your sweetness. Now there's you,
there is no weakness lying safe within your arms. I'm
born again. And they come together and say I was half,
not whole, and step with none, reaching through this world
in need of one.
Speaker 5 (29:10):
Mm hmm.
Speaker 4 (29:12):
Like that's like that's some weal that's blowing, you know.
Speaker 5 (29:16):
Black in the right way.
Speaker 4 (29:21):
Yes, not every vagina as like puzzle, but yes, that's
a wonderful black song.
Speaker 6 (29:37):
I would love to also put forth a soulful ballad
that focuses on love as well too. That really begets
the question how did.
Speaker 3 (29:46):
You get here?
Speaker 2 (29:47):
Ah?
Speaker 3 (29:48):
Because somebody's supposed.
Speaker 4 (29:49):
To be here.
Speaker 6 (29:50):
Because I'm just saying our Canadian queen, mister Deborah hawx
nd this day, I believe belt in the way that
I thought would be have been possible. No no, no
no no no no no no, yes, you would not.
Speaker 1 (30:05):
Yea yeah, yeah, yeah yeah. And how many So I'll
just I'll say how many people really thought they could
sing in a talent show and chose that song and
almost died trying to.
Speaker 3 (30:25):
Get through that time.
Speaker 4 (30:26):
Let me tell you how old I am. I was
in the mall recording demos vibe, so I was forehead
cocks okay here, and I thought I was better. Fuck.
Speaker 7 (30:51):
I also loved that this was before the age of
the internet, but there were still very quintessential black things
that traveled through all coasts throughout the country. And so
with that came along with bitch I caught the bus,
bitch I got the key the response. I love how
we all knew that. And I don't know how we
(31:13):
knew that, but we.
Speaker 2 (31:15):
Did just a collective.
Speaker 1 (31:18):
You know, one of our episodes we talked about black telepathy,
and and I think that's what that is. It's just
something through the airwaves, through something something something throat surgery.
Speaker 7 (31:31):
How did we all know that?
Speaker 2 (31:36):
Do we just did? We just did black history. Yes,
all the time.
Speaker 1 (31:45):
So my next one is, uh, you know what, I'm
gonna save this. I'm gonna save one from the one
I'm gonna I'm gonna say is it's more uplifting, and
it's truly uplifting. It's not me being funny. I genuinely
there is some days where I need to hear an
uplifting message. And even though it still reminds me of
(32:08):
In Living Color, Like every time I see the video,
it reminds me of in Living Color, specifically Kim Wayan's
making fun of her. I am going to put Desert
Rays you gotta be at the top.
Speaker 5 (32:21):
Of my list.
Speaker 4 (32:28):
Yeah. I don't think I've ever shared how I find
that quite entertaining.
Speaker 2 (32:38):
Please share and share why.
Speaker 4 (32:40):
I don't know if I could share it on this show, but.
Speaker 2 (32:44):
We can cut it out, Chris, cut it out.
Speaker 4 (32:46):
Okay, Okay. So, like you know, I have I struggle
with uplifting music because it's always comes from like a
place where I'm always work through that therapy.
Speaker 8 (33:01):
Before before you, why did you?
Speaker 5 (33:08):
Yeah?
Speaker 4 (33:09):
Yeah, And that's how I feel about this song because
it's it. It bolded and powered so many people that
and I also hate like commercial music, like I hate
like you gotta be, Like I hate coext like commercials,
like you know, I like things that should sound like
they should be in like like hygiene product commercials.
Speaker 1 (33:28):
Yeah, or like medical commercial.
Speaker 3 (33:33):
But also, you don't know everyone's life story.
Speaker 6 (33:36):
Maybe maybe I won't read the books, read the books
my my father said, or read the books for my
books my mama red.
Speaker 5 (33:42):
Like I want to do that.
Speaker 4 (33:43):
Wait so wait, But then so there's this movie called
The Optict of My Affection with with Rachel Green from
friends what's her name? Jennifer Aniston and Paul Red, and
so she has a kid. Well anyway, in the movie,
Jennifer Hudson falls in love with Paul Read and Paul
Red is gay or whatever. But and the and she
ends up with a black man and she has to
raise a single child on her own with this game
(34:05):
and this black man that she with. And at the
end of the episode, at the end of the movie,
at the end of the movie, they have this little
white girl who looks by Rachel. I don't understand why
because her daddy is white. And then she's singing like
this whole classic you gotta be, you gotta be, and
(34:25):
it's like the child is a horrible actress, and so
then she has so then she just the lead in
the park and they're like, oh, you're so good. I'm like, no,
I hate you for the movie because you suck. Yeah, I.
Speaker 2 (34:44):
Just want to offer that I just.
Speaker 4 (34:45):
Came here to ruin BFF.
Speaker 2 (34:47):
That's you didn't ruin anything. That's what we we love.
You were invited. You invited because.
Speaker 5 (34:57):
This nigga has been pissing microphones all damn. Okay, let's
be very clear.
Speaker 1 (35:06):
Chaostivity. That is the reason why we invite you. But
what all that to be said? That is one of
my even though text commercial, just like Intuition by Jewel
is also one of those. I always think about razors
(35:26):
every time I hear that very much.
Speaker 5 (35:28):
So, but yes, I think I too will switch gears.
Uh there.
Speaker 7 (35:36):
You know, I find it very important to keep recipes alive,
especially you know, in the age of braided salmon and things.
And so I'm like, you know, we've got to keep
braided braiding salmon.
Speaker 2 (35:51):
Yeah, braid.
Speaker 7 (35:54):
Garlic alfreid o, honeyed dipped salmon nuggets.
Speaker 5 (36:03):
Hookah with a hookah, smoked essence.
Speaker 4 (36:07):
And so.
Speaker 7 (36:12):
I find it important to keep traditional recipes alive. And
while I don't partake in at least one of these things.
You know, Project Pat has a song called Gorilla Pimp,
and there's a line in that song where he says,
buying you taco bell, but a pimp eaten steak, corn bread,
(36:34):
collared greens, chitta lings on my plate. And so I
wanted to add that to the list because you know,
those are traditions and recipes that even if we don't
partake in them, we have to carry them through and
make sure the younger generations understand you know what that means.
Speaker 3 (36:54):
Yes, we got carried We got carried on men. Amen, Amen,
how about you like to change again? Where are we
going to?
Speaker 4 (37:11):
We're going political, We're going We're going We're going political,
We're going sociological, We're going ethnographic. Because this is this
is a also cautionary tale, right, and this is something
that was very prevalent in the early early nineties, eighties
(37:36):
or whatever, and I don't know what it is. The
young people aren't doing it like that, and they have options,
but this is this song is also like a and
a conduit into like the welfare system and like family
structure and stuff. It's Chipac's brend has got a baby,
(38:01):
like say what you want, but that should happen?
Speaker 5 (38:05):
Yeah, yeah, yeah, yeah.
Speaker 3 (38:08):
Wow.
Speaker 2 (38:11):
That reminds me of Runaway Love.
Speaker 5 (38:15):
Song.
Speaker 2 (38:21):
Why would you.
Speaker 5 (38:22):
Take us to this place?
Speaker 4 (38:26):
Because because I told you it is a political cautionary
tale of what we need to do is as community,
as community died, you know, to uplift us, to show
everybody the magnificent that the great mystery has created.
Speaker 3 (38:44):
Yes, yes, so this this wasn't my.
Speaker 6 (38:50):
I have a I have a two point five only
to go along with the idea of songs, I'm just
like this song was made that was also about you know,
real life. But and this this song was a big
when I was in middle school. But life Jennings s
e X and I don't know who life is.
Speaker 3 (39:10):
It is a truly a niche song.
Speaker 6 (39:13):
But the chorus is s ex Mama's secret and daddy
gonna go crazy when he finds out that his baby's
got her sex and take a deep breath.
Speaker 3 (39:25):
Think before you let it go, and like what like
I just want to know.
Speaker 2 (39:30):
I'm confused.
Speaker 1 (39:31):
I've never heard that song, Like what what.
Speaker 3 (39:34):
Was the impetus? What he said? Life said? Life said?
Speaker 6 (39:39):
Trip Herd you just turned seventeen and frobally got some hips.
Speaker 3 (39:44):
Hustles on the block go crazy when you lock yo list,
but they just.
Speaker 6 (39:48):
Want relations not relationships, like she was preaching, there.
Speaker 1 (39:53):
Was music like this at that time. It wasn't in
like two thousand and five. It was five that was
like this way.
Speaker 4 (40:02):
It was your niggas thought they could save save the
hood by being creepy.
Speaker 3 (40:07):
And I was like, what exactly it's a song? Like
just what is that?
Speaker 6 (40:10):
There's a song, But that's that's what exactly is. That's
my two point five, my actual third one. I want
to put forth our first blue eyes soul of the
episode today.
Speaker 4 (40:20):
Oh lord, but go off, you broke the seal.
Speaker 6 (40:23):
That's like this after listen, I'm bold, I'm audacious, okay.
Speaker 4 (40:31):
Okay, by mind.
Speaker 2 (40:38):
Okay, But you don't know which.
Speaker 4 (40:40):
Song it is?
Speaker 3 (40:42):
What else would it be?
Speaker 2 (40:45):
What else would he have done besides what you do?
Speaker 3 (40:46):
What you want?
Speaker 4 (40:47):
Do a music show home?
Speaker 5 (40:51):
Let me show you that little fan of love.
Speaker 4 (40:57):
That's right, that wasn't even gonna be.
Speaker 1 (40:59):
I have not ky today exist, my god.
Speaker 4 (41:09):
Because I'm hungry for love.
Speaker 3 (41:12):
You cannot tell me that. But the times that wasn't
all my black man.
Speaker 6 (41:15):
You cannot tell me that, and the fact that they
tried high, higher than any for years until you started
doing shows and then people were like.
Speaker 3 (41:21):
Oh, we'll actually keep going to the shows even.
Speaker 6 (41:24):
Though this man is quite like I just it is
a song that it was formative to my years as
growing up in the world. So I just want to
put forth the first Blue wid Soul, one of the
few the I the ie lift for today.
Speaker 2 (41:38):
So wonderful.
Speaker 4 (41:40):
It's a wonderful.
Speaker 5 (41:40):
Song, the.
Speaker 7 (41:43):
First of all we are we know. I'm just gonna
put the problematic disclaimer on right now.
Speaker 5 (41:49):
Ah it is now in forever. Fuck that nigga. But
there is a character that was done a while.
Speaker 7 (41:57):
Ago named Clayton Bigsby, and it was about a black
white supremacist KKK member who would wear his hood everywhere
because he did not know that he was black. And
Bobby Baldwell, you know, used to intentionally make his covers
shadowed because he didn't want people to know he was
(42:20):
white initially, so he would shadow about so they didn't
really know.
Speaker 2 (42:28):
The more, you know, the star just went over my head.
Speaker 7 (42:31):
Carwell walked so that John Bea could run because when
John b came out you know that fucking haircut.
Speaker 5 (42:39):
But I was like, well, and I was like, he
just goes to the Dominicans. That the little white.
Speaker 2 (42:44):
Boy white still white.
Speaker 1 (42:50):
In my mind at the young age of six or seven,
gonna marry that man, especially when he yes, oh he
just did it for me. Oh he was He could
sing and he had him and baby Face singing. Just
seeing the house down booth.
Speaker 4 (43:06):
It was back to baby Face and.
Speaker 2 (43:12):
Yeah he did with John By, he really did. Yeah,
te so because.
Speaker 5 (43:18):
A demon, a breathing demon.
Speaker 1 (43:21):
Okay, Peple, somebody needs to lay hands and feet on
this bitch.
Speaker 5 (43:28):
She ain't got the ass Whooper she deserves in this lifetime.
Speaker 2 (43:32):
Pebbles, I will see you one day, bitch. For all
the bitches you robbed in the streets, I'm gonna see you.
I will see you one day. That's me with Brian McKnight.
One day, I'm gonna run up on Brian McKnight. He
gonna get you.
Speaker 5 (43:48):
Already know.
Speaker 7 (43:48):
I cussed Brian McKnight out when I was seeing it. Okay,
one of my proudest moments in life.
Speaker 8 (43:54):
But everyway, yeah, X do you still want to cuss out?
Speaker 4 (44:00):
And I released that, you know, yes, at some point
we'll both.
Speaker 2 (44:19):
Yes, yes, yes, yes, I agree. Okay.
Speaker 1 (44:26):
So for my last one, y'all, I hope y'all didn't
think I was going to do a list of songs
and not mentioned my queen Beyonce. I I as much
as people probably think this song, it's probably overplayed, people
have over mentioned it.
Speaker 2 (44:47):
I would say Beyonce's.
Speaker 1 (44:49):
Formation is definitely my blanthem.
Speaker 2 (44:52):
It's just a it's a big it's just a big middle.
Speaker 1 (44:55):
Finger to everybody who always kind of had something negative
to say about Beyonce and career, and it was kind
of just like her being able to say, I know
I'm the ship and even now I would even just
say the whole, the whole Cowboy Carter album is a
phenomenal piece of work.
Speaker 2 (45:11):
A finger. Yeah, this is a big middle finger formation
and Cowboy Carter.
Speaker 7 (45:18):
My last one is also my personal anthem.
Speaker 5 (45:21):
I think it's a very black song.
Speaker 7 (45:23):
It's uh and it needs to remain in music history,
and it's by a wonderful group by the name of
the Emotions. And the song is don't ask my neighbors,
because don't don't ask. Don't ask anything about me, mindja business,
(45:45):
Stay in your lame and so yeah, the emotions. Don't
ask my neighbor. It's my last song.
Speaker 3 (45:53):
Mm hmmm mmmmmmm h m hm.
Speaker 4 (45:58):
My last song is quite obscure. But I do think
it's an important to discuss, so I'm changing directions. This
is kind of blue eyed soul and not this song
is important because it is an entrance song for a wrestler.
(46:19):
The thing is is the fact that this particular wrestler
had a different theme song at the time, and at
the time the WW for the w W was trying
to really get women or have you know, people respect
women's wrestling, and also having an influx of black people
(46:42):
watching the show, they did have to like, okay, what
can we do to glue in our audience. And Jim Johnston,
who wrote and produced many of these theme songs for wrestlers,
there's one in particular that I enjoy and it's stratus,
this theme song, and it's by a little Kim called
(47:02):
Timed rock and Roll. O. It's time to rock and roll.
That's right, I'm in control. And when you look at
the lyrics, like it was as intro to explain it
(47:25):
was important for the community, you know, female.
Speaker 6 (47:30):
It does intros for me that just like the way
you introduced the song and then give me the song
experiences and I live, I just really live. Thank you,
thank you truly performance. I think my my last one
would be to my my all time, my all time
(47:51):
favorite girl group, which should be on BO.
Speaker 3 (47:58):
But there there their first.
Speaker 6 (48:00):
Single, hold On Yes comes on Anywhere, I will, I
will drop what I'm doing, I can be, I can
be what I'm doing. Hold Now, you know the way
they begin with who's loving you?
Speaker 3 (48:15):
The little bit of a cappella? Going to hold on?
Speaker 6 (48:19):
Yes, honestly to rule trust some faith like just speak.
It's yeah, if you don't hold on to your love,
what are you doing your life?
Speaker 4 (48:33):
Truth?
Speaker 7 (48:33):
True?
Speaker 1 (48:34):
Yeah, yeah, You've got to hold on yes. Okay, Okay,
I'm vogue. I'm I'm keeping that and I am saving that.
Speaker 2 (48:47):
All right.
Speaker 1 (48:47):
So now, so with that being said, thank you for
giving everyone just some songs that they may want to
go check out, specifically, Uh, this little Kim for one,
I'm gonna go check.
Speaker 8 (49:02):
I'm very I am very intrigued, very very intrigued.
Speaker 1 (49:09):
Now that I am sure that the president of iHeartMedia
is gonna text me and tell us to stop singing
songs on the pod before the FAA slaps us with
the feet. We're gonna take a break to pay some bills,
and then when we come back, we're gonna we're gonna
talk about some yes ma'am's and no.
Speaker 2 (49:24):
Man PAMs with our favorite cousins. We'll be back in
a second.
Speaker 3 (49:37):
All right, y'all.
Speaker 1 (49:38):
So we are at the end of the show, the
part of the show that actually makes me really sad
because that means I'm gonna have to let Jaden next
you go. But before that, we are going to jump
into our guest ma'ams and our no man PAMs. This
week mine, I don't know if anybody's I'll say, I
don't know where everybody's head is. The world is on fire,
so it is what it is. But I definitely just
(49:58):
wanted to say for me this week, my yes ma'am is,
and I'm gonna stay right in the theme of blackness,
I wanted to yes ma'am the black lady flight attendant
who handed me a whole bunch of those bisc off
cream cookies. Now I've talked about this online, but but
I had never had them, and so she gave me
(50:20):
one and then came back and had more in the
basket and I grabbed.
Speaker 2 (50:25):
Two and so for community work.
Speaker 1 (50:28):
And as soon as I was getting ready to get
off the plane, she dropped a whole bunch into my
hand and she said Happy Black History Month. And baby,
the way we giggled the house down boots, it just
it just it made me feel so good, down deep,
deep down in my soul.
Speaker 2 (50:44):
And so I definitely want to. I want to, I
want to speak.
Speaker 1 (50:46):
Her name, and definitely want to say thank you to
the black lady Delta flight flight attendant who really helped
me feel seen in that moment. I also want to
shout out, and I don't do this often because we
don't like to shout out stuff that we're not getting
paid to shout out. But I do want to shout
out the show in New York. I definitely want to
(51:06):
make a high mention that if anyone has not gone
to see Death becomes her New York City, go Michelle Williams.
She did like, I don't give a lot to people.
I don't give a lot to people. But mother ate
that roll down and she ate she is the show.
(51:29):
I don't care nobody says Michelle is the show. The
two white women in the show are cute.
Speaker 5 (51:35):
I love the movie, so I want to see the show.
Speaker 1 (51:37):
But but Michelle is that show, so I definitely want
to give that to her.
Speaker 2 (51:46):
My know, man, pam very quick, very easy.
Speaker 1 (51:48):
Obviously, we're not going to get out of here not
talking about Beyonce winning the Artists of the Year. I
want to give her all the credit and I want
to lift her name up. But I definitely would like
to basically say go to hell to anybody who has
an issue with the fact.
Speaker 7 (52:02):
I don't know why, why would you have an issue?
She deserves it many times over.
Speaker 2 (52:09):
A lot of people.
Speaker 3 (52:10):
She deserves more so while I'm at.
Speaker 1 (52:13):
All those other times too, she deserves But I'm happy
that we're here.
Speaker 2 (52:17):
So that's all what you got. J X. Any yes ma'am's,
no ma'm my Yes.
Speaker 5 (52:22):
Ma'am and no ma'am are the same. Actually, I'm doing
career day a.
Speaker 7 (52:27):
Child school, which I think is going to be, you know,
an experience. You know, I'm trying to figure out how
to be that mother where I am involved, but you know,
I also have to watch my tongue when I go
in there. And then no ma'am is because kids are
disgusting and gross and full of journeys. She's in middle
(52:51):
school and they are some of the most rotten humans
on the planet. And so uh they net they need dealer.
It's a lot of stapy mop and Sigma Alpha whatever
the fucks. So uh yeah, that's my yes, ma'am and
my no, man, It's going to be an enriching experience.
(53:11):
And also I will be guarding myself very closely, thank you.
Speaker 2 (53:18):
As you should. I support that, support that.
Speaker 4 (53:22):
My yes, ma'am is. I ain't been sold yet. And
my know, ma'am is, I know it's coming.
Speaker 3 (53:28):
Wow, I'll see you on the wall.
Speaker 2 (53:31):
Friend, let's talk about it.
Speaker 4 (53:34):
Yeah under his eye, Yeah, yeah.
Speaker 5 (53:38):
Below this.
Speaker 1 (53:40):
As much as I want to laugh, I have made
a note in our that we are about to be
living under James and Jim Crow two point zero, and
so I'm very uh as much as it's.
Speaker 5 (53:52):
Funny, absolutely, and uh it's how we get through.
Speaker 2 (53:56):
Yeah, it's uh mm hmmmm.
Speaker 3 (54:01):
I'm I'm actually speechlessly. I do not know.
Speaker 5 (54:07):
Make some levity jo please.
Speaker 6 (54:17):
You know, but no, I will say my just to
that point, because I was invited to go to a
plantation this week and I was like, I'm not doing that.
Well it was supposed to like a black cultural center.
Speaker 3 (54:30):
But I was like, there's no way in hell that
I will be on a plantation.
Speaker 6 (54:33):
Emotionally, yeah, emotionally, spiritually not would not happen. I need
to be in the house again, like I'm fine, thank
you so much.
Speaker 4 (54:47):
This is what you have to ask you, friend? What
about me? What I want to go to a goddamnan.
Speaker 6 (54:54):
No, no, no, it wasn't. It was not a friendship it was.
It was not a friend group.
Speaker 3 (54:58):
It was it was it was more professional, and I
was like.
Speaker 2 (55:01):
There's just.
Speaker 3 (55:03):
So I was like, I think I think I'd be good.
Speaker 2 (55:08):
I have a pass on that I don't.
Speaker 3 (55:09):
Need to see the cotton fields to know that I
I don't want to be around them. So it'll be
it'll be, it'll be yes.
Speaker 6 (55:16):
Yes, mam pham to myself for saying no, no man, Pam,
have beat you up been asked?
Speaker 3 (55:21):
I also give it's a yes and no to the.
Speaker 6 (55:25):
Grammys because they took me out with every time they
present an award, they had to remind you that thirteen
thousand people voted for that award, just just so they
could be like, so it's just say it's not rid
thirteen thousand people, and I just thought it was so
funny because they're like in the Grammy as vodan by
thirteen thousand people in the Grammy Awards saying the winner
(55:45):
is not just like y'all release, y'all really trying to
push to us that this wasn't it so was, but
go on, like I'm sure it wasn't some way, but
it just made me laugh.
Speaker 2 (55:53):
I was. But I also think they were doing that.
Speaker 1 (55:55):
They were I think they were also doing that because
there's been a lot of talk about people feeling like
Rammys are bought and sold and then they're just about
who's so I think that they were trying to like
insinuate we're doing this the right way, even though.
Speaker 6 (56:11):
But they did it with every single and I was like, y'all,
we understand, we get it, we don't whatever this like
it's okay.
Speaker 2 (56:18):
I believe it's just me a.
Speaker 3 (56:19):
Laugh of the length of which they would go to.
Speaker 5 (56:22):
Especially on a year where Beyonce, so they were like
we just.
Speaker 2 (56:29):
Yeah, it was.
Speaker 6 (56:30):
It was twelve thousand white people's performance. It was like
it was more performance than I've seen before. I was like, y'all, like,
if you're going to perform for me like Lisa, let
me not know your.
Speaker 3 (56:39):
Performance, which is right, God damn, that's it for me.
Speaker 1 (56:43):
Yeah, I definitely no, I feel that. I feel that
the performance is month it's it's it's yeah, we we
see it. We see it very clearly, and yeah.
Speaker 2 (56:52):
We definitely the promo is wild. Yeah. Baby.
Speaker 6 (56:57):
The way people try to make us, try to try
and make us puppets makes makes me just tickles me
pink every time. I'm like, well, you love us so
much right now, thank you, Thank you for.
Speaker 1 (57:05):
The twenty eight days anyways of the year I got anyway.
With that being said, uh, thank you everybody for listening.
Send your thoughts, feedback and emails, and I'm sure y'all
are going to have a lot to say.
Speaker 2 (57:19):
About this episode.
Speaker 1 (57:20):
My god, Blackfatfefpod at gmail dot com. I love it though,
I really do. I love y'all so much. I really
I just enjoy y'all brings so much joy to me.
You can also send us your thoughts for your social
media by actoring by interacting with our post on Instagram
and Blue Sky by using me handle blackfatfem Pod. We
are no longer on x Hell, we may not even
(57:41):
be on the planet for that much longer. But with
that being sad, Queen Jojo, where can the dolls find you?
Speaker 6 (57:48):
Right now, y'all? Maybe on Mars for real? You can
find me at Joho Danels across all socials. Let's at
Joinaildanees dot com. You will not see an auplantation is
for damn sure. I know that's once in my life
for ea. No no no, no no no no no
no no no.
Speaker 5 (58:06):
Not me.
Speaker 3 (58:07):
And if not there you will find.
Speaker 6 (58:09):
Took the bus look me out, You'll find me anywhere
else besides there, I.
Speaker 2 (58:16):
Know that's right, Jaden XD, where do you want to
be fest.
Speaker 4 (58:19):
Well, you can find us on rock, but everywhere else
you can find us.
Speaker 2 (58:30):
I love to see it. With that being said, that's
for me and my house.
Speaker 1 (58:34):
You can go buy my book at w W dot
doctor John Paul dot com buy it and if you
have not bought it, buy it for somebody you know. Oh,
by the time you hear this, that cell will be off.
But I will I will tell people for folks who
are looking, who are like are on a budget and
may not be able to afford the full hardcover price,
keep your eye out for Barnes and Noble.
Speaker 2 (58:55):
They've been doing more.
Speaker 4 (58:56):
They need to buy you at full Pricelevant Queer Booking
te t.
Speaker 1 (59:08):
But also if you're looking for a sell, keep your
eye at Barnes and Noble. They have sales for the
book and I still get, I still get What's mine?
So please head on to the Barnes and Noble and
purchase the book. Otherwise you can catch me down to
Delta Airlines begging for more of those damn cookies.
Speaker 2 (59:27):
With that being said.
Speaker 1 (59:30):
With that being said, we want to thank our producer
Bey Wang for handling all the logistics and everyone over
at Ihart Media for keeping the show up and running.
We also want to shout out Glad for shouting out out.
Thank you so much, Glad for seeing us and seeing
what we do.
Speaker 2 (59:44):
I appreciate you. Thank you good.
Speaker 1 (59:47):
With that being said, we also want to shout out
our wonderful friend to the show and editor Chris Rogers,
because without him, there would be no show or visuals.
With that being said, this has been another show. Stay up, fat, femine,
fabulous and remember what's your host.
Speaker 6 (01:00:03):
We may not be your cup of tea, but girl
drinking some of it you probably need anyway.
Speaker 1 (01:00:09):
Anyway, I know that's right. We love you for real,
see you next week.
Speaker 2 (01:00:13):
Bye.
The Black Fat Film Podcast is a production of iHeartRadio
and Doctor John Paul LLC. Hey everyone, welcome to another
episode of the BLACKFEFTFM podcast where all the intersections of
identity are celebrated. My name is John, also known as
Docta Don Paul, and know your ears have not betrayed you.
What you hear in the background is in fact sirens
(00:22):
and horns. Because I am currently in New York doing
some press for my book and also doing some other
stuff with people and friends and things. But my god,
I have I've gripped and griped about it online, so
y'all gonna get it here too.
Speaker 2 (00:40):
How do y'all live?
Speaker 3 (00:41):
Like this.
Speaker 2 (00:43):
True story?
Speaker 1 (00:44):
Like someone was driving a big ass truck this morning
and it was probably eight a thirty five. I turned
over and went back to sleep, literally nine point fifteen,
ham ha.
Speaker 2 (01:00):
I was like, sir, like, what what is this? Like
I'm trying I was trying to get my sleep in.
What is going on?
Speaker 1 (01:08):
But literally for five minutes, this man and I don't
know what. I don't know if he was trying to
deliver something. I don't know what was happening out there.
I'm on I'm on the seventh floor, so I can't
even see like the ground, I can't even see what's happening.
But he just would not lay off of his horn,
and I said, that's gotta be. That's really gotta truly
be a New York thing. So I was like, you know,
and and to the people who are like John, you
should use ear plugs? What about my life? Glenn Coco
(01:30):
like what about my pain? Effie?
Speaker 2 (01:32):
Like I don't.
Speaker 1 (01:33):
I just I'm in that place where I'm like I
shouldn't have to wear ear plugs. That's either here another
I'm happy to be here. I'm glad I got here safe.
I leave tomorrow and I'll be back in a couple
of weeks. So with that being said, how are you
joho ife?
Speaker 4 (01:45):
We all got paid?
Speaker 5 (01:48):
Uh live live.
Speaker 6 (01:51):
Who Hey, y'all is sha boy joho or cowboy Joho?
I'm here to tell y'all East Coast is. If y'all listeners,
y'all really are built different, and I love that for you.
I was in Cleveland over the weekend and for a
family wedding, and while it was beautiful because you lit snow,
it was cold as fuck like I have never in
my life experience the Arctic chill of the East, like
my bones was called, y'all, how your bones get cold?
(02:15):
How my bones get cold? Like the way I had
on layers? I did the right I had. I had
a fur CoA which I was given, I was giving pamp.
I was like, well, I'm looking like.
Speaker 3 (02:23):
A boss right now. But how like, how how were
my timbers shivering? Likemers?
Speaker 4 (02:28):
Was real for me?
Speaker 2 (02:29):
It was cold. Yes, I have those thermal Do you
have those thermal things? The armor? What are they call
under armor? Thermal situations?
Speaker 3 (02:39):
Do you I had a thermal on.
Speaker 6 (02:41):
I don't know if it's a m I didn't feel armored.
I didn't feel armored. I was I was still and
I didn't feel thermal either. But really, I just realized,
like I'm just a weak, weak bitch, like I was
spiritually strong, emotionally fortified, but East Coasters y'all physically built different,
and I'm jealous.
Speaker 3 (02:58):
I need to know how to do that. Y'all have
my whole respect.
Speaker 1 (03:01):
I will never say a word, amen, amen, I will Yeah,
I'll never this cold. This kind of cold is literally
like I was literally standing out on the street like
earlier this week, and I had on all the right things.
I was told by my good friend uh Drell to
put on and I still was cold, and I was
like this this this like, this ain't me. I'm not
built this like California is literally what I am built for.
(03:22):
But all that to be said, this week we have
brought back two of our favorite people to the show,
Your famous, your favorite bitches from what I like to
call one of the best podcasts to ever exist.
Speaker 2 (03:38):
Thank you. We could not do we are.
Speaker 1 (03:40):
For those of you who do or don't know, we
are doing a whole episode from the title y'all know
black hearstry, and so we wanted to make sure that
we bring on to the people who truly they just
embody blackness in the way that we love Jade and next,
welcome to Welcome back to the show.
Speaker 2 (04:00):
How are you doing, babies?
Speaker 4 (04:01):
Hello, Hello, back in this cut like.
Speaker 2 (04:11):
This cut like.
Speaker 1 (04:12):
Niggas and but oh we speak your name, We really do,
we really speak your name.
Speaker 2 (04:19):
But how are you both doing? Outside of I am
dying at.
Speaker 7 (04:23):
You all being so cold, because weeks ago it was
it was supremely worse, and I'm like they.
Speaker 5 (04:31):
These niggas would not have survived.
Speaker 7 (04:35):
Just a couple of weeks ago you all would have
ship would not have shift and Cleveland is.
Speaker 4 (04:41):
Cold though this fifty degrees here, he sounds wonderful.
Speaker 5 (04:46):
I would.
Speaker 4 (04:47):
I would frolic, it's hot, it's blazing.
Speaker 5 (04:52):
Where's my mid drift? Like I'm wearing it out right now?
Speaker 3 (04:58):
You know, Okay, stop, okay, let let me.
Speaker 6 (05:00):
Really so well because like like the way like it
was so weird, weird freakings for me, like wearing on
the car the heater was on sixty, and I was like,
why is it so fucking hot in this car right now?
Speaker 3 (05:12):
Like sixty is hot to me in the winter time,
like or like like.
Speaker 6 (05:15):
The shock your body's going through shocks because you go
from chasing outside cold to the top a warm, sometimes
swamp ass restaurant and be like and like it's like
my body is who I'm saying. I was like, I'm
not gonna say, Judge from being out here like yeah,
who I have to give it to y'all just and
I know it's like I was.
Speaker 5 (05:37):
But I listened, and.
Speaker 7 (05:39):
Judge, we listened and we but I geggled.
Speaker 3 (05:46):
I get.
Speaker 6 (05:50):
We're sapping the habit that you're here for laughs to
keep on the last wreaking out tradition of sabbing our girl,
our lab Queen Tisha Campbell and the.
Speaker 3 (05:58):
Fact that we are still here despite freezing.
Speaker 6 (06:02):
And I want to keep the show by asking what
is your favorite or most important Black history moment? It
can be populturally, it can be like actual history, right,
that can be anything for me. I'm making a fun
and pop culture.
Speaker 3 (06:15):
Between two things.
Speaker 6 (06:16):
One is Easter raised interview with the Emmys in twenty
seventeen when she said I'm reading everybody Black, and the
two she said, I'm still ran back Asian change bitch.
Speaker 3 (06:25):
He was really such a.
Speaker 6 (06:26):
Phrase I was heard around Black America like in that moment,
we all understood what that meant and how that felt.
Speaker 3 (06:30):
I mean, ever, black folks are up for wins. People
ask me who do I want to win? Girl? Everybody black?
I don't give a fuck about white folks now.
Speaker 6 (06:37):
And I'll just say this, this this this past Grammys.
It was most pleasing to me to have me to
have seen you know, you know this, uh this, you
know a white woman who has won many of awards,
not when it's not with a single one. And if
once he sat down, I don't know, I'm an issue
was not really that much. But she said that I
(06:57):
mind her business the entire time.
Speaker 3 (06:59):
I'm not lived. For one, I was like, no, what
I stand her?
Speaker 2 (07:02):
Wait?
Speaker 1 (07:02):
Are we talking about Are we talking about Sailor Sailor Tift?
Or are we talking about Billie eyelash Uh Sailor Tift?
Speaker 3 (07:11):
But Billy, I don't have much have much to say
about her. But but but you know.
Speaker 6 (07:17):
But miss Sailor, she really sat there drunk her wine,
mind her business, not drinking her water, mining her business.
Speaker 3 (07:23):
Can I live? I was like, no, a girl. For once,
For once, I was happy that you were there to
do nothing.
Speaker 6 (07:29):
The second one for me would be Solange and jay
Z in the elevator, because y'all do this day.
Speaker 3 (07:35):
We do not know what exactly happened.
Speaker 6 (07:37):
We do not know, but we do know is that
Solange will absolutely throw a handsun necessary and that's all.
It's all I need, really is that she was that
Migro can fight and we'll fight for her sister.
Speaker 3 (07:47):
And that's what I live for. So that's mine. Jade
x d past y'all and then pasta John for the
last ladies.
Speaker 4 (07:56):
First, Okay, that's fair, that's fair. I have to one
is quite notable, and the other one should be, but
it isn't. The first one. A notable moment in black
history is when Tyra got shot learning.
Speaker 8 (08:18):
Oh damn, Yeah, yeah.
Speaker 4 (08:23):
Because why there was no reason for her to die
of that movie. And and number two. You know, this
(08:46):
is something I think about often. It's both pop culture
and both just historic in general. And you know, I
think about this a lot like it was a cultural reset,
a shift, even the slap at the Oscars.
Speaker 8 (09:03):
Yeah, yeah, it's more of more of like a sociological
reflection that I that I embark upon, you know, every
now and again, because it is expresses the true savagery
of the human spirit.
Speaker 4 (09:22):
And I feel like we as a people, you know,
need to study that and be showcased. It should be
in history books, like, you know, in a Hopton Mifflin
text somewhere.
Speaker 2 (09:34):
Yeah. Yeah, you're not wrong. You're not wrong.
Speaker 4 (09:38):
Our country tis of the with the copboard wagon on
the front.
Speaker 5 (09:44):
Yeah, none of mine are notable. Let me scratch that.
They're notable, but they're not.
Speaker 7 (09:51):
You know, I figured, you know, the diggers who created history,
I'm gonna let them have that. That's not a problem.
I didn't need to be a part. But my first
one is Tammy Roman and the cigarette. Uh you can't
say it neither, because you latina. I would have loved
to be present for that. I feel like niggas left
(10:11):
Tammy out to dry in that moment alone and while
she handled business all by herself on her lonesome, just
her and her cigarette. I still wish I would fly
on the wall, part of production or part of the cast.
I wish I was there for that, right on that
(10:33):
deck the cricket. I don't give a fuck.
Speaker 5 (10:35):
I wish I was there.
Speaker 7 (10:38):
Ray Kwan running up on Joe Budden many years ago,
you know, I got a first what I would like
you all go do your own research, but I'm giving
you homework to go go find out about the time
that Ray Kwan ran up on Joe Budden with an
(10:58):
honorable mention of Mickey facts in the background.
Speaker 4 (11:03):
It is an You know, I used to work with
Joe Budden's father.
Speaker 5 (11:08):
I have time worked with Beyonce.
Speaker 4 (11:10):
Yeah he was yeah, Joe Budden, mister, butten used to be.
Speaker 5 (11:20):
Why would I laugh at that?
Speaker 2 (11:22):
That was classes and egregious.
Speaker 6 (11:25):
It was grecious, how disgusting I was.
Speaker 4 (11:30):
I was like, yeah, he was Adan at the Mens
Shelter I worked at so but yeah, but it was
so funny because years before that I had read it
to Joe Budden at a barbershop at Union New Jersey,
Union City, New Jersey, and he had that one song
(11:53):
and it was like who are can I? So, I
was like who are Like? He was like like, no argument,
no autographs please. It was like, there's nobody in here, sir,
it is a Tuesday.
Speaker 2 (12:06):
That's how he said. Yeah, he's only had that sumthing.
Speaker 4 (12:09):
Up and that other one song with Marcus Houston.
Speaker 3 (12:13):
Oh, I don't know that.
Speaker 4 (12:15):
I think he does price Picks commercial. I'll tell you
that prize picks.
Speaker 2 (12:22):
What's that?
Speaker 4 (12:23):
Gambling problems in America? That's what it is.
Speaker 5 (12:27):
A sharp program.
Speaker 1 (12:36):
I just want him to turn that damn fire like
the like he always has on that fireplace. It's like
sky high and I just like, baby, these people are
sitting here burning up and you.
Speaker 4 (12:48):
And I think it's I always say that's ironic because
he looked like a catfish, so I'd be like, why
are you so close to the heat.
Speaker 5 (12:54):
Of he does.
Speaker 1 (13:02):
Sext catfish? My god, I want to name the episode
sexy Catfish.
Speaker 4 (13:08):
Who Okay?
Speaker 5 (13:17):
Oh, god.
Speaker 1 (13:18):
Okay, so I had some written down and I genuinely
now I have some.
Speaker 2 (13:24):
So I'll say this.
Speaker 1 (13:25):
So, uh, last night when I was at dinner, I
was talking with my friend about this because I'm working,
I'm getting ready to start working on another project.
Speaker 2 (13:33):
And I mentioned, do y'all remember the show? What was it?
Speaker 1 (13:38):
Called to Tell the Truth? Do y'all remember that show? Okay,
so memory unlocked for you all. So Mother Love for
those of you who are a certain ame, Mother Love
used to show and she did, and it was called
to Tell the Truth. And basically these people would come
on the show and they would tell people.
Speaker 2 (14:00):
Were secrets and oh yes, because it was forget.
Speaker 4 (14:04):
Forgive, forgive, forget, you're confusing, You're to tell the Truth.
Show was hosted by this white man and they had,
oh my gosh, watch it because let me tell you something.
It was so it was so messy because they'd have
to It was almost like how to get a get away?
(14:26):
But who wants to be a millionaire? But instead of
questions that they had to answer about like like what's
the genus name of sheep, they had to be like
like did you what the.
Speaker 5 (14:39):
Business?
Speaker 4 (14:42):
And if you say yes, then you advanced to another
you know the next section of money x D.
Speaker 1 (14:49):
You are a certain person like mine in terms of
like knowing these random shows. Ye, but yes, forgive and forget.
This was the show Mother Love hosting, and she you
would have these people come and tell the whole darkest
secrets to their friends and family and then pray that
they be behind this door, and then the door would
fly open and nobody would be there, and they basically
(15:11):
would be yeah. And so that's one of the black
Oh my god, so I get us out of here.
So I'm driving the boat and so that was one
of them. The other the other one is I is
(15:32):
a it's a tie between my god, what a moment.
It is a tie between a'm rosa being by New
York and uh Montgomery, Montgomery.
Speaker 3 (15:46):
That happened?
Speaker 2 (15:47):
Was it two years ago?
Speaker 4 (15:49):
Yes?
Speaker 6 (15:50):
Yes, our our year, our the white chair.
Speaker 2 (15:56):
Yes, the a hero, We salute the we salute our.
Speaker 5 (16:01):
Fade and water. That's that's that's what they called it.
Speaker 3 (16:06):
That is my day right there. That is my right actually.
Speaker 5 (16:10):
Steal that as well.
Speaker 7 (16:12):
I would have loved to be the sneaker on the
young man who jumped off the boat to swim to shore.
I like I the pigeon on the dock watching everything.
Speaker 5 (16:25):
I would be the chair.
Speaker 2 (16:31):
On the dock. I would have wings folded just be.
Speaker 6 (16:34):
I would have my I have my b grade peck
breast out everything.
Speaker 5 (16:40):
It was just that's a good one.
Speaker 2 (16:46):
But those are the ones. That's a good one.
Speaker 3 (16:50):
Free, that is that is that is fantastic.
Speaker 6 (16:53):
Also, Rosa, I would just say that in that season,
I'm gonna try it really was.
Speaker 4 (17:01):
I was.
Speaker 6 (17:02):
I was here for that show, and I was like,
is so bad? But she's such great TV. But New
York ate her up and I was here for it.
Speaker 2 (17:08):
So she read her the house down booths booth.
Speaker 3 (17:12):
Okay, well, now that we have stood y'all in our
such journal truth. We got to a quick bait, we
got to get quick break. But but we will be
back girl.
Speaker 6 (17:21):
It's like a ton of We will be back with
the black ass category of the week in just a second.
Speaker 2 (17:38):
All right, y'all.
Speaker 1 (17:39):
So this week we wanted to regale you all with
some joys of some harmonies of blackness here and so
this week we are jumping into the category with our friends.
And I was like, there's no way we're gonna be
able to have a whole conversation about black music, black history,
black anthems without inviting I like to what I like
(17:59):
to call like the legends of the playlist. Y'all always
have such good songs and auntie jams and all of
these different things. Again, listeners, if you don't listen to
Jaden XD, their show just honestly is not only is
it full of laughs, but a lot of their show
is filled with great music. And so I was like,
let's invict them on. Let's have a really powerful and
(18:21):
uplifting conversation around a lot of the songs that we
just find a lot of joy in. And again, when
I put the ask out, I initially told them they
don't have to be true black history songs, just songs
that honestly speak to you as black people. And so
I asked each of them to come up with five songs,
at least five songs, and if they have a couple
(18:42):
of honorable mentions, that's cool too, But we wanted to
make sure that we gave you at least twenty songs
to get you through the rest of black history to
be able to listen to.
Speaker 2 (18:52):
So with that being said, we're gonna go ahead.
Speaker 1 (18:56):
So I will start off with mine with an explanation.
We'll go to Jade, we'll go to x D, and
then we'll go to Joho and we'll just round robin
it until we get our last one and then yeah,
well we'll just kind of start there. So we're calling
this podcast anthems, podcast black anthems, and my first one,
(19:18):
I hope I didn't steal this from any planthems.
Speaker 6 (19:22):
Yes, yes, plantum yes, yes.
Speaker 1 (19:26):
Yes, yes, I am starting with a bone crush, never scared.
M h Yes, I'm starting with bone crush, never scared.
And that is the reason why is because that's just
kind of the energy I'm giving off these days. These
(19:46):
white people continue to just keep trying it and they
think that I'm over here fearful, and I'm like, I
ain't never scared. I ain't never scared, Like just what like,
I'm not, I'm never scared. So that's where that's what
I'm starting with. So so next, Jade, what is your I.
Speaker 7 (20:04):
Think the first one on my list I'm going to
do would be the year was nineteen ninety seven and
a song came out that really just had us shaking
our asses in the parties very properly and I feel
like we still do get hype when the song comes on.
(20:24):
It's Queen Pin's Party and a Party.
Speaker 5 (20:29):
You know, ran all through.
Speaker 7 (20:33):
And so I just feel like it feels my black spirit.
Speaker 5 (20:38):
It is also it doesn't get the credit that it deserves.
And so yeah, Queen Penn Party and a Party is.
Speaker 2 (20:43):
My first track. No, thank you.
Speaker 1 (20:48):
I support that. I leave that, thank you, thank you.
We speak, Yes, XD, what is your first What is
your first pick?
Speaker 4 (21:02):
All of mine are thematic, They're all historical, They're all
important to the fabric that is Black Americana.
Speaker 5 (21:12):
The fabric.
Speaker 4 (21:14):
I would like to start off. Yes, I would like
to start off with the music that is declarative of
love and ownership of sexual autonomy. It also is one
of the blackest songs of all time, however you choose
(21:37):
to define it, okay. It was written by a gentleman named.
Speaker 2 (21:47):
Oh, I Know where You're going, I Know where You're going.
Speaker 4 (21:51):
There with you, and it's called Juicy Fruit.
Speaker 9 (21:56):
It's about pussy and bussy and not bubble gum positivity.
Speaker 4 (22:09):
And celebration of black bodies.
Speaker 1 (22:14):
Because my favorite line in the song it's so it's
it's just such a oh when when the beat drops
He's I'll be your lolly pop and they drop that
that that trunk out.
Speaker 2 (22:26):
You can lick me every juice juice.
Speaker 4 (22:31):
That was a declarative statement, you know. And here's the problem.
You know, current black music is, oh it's it is.
They're so demanding and so just like Naggy, this was
a yeah. This was however, like a request, you know,
something like. It wasn't as needy or as a lot
(22:53):
of new music is. It was just very we're saying this,
We're all owning it. We're all in this moment. You
can lick me everywhere because it's juicy, and it's just
about them and their other partner. It's about it's about consent,
you know, which is important in all forms and facets
(23:14):
and who we are communication, yes, and you know, exploration
is something that we should celebrate.
Speaker 3 (23:24):
I live, okay, Okay.
Speaker 6 (23:27):
So I was like, y'all tested my, like my my
historical knowledge because y'all throwing songs I was, I.
Speaker 3 (23:34):
Was not yet born.
Speaker 5 (23:34):
I'm going to confuse you so many more times.
Speaker 4 (23:37):
I feel y'all threw me off with boat Crush.
Speaker 2 (23:44):
That was.
Speaker 6 (23:47):
Okay, but I think I can add to the to
to thegeist because this song. I was raised on the
song for my dad and he rest in pes stroking
my Clarence Carter, you want to hold out songs, that
was what's about. Actually, I'm shrugging to the west from
the out of the best. Okay, short, don't struggle so fast?
(24:07):
And my stuff in time you can see that my whoop.
Speaker 4 (24:10):
Yes, Now that was about I remember when they had
remember them Time Life, Body and Soul Elections or whatever,
and they had that song because remember Clarence Carter shot
a video decay, and that's the song that they kept
playing in the commercial, stroke in to the East, whatever reason,
(24:34):
I've been stroking that, whatever reason, it'd be like an
already commercial that came already after but like, but yes,
it was that. I was like they America has celebrated
nasty music since.
Speaker 5 (24:45):
The beginning of time.
Speaker 1 (24:49):
M hm, yes, yes, yes, yes, yes, So staying in
that lane, I feel like that's that's kind of what
we're gonna where we're gonna be going. I want to
go ahead and I want to shout out so this
this person, this woman, and there are all women in
my my my blanthem anthems, my blanthems, They're all women.
(25:12):
I remember being eight, and I remember the film Baps
coming out. I was about eight or nine when Bats
came out, and that's also black history. For those of
you who've never watched, Please m hm yes, yes, yes, yes, yes.
And I remember a song from one of the It
(25:37):
came out around the same time. This woman asked a
very important question. She said, do you really want to
touch it? Do you really want to fuck with me?
Speaker 2 (25:50):
Tonight?
Speaker 1 (25:51):
I want to say that I believe that Monifas Touch
It is.
Speaker 2 (25:57):
One of the most important songs of our time, second
to second to Adina.
Speaker 7 (26:03):
Howard's Okay, wait a minute now. It's so fascinating that
I'm going right behind you because you know, while freak
like me, yes, it gets it deserves all the flowers.
The next song on my list is actually Anna Howards
you can be My Nigga.
Speaker 5 (26:25):
Because that does not get the love.
Speaker 2 (26:28):
That it deserves.
Speaker 7 (26:31):
I would like to recite okay opening lyrics to you
can Be My Nigga in.
Speaker 5 (26:37):
The first verse.
Speaker 7 (26:38):
As I lay here just smoking on a blunt, the
situation is getting blurrier and blurrier. See, he don't understand
that a girl's gotta do what she's gotta do. And
so you know this is about women empowerment, femin empowerment,
it is also about the state of the world because
I too lay here smoke on a blunt because the
(27:01):
situation is getting blurrier and blurrier, you know what I mean. So, uh,
that's why that was next on my list.
Speaker 4 (27:09):
Yeah, you know, yeah, you know, if you whisper those lyrics,
it's like a prayer.
Speaker 5 (27:16):
As I here smoking on a blunt.
Speaker 4 (27:22):
And blurr a song proverb. Yes, I would like to
switch gears. I do know that when this episode comes out,
it will be love Week. Shout out to all the
Gallantines and punkin times and all that stuff, right, all that,
(27:47):
and so I I really want to talk about like
one of the greatest love black love songs of all time,
on top of just love songs in general. I know,
oftentimes we go to Luther Vandross's hearing, right, Yeah, Like,
I mean, that's that's the standard. But I really want
us to peel back the onion here and the seventies
(28:13):
wrote about black love in a way that I don't
know if we'll ever be able to achieve that type
of love and adoration and.
Speaker 5 (28:25):
Very beautiful song but still not no.
Speaker 2 (28:27):
No, no, Yeah, it's a beautiful song.
Speaker 4 (28:31):
My song is My next song is Billy Preston and
siritas with you. I'm born Again, And I want to
read some lyrics to it, because even if you want
to go YouTube to cover with Justin Guarinian Tamyra Gray,
it's even great there. But anyway, Billy says, come bring
me your softness, comfort me through all this madness. Woman,
(28:53):
don't you know? With you, I'm born again, And she
comes back with come give me your sweetness. Now there's you,
there is no weakness lying safe within your arms. I'm
born again. And they come together and say I was half,
not whole, and step with none, reaching through this world
in need of one.
Speaker 5 (29:10):
Mm hmm.
Speaker 4 (29:12):
Like that's like that's some weal that's blowing, you know.
Speaker 5 (29:16):
Black in the right way.
Speaker 4 (29:21):
Yes, not every vagina as like puzzle, but yes, that's
a wonderful black song.
Speaker 6 (29:37):
I would love to also put forth a soulful ballad
that focuses on love as well too. That really begets
the question how did.
Speaker 3 (29:46):
You get here?
Speaker 2 (29:47):
Ah?
Speaker 3 (29:48):
Because somebody's supposed.
Speaker 4 (29:49):
To be here.
Speaker 6 (29:50):
Because I'm just saying our Canadian queen, mister Deborah hawx
nd this day, I believe belt in the way that
I thought would be have been possible. No no, no
no no no no no no, yes, you would not.
Speaker 1 (30:05):
Yea yeah, yeah, yeah yeah. And how many So I'll
just I'll say how many people really thought they could
sing in a talent show and chose that song and
almost died trying to.
Speaker 3 (30:25):
Get through that time.
Speaker 4 (30:26):
Let me tell you how old I am. I was
in the mall recording demos vibe, so I was forehead
cocks okay here, and I thought I was better. Fuck.
Speaker 7 (30:51):
I also loved that this was before the age of
the internet, but there were still very quintessential black things
that traveled through all coasts throughout the country. And so
with that came along with bitch I caught the bus,
bitch I got the key the response. I love how
we all knew that. And I don't know how we
(31:13):
knew that, but we.
Speaker 2 (31:15):
Did just a collective.
Speaker 1 (31:18):
You know, one of our episodes we talked about black telepathy,
and and I think that's what that is. It's just
something through the airwaves, through something something something throat surgery.
Speaker 7 (31:31):
How did we all know that?
Speaker 2 (31:36):
Do we just did? We just did black history. Yes,
all the time.
Speaker 1 (31:45):
So my next one is, uh, you know what, I'm
gonna save this. I'm gonna save one from the one
I'm gonna I'm gonna say is it's more uplifting, and
it's truly uplifting. It's not me being funny. I genuinely
there is some days where I need to hear an
uplifting message. And even though it still reminds me of
(32:08):
In Living Color, Like every time I see the video,
it reminds me of in Living Color, specifically Kim Wayan's
making fun of her. I am going to put Desert
Rays you gotta be at the top.
Speaker 5 (32:21):
Of my list.
Speaker 4 (32:28):
Yeah. I don't think I've ever shared how I find
that quite entertaining.
Speaker 2 (32:38):
Please share and share why.
Speaker 4 (32:40):
I don't know if I could share it on this show, but.
Speaker 2 (32:44):
We can cut it out, Chris, cut it out.
Speaker 4 (32:46):
Okay, Okay. So, like you know, I have I struggle
with uplifting music because it's always comes from like a
place where I'm always work through that therapy.
Speaker 8 (33:01):
Before before you, why did you?
Speaker 5 (33:08):
Yeah?
Speaker 4 (33:09):
Yeah, And that's how I feel about this song because
it's it. It bolded and powered so many people that
and I also hate like commercial music, like I hate
like you gotta be, Like I hate coext like commercials,
like you know, I like things that should sound like
they should be in like like hygiene product commercials.
Speaker 1 (33:28):
Yeah, or like medical commercial.
Speaker 3 (33:33):
But also, you don't know everyone's life story.
Speaker 6 (33:36):
Maybe maybe I won't read the books, read the books
my my father said, or read the books for my
books my mama red.
Speaker 5 (33:42):
Like I want to do that.
Speaker 4 (33:43):
Wait so wait, But then so there's this movie called
The Optict of My Affection with with Rachel Green from
friends what's her name? Jennifer Aniston and Paul Red, and
so she has a kid. Well anyway, in the movie,
Jennifer Hudson falls in love with Paul Read and Paul
Red is gay or whatever. But and the and she
ends up with a black man and she has to
raise a single child on her own with this game
(34:05):
and this black man that she with. And at the
end of the episode, at the end of the movie,
at the end of the movie, they have this little
white girl who looks by Rachel. I don't understand why
because her daddy is white. And then she's singing like
this whole classic you gotta be, you gotta be, and
(34:25):
it's like the child is a horrible actress, and so
then she has so then she just the lead in
the park and they're like, oh, you're so good. I'm like, no,
I hate you for the movie because you suck. Yeah, I.
Speaker 2 (34:44):
Just want to offer that I just.
Speaker 4 (34:45):
Came here to ruin BFF.
Speaker 2 (34:47):
That's you didn't ruin anything. That's what we we love.
You were invited. You invited because.
Speaker 5 (34:57):
This nigga has been pissing microphones all damn. Okay, let's
be very clear.
Speaker 1 (35:06):
Chaostivity. That is the reason why we invite you. But
what all that to be said? That is one of
my even though text commercial, just like Intuition by Jewel
is also one of those. I always think about razors
(35:26):
every time I hear that very much.
Speaker 5 (35:28):
So, but yes, I think I too will switch gears.
Uh there.
Speaker 7 (35:36):
You know, I find it very important to keep recipes alive,
especially you know, in the age of braided salmon and things.
And so I'm like, you know, we've got to keep
braided braiding salmon.
Speaker 2 (35:51):
Yeah, braid.
Speaker 7 (35:54):
Garlic alfreid o, honeyed dipped salmon nuggets.
Speaker 5 (36:03):
Hookah with a hookah, smoked essence.
Speaker 4 (36:07):
And so.
Speaker 7 (36:12):
I find it important to keep traditional recipes alive. And
while I don't partake in at least one of these things.
You know, Project Pat has a song called Gorilla Pimp,
and there's a line in that song where he says,
buying you taco bell, but a pimp eaten steak, corn bread,
(36:34):
collared greens, chitta lings on my plate. And so I
wanted to add that to the list because you know,
those are traditions and recipes that even if we don't
partake in them, we have to carry them through and
make sure the younger generations understand you know what that means.
Speaker 3 (36:54):
Yes, we got carried We got carried on men. Amen, Amen,
how about you like to change again? Where are we
going to?
Speaker 4 (37:11):
We're going political, We're going We're going We're going political,
We're going sociological, We're going ethnographic. Because this is this
is a also cautionary tale, right, and this is something
that was very prevalent in the early early nineties, eighties
(37:36):
or whatever, and I don't know what it is. The
young people aren't doing it like that, and they have options,
but this is this song is also like a and
a conduit into like the welfare system and like family
structure and stuff. It's Chipac's brend has got a baby,
(38:01):
like say what you want, but that should happen?
Speaker 5 (38:05):
Yeah, yeah, yeah, yeah.
Speaker 3 (38:08):
Wow.
Speaker 2 (38:11):
That reminds me of Runaway Love.
Speaker 5 (38:15):
Song.
Speaker 2 (38:21):
Why would you.
Speaker 5 (38:22):
Take us to this place?
Speaker 4 (38:26):
Because because I told you it is a political cautionary
tale of what we need to do is as community,
as community died, you know, to uplift us, to show
everybody the magnificent that the great mystery has created.
Speaker 3 (38:44):
Yes, yes, so this this wasn't my.
Speaker 6 (38:50):
I have a I have a two point five only
to go along with the idea of songs, I'm just
like this song was made that was also about you know,
real life. But and this this song was a big
when I was in middle school. But life Jennings s
e X and I don't know who life is.
Speaker 3 (39:10):
It is a truly a niche song.
Speaker 6 (39:13):
But the chorus is s ex Mama's secret and daddy
gonna go crazy when he finds out that his baby's
got her sex and take a deep breath.
Speaker 3 (39:25):
Think before you let it go, and like what like
I just want to know.
Speaker 2 (39:30):
I'm confused.
Speaker 1 (39:31):
I've never heard that song, Like what what.
Speaker 3 (39:34):
Was the impetus? What he said? Life said? Life said?
Speaker 6 (39:39):
Trip Herd you just turned seventeen and frobally got some hips.
Speaker 3 (39:44):
Hustles on the block go crazy when you lock yo list,
but they just.
Speaker 6 (39:48):
Want relations not relationships, like she was preaching, there.
Speaker 1 (39:53):
Was music like this at that time. It wasn't in
like two thousand and five. It was five that was
like this way.
Speaker 4 (40:02):
It was your niggas thought they could save save the
hood by being creepy.
Speaker 3 (40:07):
And I was like, what exactly it's a song? Like
just what is that?
Speaker 6 (40:10):
There's a song, But that's that's what exactly is. That's
my two point five, my actual third one. I want
to put forth our first blue eyes soul of the
episode today.
Speaker 4 (40:20):
Oh lord, but go off, you broke the seal.
Speaker 6 (40:23):
That's like this after listen, I'm bold, I'm audacious, okay.
Speaker 4 (40:31):
Okay, by mind.
Speaker 2 (40:38):
Okay, But you don't know which.
Speaker 4 (40:40):
Song it is?
Speaker 3 (40:42):
What else would it be?
Speaker 2 (40:45):
What else would he have done besides what you do?
Speaker 3 (40:46):
What you want?
Speaker 4 (40:47):
Do a music show home?
Speaker 5 (40:51):
Let me show you that little fan of love.
Speaker 4 (40:57):
That's right, that wasn't even gonna be.
Speaker 1 (40:59):
I have not ky today exist, my god.
Speaker 4 (41:09):
Because I'm hungry for love.
Speaker 3 (41:12):
You cannot tell me that. But the times that wasn't
all my black man.
Speaker 6 (41:15):
You cannot tell me that, and the fact that they
tried high, higher than any for years until you started
doing shows and then people were like.
Speaker 3 (41:21):
Oh, we'll actually keep going to the shows even.
Speaker 6 (41:24):
Though this man is quite like I just it is
a song that it was formative to my years as
growing up in the world. So I just want to
put forth the first Blue wid Soul, one of the
few the I the ie lift for today.
Speaker 2 (41:38):
So wonderful.
Speaker 4 (41:40):
It's a wonderful.
Speaker 5 (41:40):
Song, the.
Speaker 7 (41:43):
First of all we are we know. I'm just gonna
put the problematic disclaimer on right now.
Speaker 5 (41:49):
Ah it is now in forever. Fuck that nigga. But
there is a character that was done a while.
Speaker 7 (41:57):
Ago named Clayton Bigsby, and it was about a black
white supremacist KKK member who would wear his hood everywhere
because he did not know that he was black. And
Bobby Baldwell, you know, used to intentionally make his covers
shadowed because he didn't want people to know he was
(42:20):
white initially, so he would shadow about so they didn't
really know.
Speaker 2 (42:28):
The more, you know, the star just went over my head.
Speaker 7 (42:31):
Carwell walked so that John Bea could run because when
John b came out you know that fucking haircut.
Speaker 5 (42:39):
But I was like, well, and I was like, he
just goes to the Dominicans. That the little white.
Speaker 2 (42:44):
Boy white still white.
Speaker 1 (42:50):
In my mind at the young age of six or seven,
gonna marry that man, especially when he yes, oh he
just did it for me. Oh he was He could
sing and he had him and baby Face singing. Just
seeing the house down booth.
Speaker 4 (43:06):
It was back to baby Face and.
Speaker 2 (43:12):
Yeah he did with John By, he really did. Yeah,
te so because.
Speaker 5 (43:18):
A demon, a breathing demon.
Speaker 1 (43:21):
Okay, Peple, somebody needs to lay hands and feet on
this bitch.
Speaker 5 (43:28):
She ain't got the ass Whooper she deserves in this lifetime.
Speaker 2 (43:32):
Pebbles, I will see you one day, bitch. For all
the bitches you robbed in the streets, I'm gonna see you.
I will see you one day. That's me with Brian McKnight.
One day, I'm gonna run up on Brian McKnight. He
gonna get you.
Speaker 5 (43:48):
Already know.
Speaker 7 (43:48):
I cussed Brian McKnight out when I was seeing it. Okay,
one of my proudest moments in life.
Speaker 8 (43:54):
But everyway, yeah, X do you still want to cuss out?
Speaker 4 (44:00):
And I released that, you know, yes, at some point
we'll both.
Speaker 2 (44:19):
Yes, yes, yes, yes, I agree. Okay.
Speaker 1 (44:26):
So for my last one, y'all, I hope y'all didn't
think I was going to do a list of songs
and not mentioned my queen Beyonce. I I as much
as people probably think this song, it's probably overplayed, people
have over mentioned it.
Speaker 2 (44:47):
I would say Beyonce's.
Speaker 1 (44:49):
Formation is definitely my blanthem.
Speaker 2 (44:52):
It's just a it's a big it's just a big middle.
Speaker 1 (44:55):
Finger to everybody who always kind of had something negative
to say about Beyonce and career, and it was kind
of just like her being able to say, I know
I'm the ship and even now I would even just
say the whole, the whole Cowboy Carter album is a
phenomenal piece of work.
Speaker 2 (45:11):
A finger. Yeah, this is a big middle finger formation
and Cowboy Carter.
Speaker 7 (45:18):
My last one is also my personal anthem.
Speaker 5 (45:21):
I think it's a very black song.
Speaker 7 (45:23):
It's uh and it needs to remain in music history,
and it's by a wonderful group by the name of
the Emotions. And the song is don't ask my neighbors,
because don't don't ask. Don't ask anything about me, mindja business,
(45:45):
Stay in your lame and so yeah, the emotions. Don't
ask my neighbor. It's my last song.
Speaker 3 (45:53):
Mm hmmm mmmmmmm h m hm.
Speaker 4 (45:58):
My last song is quite obscure. But I do think
it's an important to discuss, so I'm changing directions. This
is kind of blue eyed soul and not this song
is important because it is an entrance song for a wrestler.
(46:19):
The thing is is the fact that this particular wrestler
had a different theme song at the time, and at
the time the WW for the w W was trying
to really get women or have you know, people respect
women's wrestling, and also having an influx of black people
(46:42):
watching the show, they did have to like, okay, what
can we do to glue in our audience. And Jim Johnston,
who wrote and produced many of these theme songs for wrestlers,
there's one in particular that I enjoy and it's stratus,
this theme song, and it's by a little Kim called
(47:02):
Timed rock and Roll. O. It's time to rock and roll.
That's right, I'm in control. And when you look at
the lyrics, like it was as intro to explain it
(47:25):
was important for the community, you know, female.
Speaker 6 (47:30):
It does intros for me that just like the way
you introduced the song and then give me the song
experiences and I live, I just really live. Thank you,
thank you truly performance. I think my my last one
would be to my my all time, my all time
(47:51):
favorite girl group, which should be on BO.
Speaker 3 (47:58):
But there there their first.
Speaker 6 (48:00):
Single, hold On Yes comes on Anywhere, I will, I
will drop what I'm doing, I can be, I can
be what I'm doing. Hold Now, you know the way
they begin with who's loving you?
Speaker 3 (48:15):
The little bit of a cappella? Going to hold on?
Speaker 6 (48:19):
Yes, honestly to rule trust some faith like just speak.
It's yeah, if you don't hold on to your love,
what are you doing your life?
Speaker 4 (48:33):
Truth?
Speaker 7 (48:33):
True?
Speaker 1 (48:34):
Yeah, yeah, You've got to hold on yes. Okay, Okay,
I'm vogue. I'm I'm keeping that and I am saving that.
Speaker 2 (48:47):
All right.
Speaker 1 (48:47):
So now, so with that being said, thank you for
giving everyone just some songs that they may want to
go check out, specifically, Uh, this little Kim for one,
I'm gonna go check.
Speaker 8 (49:02):
I'm very I am very intrigued, very very intrigued.
Speaker 1 (49:09):
Now that I am sure that the president of iHeartMedia
is gonna text me and tell us to stop singing
songs on the pod before the FAA slaps us with
the feet. We're gonna take a break to pay some bills,
and then when we come back, we're gonna we're gonna
talk about some yes ma'am's and no.
Speaker 2 (49:24):
Man PAMs with our favorite cousins. We'll be back in
a second.
Speaker 3 (49:37):
All right, y'all.
Speaker 1 (49:38):
So we are at the end of the show, the
part of the show that actually makes me really sad
because that means I'm gonna have to let Jaden next
you go. But before that, we are going to jump
into our guest ma'ams and our no man PAMs. This
week mine, I don't know if anybody's I'll say, I
don't know where everybody's head is. The world is on fire,
so it is what it is. But I definitely just
(49:58):
wanted to say for me this week, my yes ma'am is,
and I'm gonna stay right in the theme of blackness,
I wanted to yes ma'am the black lady flight attendant
who handed me a whole bunch of those bisc off
cream cookies. Now I've talked about this online, but but
I had never had them, and so she gave me
(50:20):
one and then came back and had more in the
basket and I grabbed.
Speaker 2 (50:25):
Two and so for community work.
Speaker 1 (50:28):
And as soon as I was getting ready to get
off the plane, she dropped a whole bunch into my
hand and she said Happy Black History Month. And baby,
the way we giggled the house down boots, it just
it just it made me feel so good, down deep,
deep down in my soul.
Speaker 2 (50:44):
And so I definitely want to. I want to, I
want to speak.
Speaker 1 (50:46):
Her name, and definitely want to say thank you to
the black lady Delta flight flight attendant who really helped
me feel seen in that moment. I also want to
shout out, and I don't do this often because we
don't like to shout out stuff that we're not getting
paid to shout out. But I do want to shout
out the show in New York. I definitely want to
(51:06):
make a high mention that if anyone has not gone
to see Death becomes her New York City, go Michelle Williams.
She did like, I don't give a lot to people.
I don't give a lot to people. But mother ate
that roll down and she ate she is the show.
(51:29):
I don't care nobody says Michelle is the show. The
two white women in the show are cute.
Speaker 5 (51:35):
I love the movie, so I want to see the show.
Speaker 1 (51:37):
But but Michelle is that show, so I definitely want
to give that to her.
Speaker 2 (51:46):
My know, man, pam very quick, very easy.
Speaker 1 (51:48):
Obviously, we're not going to get out of here not
talking about Beyonce winning the Artists of the Year. I
want to give her all the credit and I want
to lift her name up. But I definitely would like
to basically say go to hell to anybody who has
an issue with the fact.
Speaker 7 (52:02):
I don't know why, why would you have an issue?
She deserves it many times over.
Speaker 2 (52:09):
A lot of people.
Speaker 3 (52:10):
She deserves more so while I'm at.
Speaker 1 (52:13):
All those other times too, she deserves But I'm happy
that we're here.
Speaker 2 (52:17):
So that's all what you got. J X. Any yes ma'am's,
no ma'm my Yes.
Speaker 5 (52:22):
Ma'am and no ma'am are the same. Actually, I'm doing
career day a.
Speaker 7 (52:27):
Child school, which I think is going to be, you know,
an experience. You know, I'm trying to figure out how
to be that mother where I am involved, but you know,
I also have to watch my tongue when I go
in there. And then no ma'am is because kids are
disgusting and gross and full of journeys. She's in middle
(52:51):
school and they are some of the most rotten humans
on the planet. And so uh they net they need dealer.
It's a lot of stapy mop and Sigma Alpha whatever
the fucks. So uh yeah, that's my yes, ma'am and
my no, man, It's going to be an enriching experience.
(53:11):
And also I will be guarding myself very closely, thank you.
Speaker 2 (53:18):
As you should. I support that, support that.
Speaker 4 (53:22):
My yes, ma'am is. I ain't been sold yet. And
my know, ma'am is, I know it's coming.
Speaker 3 (53:28):
Wow, I'll see you on the wall.
Speaker 2 (53:31):
Friend, let's talk about it.
Speaker 4 (53:34):
Yeah under his eye, Yeah, yeah.
Speaker 5 (53:38):
Below this.
Speaker 1 (53:40):
As much as I want to laugh, I have made
a note in our that we are about to be
living under James and Jim Crow two point zero, and
so I'm very uh as much as it's.
Speaker 5 (53:52):
Funny, absolutely, and uh it's how we get through.
Speaker 2 (53:56):
Yeah, it's uh mm hmmmm.
Speaker 3 (54:01):
I'm I'm actually speechlessly. I do not know.
Speaker 5 (54:07):
Make some levity jo please.
Speaker 6 (54:17):
You know, but no, I will say my just to
that point, because I was invited to go to a
plantation this week and I was like, I'm not doing that.
Well it was supposed to like a black cultural center.
Speaker 3 (54:30):
But I was like, there's no way in hell that
I will be on a plantation.
Speaker 6 (54:33):
Emotionally, yeah, emotionally, spiritually not would not happen. I need
to be in the house again, like I'm fine, thank
you so much.
Speaker 4 (54:47):
This is what you have to ask you, friend? What
about me? What I want to go to a goddamnan.
Speaker 6 (54:54):
No, no, no, it wasn't. It was not a friendship it was.
It was not a friend group.
Speaker 3 (54:58):
It was it was it was more professional, and I
was like.
Speaker 2 (55:01):
There's just.
Speaker 3 (55:03):
So I was like, I think I think I'd be good.
Speaker 2 (55:08):
I have a pass on that I don't.
Speaker 3 (55:09):
Need to see the cotton fields to know that I
I don't want to be around them. So it'll be
it'll be, it'll be yes.
Speaker 6 (55:16):
Yes, mam pham to myself for saying no, no man, Pam,
have beat you up been asked?
Speaker 3 (55:21):
I also give it's a yes and no to the.
Speaker 6 (55:25):
Grammys because they took me out with every time they
present an award, they had to remind you that thirteen
thousand people voted for that award, just just so they
could be like, so it's just say it's not rid
thirteen thousand people, and I just thought it was so
funny because they're like in the Grammy as vodan by
thirteen thousand people in the Grammy Awards saying the winner
(55:45):
is not just like y'all release, y'all really trying to
push to us that this wasn't it so was, but
go on, like I'm sure it wasn't some way, but
it just made me laugh.
Speaker 2 (55:53):
I was. But I also think they were doing that.
Speaker 1 (55:55):
They were I think they were also doing that because
there's been a lot of talk about people feeling like
Rammys are bought and sold and then they're just about
who's so I think that they were trying to like
insinuate we're doing this the right way, even though.
Speaker 6 (56:11):
But they did it with every single and I was like, y'all,
we understand, we get it, we don't whatever this like
it's okay.
Speaker 2 (56:18):
I believe it's just me a.
Speaker 3 (56:19):
Laugh of the length of which they would go to.
Speaker 5 (56:22):
Especially on a year where Beyonce, so they were like
we just.
Speaker 2 (56:29):
Yeah, it was.
Speaker 6 (56:30):
It was twelve thousand white people's performance. It was like
it was more performance than I've seen before. I was like, y'all, like,
if you're going to perform for me like Lisa, let
me not know your.
Speaker 3 (56:39):
Performance, which is right, God damn, that's it for me.
Speaker 1 (56:43):
Yeah, I definitely no, I feel that. I feel that
the performance is month it's it's it's yeah, we we
see it. We see it very clearly, and yeah.
Speaker 2 (56:52):
We definitely the promo is wild. Yeah. Baby.
Speaker 6 (56:57):
The way people try to make us, try to try
and make us puppets makes makes me just tickles me
pink every time. I'm like, well, you love us so
much right now, thank you, Thank you for.
Speaker 1 (57:05):
The twenty eight days anyways of the year I got anyway.
With that being said, uh, thank you everybody for listening.
Send your thoughts, feedback and emails, and I'm sure y'all
are going to have a lot to say.
Speaker 2 (57:19):
About this episode.
Speaker 1 (57:20):
My god, Blackfatfefpod at gmail dot com. I love it though,
I really do. I love y'all so much. I really
I just enjoy y'all brings so much joy to me.
You can also send us your thoughts for your social
media by actoring by interacting with our post on Instagram
and Blue Sky by using me handle blackfatfem Pod. We
are no longer on x Hell, we may not even
(57:41):
be on the planet for that much longer. But with
that being sad, Queen Jojo, where can the dolls find you?
Speaker 6 (57:48):
Right now, y'all? Maybe on Mars for real? You can
find me at Joho Danels across all socials. Let's at
Joinaildanees dot com. You will not see an auplantation is
for damn sure. I know that's once in my life
for ea. No no no, no no no no no
no no no.
Speaker 5 (58:06):
Not me.
Speaker 3 (58:07):
And if not there you will find.
Speaker 6 (58:09):
Took the bus look me out, You'll find me anywhere
else besides there, I.
Speaker 2 (58:16):
Know that's right, Jaden XD, where do you want to
be fest.
Speaker 4 (58:19):
Well, you can find us on rock, but everywhere else
you can find us.
Speaker 2 (58:30):
I love to see it. With that being said, that's
for me and my house.
Speaker 1 (58:34):
You can go buy my book at w W dot
doctor John Paul dot com buy it and if you
have not bought it, buy it for somebody you know. Oh,
by the time you hear this, that cell will be off.
But I will I will tell people for folks who
are looking, who are like are on a budget and
may not be able to afford the full hardcover price,
keep your eye out for Barnes and Noble.
Speaker 2 (58:55):
They've been doing more.
Speaker 4 (58:56):
They need to buy you at full Pricelevant Queer Booking
te t.
Speaker 1 (59:08):
But also if you're looking for a sell, keep your
eye at Barnes and Noble. They have sales for the
book and I still get, I still get What's mine?
So please head on to the Barnes and Noble and
purchase the book. Otherwise you can catch me down to
Delta Airlines begging for more of those damn cookies.
Speaker 2 (59:27):
With that being said.
Speaker 1 (59:30):
With that being said, we want to thank our producer
Bey Wang for handling all the logistics and everyone over
at Ihart Media for keeping the show up and running.
We also want to shout out Glad for shouting out out.
Thank you so much, Glad for seeing us and seeing
what we do.
Speaker 2 (59:44):
I appreciate you. Thank you good.
Speaker 1 (59:47):
With that being said, we also want to shout out
our wonderful friend to the show and editor Chris Rogers,
because without him, there would be no show or visuals.
With that being said, this has been another show. Stay up, fat, femine,
fabulous and remember what's your host.
Speaker 6 (01:00:03):
We may not be your cup of tea, but girl
drinking some of it you probably need anyway.
Speaker 1 (01:00:09):
Anyway, I know that's right. We love you for real,
see you next week.
Speaker 2 (01:00:13):
Bye.
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