POOG LIVE: The First Guest

Moments from The Road to Christmas' stops in Philly and Vancouver: Is there a woman in the room? Woah, woah, WOAH! The Blair Witch Project and other found footage. First guest and first sneeze. Pilots are poets. One has to suffer. Put on lipstick during turbulence. Kate insists it was turndown. The choreography of survival.

Edited and mixed by Allie Graham.

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:01):
Hi, I'm Kate Erlan, I'm Jacqueline Novak.

Speaker 2 (00:03):
And this is poog, an ongoing conversation about wellness between
two obsessive friends.

Speaker 1 (00:08):
Two untamable intellects. This is our hobby, This is our hell.

Speaker 3 (00:11):
This is our naked desire for free products. This is poog.

Speaker 4 (00:15):
Oh. We went on tour, we sold merch, and we
even did shows.

Speaker 1 (00:21):
Here are some clips from those shows, please enjoy. And yeah,
merch is.

Speaker 4 (00:26):
Available online at poog live dot com.

Speaker 1 (00:36):
So we get we're on the plane.

Speaker 4 (00:37):
It's like, okay, it's play's a little small. I'm like,
but it's fine because I go, Tokay, it doesn't matter.
It's a jet engine. Like, it doesn't matter if it's a.

Speaker 1 (00:42):
Smaller jet editor, It's a jet engine. Right, like this
belief in me.

Speaker 3 (00:46):
Okay, you're safe.

Speaker 1 (00:47):
And then I look over and I go, what's that? Okay?

Speaker 4 (00:50):
Right outside my window is something just spinning like a fan.

Speaker 3 (00:54):
Eighteen nine four?

Speaker 4 (00:56):
Yeah truly, and like, oh really a circle is gonna
get us. Oh really, the centrifugal is gonna Oh no,
send us Scott hard to believe. I go over and
I go, oh no, and I hear like in my
head Chris, going, as long as it's not one of
those prop planes as well as prop planes are saving.

Speaker 1 (01:13):
Oh god, we're taking on.

Speaker 4 (01:15):
The fucking prop plane. And then I see a slight space.
So there's the base and then there's the prop. Okay, right,
and over here, I noticed there's a little more of
a gap on the bottom where it connects to the
rest of the plane than there is in the top.

Speaker 3 (01:32):
You lost me, doll, but keep going, okay. Emotionally, I'm here, Okay,
I can't see it.

Speaker 4 (01:37):
Yeah, I see what I think might be like it's
a little unscrewed on the bottom.

Speaker 3 (01:41):
Oh yeah, totally, yeah.

Speaker 1 (01:43):
Okay, And I'm going should that.

Speaker 4 (01:44):
I'm going, should that is that it seems like it
shouldn't have more reason the bottom the top. That seems
like I didn't fully screw in my my thing, you
know what I mean.

Speaker 1 (01:52):
So I see that, and then it gets a little bad.

Speaker 4 (01:55):
And then and then and then at one point a
little later in the flight, and this was a okay,
I look, and I my my stomach drops because I
see what looks like smoke.

Speaker 3 (02:05):
It was clouds.

Speaker 4 (02:07):
And I see that suddenly the prop, the propeller, okay,
has been charred because it's it's been.

Speaker 1 (02:16):
Charred carbon black.

Speaker 4 (02:19):
Okay.

Speaker 1 (02:20):
So I see smoke and I see a.

Speaker 4 (02:21):
Carbon black prop plane, and I go, we've lost Jet one.

Speaker 2 (02:25):
Okay, but you thought it was at the charring state.
I had burned to the point.

Speaker 4 (02:31):
Of char yes, okay, and then I start going, wait,
maybe it was always black.

Speaker 1 (02:38):
Yeah. And then I start trying to look past Kate's hair. Okay,
she was moving. Watch out the other side.

Speaker 2 (02:46):
I was listening to I'm Black, okay, pretending it was
me singing.

Speaker 3 (02:51):
Actually, that's what it was scary.

Speaker 2 (02:53):
Could you tell I was singing inside the mask. No,
I was listening to Anna and then I Fiona Apple.
It was like I was listening to this round up.
I was in the top two percent of Wanta's already
listeners this year, by the way, my Spotify round up.

Speaker 1 (03:06):
And wait, sorry, I don't know why I'm over here.

Speaker 3 (03:07):
This is weird.

Speaker 2 (03:09):
But I was in the mask, going full dexterity, really
fully singing.

Speaker 1 (03:14):
I saw nothing. I saw nothing.

Speaker 2 (03:17):
I was like losing myself in it eyes neutral, but.

Speaker 4 (03:22):
That you with your headphones utterly unreachable, like I shocking, like.

Speaker 2 (03:28):
Waking about being being gone.

Speaker 4 (03:33):
Okay, Instead it was unusual, like it was a it's
a level of aloofness like.

Speaker 3 (03:38):
Strike you is adolescent, like I'm in there.

Speaker 1 (03:40):
No no music, yeah, no, no, no, no, none of that.
I mean there was.

Speaker 4 (03:46):
There were a couple of moments where you know, I
say something, you have to gesture that. Okay, hold on,
I'll pause my.

Speaker 3 (03:51):
Shop and hold on had on.

Speaker 1 (03:53):
Yeah, I did consider. I really thought there was. I
was like, I fucked up. It's on me.

Speaker 4 (04:00):
I booked a prop plane without us knowing. It's not
screwed on completely.

Speaker 2 (04:04):
Remember I made you laugh thinking about I was falling,
screaming to our death. That's h sterical.

Speaker 1 (04:09):
And I said that I was preparing.

Speaker 4 (04:11):
I was trying to decide whether a voice memo or
video we better for my family to find.

Speaker 1 (04:15):
Oh remember, and you go, what the charred remains?

Speaker 5 (04:19):
And I go, like.

Speaker 4 (04:20):
Sometimes the sometimes all the ship's still there, it's just
the people that are dead.

Speaker 2 (04:24):
Yeah, totally, you know what I mean, Like imagine the
footage you you would.

Speaker 3 (04:28):
I feel like, in a moment of the free fall,
pick up the phone and just screaming no.

Speaker 4 (04:33):
I actually I was going there and I go, I go,
I go, Okay, what am I gonna say when we
go down and I'm gonna get the video going and
I go, guys, okay, literally thought, if I have like
three seconds, grab a grab just guys.

Speaker 1 (04:46):
I had a great life experience all the things that
there are to experience, just in the range of human
emotion is enough and I love you all.

Speaker 2 (04:54):
Imagine your you're cognizance. Yeah, sorry, I think it was
just like you're like shitting and screaming. It's probably, yeah, probably.

Speaker 1 (05:04):
Do you think you lose the anus at last? Because wait,
there's a term for this. What is it called copse prolapse? Sorry,
I thought you said it last.

Speaker 4 (05:17):
Last.

Speaker 3 (05:18):
I think you're screaming and pissing and yeah, you lose, right,
you lose the vowels, you lose the ability to go.
I'm so grateful for my little life, and I yeah,
I think so.

Speaker 1 (05:30):
Probably.

Speaker 2 (05:33):
I just imagine I told your message go into file
four and collect.

Speaker 1 (05:38):
But you know, like I mean, do you have do
you have any of your ship? Do you have a will?
Do you a goddamn email? Anything?

Speaker 6 (05:44):
Will?

Speaker 1 (05:45):
Honey? And I don't even have a way.

Speaker 2 (05:51):
You watch a lot of the murder stuff that I
because I watched, I watched, I watched Dahmer and I
was like, well, I'm different now, And that was on
even a doctor series.

Speaker 1 (06:01):
I could talk. I grew up my best friend growing up.

Speaker 4 (06:04):
Her father was the like number one, like world renowned
expert on serial killers, okay, like hot, and so I
would you know, I would go through his Harald Checkter, okay,
and I would go through study. I would go through
his study, and he had all these little creepy things
in his study.

Speaker 3 (06:20):
You were creeping into a backbed, were oh, sorry.

Speaker 1 (06:25):
Yeah, we were allowed in there. And he had a
little mini gets.

Speaker 2 (06:30):
Number one serial killer father expert that if you're if
you're like my line of work is, I'm a serial
code expert.

Speaker 3 (06:38):
And then you go, girls, get into the files, have fun.
It's cookie night.

Speaker 1 (06:41):
Yeah. It was exactly that.

Speaker 4 (06:44):
Okay, it was, and it was it was heavenly wit,
because I do believe children are meant to hear kind
of on an archetypal level. They need to hear sort
of sort of heavy, like they need to hear kind
of deep archetypal. She also told me like like these
like archetypal like fair like blue Beard, like like you
know blue Beard, Okay, like the key and the bleeding

(07:07):
from the keyhole and the whole thing, and like there's
dead women in there, like like six She's like like
telling me about she just like knew about things like
blue Beard, you know what I mean. Where I was
like what, She's like, well, there's many tellings, but she
was six well you know, but like so like I
got to hear some of these like classic tales like
told like like one little girl to another, like no,
you won't even believe this, like like and then there's

(07:28):
like all these dead women in there, and I was like, oh,
you know, but then she would also read me from
case studies.

Speaker 3 (07:35):
This is and you've never mentioned it, okay, okay, And.

Speaker 4 (07:41):
And she would read me, you know, you know, the
most unimaginably heinous stuff. And I loved it, I mean
because yeah, because I don't I won't even pretend, like,
you know, to not I'm not alone.

Speaker 1 (07:56):
We all consume.

Speaker 4 (07:58):
Consume this content, you know, mean, but you know it
was pretty like one of the best. Are there any
people who like kind of like know this shit?

Speaker 3 (08:07):
All right?

Speaker 4 (08:07):
So like Albert Fish? Who Okay, that was like I'll
tell you one thing about Albert Fish for fun.

Speaker 3 (08:15):
It's weird because I know the name is Albert Fish.

Speaker 1 (08:19):
Is he Is he in prison or dead?

Speaker 2 (08:22):
No?

Speaker 3 (08:22):
And you know, I think it's weirder. I know some
guy hardly and that's his Instagram handle and that's fucked
up or something.

Speaker 1 (08:29):
Not okay, interesting, I'm bringing him up world, I think.

Speaker 4 (08:36):
But I think he was the one that had every
Like I could be getting this wrong and I don't care,
like it's fun regardless, but it was like he had
She told me this again, like at seven, Like she's like,
Albert Fish had every known perversion, every known perversion to man,
he had, and then there were ones that he invented. Yeah,
so like he one of those things was he would
like put like long Okay I'm adding the word long stem,

(08:58):
but like he would like shirt roses long stem roses
like into his penis.

Speaker 1 (09:04):
Okay. He did a lot.

Speaker 3 (09:07):
You did a lot of sounds like the Whitney Biennial
last year, am I.

Speaker 4 (09:14):
But it's compelling. I mean, like I think we're supposed
to not find it compelling. Like that's sort of like
the modern thing is, like you know, we're all like
trash because we're hungry for serial killer narrators.

Speaker 1 (09:27):
But I don't know.

Speaker 4 (09:29):
I think anytime the brain is intrigued, it's intrigued for
for reason that someone else can explain.

Speaker 3 (09:34):
Yeah, there's no thing. It's a guilty pleasure. It's just pleasure,
right exactly. But you don't believe it's true. You don't
get scared. You don't get scared watching like you don't
get like you do get scared.

Speaker 1 (09:48):
Oh depends.

Speaker 3 (09:50):
I mean I don't get like scared doing like a
because I get scared with ghost stuff. Well I'm like,
oh no, they're here, you know, and I feel like
I don't. I've said to the room like I'm not available. Yeah, no,
I don't want like I'm not closing. Yeah, and I'm not.

Speaker 1 (10:08):
I'm not.

Speaker 4 (10:09):
So that's that's good energetic practice. Hello, Well, like you're
right too. Did you ever play with the Ouiji board
as a child?

Speaker 3 (10:18):
I was just discussing this board as a maybe like
fifth grade, but like knew it was fake. Well, my
heart wasn't in it.

Speaker 4 (10:24):
Yeah, so you weren't inviting in. I wonder I've never
invited in and I won't. I played it fast and loose,
and I regret it. Those who know me know I
regret it. It's risky.

Speaker 1 (10:35):
People have been thrown around their homes, thrown.

Speaker 4 (10:39):
I once read about a family, a father talking about
when his family was thrown.

Speaker 1 (10:43):
Around the living room, all hitting the walls.

Speaker 3 (10:47):
The whole thing then, and it was no one believes you.

Speaker 1 (10:52):
No one fucking believes you, showing the bruises.

Speaker 3 (10:54):
I mean, that's what fucking what was the movie that
ruled Oh, paranormal activity? That first one?

Speaker 2 (11:00):
God damn yeah that was. They made it for four
dollars and two cents and then it grows fourteen.

Speaker 1 (11:08):
That do you love that?

Speaker 2 (11:09):
Because I was there some scary, oh horror, and then
they fucked it at the end, right, because I did
the thing at the end where oh, it's like it's
a very like thing from the early it's a thing
of like speeding up the frames where I was like yeah, yeah,
like whatever, it's like they fucked it. It was like, no,
it wasn't like amazing. I mean I like seeing I

(11:33):
like go camera and go yeah, it's.

Speaker 1 (11:36):
Like hold it, holdtention, you know, hold it.

Speaker 4 (11:43):
I mean, although well it was I mean sorry, but
it was effective in Blair Witch because they didn't go right,
they just.

Speaker 2 (11:51):
That was fucking good, right, that's that that? Oh No,
that was so terrifying. I need to revisit Blair. Someone
watch Blair Witch recently. I saw it in New York
City Cultural persistence. That's unbelievable. No, no, oh, it's it's yeah.
There's a lot found footagecharges some of the scariest. My favorite,
like I love a security cam, like like I love him.

(12:13):
Found footage like the terror that you're out of control.

Speaker 4 (12:19):
They're gonna like the camera is gonna turn, and like
you're forced to turn with it, but you don't want
to turn.

Speaker 1 (12:24):
Your body isn't out of control.

Speaker 4 (12:26):
Found footage, and like even when it's cheesy, like like
paranor activity, like you know, it's like that.

Speaker 1 (12:31):
Weird like.

Speaker 2 (12:34):
They call the Exorcist guy and he comes in and
he's like, oh, oh I have to leave. They're angry
or whatever. That guy, he's like an eighty two year
old gay guy. I thought he was gay, And like
he comes in and he's like channeling and he's like
I'm doing more He's like I'm actually doing more damage
by being here, and I was like.

Speaker 1 (12:50):
No, exactly, Like that's that's a movie.

Speaker 4 (12:54):
When they refuse, okay, I love when they refuse to
do the work, Like watch Happy with the practitioner who's
unwilling to do the work.

Speaker 3 (13:02):
Like I'm like, I just had I just had this fantasy.
How much on'em would be to watch a movie together
scar Like a while, I thought I tried to lock
down us in bed.

Speaker 2 (13:11):
Totally because then maybe it would be really fun with you.
But then I have to go to my room at
the end of the night. I get really scared because
we see because we've had you know, early days, we
would tour together and we would share one bed and
I do have been.

Speaker 4 (13:24):
Literally and by the way, that wasn't even like an
elective choice to be cheap. That's what the festivals suggested,
which is.

Speaker 3 (13:30):
Not like like you girls can bunk.

Speaker 1 (13:32):
You girls can bunk. It's weird. How do you know
that we can bunk? Like, yeah, oh I bumped.

Speaker 2 (13:39):
It's bunking with you great, But like I bunked, I
think about my bunking days, Like that's fucking insane.

Speaker 4 (13:45):
They're like so like and they like wouldn't even allow
you to put in a request. We were like divas. God, sorry, comedy.
There's anything we need more of in podcasting is behind
the scenes comedy.

Speaker 1 (13:57):
On the road.

Speaker 3 (13:58):
It's crazy. She had to make us doing.

Speaker 4 (14:02):
Wait, I have something weird. I had a weird thing
happened about a therapist.

Speaker 5 (14:07):
What was it?

Speaker 4 (14:07):
Was something really disturbing to tell me question all of therapy,
like can you tell me? No, I what did I
hear to hear someone like talking about I don't know,
I'm not sure I.

Speaker 3 (14:16):
Told you my therapist when I when I left her
dramatic language.

Speaker 1 (14:20):
Well, she pushed you out right, No, didn't you say
you were done?

Speaker 2 (14:24):
She told me to come less. I was like, good
for her. By the way, I was like once a week.
I want to be clear once a week. But she
was like, you are overprocessing. You have OCD. She was like,
you're actually I think it'd be good for you to
take time away. It was really really good fucking advice.
And then I was like, I actually want to Yungian
and you know, I wanly get into Yungian analysis. I

(14:44):
want to get out of here. Went into the full
closing ceremony. It was great a ceremony. Peter and said bye,
you know, thank you for the last six years whatever.
And then she was like she told me in the session.
I don't know if I told if I talked about
that on the pod. Probably not, but she was like,
I never told you this, but I'm a fan.

Speaker 3 (15:02):
I'll tell you this.

Speaker 4 (15:03):
I think you did, and it's absolutely disgusting.

Speaker 3 (15:07):
Aye bye. By the way, I was like, I would
fucking hope, so like it's like that's so. I was like,
I'm so deranged. I was like good. I was like,
I know I liked you, you know, like I like
was like, I need a fan. Yeah, my new therapist
doesn't give a ship.

Speaker 1 (15:22):
I love it, thank god. Yeah, that's really disgusting.

Speaker 3 (15:26):
I'm sorry. I'm like, he talks streaming means nothing. Yeah,
the characters do that to sixty.

Speaker 1 (15:35):
Yeah.

Speaker 3 (15:36):
Yeah, she's just doesn't she's blank?

Speaker 1 (15:40):
You know the number one?

Speaker 7 (15:41):
You all one?

Speaker 2 (15:42):
But I think I mean it's more, are you horrified
more that she told me? Because why should she have
She shouldn't have said, by the way, love the work.

Speaker 4 (15:50):
I'm horrified across the board, like if she was a fan,
she should have.

Speaker 1 (15:54):
Let you know up top and ask if you're comfortable
with it.

Speaker 3 (15:56):
But I called her out by name and my stand
up special, I go, Christina, that's her name. Well, you
never mentioned to me that I called you up.

Speaker 2 (16:05):
My name is my Santa Special and that was supposed
to be a special one between us where you maybe
you're streaming my special and you go, oh, she's reaching out.

Speaker 1 (16:11):
Never mentioned it.

Speaker 3 (16:12):
Neither of us ever mentioned it, okay.

Speaker 2 (16:15):
Or I'm like, are you a fan because it seems
like you didn't watch my God Damn Santa special streaming
on Hulu, so as you know, okay, I'm on the
podcast we talked about and you know, talk about. We

(16:37):
talked about flying a lot, a lot, the world of airlines,
the world of pilots, and recently on an app we
were we were wondering about gay pilots and we're like,
I wonder if it's like gen pop or how many
you know?

Speaker 3 (16:47):
And we were like speculating, like because we've been amazed
with poog.

Speaker 1 (16:50):
We have like truck.

Speaker 2 (16:51):
Drivers and like, ye, skater Guy like I was like,
so it's like like twenty two year old. Like skater
Guy was like, I love poop. It's like straight like
twenty two year old. You hear what I'm saying, Like
like with a skateboard, was like, I love poop. It
gets me through my door. Dash Uh that's the best.

(17:14):
Weeping not really, but essentially I was like, truck you
like this is talking about long haul trucker.

Speaker 1 (17:21):
That's when you weep.

Speaker 3 (17:23):
That's when you like, I mean a livable like I can.

Speaker 1 (17:26):
Listen to you girls talk about anything.

Speaker 3 (17:29):
I mean, can you imagine?

Speaker 1 (17:31):
Can you imagine song?

Speaker 3 (17:34):
You can imagine our you can imagine our joy. When
we received an email that said, high hags, I'm a
gay airline pilot, airplane pilot and I and so he said,
he's going, Okay, oh my god, incredible. You have the

(17:55):
soul center I think right here.

Speaker 1 (17:56):
Gorgeous.

Speaker 3 (17:57):
Oh my god, yay, oh he was, this is here.

Speaker 1 (18:04):
What's your name, Shane?

Speaker 3 (18:08):
Can you sit right here?

Speaker 1 (18:09):
Thank you?

Speaker 2 (18:10):
By the way, someone, are you single? Because this is
about to become a dating show. Congrats? Okay, because okay,
I love it. I love that, Okay, truly, truly, Mazzle,
thank you. This is you're literally take a name with this.
You're the first guest on pool over.

Speaker 1 (18:27):
Yeah.

Speaker 3 (18:28):
Ever, I'm live an I'm possibly never.

Speaker 1 (18:33):
Again, so you never.

Speaker 3 (18:35):
If we realize that we've been depriving people, yeah.

Speaker 1 (18:37):
Commercial private jets wait, oh ship Okay, this is a
huge question. Are they as safe as the big boys
or safer?

Speaker 3 (18:47):
Yeah?

Speaker 4 (18:47):
Yeah, because it's a smaller craft and so if you
go down there's no people the front to I.

Speaker 3 (18:53):
Don't think that's why.

Speaker 1 (18:55):
So I know, I know they'll ads show businesses. Yeah,
I got you.

Speaker 5 (19:02):
Well, yeah, we are the flight attendants, so pretty much
they show up and there's like our plans with like
twelve people, and we were like, hey, yeah, like if
anything goes wrong, this is what you do, and you
need seatbelts and and we like load the luggage.

Speaker 3 (19:17):
And I'm looking at you. I'm like, you are a pilot.
You're gorgeous. This is no because, by the way, I'm
not kidding, I've never seen like a busted pilot, like
for like like there's.

Speaker 1 (19:28):
Just a look. Do you think you're supposed to be
close to God? Like you're born like sort of beautiful.
I have a huge question in this guys.

Speaker 3 (19:34):
Do you have a favorite airline?

Speaker 5 (19:37):
Delta?

Speaker 3 (19:38):
Oh well I don't Italians.

Speaker 5 (19:44):
I grew up in Portland, so I used to fly
Delta a lot and just every all the pilots I've
met have been really nice.

Speaker 3 (19:49):
So did you have like a like a first pilot experience.

Speaker 4 (19:55):
So to speak.

Speaker 5 (19:56):
Yeah, yeah, I grew up in between England and organ
and so we used to fly.

Speaker 1 (20:01):
A lot, so for Mungishing Gale Publishing.

Speaker 5 (20:05):
For me, it was just a lot of always being
happy on planes because you don't get to talk to people.
You just get like be in the moment and be
in the zone and enjoy life and you just cry happy, cry,
sad cry. They're going to see loved ones.

Speaker 1 (20:19):
Coming through a huge Poets are the pilots are poets? Okay?

Speaker 3 (20:24):
Yeah, by the way, two things, two things.

Speaker 2 (20:26):
First of all, the only I'm hummus are crying home
here because one of the only sacred spaces we have
left where you're not actively you're doing you know what
I'm saying here right, It's like, yes, we you know,
we talked about the slata poop.

Speaker 1 (20:37):
I need to slow them.

Speaker 3 (20:40):
It's a modern cathedral. Literally, it's the only place we
can go. You contemplate, you listen to music, you look
at you Oh my god, right, this is the only
place we can do this.

Speaker 1 (20:47):
Now silently sort of sit. I mean the pew quality.

Speaker 3 (20:52):
There is a pew coming silence and it's very humbling.

Speaker 2 (20:55):
And you're you're a part of you know, you're you're
incopret Priest comes on, they should have priests come on
and no I meant the pilot.

Speaker 1 (21:04):
The pilot comes on as a priest.

Speaker 2 (21:06):
I'm just saying, there should be a priest in the
middle with the Catholic.

Speaker 3 (21:08):
When the incense. That would be amazing us.

Speaker 1 (21:10):
And so I have some questions though.

Speaker 3 (21:12):
I have a lot of Jacqueline, because.

Speaker 2 (21:14):
You got so much on the on the flight to
Philadelphia yesterday, you got a lot of work done, and
you were like, I should just start booking cross country
flights constant.

Speaker 1 (21:22):
I think it'd be worth it.

Speaker 4 (21:23):
I think it would actually pay off in terms of
like getting just getting things done.

Speaker 5 (21:26):
Become a pilot, just do the work up front.

Speaker 1 (21:28):
No, my huge question, what's going on up there?

Speaker 3 (21:30):
Yeah, what's going on the what are you boys doing
up there?

Speaker 5 (21:34):
So most of the time you are just actually doing work,
But then on the down line, no, no, you just
like talk to people and like plug things into the
like talk to people.

Speaker 3 (21:44):
Wait, you don't mean there it's a huge question.

Speaker 4 (21:47):
Yeah, yeah, private You're like, well, it's like we always
talk about when the the on like like a commercial whatever,
when like they get you know, this is true. We
always debate it. But that's sometimes the pilot will come
on and talk about the meals.

Speaker 1 (22:00):
Oh yeah, I've never heard that.

Speaker 3 (22:02):
I still don't think it's real.

Speaker 1 (22:03):
It's real.

Speaker 4 (22:04):
They'll be like we've got Yes're like we got a
penny and pilot.

Speaker 1 (22:11):
It's literally real. Okay, So here's the biggest question.

Speaker 4 (22:16):
I guess the big one I've been asking recently is
when it's rough on the way down, Let's say, is
the pilot afraid?

Speaker 2 (22:23):
No?

Speaker 3 (22:24):
Okay, take a second with that.

Speaker 5 (22:27):
No, probably the one time we're actually happy to do things,
because half the time when you're like just yeah, coasts,
you're just bored. Why are you actually talking to the
person next you? You're stuck in a room with another
person for like eight hours, So what are you gonna
do the entire time? You're just like a conversation the stranger.

Speaker 4 (22:47):
Are you allowed to listen to pugin there? That to
podcasts there? Because I know that is the one you
can't do, but I like crochete No, no, are there?

Speaker 3 (23:00):
That's how I've got a gay pilot folks.

Speaker 1 (23:02):
Yeah, okay, So are you like to listen to music?

Speaker 4 (23:07):
No?

Speaker 5 (23:08):
Because you're like you're you're now and you're like talking
to like the air traffic control you're looking for stop.
That's like the one thing you can.

Speaker 3 (23:15):
You have to sign the NBA.

Speaker 5 (23:17):
Yeah I do.

Speaker 3 (23:17):
Fuck, Okay, what do you mean?

Speaker 1 (23:20):
What do I mean?

Speaker 3 (23:20):
You because of some of the people, Yeah, flying private,
Oh sure, anyone make a stomach turn because of the wealth.

Speaker 5 (23:28):
Yes, also really like they've been really they also really
really love like Natty Lights and like Michela Ultra. Like
that's like when you know you're that point you're like
I don't want like domb and you're like, you own
this four million dollars playing I'm about to fly and
you want natural lights?

Speaker 1 (23:45):
Money was you have to like accommodate them by going
to get the cheap ship.

Speaker 5 (23:50):
Yeah, yeah, I like go to the gas station before,
like we have like a man off like a like
a list, and they're like, I want natural like I
can get you anything in the entire world, and you're
Corona Light, which honestly it's pretty good.

Speaker 3 (24:00):
So you think that's their attempt to be like how
regular good I do?

Speaker 5 (24:06):
They're they're not showing off to anyone. It's me. I'm
the only person that you're seeing on this plane unless
you take a video of it.

Speaker 2 (24:12):
No, there's two at all times, right, yeah, yeah, and
in case one goes down.

Speaker 1 (24:17):
Are they strangers?

Speaker 5 (24:22):
Are they are?

Speaker 1 (24:23):
Are you a stranger with your pilot every time? Sometimes?

Speaker 3 (24:26):
Always?

Speaker 5 (24:27):
No, never, Yeah, it's like back and forth. We have
like like I flew with like a random rotating group. Yeah,
rotating you know that you.

Speaker 4 (24:35):
Hate, but you do it anyway, Like yeah, No, it's
scary up there, and there's are ever decisions like that
you're arguing over, like we should take this, we should
take it off auto Like.

Speaker 5 (24:47):
No, no, there happened. Moments you're like are we sure
we're going to do that? And then it's more just
maybe like no, like like more just like.

Speaker 4 (24:56):
This is huge, Like but in terms of safety, it's safe.

Speaker 1 (25:01):
What about that fear of flips bouncing? Can you talk
about turbulence?

Speaker 5 (25:05):
Yeah yeah yeah.

Speaker 2 (25:06):
So the.

Speaker 5 (25:09):
Jello theory that we always love to hear about, Yeah, yeah,
it's a very good way to think about it. It
is very it's real.

Speaker 2 (25:14):
So we're going to be about that jelly theory. As
I learned is that the planes like this and you think,
oh my god, I'm in wildness. No, there's jelly on
both sides, and that's the air.

Speaker 5 (25:23):
Yeah, it's the air because air is not a vacuum
like there air is something, so you're moving within feel it,
Yeah exactly, it's still holding you up.

Speaker 1 (25:32):
What about prop planes because I was terrified.

Speaker 5 (25:34):
Prop planes are fine, They're just slower and they're just louder.

Speaker 1 (25:38):
Good slower, slower, destination faster.

Speaker 2 (25:41):
Have you ever been on a plane and been in
a situation where things are little hairy and you maybe
say to someone like, I'm a pilot, it's okay, yeah, yeah, God.

Speaker 5 (25:51):
No, we have to travel in uniform. Sometimes we got
a lot to Costarica, and half the times they like
sit next to the people and they won't stop talking
to you, which is fine.

Speaker 1 (25:58):
Sorry not to be like, no a dick about it,
but I'm I would I'd be.

Speaker 5 (26:04):
Yeah exactly. I was like, I have specific places that
I want to talk about it everyone. I would like
to answer questions there.

Speaker 1 (26:10):
Oh my god, So the jelly right now now?

Speaker 4 (26:13):
Now, did you hear the thing I was saying about
in the jelly about jelly below that I mentioned?

Speaker 2 (26:19):
Yes?

Speaker 1 (26:20):
Exactly?

Speaker 4 (26:20):
Did you happen to What about this idea with the
climate getting worse?

Speaker 1 (26:24):
Turbute, It is.

Speaker 5 (26:24):
Getting worse because the jet stream is getting stronger. But
the big thing is, like I just flew back from
Colorado and I had the worst turbulence ever had may
tell us everything. No, so pretty much we were in
really really bad turbulence and the minute it happened, we
started like everything started going up and down and it
was like stomach drops. Yeah, my snart dropped, which doesn't
happen often and.

Speaker 1 (26:45):
Is dropping. I never encouraged me that that could happen.

Speaker 5 (26:47):
Yeah, but we it stopped like after a second, and
we reported it, and then every other plane around us,
the air traffic was like, hey, by the way, there's
bad turbulence. Get away. So that's the thing is like
one person, it happens to one person, everyone else'll be fine.

Speaker 1 (27:00):
Yeah yeah, that's.

Speaker 4 (27:02):
Okay, interesting, but one one has to suffer unfortunately.

Speaker 7 (27:05):
Yeah.

Speaker 1 (27:06):
No, I'm sorry.

Speaker 4 (27:07):
I'm not ready to move on from turbulence. Go go,
So what about I once had a weird drop. Okay,
now my friends had like something like an eleven second drop,
which sounds too long, like you know that feels like no.
Comedian Greg Johnson. Comedian Greg Johnson, he said it was
like free fall for a while. They hit some air

(27:27):
pocket or something. Yeah, I mean, I guess jelly jelly jelly,
But can you flip.

Speaker 1 (27:34):
In the jelly.

Speaker 5 (27:35):
It's very unlikely, like almost impossible. Like the likelihood is like, yeah,
the most turn is like thirty degrees, which is like
not as much as it feels like a lot, but
it's not as much as it seems.

Speaker 4 (27:46):
What about when you're going down right and then you
feel I got a little freak. I was like, we're
supposed to be landing, why are we tilted back up?

Speaker 5 (27:53):
And when you slow down and they put the flaps out,
you go to a higher angle.

Speaker 2 (27:58):
I like that.

Speaker 5 (28:00):
Yeah, you literally have to slow it down and then
you like.

Speaker 2 (28:06):
Angle You're well, because I'm thinking about with commercial airlines, right, yeah,
I'm obsessed with the toilet situation, toilet centric where is.

Speaker 4 (28:15):
It all go?

Speaker 3 (28:16):
Well no, not even that's good too, but I think it.

Speaker 2 (28:23):
Is recirculated in the cabin. Yeah no, but I just
mean you're you're just using the bathroom that everyone.

Speaker 5 (28:31):
So I have like I forgot so when the plane
I fly, we don't have a door, so all the
passengers can like talk to us and like look at
us while we fly and.

Speaker 1 (28:39):
Be like like drunken nightmares the company.

Speaker 7 (28:43):
And like.

Speaker 5 (28:44):
Alarms go off, which is like just the normal thing
to be like set stuff. People hear it. Yeah, yeah,
they're like, what's happening. You're like it's fine, like.

Speaker 3 (28:52):
Go back, like ship parly White.

Speaker 1 (28:58):
They have to have to keep up. They have to
keep up, you know.

Speaker 4 (29:02):
Yeah, there are certain expectations. What about what was the
first time you flew? I mean, I see you were second?
You were second?

Speaker 5 (29:11):
Yeah, I mean jet. It was the Costarika last year
and the first time I ever flew was in I
was an organ and I flew just a little, just
little plane and my.

Speaker 3 (29:20):
God jet last year.

Speaker 4 (29:22):
Now I pictured out of it, Yeah, running out of
like I'm picturing you running into a field. Okay, where
like your grandfather's plane is he was a little.

Speaker 1 (29:31):
Boy with a model Yeah, exactly exactly. Cut put you
on the way and get inside.

Speaker 4 (29:37):
Yeah, cut to wide eyes like like fixing oiling up
grandfather's old playing.

Speaker 3 (29:43):
In that damn plane.

Speaker 1 (29:45):
Yeah, and then what do you learn these guys were angels?
I don't know if I have enough, I don't know.
Come on, girl, do you call a plain she?

Speaker 3 (29:57):
Yeah?

Speaker 1 (29:57):
I mean traditional? Right, You're like, you're like I love her.

Speaker 5 (30:04):
A lot of photos like hugging the nose.

Speaker 3 (30:08):
Do you have any little rituals or OCD adjacent.

Speaker 5 (30:11):
I have to touch every planet I fly, even if
I'm a passenger, Like I'll just like touch the outside.

Speaker 3 (30:16):
I touch my planes.

Speaker 1 (30:17):
I touched it outside of my planet.

Speaker 3 (30:19):
For me, it's being like like but you always touch it,
not always not where I'm touching it.

Speaker 5 (30:27):
I get like in front of someone else to touch this.

Speaker 3 (30:30):
Yeah, me too. Okay, so the answer is yes, yes.

Speaker 1 (30:35):
Now how to survive a crash?

Speaker 5 (30:39):
Listen to the flight attendant, Now here's pleasure.

Speaker 4 (30:43):
What do you think, Like, do you okay if you're
flying commercial as a passenger, right, yeah, what would you
what would concern you?

Speaker 7 (30:52):
Oh?

Speaker 3 (30:52):
Don't.

Speaker 1 (30:54):
When should I get concerned?

Speaker 4 (30:56):
Like when they suspend beverage service because there's gonna be turbulent.

Speaker 5 (30:59):
Something like I'm like, thank you, I don't want to drink.
Like how many people have hot coffee and like thrown
on you and you're like, oh no, you know, like
it's not their fault, but you're not going to be
mad at that. For no reason.

Speaker 3 (31:09):
You can't go hot on the plane. The water is peepy.

Speaker 1 (31:12):
Literally, I drink coffee all the time on the plane.
I love it, I know, or hot tea I did
my flower head. I brought them hot water. Wow.

Speaker 2 (31:20):
First sneeze on stage, been on stage since I was seventeen.
First and first, that's not comfortable.

Speaker 3 (31:26):
You are huge?

Speaker 1 (31:27):
Okay, Wait, so.

Speaker 4 (31:30):
Can the flight attendants be trusted to communicate danger or
are they like we don't want to cause panic on
the plane?

Speaker 1 (31:38):
Are all get strangled? So like they wait till the laste.

Speaker 5 (31:41):
So there's this whole thing. There's this Brazilian airline called
a Zool and the flight attendants will put on lipstick
during turbulence so that all the other passengers will be calm.
That's really so like you're sitting there and like like
really going through imagine practicing that, Like when you decide
like I'm gonna go on something, just on.

Speaker 1 (31:57):
That's genius and you know I would fall for that
a second.

Speaker 5 (32:01):
You're like, Okay, everything's amazing, Like you're going to crash
and I just put we look at all.

Speaker 1 (32:06):
Of them go away?

Speaker 4 (32:08):
What can I what can I think? How much does
it cost? How can't I start flying private?

Speaker 1 (32:16):
Okay?

Speaker 3 (32:16):
And you never never?

Speaker 1 (32:18):
I mean I guess no, I mean like like in
theoretically right, Yeah, what's the cost?

Speaker 5 (32:22):
I'll take a free ride our smallest is like three
thousand an hour and then our largest is seven thousand
an hour hour.

Speaker 1 (32:30):
So if you if you take your time up there,
I mean you can. Do you ever run out the clock?

Speaker 5 (32:37):
You like quoted? And I think they're like, it's about
this and then they just pay whoa.

Speaker 3 (32:42):
I mean yeah, talk about scum.

Speaker 4 (32:44):
Yeah.

Speaker 5 (32:45):
I know. I'm like, ethically, I don't do a good job. No, no,
because I'm like I shouldn't.

Speaker 3 (32:51):
You're saving lives.

Speaker 4 (32:52):
Yeah, what's the scariest flight experience you've been in? Sorry
for my theme, you've been like, I think this might
be it?

Speaker 5 (33:03):
Okay, I never had that before.

Speaker 4 (33:04):
Leave a message on the black the black box. Privates
have a black box. Yeah yeah, yeah, regulation, Yeah, it's tired.

Speaker 5 (33:14):
I think the worst thing that happened is we had
like a pressurization problem and there was like someone talking
to us during it. I think it was like my
second week and we were at like forty thousand feet
and all of a sudden, like an alarm bell went
off and this girl was like standing there talking to us,
and I was like, oh my god, what do we do?
And then my boss like it's fine, don't worry about it, Like.

Speaker 4 (33:35):
Yeah, see this is exactly what I was about, like,
don't upset the customers.

Speaker 5 (33:41):
No, everything was fine. It truly was fine.

Speaker 2 (33:42):
I will say that yesterday on our flight, it was
a little over five hours, and at one point, by
by the way American Airlines, so you're fucked. We get there,
we get we're in row thirty five. Okay, we're way
in the back. We sit, we sit there, way in
the back, sit down. So imagine this five hour, forty
minute and I go, I go, I'm gonna watch some movies.

Speaker 3 (34:02):
I'm gonna have fun. I'm with Jacqueline. We get there,
no screens on the back of the and then this
pilot has the fucking gall to come on and go
it's one of our newer planes that we oh, yeah,
do you hear what I'm saying?

Speaker 1 (34:16):
No screen thirty air buses or whatever.

Speaker 3 (34:19):
But then we ended up having a great time. And
at one point I thought there was an hour and
a half flight. There was an hour half left, and
I said a jackeline Jack was only an hour, And
I thought, like, kids, got it wrong. She goes, You've
got it wrong.

Speaker 2 (34:28):
There's no way, it's been forty five minutes work. There's
we start laughing. We're so happy. The flight attendant goes by.
We go excuse me, excuse.

Speaker 1 (34:35):
Me, sir, wait is it true? And this was literally
this was like keep me, I think.

Speaker 3 (34:43):
Yeah, excuse me, excuse me?

Speaker 2 (34:45):
Is it?

Speaker 3 (34:46):
Or maybe you you initiated?

Speaker 1 (34:49):
Is the thing you're like?

Speaker 4 (34:50):
Yeah, you were like you're like we're sitting a little
bed or whatever. Okay, And when I couldn't control it,
he goes like, yeah, there's only.

Speaker 1 (34:58):
Hours it true? Is only an hour?

Speaker 2 (35:00):
She seems to think it's only an hour and a
half left, That's not possible. He goes, yeah, look an
hour and a half. Really, yes, so excited, so exciting,
it's a miracle. She starts catching it flew. He had
been hardened. He kind of I had that kind of
a hardened interaction with her earlier. He lifted the joy

(35:22):
light filled his eyes and he was like, it's crawling
for us.

Speaker 3 (35:27):
And then we were like, yeah, I kind of add
more time because we're having.

Speaker 1 (35:31):
Fun all right.

Speaker 2 (35:36):
Than you? Wow?

Speaker 1 (35:38):
Ever, first ever, first ever, thank you for your willing to.

Speaker 3 (35:42):
Help you in the back, Sean.

Speaker 1 (35:44):
It's so beautiful just to get an email, gay pilot.

Speaker 3 (36:00):
We get to the hotel that you booked, thank you.

Speaker 2 (36:03):
I mean, I'm paying to be glare, but you you
you you topped me and figured it out and then
my itinerary.

Speaker 3 (36:10):
Remember I asked you, I'm so proud of it. I
said that person I texted you universe, I said, was
there a woman in your room?

Speaker 1 (36:18):
I responded, you know she she texted it three times? Okay, okay, wait,
where's the woman in mine? Okay?

Speaker 4 (36:29):
Go, But you also seem to think it was a perk,
like because so because there was a plate okay, there
was a plate of cheese.

Speaker 1 (36:42):
There was a shark hooterie. Not sure what.

Speaker 3 (36:47):
An a classic question. It was a meat list, but
you know it was nice. It was totally nice.

Speaker 2 (36:55):
But I walking in the hall it sam ship, Okay,
I don't have MX. This one's pushing me together and
I is everyone okay whatever, And when you work.

Speaker 4 (37:05):
For I can not believe we take to the stage
in tack of an amic But I'm so proud at
the same time, like to be not given money by
AX and then to just just do.

Speaker 1 (37:17):
Made my day great. Okay. I don't know if you
know about this experience credit. It's deplicable. The SPA.

Speaker 3 (37:24):
One fucking get amex to give us. I don't know
something something because.

Speaker 1 (37:28):
I've seen them shell out for others.

Speaker 3 (37:30):
But there was not only did I have charcuterie, there
was a woman. Okay, so listen, I was.

Speaker 2 (37:34):
So I'm walking, I'm walking, I see my thing. I
take out the room key.

Speaker 3 (37:40):
My hand is starting and then I hear the door
moving and I go, oh shit, it's not my room.

Speaker 2 (37:45):
Woman hi, and I went, oh, oh, hi, I didn't
expect to see that. Look at my acting. Oh hi, No, No,
we saw a stay in it.

Speaker 6 (37:57):
Oh.

Speaker 3 (37:57):
I didn't expect to.

Speaker 1 (37:58):
I didn't expect to.

Speaker 4 (38:00):
You.

Speaker 3 (38:00):
You know, she's probably fifty eight. Maybe I don't know
why that matters, but I'm just I'm trying to.

Speaker 1 (38:06):
I think I met her later, and I think.

Speaker 3 (38:07):
She was fifty three, Like she'll be forty, Like I'm bad,
but she's yeah, but she was. You know, I'm just
saying older, very professional.

Speaker 1 (38:13):
Yeah, you know.

Speaker 3 (38:14):
I okay, And she goes come in me. I go,
I don't want you to be in my room.

Speaker 1 (38:19):
I want to be alone. Like it's not a good
business model for.

Speaker 3 (38:23):
Them to be hiding in your room. Okay, I go,
I have to go in there and take my pants off.
Miss okay, you're in there going okay, yeah, okay, you're in.

Speaker 4 (38:33):
There rubbing the k girl elsewhere you keep this is
what you said save for stage, because you still don't understand.

Speaker 1 (38:40):
Every time you bring this up. I just she wasn't
supposed to be in there. Okay, just correct me. Okay, okay,
I don't know that this perk is will I go,
oh that it's crack.

Speaker 3 (38:50):
She goes, she goes, goes, goes, here's your bathroom.

Speaker 1 (38:53):
I go, yeah.

Speaker 3 (38:55):
She starts walking around.

Speaker 1 (38:57):
She goes, it's an error. I think she had said
your shercutery a little too late.

Speaker 3 (39:02):
No, no, no, this bitch was listen.

Speaker 1 (39:04):
She goes.

Speaker 2 (39:05):
She goes, I'm from like customer services whatever, and okay,
get out, okay.

Speaker 1 (39:11):
Get out in a suit. I didn't like that you
have your shoes on.

Speaker 2 (39:13):
I take my shoes off, like I'm not gonna wear
my my These are shoes I wear at the airport.
They're covered in piss, hepatitis, and I'm not gonna wear
these in here. There she is in her shoes.

Speaker 1 (39:23):
Is there a woman in your room?

Speaker 4 (39:26):
Was there a woman?

Speaker 1 (39:26):
No, there wasn't. I don't know why there wasn't her.
Was there a room, woman here room.

Speaker 3 (39:30):
I couldn't hear it. The woman goes, The woman goes
and I saw the charcuterier. I went, oh my god,
how nice.

Speaker 7 (39:37):
Wow.

Speaker 3 (39:38):
Still won't leave, and then she goes, there's anything you need.
I'm like, we're here for a night.

Speaker 1 (39:43):
All.

Speaker 3 (39:43):
I was like, oh, it's such a quick trip, just
in and out, get out.

Speaker 2 (39:46):
You know.

Speaker 3 (39:47):
Interesting detail. At the check in station, the concierge said,
would you like churn down service? It's between five point
thirty nine and we both went yeah, sure, we'll.

Speaker 1 (39:57):
Be on stage.

Speaker 3 (39:58):
Normally I don't like it one night whatever. But I
went especial cookie or something.

Speaker 4 (40:03):
Well, no, sadly, you think it's going to mean a mint,
and it doesn't exactly water.

Speaker 7 (40:07):
Literally, I'm like, please give me free water. So it's
fucked up. Okay, so it's the same thing. Is there
anything you would really love it turned down? I go, yeah, probably,
like a reefall of water.

Speaker 3 (40:18):
Would be really nice. Yeah.

Speaker 1 (40:19):
So she goes.

Speaker 2 (40:20):
She goes, wait which turn I'm laughing, like it's so inconsequential.
Oh yeah, Oh so I go walk in there, all
the curtains have been it's one thirty in the afternoon.
All the curtains have been drawn. My bed has been
like turned down.

Speaker 1 (40:35):
Oh, drawn clothes.

Speaker 2 (40:36):
She goes, drawn clothes. I go into This is really
like grim, like I'm walking in into the middle.

Speaker 1 (40:41):
I said good afternoon to me. Way later, okay, anyways.

Speaker 2 (40:45):
I go and then she goes, I understand you would
like turn down service. And I looked around. I go, yeah,
fucking freak.

Speaker 1 (40:52):
Not a one third.

Speaker 3 (40:53):
But I just didn't.

Speaker 1 (40:54):
I went oh yeah, and I.

Speaker 3 (40:55):
Just like gut her out and she.

Speaker 1 (40:58):
Turned down. Yes, how do you know?

Speaker 2 (41:01):
I looked over and the bed was turned down, but
I know the betters were closed. And then I go,
I might open these, and then she goes for you.
I don't know if that's turned down, Kate turned down?

Speaker 1 (41:12):
I mean, I think that's just what the bed it's not.
The bed is thunder.

Speaker 2 (41:16):
There were short red cookies next to the bed. I
didn't see that it was turned down.

Speaker 3 (41:23):
And I start opening the curtains and she goes, well,
there's anything you need. She goes here, you have a
show tonight?

Speaker 1 (41:29):
Was she a little I can't tell you this?

Speaker 3 (41:31):
Okay, get k.

Speaker 1 (41:34):
I've been embarrassed to admit. Okay. I was like wonderful.

Speaker 5 (41:37):
We can go there.

Speaker 3 (41:37):
Okay, she said it. She said it the ploy, So.

Speaker 1 (41:41):
You said, is this amex ship? Okay? And I go,
it could be amex or it could.

Speaker 2 (41:44):
Be my my.

Speaker 3 (41:46):
My v You was it, Naudia?

Speaker 1 (41:49):
I go, what the fuck are you talking about?

Speaker 3 (41:53):
You go, oh, Nadia?

Speaker 1 (41:55):
Is that who that is? You know who that is?
I didn't explain, So should I explain my ploy? Yes?
Go all right, it's bold.

Speaker 2 (42:03):
But you know we have a podcast that we made
to beg for free ship. There's no shocking to go.
I have a ploy to get something free to all
always forget free Shark.

Speaker 4 (42:13):
So I like to call ahead okay and say something
like are we going to be able to check in early?

Speaker 3 (42:21):
Okay?

Speaker 4 (42:22):
Or have like our editor call in someone okay, a
voice on like my own, and say, you know, we
have got to get to the theater, so we just
want to check that.

Speaker 1 (42:29):
And there's also we have.

Speaker 4 (42:30):
Checking the MS benefits have been recognized. You know, we're
guaranteeing early check and like check out, you know, so
you know we're gonna we want to check if we're
actually gonna you think we'll be get in early because
we do have to get to the theater by whatever,
because we're performing in town.

Speaker 3 (42:44):
Okay, get to go, and then yeah, the front desk,
get to Google.

Speaker 1 (42:50):
Yeah, get on it. Okay.

Speaker 4 (42:52):
And then occasionally I have found that this leads to
a note acknowledging we're so glad to performing in town,
and occasionally a charcuterie.

Speaker 3 (43:02):
I will say one thing too. She goes, is there
anything I can get you? She goes water. I go, oh,
I would actually love some additional water. She goes, she
looks like this, She goes six bottles.

Speaker 1 (43:10):
Wait, she said six bottles to me. She goes, I'm
gonna bring you six bottles. She goes six.

Speaker 3 (43:14):
Bottles, and I go, I'm not a free I go, actually,
fucking yeah.

Speaker 1 (43:19):
Me too. I accepted it too. Now I had a
moment where.

Speaker 3 (43:23):
And that's the big, that's the big. What's the craziest
amount of water? I could bring you six bottles?

Speaker 1 (43:29):
Right, that's kind of the like because that's all we needed?

Speaker 4 (43:32):
Nothing, And this is where I go where we're wrong,
we fools to go. I could crave a good peach,
I mean a good peach.

Speaker 1 (43:39):
Like was this her opportunity? Like, I'm sorry, it's not
even very like heavy duty.

Speaker 3 (43:44):
I lost in the narrative of that the good peach
I was.

Speaker 1 (43:46):
She said, is there anything we can get for you?

Speaker 2 (43:49):
Right?

Speaker 1 (43:49):
Obviously, you know, to be a performer, I have to
sit in a.

Speaker 4 (43:51):
Chair, a champagne, you know whatever, Actually a pepe I'll dude,
all yeah, yeah, what could I buy? And I had nothing?
I had nothing in my mind. I was so thrilled
by the note the charcudary. Anyway, now, I will say
she she sort of that's I think I believe it's
the same woman, because I don't think the six Bottles.

Speaker 3 (44:10):
Use her name, like you're like, oh, the Naudia. That's
the way you said it to me back.

Speaker 1 (44:14):
Because I clocked it when when I was I wanted
to clock it.

Speaker 4 (44:17):
Okay, but but she so I'm in my room. She's
probably just finished in your room. Okay, she comes up,
knocks on my door.

Speaker 1 (44:24):
Okay, hello, you know, walk through your hotel whatever, okay, fully.

Speaker 4 (44:30):
Fully okay, like open it up, and I'm I'm because
I too want to be alone, right, so I'm just like,
thank you.

Speaker 1 (44:37):
Everything's like so beautiful, thank you, just what a great hotel. Whatever.
I'm like going hard. The harder you go, the quicker
you're out right like, oh Jesus, unbelievable. Right, It's so
I'm trying to up it. I keep upping it.

Speaker 6 (44:50):
And I started, I started to I started to okay,
like I'm like, I've accepted the like there's nothing you
can do, even more water, okay, right, and then six
bottles sure, and then and then I'm like, unbelievable, naughty, unbelievable, okay.

Speaker 1 (45:07):
And I'm turning into a slow close okay.

Speaker 4 (45:10):
And but she's not reducing, she's not fading out at
the same rhythm of my gentle door closing okay.

Speaker 1 (45:19):
And I actually was forced to come back open.

Speaker 4 (45:22):
Okay.

Speaker 1 (45:23):
And then I surely, surely this time, we all now
we're all on the beat. Okay, And I go unbelievable, Noddy,
and just thank you. I'll reach out. I'll reach out
one more time, more time, okay.

Speaker 3 (45:40):
And don't be in the room.

Speaker 2 (45:44):
I keep flashing back to seeing that by the cortisol
in the system, someone's in my room.

Speaker 3 (45:49):
I'm in the wrong room. I'm about Hi, what are
you doing in the room?

Speaker 2 (45:54):
Doll? By the way, I just actually I was watching
you do this gorgeous act. I go, I had this
whole imagine if she were here.

Speaker 3 (46:06):
Imagine I was imagining Nadia going, I reckon, I'll see
their show tonight where I had this whole fat time.

Speaker 1 (46:13):
I go, she's sitting it back. No no, wait, wait
wait wait wait, okay, hold on, very clear. I want
to be very very clear.

Speaker 4 (46:24):
Okay, I only I have not said the following because
I think it would be boring.

Speaker 1 (46:31):
Okay, you say, no, Nadia fucking rocked it.

Speaker 3 (46:36):
She rocked it, Okay, either way.

Speaker 1 (46:38):
I almost she fucking rules because be in the room.
Be in the room.

Speaker 2 (46:43):
So I come in, I go, I don't like that chair.
I need the lamp moved whatever. She's right there, right,
she's got the shortbread. Yeah, she showed me where the
can was.

Speaker 1 (46:54):
This is a mistake I never make.

Speaker 4 (46:56):
Okay, let me go like this was so interesting, cake,
Because aren't I the one who's always they could be
here or you can't put it. You wanted to post
the pilot. I no, you go poking from the back
and go his family knows what he looks from behind.
I mean they do this idea that from behind you
can't recognize someone.

Speaker 1 (47:12):
Right the pilot, I'm always the one who's worried, like
you're about the sort of thing.

Speaker 3 (47:17):
So I was trying to go, oh, it's to the
name of the hotel on stage. She's like, no way,
they'll come kill us.

Speaker 1 (47:22):
No, no, Kate goes, you think they're gonna come kill you?

Speaker 4 (47:24):
I go, no, okay, it's not what. I just don't
like the idea that I just it's fine. Something in
it that's just not it's it's it's not good. And
I got news, folks, and this is gonna be hard
to break to people. That's not her name, it's not Kate,
and I discussed it before coming out.

Speaker 2 (47:40):
It's right, Kate. Oh, I was gonna fall for it.
I am gullible. I'm a putty. I truly just fell
into that trap. We're getting into a car to go
to the venue last night. Jacqueline spoiling me or is
it Tessla?

Speaker 1 (47:56):
No, I didn't. I'm ordered a comfort plus, okay, and
I came.

Speaker 3 (48:03):
Give me the shittiest cage you got.

Speaker 2 (48:04):
I'll just pray to get there right, yes, okay, car
rolls up by the way.

Speaker 3 (48:10):
I want to be clear, we're not in traffic. It's
not get in get in the car at all. It's
like a kind of leisurely. We get in high I
sit down, I have my bag. I close my door.
Jacqueline is unloading. She's a couple of bags. She puts
a bag, a couple of bags. I'm hauling a lot
of puts another bag in. She starts to enter the car,
and this motherfucker starts driving.

Speaker 2 (48:31):
And I'm not talking about even a gentle I'm talking
about he starts dry ving and I and I start
going whoa. It took a second because it was so
and I'm like, whoa, whoa, whoa. I got three woes
out and I was still driving.

Speaker 1 (48:45):
I'm still driving.

Speaker 4 (48:46):
I was so stunned, okay that I didn't My woes
came later they overlapped hers, but it was like whoa, whoa, whoa.

Speaker 1 (48:56):
And then together whoa, whoa, whoa. All we had was whoa,
you have?

Speaker 2 (49:01):
What you have?

Speaker 4 (49:02):
Yeah?

Speaker 1 (49:03):
I couldn't reach for stop no, because I couldn't. I
couldn't hear it for a song.

Speaker 4 (49:07):
I mean, okay, because it's it's exactly this, It's it's
it's it's that moment where the weight is the car
had your leg, okay, and but my weight has already
started to go in there, and it is.

Speaker 1 (49:18):
Going, and I think it was one of the easy
you know it took you like, we move like and
I was. I was whoa, whoa, whoa, whoa.

Speaker 4 (49:26):
And then when we're screaming screaming shock and then I
get in, right, you get it, I get it, and
I'm like, I'm like, I'm trying to get in because
getting in feels like safety because I was about to
get sort of drowned by the road and the tire. Right,
so it's a weird thing, like get in the car,
get in the car, and then I won't where I
go do.

Speaker 2 (49:44):
We just go like, I don't think it's gonna work out, man,
I know, I know. So you get in, we sit down.
This motherfucker doesn't even turn his head, and I go.
So we're sitting there and I go. You know, typically
when you almost run, when you almost kills someone with
their car, it's customary to say I'm.

Speaker 3 (50:02):
Sorry she said it.

Speaker 1 (50:05):
No, I was like scared when Kate said it. I go,
I was in a victim.

Speaker 4 (50:11):
I was in a I was in a fawning mode,
you know, freeze like, oh yeah, okay, I was fawning.

Speaker 3 (50:17):
I go, oh, you want to fight?

Speaker 2 (50:21):
He looks straight ahead, won't even and I'm like, he
didn't acknowledge that.

Speaker 3 (50:24):
I know he does this to me. This guy's maybe
thirty two, is a young Yeah.

Speaker 2 (50:27):
He turns around and kind of looks me like this,
like no, I'm not, and I went my blood is boiling.
At this point, we're driving. It's not a long drive,
it's ten minute drive, and I'm already going, what am
I gonna do?

Speaker 1 (50:38):
What am I gonna do?

Speaker 2 (50:39):
Right?

Speaker 3 (50:39):
I have these visualizations of breaking his car window, like
with my the umbrella. I had all these wild fantasies.

Speaker 1 (50:46):
And he started texting me too. I text you zero,
I text you one star, A one star. I was
already anticipating the fawning.

Speaker 2 (50:53):
I thought you would give him four because, by the way,
I'm five stars, no matter what you can do.

Speaker 1 (50:57):
Yes, crazy shit, I'm gonna give you five stars. And
you don't shut with someone's job, And yeah, no, no
you don't. You don't.

Speaker 3 (51:04):
You can say, oh, I'd like to wake up next
to you every morning.

Speaker 1 (51:08):
Sweet.

Speaker 3 (51:10):
I'm just like, this is tough work, like five stars, like.

Speaker 1 (51:14):
And sometimes I love it. I love sometimes I love it.

Speaker 4 (51:17):
Sometimes I'm I'm begging you know, you know, I'm digging
it out of them.

Speaker 1 (51:20):
I mean, where are you.

Speaker 3 (51:21):
Going tonight, sweetie?

Speaker 5 (51:22):
Yeah?

Speaker 3 (51:23):
No five stars forever. So I text you one star
all cops.

Speaker 4 (51:27):
And by the way, I've been doing a new trick,
which is on the way out of the car. You go, oh, well,
what I call five star ride? Okay, let them know
coming there.

Speaker 1 (51:36):
They are angry. They heard the middle of the quest
bar in the back seat.

Speaker 4 (51:41):
Yeah, with my purse completely surrounding under my chin and
a round stuff crumb drop, it drops into my own domain.
I just see you think of my shirt, and no
one congratulated me at the airport, and they were.

Speaker 3 (51:55):
Not doing it on this guy. I go, So we're driving, I.

Speaker 1 (51:59):
Mean, I'm scared by the way.

Speaker 2 (52:01):
We get the beep he almost like we were, and
someone like it's like he's spaced out or something like.

Speaker 3 (52:06):
It was back.

Speaker 1 (52:06):
Yeah.

Speaker 4 (52:06):
I thought he ran a red. Then I realized there
was no traffic light. Okay, something was a miss. Okay,
we get there.

Speaker 1 (52:13):
Now he goes, he goes, get out on that side.
It's safer.

Speaker 2 (52:18):
I did not hear that, okay, I and I go, okay,
classic abuser, classic abuser.

Speaker 1 (52:26):
I loved it. I found out and I go well
I didn't hear that.

Speaker 4 (52:29):
So so I have I like, yeah, yeah, and I'm
just like, we just got to get out of this
because I was shocked by Kid's aggression at the beginning
of the ride.

Speaker 1 (52:37):
I was still afraid. I was fawning, and she's.

Speaker 4 (52:39):
Going it's customary to say I'm sorry when you almost
kill a woman.

Speaker 3 (52:43):
Yeah, oh no, you kept.

Speaker 2 (52:44):
Saying half oh, well this is no, no, no, this
is So then I go, I'm going to say something.
So then I go and I'm like, I'm not gonna
start I'm not gonna start freaking out. I'm gonna keep
it in this kind of register, and I go, but.

Speaker 1 (52:54):
Wait, door, we've arrived. You open your door.

Speaker 4 (52:57):
My door, I'm stuck in because we're getting out.

Speaker 1 (52:59):
On that second.

Speaker 3 (53:00):
I'm sorry.

Speaker 2 (53:01):
I should have had you completely exit before I started
talking to him, and I can say that now. So
I start in this kind of calm register. I go,
you know, man, you really could have sucked her up,
because that's the fucking t I.

Speaker 4 (53:14):
Sit with that for a second because there was like again,
it's sort of the eroticism of you like doing that
like thing, like this kind of manning up thing.

Speaker 1 (53:21):
There was something like like okay, like yeah, well, being like, dude,
you could have sucked her up. It was like fucked up.
It was like cool like I was like yeah, no,
like I say, I kept it.

Speaker 3 (53:32):
I was like, you know, dude, you really could have
sucked her.

Speaker 1 (53:34):
I was like.

Speaker 3 (53:35):
And then he he turns around.

Speaker 2 (53:36):
He turns around and goes, I'm not what he said.
I'm not going to respond to you, right, And I go,
excuse me?

Speaker 1 (53:44):
And I go, wait, what did I say? Okay? Now
this was huge? Okay, this was huge. Okay, Okay you started.

Speaker 4 (53:49):
In on a series of rapid fire to everything he said. Okay,
you were coming back with stuff about his mother.

Speaker 3 (53:59):
Why I go, like, I go, I go, I go,
I go, rais I go?

Speaker 1 (54:02):
You take off in a car with a woman.

Speaker 2 (54:04):
I go, A woman is halfway into your car, you
start driving. You don't have the thing and see to say,
to say at least say thank you.

Speaker 3 (54:09):
I go, what kind of woman raised you?

Speaker 1 (54:10):
He goes, whoa, whoa?

Speaker 3 (54:11):
I can't tell I got. I go, how fucking bitch
made are you? You can't say sorry.

Speaker 1 (54:17):
I've never heard the phrase. I didn't even understand what
she was saying. I just heard like bitch okay. And
I was like, I like, now it was fucking cool.

Speaker 2 (54:24):
Okay.

Speaker 1 (54:24):
And then I go, I go, you're fucking useless and
call your mother.

Speaker 2 (54:28):
Okay, I go, I go, I forgot what I call him,
give me fair, I call him other rascal.

Speaker 3 (54:36):
Why she's such a fucking slut or something like that.

Speaker 4 (54:38):
You know, I'm still waiting to get out, and I
am up sate here, I locked.

Speaker 3 (54:42):
I'm like track friend, I mean, kicks out of the car.

Speaker 1 (54:46):
Okay, ship back up the car okay, and I am
and I want to be clear. I want to be clear.

Speaker 2 (54:52):
He takes off, driving full speed with Jack un half
partly in the car. Really could have hurt her if
he had gone like this, Oh god, I'm so sorry.
I just I totally am sorry. You know, we would
have done a fine.

Speaker 1 (55:04):
Oh we would have been I would have been it
would have been like, oh my god, no, I feel
I would have been me comforting him, like I gotta go.
I would have done what you did, and like.

Speaker 2 (55:15):
Oh, I just want you like we get it, you know,
like we we get what if he just expressed, oh
my god, I just needed some acknowledgement the gravity situation
that he took he started driving with through leg in
the car.

Speaker 1 (55:26):
And more than see this was the issue. It's it's
really and I know I already pushed it before. But
as Kate was saying, halfway in the car, a woman
is halfway in a car, I was like, yes, than
like three times a woman. I was so many things. Okay,
it's amazing, just like like a woman halfway in the
car or whatever.

Speaker 4 (55:42):
And I started worrying about precision. Okay, and I start
going like he's gonna think like like halfway in the car,
like I was safely lodged enough in the car that
like it was mere leg dangling out.

Speaker 1 (55:53):
Okay, I wear it. I was in the exact and
it wasn't one foot in where.

Speaker 4 (55:58):
The car the car got pull away and I'm just
here yeah okay, yeah, it was the exact place of danger.

Speaker 1 (56:05):
Okay, where weight is distributed. Okay, okay, wait is it
this is the moment of the weight shift. It was
really bad. And I also want to be clear, it
was long. It was long, so.

Speaker 3 (56:16):
Whoa, whoa, whoa, whoa whoa.

Speaker 1 (56:20):
The car I was watching going, oh my god, this
has happened, like you were t Anderson is not working
in a million ways.

Speaker 2 (56:28):
But it's like because you you were so like the
course ability.

Speaker 1 (56:31):
Yeah, you were like dancing. Yeah, it was choreography. Was
a choreography and survival. That's what it was.

Speaker 3 (56:42):
That was Pood.

Speaker 2 (56:44):
If you enjoyed Pood, please subscribe, rate and review. If not,
we will press charges.