October 15, 2021 • 11 mins
The secret letters in Gloria’s diary reveal the dark events around the twins’ birth.
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Episode Transcript
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Speaker 1 (00:01):
Previously on the Princess of South Beach Aber Where were we? Ah? Right?
My twin money at del Garmin decided to usurp my life.
Blah blah blah, ibuless you know the drill. And Maria
read the letter from a guy who claims he's our
real father. What Yeah. In the letter, it says that
Luisa and Estevan were sterile and that Luisa's father, Don Sebero,
(00:26):
told her that if she didn't give him a grandchild
to continue his legacy, she would be left penniless. Desperate
for a way to keep her inheritance, Luisa decided to
tell a little lie. See I told my father that
I was pregnant. What else was I supposed to do?
Lose all the money? Louisa, maybe it's better if we
leave all of this behind, start a new life, live
(00:48):
like normal people without your father's fortune. You would still
love me without the money, right, of course, but let's
focus on finding a baby. I have your lunch here,
(01:13):
see Anna, come in grass close the door a new
way out. Um, But I was wondering if I could
ask you for a favor. Can't you see we're in
the middle of a private discussion get out. No, it's
just that I need to ask for another day off.
(01:35):
What for? The doctor needs to do another routine check
up and he's going to perform an ultrasound on me,
and we need to see on your baby. Of course,
because you're pregnant with a baby. Did seven? Anna has
a baby in her belly? Pregnant with a baby? What else?
(01:58):
Because she's pretty pregnant with na of course you can
take a day off, take the week. Really, yes, I
really appreciate it when I leave you too. I don't
understand why you said baby like thirty times, Lisa, don't
(02:22):
tell me you're thinking of stealing that baby? What? Of
course not. I'm not a monster. I we'd obviously pay
her to borrow the baby. This is perfect. My father
is forcing me to have a baby, and what just
lands on our laps no more. We just need her
(02:43):
to loan us the baby until my father dies and
we get the inhered. Do you think Anna will be
okay with that? I? Yes, even she's poor, and you
know how poor people are. Actually, I don't know any
poor people, but considering the amount of money we're going
to offer her in return, ear, she'd be crazy not
to do it. But how are you going to convince it?
(03:04):
Don't say hello that the baby is yours? Are you
just going to walk around with a pillow under your
dress for nine months? That's exactly what I'm going to do.
And so months went by, Louisa faking a pregnancy to
play along with her father's wishes, and your mother Hannah
(03:26):
was totally oblivious to their plan. Everything was going fine
until the night your mother finally went into labor. They
called it the Hurricane of the Sentry. Your mother was
working when the first contractions started, and on the way
to the hospital, Luisa was ready to make her offer.
(03:59):
They called it the Hurricane of the sentry. Your mother
was working when the first contractions started, and on the
way to the hospital, Louisa was ready to make her offer.
(04:19):
I moan, I can't wait any longer. I'm driving a
smash as I can. You're okay, You're okay. Just breathe.
You can have picked the worst time to go into labor, Jesus,
I can't see anything in the storm. Anna follow my
breathing inhale exhale, okay Inese, see see see exhale, Nita, Anna,
(04:47):
I was thinking you and your husband are poor, right,
I guess, and you're both saving up to buy a
house now, I see, what do you ask, Louisa? Don't
you think it'd be better to wait until another time?
Shut up and drive? Annah? What if I told you
I could give you fifty thousand dollars? I geah? What
(05:08):
are you talking about? Sir? Luisa? Look, I want to
make you an offer. Fifty thousand in cash, no questions asked.
You and your husband could buy a nice small house,
start a new life. The only thing I want is
your baby. What have you lost your damn by? Okay? Okay,
one hundred thousand, no football drive art brage, fine, fine,
(05:30):
one fifty nine. Louisa at least explained to her that
we just want to borrow the baby. Who's making this deal?
You or me? Annah? Look, you know how much my
father wants a grandson, and if I don't show up
with a baby before he dies, I'm going to be
left with nothing. But you are pregnant. What do you
need my baby? Before I bought the office, it's just
(05:53):
a pillow. I had to fake it. I had no
other choice, but you. You could solve all of my problems.
I just need the baby until my father dies. It
won't be more than a few months. And as soon
as I have my hands on that inheritance, I'll give
you back your baby. No no, I will never said
my baby. No, it's more like rent your baby, not
(06:16):
even for a million dollars. What kind of press that
would ever think of doing such a thing. Look at
the road. What what is that? It's the river. It's overflowing.
We can't get across. Yeah, we need to go back.
If I try to go through all old drown No no,
no, no no, no, no no, no, no please, I can't wait
(06:38):
any longer. And that's how you were born. My dear daughter,
Gloria in the backseat of a Bentleier Nash. What a
(07:02):
beautiful little girl. She's gorgeous. Her name is her baby's Claudia.
I poor father. Let me hold her, Claudia Sea, Gloria,
Please keep you my baby, Give me my baby. See Visa,
(07:25):
there's so much blood. I think she's potting out. Anna,
How do we up, guest, Clodia, I'll take care of me.
How don wake up for me? Ussa man? What we
(07:48):
just leave her here? What are you talking about, Risa?
What are you saying? He spend on this woman is
clearly dying. This baby needs a mother and a father,
and he need a baby. I've dreamt about this my
entire life, Luis Abords, We're not murdered on a wake
up Estevan, Listen to me. Maybe this is a sign.
(08:12):
Maybe this baby is destined to be ours. This was
all meant to be. Help me get it out of
the car. No stop, Luisafour. We can't do this. We
can't do this. I didn't sign up for this. My
father is right. You're useless, weak and useless. You're not
a man. Don't ever say it to me in here,
(08:36):
get out of the way. I'll do it right now.
(08:59):
They left her there alone, leading to death, and they
didn't know that she was pregnant with twins. Not only
were they sentencing her to death, but your sister as well.
Days later, they found your mother amongst the ruins hurricane
(09:19):
left behind, but your sister. Your sister was never found,
never found. Oh wait, that's me. Don't think I ever
stopped searching for you both. The day after the hurricane,
when your mother's body was yet to be found, I
went to Lakasa Rosa to look for her. That decision
(09:39):
proved to be my undoing. Holy crap, that was some dark,
heavy sensitive Shenanigans being revealed right there. And if you
don't think things can get worse, think again, Ermanita. If
(10:00):
you're enjoying Princess of South Beach, please subscribe, rate, and
review our show wherever you're listening. The Princess of South
Beach is a production of Ihearts, Mikultura Podcast Network and Sonoro,
Created and directed by Jasmine Romero. Written by Jasmine Romero
and Joanna Houseman, with help from Daniels Arkis, Monisa Heinriz
and Christian Hattar. Produced by Luis ro Castillo. Executive produced
(10:23):
by conal Byrne and Giselle Bances for iHeart by Joanna Housman,
and by Jasmine Romero and Joshua Weinstein for Sonaro. Performances
in this episode by Rachel Zegler, Gina Torres, Raoulas Barza,
Garo Capello, and David Bueno. Our production manager is Geinsachitis.
Recording and engineering by Emiliano Quintanari, with sound designed by
(10:46):
Edwin Irigoyen Cassandratinajiro, Andres Bayena, Diego Medina and Andres Coronaldo
Assistant sound designed by Eric Senttheno, casting and coordination by
Andres Chaitis, Folly by Samantha Gonzalez, phong our theme song
and original music by Rodrigo Garcia Roles and Charlie Hernandez
Previously on the Princess of South Beach Aber Where were we? Ah? Right?
My twin money at del Garmin decided to usurp my life.
Blah blah blah, ibuless you know the drill. And Maria
read the letter from a guy who claims he's our
real father. What Yeah. In the letter, it says that
Luisa and Estevan were sterile and that Luisa's father, Don Sebero,
(00:26):
told her that if she didn't give him a grandchild
to continue his legacy, she would be left penniless. Desperate
for a way to keep her inheritance, Luisa decided to
tell a little lie. See I told my father that
I was pregnant. What else was I supposed to do?
Lose all the money? Louisa, maybe it's better if we
leave all of this behind, start a new life, live
(00:48):
like normal people without your father's fortune. You would still
love me without the money, right, of course, but let's
focus on finding a baby. I have your lunch here,
(01:13):
see Anna, come in grass close the door a new
way out. Um, But I was wondering if I could
ask you for a favor. Can't you see we're in
the middle of a private discussion get out. No, it's
just that I need to ask for another day off.
(01:35):
What for? The doctor needs to do another routine check
up and he's going to perform an ultrasound on me,
and we need to see on your baby. Of course,
because you're pregnant with a baby. Did seven? Anna has
a baby in her belly? Pregnant with a baby? What else?
(01:58):
Because she's pretty pregnant with na of course you can
take a day off, take the week. Really, yes, I
really appreciate it when I leave you too. I don't
understand why you said baby like thirty times, Lisa, don't
(02:22):
tell me you're thinking of stealing that baby? What? Of
course not. I'm not a monster. I we'd obviously pay
her to borrow the baby. This is perfect. My father
is forcing me to have a baby, and what just
lands on our laps no more. We just need her
(02:43):
to loan us the baby until my father dies and
we get the inhered. Do you think Anna will be
okay with that? I? Yes, even she's poor, and you
know how poor people are. Actually, I don't know any
poor people, but considering the amount of money we're going
to offer her in return, ear, she'd be crazy not
to do it. But how are you going to convince it?
(03:04):
Don't say hello that the baby is yours? Are you
just going to walk around with a pillow under your
dress for nine months? That's exactly what I'm going to do.
And so months went by, Louisa faking a pregnancy to
play along with her father's wishes, and your mother Hannah
(03:26):
was totally oblivious to their plan. Everything was going fine
until the night your mother finally went into labor. They
called it the Hurricane of the Sentry. Your mother was
working when the first contractions started, and on the way
to the hospital, Luisa was ready to make her offer.
(03:59):
They called it the Hurricane of the sentry. Your mother
was working when the first contractions started, and on the
way to the hospital, Louisa was ready to make her offer.
(04:19):
I moan, I can't wait any longer. I'm driving a
smash as I can. You're okay, You're okay. Just breathe.
You can have picked the worst time to go into labor, Jesus,
I can't see anything in the storm. Anna follow my
breathing inhale exhale, okay Inese, see see see exhale, Nita, Anna,
(04:47):
I was thinking you and your husband are poor, right,
I guess, and you're both saving up to buy a
house now, I see, what do you ask, Louisa? Don't
you think it'd be better to wait until another time?
Shut up and drive? Annah? What if I told you
I could give you fifty thousand dollars? I geah? What
(05:08):
are you talking about? Sir? Luisa? Look, I want to
make you an offer. Fifty thousand in cash, no questions asked.
You and your husband could buy a nice small house,
start a new life. The only thing I want is
your baby. What have you lost your damn by? Okay? Okay,
one hundred thousand, no football drive art brage, fine, fine,
(05:30):
one fifty nine. Louisa at least explained to her that
we just want to borrow the baby. Who's making this deal?
You or me? Annah? Look, you know how much my
father wants a grandson, and if I don't show up
with a baby before he dies, I'm going to be
left with nothing. But you are pregnant. What do you
need my baby? Before I bought the office, it's just
(05:53):
a pillow. I had to fake it. I had no
other choice, but you. You could solve all of my problems.
I just need the baby until my father dies. It
won't be more than a few months. And as soon
as I have my hands on that inheritance, I'll give
you back your baby. No no, I will never said
my baby. No, it's more like rent your baby, not
(06:16):
even for a million dollars. What kind of press that
would ever think of doing such a thing. Look at
the road. What what is that? It's the river. It's overflowing.
We can't get across. Yeah, we need to go back.
If I try to go through all old drown No no,
no, no no, no, no no, no, no please, I can't wait
(06:38):
any longer. And that's how you were born. My dear daughter,
Gloria in the backseat of a Bentleier Nash. What a
(07:02):
beautiful little girl. She's gorgeous. Her name is her baby's Claudia.
I poor father. Let me hold her, Claudia Sea, Gloria,
Please keep you my baby, Give me my baby. See Visa,
(07:25):
there's so much blood. I think she's potting out. Anna,
How do we up, guest, Clodia, I'll take care of me.
How don wake up for me? Ussa man? What we
(07:48):
just leave her here? What are you talking about, Risa?
What are you saying? He spend on this woman is
clearly dying. This baby needs a mother and a father,
and he need a baby. I've dreamt about this my
entire life, Luis Abords, We're not murdered on a wake
up Estevan, Listen to me. Maybe this is a sign.
(08:12):
Maybe this baby is destined to be ours. This was
all meant to be. Help me get it out of
the car. No stop, Luisafour. We can't do this. We
can't do this. I didn't sign up for this. My
father is right. You're useless, weak and useless. You're not
a man. Don't ever say it to me in here,
(08:36):
get out of the way. I'll do it right now.
(08:59):
They left her there alone, leading to death, and they
didn't know that she was pregnant with twins. Not only
were they sentencing her to death, but your sister as well.
Days later, they found your mother amongst the ruins hurricane
(09:19):
left behind, but your sister. Your sister was never found,
never found. Oh wait, that's me. Don't think I ever
stopped searching for you both. The day after the hurricane,
when your mother's body was yet to be found, I
went to Lakasa Rosa to look for her. That decision
(09:39):
proved to be my undoing. Holy crap, that was some dark,
heavy sensitive Shenanigans being revealed right there. And if you
don't think things can get worse, think again, Ermanita. If
(10:00):
you're enjoying Princess of South Beach, please subscribe, rate, and
review our show wherever you're listening. The Princess of South
Beach is a production of Ihearts, Mikultura Podcast Network and Sonoro,
Created and directed by Jasmine Romero. Written by Jasmine Romero
and Joanna Houseman, with help from Daniels Arkis, Monisa Heinriz
and Christian Hattar. Produced by Luis ro Castillo. Executive produced
(10:23):
by conal Byrne and Giselle Bances for iHeart by Joanna Housman,
and by Jasmine Romero and Joshua Weinstein for Sonaro. Performances
in this episode by Rachel Zegler, Gina Torres, Raoulas Barza,
Garo Capello, and David Bueno. Our production manager is Geinsachitis.
Recording and engineering by Emiliano Quintanari, with sound designed by
(10:46):
Edwin Irigoyen Cassandratinajiro, Andres Bayena, Diego Medina and Andres Coronaldo
Assistant sound designed by Eric Senttheno, casting and coordination by
Andres Chaitis, Folly by Samantha Gonzalez, phong our theme song
and original music by Rodrigo Garcia Roles and Charlie Hernandez
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