Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Yeah, you've seen the frustration overlaps in the chronic Stacey.
He is now into the gangster mode, you.
Speaker 2 (00:13):
Know what, like.
Speaker 3 (00:16):
Literedy like like mhm h.
Speaker 2 (00:28):
Literedy like like.
Speaker 4 (00:33):
Yeah, let's fire. Yeah, bec you know what I'm saying,
twenty five episodes of his motherfucker damn him?
Speaker 5 (00:42):
I like twenty five quarter century? Good number.
Speaker 4 (00:45):
Yeah, it's a quarter century. I don't want to say
thing like that. Why do I say it like that?
This is a response.
Speaker 3 (00:49):
You want to be a battle rapper? Yeah, you're down
in your soul.
Speaker 5 (00:53):
Yeah you sounded like you sounded like emon?
Speaker 3 (00:57):
What think you don't? Now?
Speaker 4 (01:00):
Like?
Speaker 2 (01:03):
Yo?
Speaker 5 (01:03):
Nah? But the ship that kills about batle rabbers.
Speaker 4 (01:05):
And that's why I moved to MI because I'm about
to do like the whole mannerism is when they say
a line and then they'd be like this motherfucker he
don't even got a metro card, and then they turned
their heads to the side. I'm like, bro, where's the
rest of the line. Where's the yo? They getting so
close to each other, I'm like, yo, fam listen, I
would be the worst battle rapper ever. Kiss Yeah, because
(01:30):
I seen I've seen a line of like his battle
raps and he's just like pussy and he's just like
right here, motherfucker's face. I'm like bo fam if you
caught me pussy and you and like spit globules, get
on my face, globules.
Speaker 3 (01:43):
They have funerals in front of you.
Speaker 5 (01:45):
Oh my god.
Speaker 3 (01:46):
I had a funeral with bitches dressed as as as
as funeral bitches.
Speaker 4 (01:57):
Yeah, you know, the bitches to be at the funeral.
They were just like.
Speaker 3 (02:01):
They eulogy on the paper, like how do you not
duff somebody in the back of the head one y'all
walking out of that place. Every time.
Speaker 4 (02:12):
It is different, yo, Oh my god.
Speaker 2 (02:15):
Yo.
Speaker 4 (02:16):
So we talked about this before guys leaving. I think
it was like like in like in context of trip
in Japan or whatever. But the passport bros going out
thinking ship is sweet. Yeah, I'm gonna go to the
r Yeah, I'm gonna go to Colombia'm gonna go to
ben you know what I'm saying.
Speaker 5 (02:35):
I'm gonna go over here.
Speaker 4 (02:37):
The motherfuckers get murked, they get get merked.
Speaker 3 (02:40):
Yeah, I heard they zero eight right now.
Speaker 4 (02:45):
That record crazy lose, no pussy, just homicides, that's.
Speaker 5 (02:53):
No cheeks. At all, bro you're just taking on the
livings brou Wow.
Speaker 4 (02:57):
And I would be remiss if I did not say
that we have expert in a building here, Victor. Uncle
Victor is the house and he's an expert on Columbia prostitution.
Speaker 5 (03:08):
Wow.
Speaker 2 (03:11):
That is.
Speaker 3 (03:13):
That is.
Speaker 5 (03:17):
Fucked like hold on, brothel you visited.
Speaker 4 (03:26):
And now you're for godfather of buyume.
Speaker 3 (03:30):
For those are those who don't know what we're talking about. Yes,
Colombian officials have said and set out a warning to
American people who are coming in to not download Tinder
and visit these women.
Speaker 4 (03:43):
I'm dial laughing.
Speaker 2 (03:44):
I'm proud of Columbia right now.
Speaker 4 (03:45):
Yeah, yeah, I'm dialaughing. It's like my brain is such
a fried, fucking disgusting mess. It's like orzo with cheese
and like sun dried tomatoes. That's my brain. When you
said the fucking ship about like yo, the Colombian government
is giving out warnings, I thought of DJ Camello, who
happens to be Colombian and has the warning warning you
(04:06):
want to get marked by a press to Columbia. Camilla
is like.
Speaker 6 (04:12):
Warning warning warnings, just like.
Speaker 3 (04:27):
Yo. Fuck y'all though y'all go to these countries to
exploit the ship out these women.
Speaker 4 (04:32):
It's crazy.
Speaker 3 (04:33):
All I'm saying is if you get marked, that's none
of my big ass American business.
Speaker 4 (04:39):
Yo, my ship with by pussy and the is like, bro,
you really got to be a herb, bro, Like, you
really got to be a herb because.
Speaker 3 (04:48):
Well, have you ever met a Dominican woman like in
d R Yeah, I mean well even out here, they're
just very charismatic.
Speaker 4 (04:55):
Yeah, they make you believe like.
Speaker 3 (04:56):
They're in love with you, even though to them might
be you know.
Speaker 4 (05:02):
Me, metro car Yeah, yeah, yeah, metro car me, metro
car on you also, yeah, you know what I'm saying.
Speaker 3 (05:12):
And then in English switched it up right away. That's
my that's that's a love of my life. That's the
love of my life. That's my horseman, that's my that's
my big buppy.
Speaker 4 (05:25):
You don't know what you think. I was gotta claped
behind some ship.
Speaker 5 (05:29):
Bro, But yeah, not man, fucking.
Speaker 4 (05:35):
Don't go to foreign lands to buy pussy bro by
domestic pussy be like, because support your local you know
what I'm saying, your local business, support small business.
Speaker 5 (05:46):
If you're gonna get packed up, you gotta think of
every eventuality. Man, if you're gonna get packed up either way,
might as well do that ship stayside where they could
find your body and bury it.
Speaker 4 (05:56):
I mean, you get a nice urn. You know you can't.
It's like yo, yo, your pops died buying pussy, but
his his remains, you know what I'm saying.
Speaker 5 (06:06):
She is even more amassing your pops. Yeah, because then
they'll because then they'll murk you and flip your liver
for a bag.
Speaker 4 (06:11):
You know what I mean, and then throw your fucking
the fucking.
Speaker 3 (06:20):
Yea.
Speaker 4 (06:20):
You just find out Organs bro. You used to be
the ahead of a household.
Speaker 2 (06:26):
Damn. Yeah.
Speaker 5 (06:27):
Now you're just a loose leaf paper rolling down.
Speaker 4 (06:32):
You're just floating.
Speaker 5 (06:33):
Down, just floating down the river. Victory Light is a
fund up show, guy, I love it. It's a shy
every time. I love it.
Speaker 3 (06:50):
No, But if you think about what they're doing, right,
it's kind of I don't want to say I don't
feel sorry for them, because I do. But you go
to these places, it's not like you're going on vacation
and you're just casually meeting women. Because I feel like
a lot of people might get that misconstrued. Yeah, you
might fly to a different country, meet somebody there who
y'all just hit it off, and you're like, oh shit, vibes,
(07:11):
this is you know, this might go somewhere. That's a
lot different than you going somewhere saving up all your
little coins just to go and impressing Cosplay as a
rich bitch in a different country. That's crazy to me.
And then you use the money to hold it over
their head, like.
Speaker 7 (07:27):
Look, yeah, Jackson, you thought you were messing with the sharks,
but now the sharks are messing with you.
Speaker 4 (07:36):
It's crazy because like, fam, you're not smart, bro, you
know what I mean?
Speaker 5 (07:41):
Like, you're not smart.
Speaker 4 (07:43):
You're getting for next, you fucking idiot. Like that's the
shit that that kills me is that they're like, yeah, you'll.
Speaker 5 (07:49):
Be getting over on them.
Speaker 4 (07:50):
It's like, now, bro, you're not They know you're broke
because you haven't clip your fingernails in a month, you
know what I mean.
Speaker 5 (07:55):
And they know you're broke because you look like a
game Stop employee. And they know they know that you
look like a game Stop employee and they.
Speaker 4 (08:05):
Don't even got games Stop over there. How do they
know that?
Speaker 8 (08:10):
Her?
Speaker 5 (08:11):
Yeah, you know how crazy you gotta look for them
to be like you know that, yeah, yeah, yeah, no
point nothing it bes fie no the other PlayStation does.
Yeah yeah yeah yeah. I also I do think it
speaks to like a deeper issue of like just men
(08:33):
feeling entitled to ship and feeling like their old stuff,
like like like we grow up our whole lives being like, oh,
you're the man in the house, You're supposed to get
a b C. So then like what happens is these
boys that get told this their whole lives by their
creepy dads and their weirdo uncles, they grow up to
be bitchless grown men that get no bitches and no
hose around the middle while. So then yeah, so then
(08:55):
so you know, the holess life makes you, Yeah, the
bitchless existence makes you take drastic measures. And then you
around and find out in Calcutta.
Speaker 4 (09:11):
They're doing some medieval wed torture. You're like, oh, damn, bro,
I thought I was getting my dick with Yeah you are, no,
yeah you are from the inside.
Speaker 3 (09:20):
But that really does remind me of the saying well,
I forgot where I learned this at. But it's like,
if you see something that's free, bro, it ain't free
you what's being given away when you go to these
countries and you go to places and you're like, yo,
look at my American dollars. Bitches, they're looking at you like, yeah,
we see it, we see it. They see it too.
Just keep looking at my titties. Just worry about the titties.
(09:43):
Don't worry about nothing else happening around you.
Speaker 5 (09:45):
You're here by yourself. Why all they gonna do.
Speaker 3 (09:50):
Is call you poppy two times and touch your neck once. Bro,
you buckling at the knees, and then you call them stupid.
Come on, pack it up, pack it up, pack it up.
Speaker 5 (09:58):
These motherfuckers.
Speaker 4 (09:59):
Man, they don't really that those two fingernails across the
neck is it debilitates all all of them.
Speaker 5 (10:06):
They don't know about that. I'm like, yea, yea, I didn't.
Speaker 4 (10:08):
Learn that, bro.
Speaker 9 (10:08):
I learned that ship when I was like thirteen, saying
not in a sexual just to like, yo, do your homework,
you know what I'm saying. I'm like, I was like,
why does I feel like that? Then you get older,
you become a man, you find out, you know what
I'm saying.
Speaker 3 (10:20):
That's the that's the trigger button right there.
Speaker 4 (10:24):
Caribbean women but listen, man, go out there at your
own risk because you will get fucked up, or or
just don't be weird, just like go to just go
to Venezuela and have a good time, to go to
fucking Columbia and have a good time.
Speaker 5 (10:40):
Go to Japan and have a good time.
Speaker 8 (10:42):
You know what I'm saying, Bro, you might get some
poo poosi, you know what I'm saying, Just just just
be a regular, develop some charm because I say, damn
motherfucker ship and you know who else got the fucking
ass be worse than.
Speaker 4 (10:53):
The motherfuckers trying to buy pushing Columbia is these little
bozo's trying to steal ZI from disaster when the zion,
this economy is in shambles right now New York City.
Nobody knows what's what, Like the licensing ship is all
fucked up. They funcked that roll out, the rollout up,
and every guys is just sitting around with his big
fucking veneers like not helping anything. We're here at I'm
(11:19):
at a restaurant right now with a nice woman, you
know what I'm saying. And later I'm gonna show her
my freemasonry. That Nigga thinks free masonry is like like masonry,
He's like, but I do it for free.
Speaker 5 (11:30):
You know what I'm saying.
Speaker 4 (11:31):
What I'm saying, I would usually write up a contract
and make you sign for any type of liability. In
this case, I'm doing masonry for free.
Speaker 5 (11:40):
But because I'm met at a rista rat, the rules
don't apply.
Speaker 3 (11:48):
But those of you who don't know what we're talking about,
it's about the motherfuckers who went into the smoke shot crazy.
Three kids. Three will look like early twenties, maybe teenagers
like and you know, probably braked up a little bit
of money, opened up a nice little smoke shop. Two
people come in, two does come in and try to
steal what I'm assuming is an eighth They locked the
(12:09):
doors before they leave. Fair when I tell you that,
those yeah have rang nightmares for me since I.
Speaker 4 (12:20):
Bro, Yo, they did that, Nigga like like fucking bronx
tail bro. You know they close and say now.
Speaker 5 (12:26):
You can't leave.
Speaker 3 (12:30):
That's exactly what they did.
Speaker 2 (12:32):
Yo.
Speaker 4 (12:33):
They did that.
Speaker 5 (12:33):
Mother, they did the motherfucker's so dirty.
Speaker 4 (12:36):
But YO, fuck around and find out, bro. That is
the Aesop's fable fucking moral of that story. Bro, like
it happened before with Shorty who Homie jumped over the
counter and tried to run out, and she was like,
your wrong, bitch, Bro, I'm gonna beat your motherfucking ass.
And he's paying the dunks and it's and his black
and white family it match.
Speaker 5 (12:56):
Yeah, that was ready bad with the tube top. I
was like, damn, bro, I wasn't married.
Speaker 3 (13:04):
She will beat the ship out to I turned.
Speaker 4 (13:08):
I turned into hold me in the poking list, got
his nuts stopped. Yes, kick me and my bass again.
Call me a fucking cocko digamma to German god Man.
Speaker 5 (13:27):
Yeah, you know, if you hear that yes out in public,
you better pray that ship is not for you.
Speaker 3 (13:34):
Bad things are about to happen. I've heard too many
of those.
Speaker 4 (13:39):
You know.
Speaker 3 (13:40):
We was talking about the train in the last episode.
I remember one time one of my boys, Skinny Skinny,
you know, those those skinny teenagers who just he just
haven't hit it right. Yeah, this dude is on the
fucking trade or with somebody else's side kick, and two
crypt dudes come up to him and say, yo, run
that this motherfucker has the nerve to get them and
(14:00):
be like, I can't it's not mine. Everything I can't
it's not mine.
Speaker 4 (14:09):
I can't give it.
Speaker 3 (14:10):
To you give me that fucking sidekick, it's not mine.
Speaker 2 (14:19):
They just said okay and they left.
Speaker 4 (14:20):
Right yeah, you know.
Speaker 3 (14:24):
As the hospital hospital New Yorkers that we are. They
calmly said, all right, we understand completely and they went home.
Speaker 2 (14:31):
Bro.
Speaker 3 (14:33):
They just like, Bro, you hear that these motherfuckers have
been waiting to whip somebody. That means they have been
sitting behind that counter of just talking about like Yo,
I can't wait till the day. I can't wait till day.
Speaker 4 (14:52):
I listen. You know, I just got off papers last week. Bro,
I could smoke weed now you know what I mean?
I can catch another case. Bro, it ain't nothing. Ain't
sending me back, Nigga, I got five rex for don't
worry murry on.
Speaker 5 (15:03):
Debt Bro, that sinister azzed.
Speaker 3 (15:12):
Yeah with the slow moving on the jackets.
Speaker 4 (15:20):
You have a do you have a fucking soundboard? Just
already shout the shout shot shout the classical Instagram account
memes Moneyga.
Speaker 5 (15:30):
Who is right?
Speaker 4 (15:32):
Yeah, he's like yo, He's like christ Wan woll shake
that as Bro. It's like, Bro, you're clearly a guy
for the Bronx and I Love You. He got the
year like on a couple of his joints and it's fam.
It's like Pavlovian b you know what I'm saying.
Speaker 5 (15:48):
I heard that ship and I'm just like, oh, ship,
you gotta hit the score saz ship. To me, that's cinema,
no it is.
Speaker 3 (15:58):
I think he's a meme legend, honestly. I think and
I think that there's some pieces of art on the
Internet that don't get the acknowledgement that they deserve.
Speaker 4 (16:10):
Yo.
Speaker 5 (16:10):
Him and Tariokey Poppy gotta hit the collab one time,
break the Internet, Bro, the Internet. Now it's my favorite
Tariokey Poppy ship ever.
Speaker 4 (16:19):
Bro was where he was just like, yeah, you want
to smoke and he's just like other dude's like yeah.
He's like I just Castle Rocks. It's like.
Speaker 5 (16:32):
You sell crack.
Speaker 4 (16:35):
And then it's just like fades out and he's like, so.
Speaker 5 (16:37):
That's how I started smoking crack. My favorite one. He's
like he's like he's like, bro, oh God, he goes
yeah and then the deep ast voice.
Speaker 4 (16:50):
Goes He's like, Yo, Dad, Dad, do you love me?
Speaker 2 (16:59):
Yes?
Speaker 5 (16:59):
I love He is a cup, Cup Cup God, holy
s a and he just stopped.
Speaker 3 (17:07):
To go to school.
Speaker 5 (17:08):
Try that's how you're supposed to do this ship though.
Speaker 4 (17:11):
Hell yeah, saying this ship like yo, yeah, I'm the greatest,
I'm out.
Speaker 5 (17:16):
You're supposed to You're supposed to fly directly into the
sun and like like fucking like, what's the name goddamn
Copernicus with.
Speaker 4 (17:23):
The name what's his name?
Speaker 5 (17:25):
Atlas or some ship?
Speaker 4 (17:27):
Bisis there? We go?
Speaker 5 (17:28):
Yeah, yea, yeah, yeah, he's supposed to fly wings. He's
supposed to be line right right to the fucking sun. Yeah,
the West.
Speaker 4 (17:36):
Sister Beeline buzz Shi to the sun.
Speaker 5 (17:39):
Yeah damn, speaking of flying way too goddamn close to
the sun or maybe directly into it. Malaysian born US
G O P. Dick Rider Ian Miles Chong is using
AI to make only fans models thirst traps more traditional
and like the results are like fucking hilarious because like
(18:01):
are you joking? So we pulled up an example and like,
first of all, like shorty shorty built crazy, like she's
shorty built like a Greek sculpture and for all intents
and purposes, for all of like the o F promo
that I've seen on the timeline, this, all things considered,
(18:22):
is very tasteful, like this is a very classy, very
tasteful loot for so she's not even doing a whole lot.
And in the tweet, fucking Ian dirty ass Miles Strong
is like, oh, when given pictures of thirst traps A,
I imagines what could have been if they'd been raised
by Strong fathers.
Speaker 3 (18:43):
When given pictures of thirst traps AI meaning when I
fucking look for that myself, what the fuck are you doing?
Speaker 10 (18:49):
Bro?
Speaker 4 (18:50):
Yeah? And then stuck like species foot yo, shorty, shorty
got the shorty got the xenomore foot.
Speaker 5 (18:58):
And then the fake it has a Ferragamo coin coin
person around his shoulder.
Speaker 4 (19:04):
The fake little toddler is dressed like my tie and
go to church.
Speaker 5 (19:08):
And also I love the other toddler who's just whispering
straight into her lumbar spine. What is going on here?
Speaker 4 (19:15):
He's like, I learned it from Mark Sanchen. Yeah.
Speaker 5 (19:17):
Also, her body in the AI generated image is way
more slender, but her head is the same size exactly.
Speaker 4 (19:28):
She look crazy, bro Oh, listen, her head matches perfectly
in proportion. Said that was amazing, glutes, I'm saying, I'm
just talking. I got some personal trader because I did
that in my off time. Great glutes, great calves, you
know what I'm saying.
Speaker 5 (19:43):
Surety knew what she was doing.
Speaker 3 (19:44):
He Bro, do you know how much of a fucking
hater you gotta be to see a bad bitch and say,
you know what, let me put an ugly ass dress.
Speaker 5 (19:51):
On his I'm saying, let me put some shit that like, yeah,
you know what.
Speaker 3 (19:58):
I hate AI simply for the fact that these people
are just making up new ship to be pissed off
about b Because you look at a woman who has children,
who is a married woman, and you'll tell you a
piece of ship, house wife, just take care of your children,
You take care of them weak ass kids, and you
shut the fuck up. Then you look at the old shorties,
the shorties who like to show more skin, and you
(20:20):
tell them they got to cover up. Why the fuck
don't you leave women alone? Touch your mind, your business?
Speaker 5 (20:27):
Also, like I've said this before on the timeline, but bro,
how you mad at ass? Shorty responded, oh oh and
and oh yeah yeah, yeah yeah, that's uh yeah.
Speaker 4 (20:42):
Bed Underscore Romper was like, if you're gonna steal my,
let's at least be accurate.
Speaker 5 (20:48):
I'm more of a daddy than you'll ever be.
Speaker 7 (20:50):
Oh yo, but yo, this motherfucker go to his fucking
his Like, uh no, I think I'm gonna stick with island.
Speaker 5 (21:04):
No Isla. So Isla's one hundred and twenty one thousand
followers deep like she's she's been in she's she's really
with the ships, like she's been out here for a minute.
So shout out, Isla. You know what I mean, business woman,
entrepreneur type ship. You know what I mean, getting to
the bag as as usual. So of course you know
what I mean. Of course a woman that he could
never attain his entire life would end up on Ian
(21:27):
Miles Strong's fucking radar, Like, of course of course she would,
because this is how you be mad at ass by
the way, like you you see this beautiful woman who
does not need you at all, and you go.
Speaker 3 (21:39):
Change.
Speaker 4 (21:41):
Also, I don't want to see twenty four.
Speaker 3 (21:46):
Going down her page. All of her pictures are her
covered up.
Speaker 4 (21:50):
All of her pictures are like listen, they all look
like fucking Renaissance panies.
Speaker 5 (21:54):
Everybody.
Speaker 3 (21:55):
He's covered up in most of them. But she has
regular long dresses on.
Speaker 4 (21:59):
This is not fucking molecule of Areola. And this ship,
this ship is like the ship that you jerk off
to when you're fucking like when you first discover that
your penis has sensations.
Speaker 3 (22:08):
You know what I'm saying, I'm tired of knowing how
fucking weird people are bro and they keep rejecting their
weird ship on us.
Speaker 4 (22:15):
And if you look at goddamn, I'm trying to hold on.
If I was reading the news, guys, Uh the Guyana
ships getting out of the droll.
Speaker 5 (22:26):
Uh if you if he if damn Guyana. I'm looking
at the map. I'm not looking at Isla David at all.
You know what I'm saying. Every time that we off
that night right now, it is not I'm not looking
at nipples. Listen, she played Saturn. Goddamn yeah, goddamn ye.
(22:59):
But shorty, I'll take all resources. You know what I'm saying.
Give you that timber.
Speaker 3 (23:03):
Yeah, that don't sound let's yo.
Speaker 4 (23:06):
But I want to show me homies face. Please just
show me Home's face one time. I know that you
enjoy yourself right now.
Speaker 5 (23:13):
There's no there's no like look at you, would you
would do this?
Speaker 2 (23:17):
Look?
Speaker 4 (23:18):
Look, I've never seen a motherfucker in my life that
had such intense gravitational pull on his fucking eyes. Bro.
Speaker 3 (23:27):
He looked like the terrorists in the Evil movie.
Speaker 4 (23:30):
Like it looks like somebody is doing this on his
like under his eyelids, like pulling him, just down with
your fingers. See when they pull the ship like loony
toes and they pulled the way, he melts, his molt
(23:52):
runs into him and he fucking explodes.
Speaker 5 (23:54):
That's what my son looked like.
Speaker 3 (23:55):
He look like.
Speaker 4 (23:56):
Now, this motherfucker looks like he was in the middle
of getting an almost successful cleft palace surgery and then
he started melting, yo, and then he started melting, Oh
my god, right in the middle of it.
Speaker 5 (24:07):
Yeah. So anyway, fuck Ian Milestrong. I think you're I
think you're a fucking creepy weirdo because.
Speaker 4 (24:14):
You know, I know your boso because you're wearing a
fucking button up shirt on top of a half zip.
Speaker 5 (24:19):
Yeah, that's Boso behavior. Be also, your Malaysian bro, minds
your Malaysian ass business bro.
Speaker 4 (24:26):
You between you, Tom.
Speaker 5 (24:28):
Fucking McDonald and any other Canadian in America, Yo, mind
your fucking business.
Speaker 4 (24:34):
Man listens, go make your fucking bundles.
Speaker 11 (24:38):
You know what, I'm the fuck bro twenty I need
a twenty eight Brazilian wavey immediately.
Speaker 5 (24:46):
Is that racist? Is it?
Speaker 3 (24:47):
I don't know, I don't know.
Speaker 4 (24:49):
It's Ian Miles strong fu. Yeah.
Speaker 5 (24:51):
We can say whatever you want about this mouck that game.
He's a he's a yo.
Speaker 4 (24:56):
To bring back another Dominican term that we taught y'all.
You know what I'm saying very early on the show,
this motherfucker is the king Loambung Bro. Like, bro, if
you're getting money and you're like yo, right wing yo.
If Donald Trump came up to him tomorrow, it was like, Ian,
I really want you to deep throat my cack. I
want to feel that. I want to hit the back
of your throat. He'd be like, absolutely, Donald, right now,
(25:19):
let's do it.
Speaker 5 (25:19):
Let's get it.
Speaker 4 (25:19):
Let's get it shaking yeah.
Speaker 5 (25:21):
And then he and then he'd tweet about how awesome
it was to me.
Speaker 4 (25:25):
Amazing.
Speaker 5 (25:26):
It was so amazing, bro. But you know what else
is amazing? These ads?
Speaker 2 (25:29):
Baby.
Speaker 5 (25:32):
If you want to buy a Ukrainian tennis record, stay
right there.
Speaker 3 (25:42):
Thank you for listening. My beautiful brown bald light dog
brothers and sisters.
Speaker 4 (25:48):
Yellow everybody.
Speaker 3 (25:52):
That's just a part of them, that's just a part
of the fan base. Now, if you listen to Victory
really like you are bald?
Speaker 2 (26:01):
Is the bald?
Speaker 3 (26:04):
You know what it is is because once you, once
you bald, even as a woman, you reach the next
level of consciousness. Nobody else is tapped that. I can't
do that and not.
Speaker 5 (26:13):
Yet Amber was in here. I could see her.
Speaker 3 (26:17):
Aura even past the jury, past the jury. No, Ambrose
literally glows in the dark. Did Andy tell you that
he couldn't even look her in the eye when they
walked past each other.
Speaker 5 (26:33):
Yeah, that's crazy. But you know what else is fucking crazy?
Larry David attacking Elmo on Live TV.
Speaker 4 (26:42):
That sounds like an Onion headline, not even Onion like
it's like it's weekly world news.
Speaker 5 (26:46):
That that that's that doesn't sound like something that actually happened.
Speaker 3 (26:50):
It sounds like a episode of his shows.
Speaker 4 (26:54):
Like what are you doing?
Speaker 2 (26:54):
Larry?
Speaker 4 (26:56):
Like Larry believe that some guys of media.
Speaker 10 (27:02):
Larry, you bulled, asshole, you kicked almost ass you fucking
bulled piece of ship.
Speaker 4 (27:09):
Which, by the way, almost here with his pops on
the Today Show with Holder and is that Don Lemon
is that like my cousin.
Speaker 7 (27:17):
I'm like, yo, you look, that's get out down Lemon.
It's like this model won't get out of pockets.
Speaker 4 (27:22):
No, that's Mo.
Speaker 5 (27:24):
Yeah yeah you know that. Don't Lemon, don't lea mong.
Speaker 4 (27:30):
Yo. But Yo, I wanted to. I just want to
come right out and say it. I've said it before.
Almost that smokes mad weed. Bro, Almost that smokes mad
weed and plays acoustic guitar with no shoes on it.
Speaker 5 (27:41):
But that explains why. That explains why almost so chill.
He's like, beginness, I can't smoke my own life.
Speaker 3 (27:49):
All I'm saying is my pops will never let me
get stalled on on live TV facts and I'll do
it about it.
Speaker 5 (27:55):
Almost pops to shut up like three years ago. Right, Yeah,
he's just he's new. He's like Nigga like a bum. No, no,
he hasn't been a bum because Elmo's three.
Speaker 4 (28:06):
He's he's like, I just can't using a nikki. So
I love this. I love this clip.
Speaker 5 (28:14):
Because, like, so, just for the uninitiated, Elmo and his
pops are on what show is this? I don't even
know what the news and Jenna Holda and Jenna it's
like the Good Morning America. They're on the Today. Yeah,
they're on Good Morning Today America sometimes now eventually Hello today, Yeah,
good morning. Elmo and his pops are there. Larry David
(28:37):
comes from off screen and just yokes Elmo's whole city.
Speaker 11 (28:44):
Yea euro STIPs past broker choke, but I love how
Right after this, Elmo gives us the look to the
camera like, yo, if if we were somewhere else right now.
Speaker 5 (29:00):
Yeah, I saw that.
Speaker 3 (29:04):
That little last second when he looked into the camera.
Ye have a camera.
Speaker 4 (29:07):
That's look, that's that's all. That's media trained, you know what.
The only thing he heard his head was yeah, yeah,
hold look hold right now, Elmo's over there, Like, does
Elma look like bitch your word, I'll pussy? Does I'm pussy?
(29:32):
And that fucking like Don Lemon, Michael straighthand Hybrid is like,
why yes, why yes you are pussy yo, and yo,
I broke it. Listen, listen, I swear to God, listen
to me. Look at me, everybody signed Victor Liz Rady,
everybody look at me, right fucking now. All right, I've
been on them, Manjaro. Shit, I went from two seventy
(29:53):
five to two twenty I'm two twenty right now. If
I ever look like this nigga or Al Sharpton, you
niggas been a fuck me up and take me to
Chick fil A immediately.
Speaker 3 (30:04):
Like chick.
Speaker 2 (30:09):
The same body just gets.
Speaker 4 (30:12):
I look nah, if I ever get like, funk me up, bro,
because I got to be able to throw right hook be.
Speaker 5 (30:22):
If you ever look like a lowercase B, just.
Speaker 4 (30:32):
Don't worry.
Speaker 5 (30:33):
We're gonna get you.
Speaker 4 (30:34):
Bronte collect me. You know what I'm saying, because you
al brokan guy here the shiny time station could conduct
the suit. You know what I'm saying, Like he ready
to mans he got, bro, they don't even do they
make those. He got the little like pocket watch clip like.
Speaker 5 (30:49):
He's like, no, they don't. They don't make those. They
gott inherit that joint. They don't make those anymore.
Speaker 4 (30:56):
He said that.
Speaker 5 (30:56):
He's like, Yo, what was that?
Speaker 4 (30:58):
He's had that?
Speaker 5 (30:59):
He's had that since eighteen thirty. Yeah, yeah, Al Roker
in the Vampire Yeah Nelix next month interview with Al Roker.
He's like, hey, guys, yeah, you might you might have
giving me your neck. Take a look at my neck,
look like Larry David, Like, what's my neck. Take a
(31:21):
look at my neck. Now I feel bad because I
just called Bro like don straight hand.
Speaker 4 (31:27):
But he's a real person. Hold his laughing, Like, yeah,
he called you straight nig say that?
Speaker 5 (31:33):
Oh my god.
Speaker 4 (31:34):
First Larry David punch out on now he called you
a fucking behybrant?
Speaker 5 (31:37):
What does this pop saying? Pos?
Speaker 3 (31:39):
Like, Yo, those guns?
Speaker 4 (31:42):
It's really harsh than.
Speaker 3 (31:45):
He said.
Speaker 5 (31:45):
You should have been ship.
Speaker 3 (31:47):
Honestly, my favorite part about this is the fact that
people have been reacting exactly how they would in the
fucking episode is really like, why would you assault Elmo
right on live TV? Why would you hit him right
like in front of his pops? Wow?
Speaker 4 (32:02):
You know what the crazy ship about this whole thing
is like he basically just gave some.
Speaker 5 (32:06):
Random dude to handshake. Yeah you know what I mean, Yo.
But also if anybody can do this, it's Larry David. Yeah,
like anybody else trying to ship. It's like, yo, motherfucker,
you know it's Almos the Yo.
Speaker 4 (32:20):
What the.
Speaker 5 (32:23):
I'm gonna be I'm gonna be on I g live later,
Like Yo, Larry David stopped hiding. We're coming for you, bro.
We slided for Elmo.
Speaker 4 (32:30):
Bro.
Speaker 5 (32:31):
You we really yo, we all street no sense to
youre talking about talking about we like that.
Speaker 3 (32:36):
Yeah, we really like that, but outside we're not gonna
jump you.
Speaker 2 (32:43):
Yo.
Speaker 5 (32:44):
Al Roker, I love Al Roker. Bro I Roka is
like a hundred Yo.
Speaker 4 (32:47):
This what the fucking yo dog I s would have
got every fucking Thanksgiving Day parade. This nigga's been at
every parade since the first Thanksgiving.
Speaker 5 (32:55):
Like, I love our brokers, been our brokers, been at
thanks Giving Me parage since before there was colored television.
Speaker 4 (33:05):
Damn man, nobody knew he was playing.
Speaker 3 (33:09):
Wow, that's crazy.
Speaker 4 (33:15):
Aha, you know like they.
Speaker 5 (33:20):
Don't know, They have no idea. I just came back
from Jamaica. They think I'm telling oh Ship, how was it? Sandals?
It's fucking new John Hancock.
Speaker 4 (33:30):
Yo, Yo, all rug has been out here cooking for
mad Log.
Speaker 5 (33:34):
You know what I'm saying. He was the first balloon
and the thanks and then.
Speaker 3 (33:37):
The Day May sparade.
Speaker 4 (33:38):
He's the first one, you know what I'm saying. He's
been cooking successfully for mad Log. Has also been consistent,
consistently cooking for a little bit, you know what I'm saying,
cooking do her things insecure rap Ship Barbie. You know
what I'm saying, Like American fiction bro Peabody Trailblazer Award.
She been wild wild and cooking doing it. But she's
(34:02):
out here telling them motherfucking like Will Smith and setting
concussion the truth, you know what I'm saying, Like, there's
gatekeepers at the top of this shit, bro that like,
for example, you're very funny, you know what I'm saying,
you deserve a shot at some type of like you know, Hollywood,
show business, whatever the fuck.
Speaker 5 (34:25):
Nobody's gonna give you that shot.
Speaker 4 (34:27):
Because there's very stupid people at the top of the
food chain that somehow got they either got there by luck,
but they dad fucked the right person, you know what
I'm saying, And here they are. But Era is a
meritocracy type of person. Her shit hit, you know what
I'm saying. And recently they canceled rapshit, you know what
(34:48):
I mean, which was going well, you know what I mean,
Like they canceled it, and she said, the people at
the top of this whole shit, they're like fucking venture capitalists.
Speaker 5 (34:57):
They're not artists, you know what I'm saying.
Speaker 4 (34:59):
So it's saying, if you if you're running my show,
I know that I'm in good his because it's like, Yo, Liz,
she gets my sense of humor. She knows what to
tell me and ready to do to maximize what we got.
You know what I'm saying, that's what you get. You
know what I mean when you put in somebody that's
just looking at numbers, they don't know shit about ship
bro like you know what I mean. They don't know
(35:20):
what's good or what's bad. They just know, Yo, this
performed well. They don't know, Yo, this is this is
culturally relevant, This is good music, This is good art.
Speaker 5 (35:29):
They don't know nothing about that. Back to them, like
like the music, ship it's all it's all a numbers game.
They're not gonna hedge their bets on somebody new when
they already know that like Vince Vaughan or like Will
Arnett or whatever, it's gonna get butts in seats. The
movie could be garbage, but it's Vince Vaughan or whoever.
You know what I mean. I sold it off the
name Boom.
Speaker 4 (35:48):
That's it.
Speaker 5 (35:48):
Yeah, you know what I mean.
Speaker 4 (35:49):
And and yo, listen before you I don't want what
did this articles come out? Because I don't want to
say this And be wrong. Yes, the title is well
February four. Yes, so I could I could confidently say
that this quote was said by Victor Lopez before Ray
Ray said.
Speaker 7 (36:10):
Sorry, let me find it there, and I quote, I'm sorry.
Speaker 4 (36:13):
But there aren't a lot of smart executives anymore, and
a lot of them have aged now and holding on
to their positions and refusing to let young blood get in.
Speaker 7 (36:25):
I mean, so I currently have an EEOC complaint against
what was at the time Showtime, which was owned by
just C CBS, but then they merged with Viacomed, became
Viacom CBS, and they're now all Paramount Global. And it's
not because they're doing a good job. Let me say
(36:47):
that much belongs to sure. That's not a revolutionary statement
in terms of like what you were telling me, Like
for a long time, I've been saying everybody talks about
talent in front of the camera and like talent like
people like Merrow, maybe an independent producer like me, But
none of that works if there's no executive level talent.
And that's the thing, you know, Artists have been saying
this for a long time. There a lot of the
(37:08):
stuff's new, a lot of it isn't. But what is
new right now is that media is suffering more than
ever and it's not from the decision making of artists,
actual artists, jay Z. Some of you do not belong
in the category. Some of you are just politicking to
be there. But yeah, man, she's not wrong, and they
(37:29):
you know, I will say this much. I'm not going
to get on a soapbox here. You can't have as
racist an institution as Hollywood has traditionally been without the
help of several actors, So it's easy to blame an
executive and look at all of them. Talent distributes randomly,
nobody decided to Nicola Jokic is going to be probably
(37:50):
the best player in the NBA. No shots at Lebron, fine,
second best player. That man's from Serbia and likes buying horses.
But he's also like the one of the illest play
in the NBA.
Speaker 5 (38:00):
And also hates basketball.
Speaker 7 (38:03):
The reason you'll see less of it in sports now.
I'm not saying that sports does not have a serious
This country at large doesn't have a serious racism issue.
But what I will say is when you have to
go hand to mouth and make decisions that feed you,
that keep you solvent, there's pretty much there there's a
lot less wiggle room for racism, and I'm gonna stop there.
But and to explain what eo C is, it's the
(38:26):
Equal Employment Opportunity Commission, I think, so you can't get
rolled by the employer.
Speaker 2 (38:31):
Yeah.
Speaker 7 (38:32):
So one of the reasons like we have like voting
rights is because JFK got popped and Lynda B.
Speaker 10 (38:37):
Johnson came inspect man that ship like he was on DVD.
JFK got clipped.
Speaker 5 (38:52):
You've got it. They got him up.
Speaker 4 (38:53):
Body here.
Speaker 7 (38:54):
Linda Johnson comes in and uh, you know, rides the
wave and he's just like now civil rights now and
it you know, sixty four blah blah, bah blah whatever.
Speaker 2 (39:02):
This isn't a history podcast, but this was.
Speaker 7 (39:05):
One of the things that was implemented because it was
understood that, you know, one person alone like is a bigot,
but there is an informal system that is racism, Like
there's you know, a racist is a part of a system.
They never stand alone. And that was supposed to help
and that it's a federal department that's supposed to help
(39:26):
dismantle these systems of racism that we know exist. But
it's also been severely defunded.
Speaker 4 (39:32):
So for a long time, you know what I'm saying,
Vic has been saying this, and as a race said
it as well. I'm sorry, but there aren't a lot
of smart executives anymore, she says, and a lot of
them have aged out and are holding onto the positions
and refusing to let young blood get in preach.
Speaker 5 (39:48):
He's a you know what I'm saying, talk shit.
Speaker 2 (39:53):
Let you.
Speaker 5 (39:56):
How about that term is gender neutral yo? Whoever it is?
Speaker 2 (40:01):
Yeah?
Speaker 7 (40:02):
Yeah, you know, for a lot of people want to
like blame talent when shows don't work out, but you
forget that a company, an industry just can't work without
executive level talent. And if you look at what's going
on right now, I mean is she lying, yeah, Like
if there was a lot of executive level talent, you
wouldn't see large media companies constantly looking to get sold,
(40:25):
looking to be acquired.
Speaker 2 (40:26):
Yeah, because literally they.
Speaker 7 (40:28):
Shaken bed at night like knowing that like Charlie Demilio
or somebody's out there making a TikTok, like are you
really that nice? A kid with the finance like iPhone
is killing you right now?
Speaker 5 (40:39):
Ask this ship that fucking that got these motherfuckers under pressure.
Speaker 7 (40:42):
Bro.
Speaker 4 (40:43):
They look at fucking mister Beast and they're like, fuck, bro,
what are we gonna do?
Speaker 10 (40:48):
This?
Speaker 5 (40:48):
Motherfucker's on YouTube.
Speaker 4 (40:49):
He got fucking burger chains, he got candy balls, he
got all this ship, he got the everybody in a
fucking choke hold and he has he's not paying nobody,
He's not paying on net work. He's not he's cashing
out and he has pledged to give away every cent
by the end of his career. So like he's on
record saying that he's like yo, like, by the way,
(41:10):
like all this ship, all these give backs I do,
Like this isn't just for like I make way more
money than I know what to do with. Of course
I'm going to like build a well in Africa, you
know what I mean, Like optics be damned right, Like yeah,
white Savior, Okay, sure these people have water now, like.
Speaker 5 (41:25):
The CEO whatever the fuck is like fun that I'm
buying a pool house.
Speaker 4 (41:28):
Yeah, yeah, exactly.
Speaker 7 (41:30):
Yeah then I can get no bitches in yeah yeah,
bitchless existence that I can see that, my thin lippt
ugly wife.
Speaker 2 (41:38):
And I've seen that, bitch, I've seen.
Speaker 5 (41:42):
Listen, how do you how do you feel about like
this like rays sentiment? Because I feel like you've been
on the ray train since awkward black girl, right, like
you've been Yeah, I love you.
Speaker 3 (41:54):
Sorry, I believe her, Bro, I believe her because why
is it so hard if the public is asking for
these things? You see the ratings, you see even the
backlash when rap shit was fucking canceled. You don't understand
what the culture wants. Why don't you let these fucking
people create what the fuck we want? Yeah, I don't understand, Like,
(42:15):
why do you You know that you are expire talent.
All you have to offer is capital. You know that
you can fund some creative people, find creative people and
let them do what they do.
Speaker 5 (42:26):
Let them cook, let them do what the fuck they do.
Speaker 3 (42:28):
They know what the public likes, let them create what
the fuck they want. Bro, I find myself and shit
like that.
Speaker 7 (42:33):
I can give you the short answer, which is because
you guys don't pay for it.
Speaker 2 (42:37):
Yeah.
Speaker 5 (42:37):
Oh wait, I've seen I've also seen this sentiment on
online of like, oh, there's no movie stars anymore, and
it's like, yeah, it's because no one's making anything worth
caring about. Because all they care about is what's profitable.
It's like like like on that show, like on the
Last of Us, they're talking about all like the Bill
episode did so well, like they wont like best story
(43:00):
or a fuck nick Offerman won Best Supporting Actor for that.
So immediately off the reception of that, they go, oh,
Bill is getting his own spin off. Bro, we just
saw that man's whole life story in that hour long.
We don't need a fucking spin off. But because it's
the highest rated episode on premium cable television that whole year,
they go, oh, money, money, money, money, money, and and
(43:21):
they're gonna be and it's gonna become soulless and yeah,
that's why there's no movie stars anymore, because like, you
just take whatever TikTok kid is out who has like
a single out like transition into music. You take his
fucking minute and forty second single, You pluck him out
of there. You put a you put a kid who's
never show Yeah, you put a kid who's never performed
live ever in his life with one song that's a
(43:42):
minute and forty seconds long, and you throw him on
Rolling Loud.
Speaker 3 (43:44):
What the fuck?
Speaker 5 (43:45):
What the fuck do you expect to happen.
Speaker 4 (43:47):
Yeah, I don't know what these fucking hads are brough,
I promise, but this victory light will be right back.
Speaker 2 (43:53):
Yo.
Speaker 12 (43:53):
Listen is the end of the show and we go
to the bad of the man where you ask about
your life.
Speaker 3 (44:05):
We don't need no more marrow vocals.
Speaker 5 (44:09):
Four.
Speaker 4 (44:10):
This is yo today, alright, real that is old Bleaks.
O Bleaks says, I'm meeting my boyfriend's mom later this week.
How do I leave a good impression? My boyfriend in
seven months has arranged for me to meet his mom
(44:32):
in a coffee shop in a few days. Of course
he's going to be present. I was just wondering how
to leave a good first impression?
Speaker 3 (44:39):
Square ouphae, who really down? So see who's really gonna
die for this ship?
Speaker 4 (44:53):
Say yo? I think yo, holy.
Speaker 7 (45:05):
Yo?
Speaker 5 (45:06):
I told my man's is the other day.
Speaker 3 (45:08):
Bro.
Speaker 4 (45:08):
Well you we was coming up when you was a
kid in a high school June or whatever, and somebody
had the free crib, and you go to the free crib,
and free crib. Usually, man, there's no parents here, there's
no adults here. We're gonna wild out, We're gonna smoke weed,
We're gonna watch smack dv D whatever. If you went
(45:29):
to the free crib and moms was there, it's like, yo, Yo,
your mom's is ahead.
Speaker 5 (45:37):
Broad, you could close the door.
Speaker 4 (45:43):
You can close the door.
Speaker 3 (45:46):
What kind of what kind of what kind of what
kind of house are you living in?
Speaker 4 (45:49):
Bro?
Speaker 5 (45:50):
What short these pops that will let you in? Oh? Yeah,
you could go in there.
Speaker 2 (45:55):
It's fine.
Speaker 4 (45:57):
No Yo, bleep the name Yo, make him some bangs
that I swear to guy.
Speaker 5 (46:04):
Yo, I love you, Bro. It's like six forty five.
This nigga was a military nigga. Bro, he woke up.
Speaker 4 (46:09):
We crashed, bro, because Yo, you know j Bro, that's
my road dog.
Speaker 5 (46:13):
Bro, we go back. It never was like yo, let's fuck.
It was never nothing like that. It was like, brother,
it's just from jump.
Speaker 4 (46:19):
So like we ran around doing graffiti and ship and
it's mad easy to do graffiti when you're with a girl,
you know what I mean.
Speaker 5 (46:24):
Because it's like, oh, look at this.
Speaker 4 (46:25):
Cute couple walking down the street of Southern Boulevard.
Speaker 5 (46:28):
You know what I'm saying, Like they're not so she
would go out with me. We go bombing and ship
like that, We go racking and ship.
Speaker 2 (46:37):
Bro.
Speaker 4 (46:37):
I remember I statue limitations. The ship is the petty
loss in me.
Speaker 2 (46:41):
She's a lawyer now in facts.
Speaker 4 (46:43):
Canal Jeans, remember Canal is that ship still exists?
Speaker 3 (46:46):
Canal Jeans.
Speaker 5 (46:47):
I don't even know what that is.
Speaker 4 (46:48):
It was it was it's it was like a denim
store like downtown like soho, like I don't know, yeah
where like the there's like the Puma stoes right there.
Speaker 5 (46:57):
Whatever. It's like all the little you know what I mean.
Speaker 4 (46:59):
Whatever, So Canal Jeans had purses and Diesel was like
was it at the time. My girlfriend at the time,
who was who had weirdly had a fight with jazz
girl like fist the cuffs in like the park, damn
mad weird.
Speaker 5 (47:15):
But then we all end up hanging out.
Speaker 4 (47:17):
So she the the Cosmopolitan has a purse of the
month and it's a Diesel purse with like a leather whatever.
It was a fucking purse. I go to Canal Jeans.
They got ten of them, fifteen twenty. The motherfucker's on
a rack, but they got the little wire shit like
attached to it. My shorty worked at a copy place
(47:38):
called pop not pop copy, you neque copy, but it
was based on pop copy. It was I saw my mama. Bro,
all my mom and my kids.
Speaker 5 (47:46):
Bro, Bro all my mom and my kids.
Speaker 4 (47:49):
Bro. That skit was based on them because it was
for the Minigan shorties. One of them was named Betty
mad big short named Betty my ex girl, and then
two other shorties working there.
Speaker 5 (48:01):
It was no dudes, it was just them and it
was all.
Speaker 4 (48:03):
In there, just just chilling, like chilling, chilling.
Speaker 5 (48:07):
And this is like West Broadway, like like fourth.
Speaker 4 (48:11):
And like broway whatever, like like kind of like Nick
asked the place where the Towel Records used to be
that big as Towel Records right across the street.
Speaker 5 (48:18):
From that shit. Bro.
Speaker 4 (48:20):
I go in there and I'm like, Yo, I need
fucking wiree cutters. She's like, what you mean, what fuck
you mean white cutters? For I go, I get the
white cutters, go back to canal jeans. I'm like, snip snip, snip, snip,
snip snip snip snip snip snip snip.
Speaker 5 (48:31):
Jazz outside on the phone. She's like, YO, you're gonna
come inside.
Speaker 4 (48:35):
I walk out of this shit with like twenty presses
on my arm like that, Like I just walked straight
out the front door. Ain't nobody says shit to me. Bro,
I was like, yo, fam, I felt like I fucking
robbed like fort Knox. You know what I'm saying, like,
because usually when I bushit, I'm like, yo, throwing it
down the leg and the jacket and the thing.
Speaker 5 (48:53):
I got a bag with the illuminum foil.
Speaker 4 (48:55):
Yeah, so listen. The way to impress your your your
potential with mother in law is by being like, Yo,
look what I stole for you.
Speaker 3 (49:04):
You know what I mean?
Speaker 5 (49:04):
And give the bitch a diesel purse.
Speaker 2 (49:06):
You're welcome.
Speaker 5 (49:07):
Yeah, oh man, the way you man. I want to
answer this earnestly but honestly. Man, uh, I think the
way to impress your your partner's parent on the first day,
uh is to end this fucking episode so I can go.
Speaker 2 (49:25):
The never again.
Speaker 5 (49:41):
For more hours.
Speaker 3 (49:44):
We can run another one.
Speaker 4 (49:49):
H h.
Speaker 3 (49:58):
Legitly like las nick knack.
Speaker 1 (50:01):
Nag nag nag
Yeah, you've seen the frustration overlaps in the chronic Stacey.
He is now into the gangster mode, you.
Speaker 2 (00:13):
Know what, like.
Speaker 3 (00:16):
Literedy like like mhm h.
Speaker 2 (00:28):
Literedy like like.
Speaker 4 (00:33):
Yeah, let's fire. Yeah, bec you know what I'm saying,
twenty five episodes of his motherfucker damn him?
Speaker 5 (00:42):
I like twenty five quarter century? Good number.
Speaker 4 (00:45):
Yeah, it's a quarter century. I don't want to say
thing like that. Why do I say it like that?
This is a response.
Speaker 3 (00:49):
You want to be a battle rapper? Yeah, you're down
in your soul.
Speaker 5 (00:53):
Yeah you sounded like you sounded like emon?
Speaker 3 (00:57):
What think you don't? Now?
Speaker 4 (01:00):
Like?
Speaker 2 (01:03):
Yo?
Speaker 5 (01:03):
Nah? But the ship that kills about batle rabbers.
Speaker 4 (01:05):
And that's why I moved to MI because I'm about
to do like the whole mannerism is when they say
a line and then they'd be like this motherfucker he
don't even got a metro card, and then they turned
their heads to the side. I'm like, bro, where's the
rest of the line. Where's the yo? They getting so
close to each other, I'm like, yo, fam listen, I
would be the worst battle rapper ever. Kiss Yeah, because
(01:30):
I seen I've seen a line of like his battle
raps and he's just like pussy and he's just like
right here, motherfucker's face. I'm like bo fam if you
caught me pussy and you and like spit globules, get
on my face, globules.
Speaker 3 (01:43):
They have funerals in front of you.
Speaker 5 (01:45):
Oh my god.
Speaker 3 (01:46):
I had a funeral with bitches dressed as as as
as funeral bitches.
Speaker 4 (01:57):
Yeah, you know, the bitches to be at the funeral.
They were just like.
Speaker 3 (02:01):
They eulogy on the paper, like how do you not
duff somebody in the back of the head one y'all
walking out of that place. Every time.
Speaker 4 (02:12):
It is different, yo, Oh my god.
Speaker 2 (02:15):
Yo.
Speaker 4 (02:16):
So we talked about this before guys leaving. I think
it was like like in like in context of trip
in Japan or whatever. But the passport bros going out
thinking ship is sweet. Yeah, I'm gonna go to the
r Yeah, I'm gonna go to Colombia'm gonna go to
ben you know what I'm saying.
Speaker 5 (02:35):
I'm gonna go over here.
Speaker 4 (02:37):
The motherfuckers get murked, they get get merked.
Speaker 3 (02:40):
Yeah, I heard they zero eight right now.
Speaker 4 (02:45):
That record crazy lose, no pussy, just homicides, that's.
Speaker 5 (02:53):
No cheeks. At all, bro you're just taking on the
livings brou Wow.
Speaker 4 (02:57):
And I would be remiss if I did not say
that we have expert in a building here, Victor. Uncle
Victor is the house and he's an expert on Columbia prostitution.
Speaker 5 (03:08):
Wow.
Speaker 2 (03:11):
That is.
Speaker 3 (03:13):
That is.
Speaker 5 (03:17):
Fucked like hold on, brothel you visited.
Speaker 4 (03:26):
And now you're for godfather of buyume.
Speaker 3 (03:30):
For those are those who don't know what we're talking about. Yes,
Colombian officials have said and set out a warning to
American people who are coming in to not download Tinder
and visit these women.
Speaker 4 (03:43):
I'm dial laughing.
Speaker 2 (03:44):
I'm proud of Columbia right now.
Speaker 4 (03:45):
Yeah, yeah, I'm dialaughing. It's like my brain is such
a fried, fucking disgusting mess. It's like orzo with cheese
and like sun dried tomatoes. That's my brain. When you
said the fucking ship about like yo, the Colombian government
is giving out warnings, I thought of DJ Camello, who
happens to be Colombian and has the warning warning you
(04:06):
want to get marked by a press to Columbia. Camilla
is like.
Speaker 6 (04:12):
Warning warning warnings, just like.
Speaker 3 (04:27):
Yo. Fuck y'all though y'all go to these countries to
exploit the ship out these women.
Speaker 4 (04:32):
It's crazy.
Speaker 3 (04:33):
All I'm saying is if you get marked, that's none
of my big ass American business.
Speaker 4 (04:39):
Yo, my ship with by pussy and the is like, bro,
you really got to be a herb, bro, Like, you
really got to be a herb because.
Speaker 3 (04:48):
Well, have you ever met a Dominican woman like in
d R Yeah, I mean well even out here, they're
just very charismatic.
Speaker 4 (04:55):
Yeah, they make you believe like.
Speaker 3 (04:56):
They're in love with you, even though to them might
be you know.
Speaker 4 (05:02):
Me, metro car Yeah, yeah, yeah, metro car me, metro
car on you also, yeah, you know what I'm saying.
Speaker 3 (05:12):
And then in English switched it up right away. That's
my that's that's a love of my life. That's the
love of my life. That's my horseman, that's my that's
my big buppy.
Speaker 4 (05:25):
You don't know what you think. I was gotta claped
behind some ship.
Speaker 5 (05:29):
Bro, But yeah, not man, fucking.
Speaker 4 (05:35):
Don't go to foreign lands to buy pussy bro by
domestic pussy be like, because support your local you know
what I'm saying, your local business, support small business.
Speaker 5 (05:46):
If you're gonna get packed up, you gotta think of
every eventuality. Man, if you're gonna get packed up either way,
might as well do that ship stayside where they could
find your body and bury it.
Speaker 4 (05:56):
I mean, you get a nice urn. You know you can't.
It's like yo, yo, your pops died buying pussy, but
his his remains, you know what I'm saying.
Speaker 5 (06:06):
She is even more amassing your pops. Yeah, because then
they'll because then they'll murk you and flip your liver
for a bag.
Speaker 4 (06:11):
You know what I mean, and then throw your fucking
the fucking.
Speaker 3 (06:20):
Yea.
Speaker 4 (06:20):
You just find out Organs bro. You used to be
the ahead of a household.
Speaker 2 (06:26):
Damn. Yeah.
Speaker 5 (06:27):
Now you're just a loose leaf paper rolling down.
Speaker 4 (06:32):
You're just floating.
Speaker 5 (06:33):
Down, just floating down the river. Victory Light is a
fund up show, guy, I love it. It's a shy
every time. I love it.
Speaker 3 (06:50):
No, But if you think about what they're doing, right,
it's kind of I don't want to say I don't
feel sorry for them, because I do. But you go
to these places, it's not like you're going on vacation
and you're just casually meeting women. Because I feel like
a lot of people might get that misconstrued. Yeah, you
might fly to a different country, meet somebody there who
y'all just hit it off, and you're like, oh shit, vibes,
(07:11):
this is you know, this might go somewhere. That's a
lot different than you going somewhere saving up all your
little coins just to go and impressing Cosplay as a
rich bitch in a different country. That's crazy to me.
And then you use the money to hold it over
their head, like.
Speaker 7 (07:27):
Look, yeah, Jackson, you thought you were messing with the sharks,
but now the sharks are messing with you.
Speaker 4 (07:36):
It's crazy because like, fam, you're not smart, bro, you
know what I mean?
Speaker 5 (07:41):
Like, you're not smart.
Speaker 4 (07:43):
You're getting for next, you fucking idiot. Like that's the
shit that that kills me is that they're like, yeah, you'll.
Speaker 5 (07:49):
Be getting over on them.
Speaker 4 (07:50):
It's like, now, bro, you're not They know you're broke
because you haven't clip your fingernails in a month, you
know what I mean.
Speaker 5 (07:55):
And they know you're broke because you look like a
game Stop employee. And they know they know that you
look like a game Stop employee and they.
Speaker 4 (08:05):
Don't even got games Stop over there. How do they
know that?
Speaker 8 (08:10):
Her?
Speaker 5 (08:11):
Yeah, you know how crazy you gotta look for them
to be like you know that, yeah, yeah, yeah, no
point nothing it bes fie no the other PlayStation does.
Yeah yeah yeah yeah. I also I do think it
speaks to like a deeper issue of like just men
(08:33):
feeling entitled to ship and feeling like their old stuff,
like like like we grow up our whole lives being like, oh,
you're the man in the house, You're supposed to get
a b C. So then like what happens is these
boys that get told this their whole lives by their
creepy dads and their weirdo uncles, they grow up to
be bitchless grown men that get no bitches and no
hose around the middle while. So then yeah, so then
(08:55):
so you know, the holess life makes you, Yeah, the
bitchless existence makes you take drastic measures. And then you
around and find out in Calcutta.
Speaker 4 (09:11):
They're doing some medieval wed torture. You're like, oh, damn, bro,
I thought I was getting my dick with Yeah you are, no,
yeah you are from the inside.
Speaker 3 (09:20):
But that really does remind me of the saying well,
I forgot where I learned this at. But it's like,
if you see something that's free, bro, it ain't free
you what's being given away when you go to these
countries and you go to places and you're like, yo,
look at my American dollars. Bitches, they're looking at you like, yeah,
we see it, we see it. They see it too.
Just keep looking at my titties. Just worry about the titties.
(09:43):
Don't worry about nothing else happening around you.
Speaker 5 (09:45):
You're here by yourself. Why all they gonna do.
Speaker 3 (09:50):
Is call you poppy two times and touch your neck once. Bro,
you buckling at the knees, and then you call them stupid.
Come on, pack it up, pack it up, pack it up.
Speaker 5 (09:58):
These motherfuckers.
Speaker 4 (09:59):
Man, they don't really that those two fingernails across the
neck is it debilitates all all of them.
Speaker 5 (10:06):
They don't know about that. I'm like, yea, yea, I didn't.
Speaker 4 (10:08):
Learn that, bro.
Speaker 9 (10:08):
I learned that ship when I was like thirteen, saying
not in a sexual just to like, yo, do your homework,
you know what I'm saying. I'm like, I was like,
why does I feel like that? Then you get older,
you become a man, you find out, you know what
I'm saying.
Speaker 3 (10:20):
That's the that's the trigger button right there.
Speaker 4 (10:24):
Caribbean women but listen, man, go out there at your
own risk because you will get fucked up, or or
just don't be weird, just like go to just go
to Venezuela and have a good time, to go to
fucking Columbia and have a good time.
Speaker 5 (10:40):
Go to Japan and have a good time.
Speaker 8 (10:42):
You know what I'm saying, Bro, you might get some
poo poosi, you know what I'm saying, Just just just
be a regular, develop some charm because I say, damn
motherfucker ship and you know who else got the fucking
ass be worse than.
Speaker 4 (10:53):
The motherfuckers trying to buy pushing Columbia is these little
bozo's trying to steal ZI from disaster when the zion,
this economy is in shambles right now New York City.
Nobody knows what's what, Like the licensing ship is all
fucked up. They funcked that roll out, the rollout up,
and every guys is just sitting around with his big
fucking veneers like not helping anything. We're here at I'm
(11:19):
at a restaurant right now with a nice woman, you
know what I'm saying. And later I'm gonna show her
my freemasonry. That Nigga thinks free masonry is like like masonry,
He's like, but I do it for free.
Speaker 5 (11:30):
You know what I'm saying.
Speaker 4 (11:31):
What I'm saying, I would usually write up a contract
and make you sign for any type of liability. In
this case, I'm doing masonry for free.
Speaker 5 (11:40):
But because I'm met at a rista rat, the rules
don't apply.
Speaker 3 (11:48):
But those of you who don't know what we're talking about,
it's about the motherfuckers who went into the smoke shot crazy.
Three kids. Three will look like early twenties, maybe teenagers
like and you know, probably braked up a little bit
of money, opened up a nice little smoke shop. Two
people come in, two does come in and try to
steal what I'm assuming is an eighth They locked the
(12:09):
doors before they leave. Fair when I tell you that,
those yeah have rang nightmares for me since I.
Speaker 4 (12:20):
Bro, Yo, they did that, Nigga like like fucking bronx
tail bro. You know they close and say now.
Speaker 5 (12:26):
You can't leave.
Speaker 3 (12:30):
That's exactly what they did.
Speaker 2 (12:32):
Yo.
Speaker 4 (12:33):
They did that.
Speaker 5 (12:33):
Mother, they did the motherfucker's so dirty.
Speaker 4 (12:36):
But YO, fuck around and find out, bro. That is
the Aesop's fable fucking moral of that story. Bro, like
it happened before with Shorty who Homie jumped over the
counter and tried to run out, and she was like,
your wrong, bitch, Bro, I'm gonna beat your motherfucking ass.
And he's paying the dunks and it's and his black
and white family it match.
Speaker 5 (12:56):
Yeah, that was ready bad with the tube top. I
was like, damn, bro, I wasn't married.
Speaker 3 (13:04):
She will beat the ship out to I turned.
Speaker 4 (13:08):
I turned into hold me in the poking list, got
his nuts stopped. Yes, kick me and my bass again.
Call me a fucking cocko digamma to German god Man.
Speaker 5 (13:27):
Yeah, you know, if you hear that yes out in public,
you better pray that ship is not for you.
Speaker 3 (13:34):
Bad things are about to happen. I've heard too many
of those.
Speaker 4 (13:39):
You know.
Speaker 3 (13:40):
We was talking about the train in the last episode.
I remember one time one of my boys, Skinny Skinny,
you know, those those skinny teenagers who just he just
haven't hit it right. Yeah, this dude is on the
fucking trade or with somebody else's side kick, and two
crypt dudes come up to him and say, yo, run
that this motherfucker has the nerve to get them and
(14:00):
be like, I can't it's not mine. Everything I can't
it's not mine.
Speaker 4 (14:09):
I can't give it.
Speaker 3 (14:10):
To you give me that fucking sidekick, it's not mine.
Speaker 2 (14:19):
They just said okay and they left.
Speaker 4 (14:20):
Right yeah, you know.
Speaker 3 (14:24):
As the hospital hospital New Yorkers that we are. They
calmly said, all right, we understand completely and they went home.
Speaker 2 (14:31):
Bro.
Speaker 3 (14:33):
They just like, Bro, you hear that these motherfuckers have
been waiting to whip somebody. That means they have been
sitting behind that counter of just talking about like Yo,
I can't wait till the day. I can't wait till day.
Speaker 4 (14:52):
I listen. You know, I just got off papers last week. Bro,
I could smoke weed now you know what I mean?
I can catch another case. Bro, it ain't nothing. Ain't
sending me back, Nigga, I got five rex for don't
worry murry on.
Speaker 5 (15:03):
Debt Bro, that sinister azzed.
Speaker 3 (15:12):
Yeah with the slow moving on the jackets.
Speaker 4 (15:20):
You have a do you have a fucking soundboard? Just
already shout the shout shot shout the classical Instagram account
memes Moneyga.
Speaker 5 (15:30):
Who is right?
Speaker 4 (15:32):
Yeah, he's like yo, He's like christ Wan woll shake
that as Bro. It's like, Bro, you're clearly a guy
for the Bronx and I Love You. He got the
year like on a couple of his joints and it's fam.
It's like Pavlovian b you know what I'm saying.
Speaker 5 (15:48):
I heard that ship and I'm just like, oh, ship,
you gotta hit the score saz ship. To me, that's cinema,
no it is.
Speaker 3 (15:58):
I think he's a meme legend, honestly. I think and
I think that there's some pieces of art on the
Internet that don't get the acknowledgement that they deserve.
Speaker 4 (16:10):
Yo.
Speaker 5 (16:10):
Him and Tariokey Poppy gotta hit the collab one time,
break the Internet, Bro, the Internet. Now it's my favorite
Tariokey Poppy ship ever.
Speaker 4 (16:19):
Bro was where he was just like, yeah, you want
to smoke and he's just like other dude's like yeah.
He's like I just Castle Rocks. It's like.
Speaker 5 (16:32):
You sell crack.
Speaker 4 (16:35):
And then it's just like fades out and he's like, so.
Speaker 5 (16:37):
That's how I started smoking crack. My favorite one. He's
like he's like he's like, bro, oh God, he goes
yeah and then the deep ast voice.
Speaker 4 (16:50):
Goes He's like, Yo, Dad, Dad, do you love me?
Speaker 2 (16:59):
Yes?
Speaker 5 (16:59):
I love He is a cup, Cup Cup God, holy
s a and he just stopped.
Speaker 3 (17:07):
To go to school.
Speaker 5 (17:08):
Try that's how you're supposed to do this ship though.
Speaker 4 (17:11):
Hell yeah, saying this ship like yo, yeah, I'm the greatest,
I'm out.
Speaker 5 (17:16):
You're supposed to You're supposed to fly directly into the
sun and like like fucking like, what's the name goddamn
Copernicus with.
Speaker 4 (17:23):
The name what's his name?
Speaker 5 (17:25):
Atlas or some ship?
Speaker 4 (17:27):
Bisis there? We go?
Speaker 5 (17:28):
Yeah, yea, yeah, yeah, he's supposed to fly wings. He's
supposed to be line right right to the fucking sun. Yeah,
the West.
Speaker 4 (17:36):
Sister Beeline buzz Shi to the sun.
Speaker 5 (17:39):
Yeah damn, speaking of flying way too goddamn close to
the sun or maybe directly into it. Malaysian born US
G O P. Dick Rider Ian Miles Chong is using
AI to make only fans models thirst traps more traditional
and like the results are like fucking hilarious because like
(18:01):
are you joking? So we pulled up an example and like,
first of all, like shorty shorty built crazy, like she's
shorty built like a Greek sculpture and for all intents
and purposes, for all of like the o F promo
that I've seen on the timeline, this, all things considered,
(18:22):
is very tasteful, like this is a very classy, very
tasteful loot for so she's not even doing a whole lot.
And in the tweet, fucking Ian dirty ass Miles Strong
is like, oh, when given pictures of thirst traps A,
I imagines what could have been if they'd been raised
by Strong fathers.
Speaker 3 (18:43):
When given pictures of thirst traps AI meaning when I
fucking look for that myself, what the fuck are you doing?
Speaker 10 (18:49):
Bro?
Speaker 4 (18:50):
Yeah? And then stuck like species foot yo, shorty, shorty
got the shorty got the xenomore foot.
Speaker 5 (18:58):
And then the fake it has a Ferragamo coin coin
person around his shoulder.
Speaker 4 (19:04):
The fake little toddler is dressed like my tie and
go to church.
Speaker 5 (19:08):
And also I love the other toddler who's just whispering
straight into her lumbar spine. What is going on here?
Speaker 4 (19:15):
He's like, I learned it from Mark Sanchen. Yeah.
Speaker 5 (19:17):
Also, her body in the AI generated image is way
more slender, but her head is the same size exactly.
Speaker 4 (19:28):
She look crazy, bro Oh, listen, her head matches perfectly
in proportion. Said that was amazing, glutes, I'm saying, I'm
just talking. I got some personal trader because I did
that in my off time. Great glutes, great calves, you
know what I'm saying.
Speaker 5 (19:43):
Surety knew what she was doing.
Speaker 3 (19:44):
He Bro, do you know how much of a fucking
hater you gotta be to see a bad bitch and say,
you know what, let me put an ugly ass dress.
Speaker 5 (19:51):
On his I'm saying, let me put some shit that like, yeah,
you know what.
Speaker 3 (19:58):
I hate AI simply for the fact that these people
are just making up new ship to be pissed off
about b Because you look at a woman who has children,
who is a married woman, and you'll tell you a
piece of ship, house wife, just take care of your children,
You take care of them weak ass kids, and you
shut the fuck up. Then you look at the old shorties,
the shorties who like to show more skin, and you
(20:20):
tell them they got to cover up. Why the fuck
don't you leave women alone? Touch your mind, your business?
Speaker 5 (20:27):
Also, like I've said this before on the timeline, but bro,
how you mad at ass? Shorty responded, oh oh and
and oh yeah yeah, yeah yeah, that's uh yeah.
Speaker 4 (20:42):
Bed Underscore Romper was like, if you're gonna steal my,
let's at least be accurate.
Speaker 5 (20:48):
I'm more of a daddy than you'll ever be.
Speaker 7 (20:50):
Oh yo, but yo, this motherfucker go to his fucking
his Like, uh no, I think I'm gonna stick with island.
Speaker 5 (21:04):
No Isla. So Isla's one hundred and twenty one thousand
followers deep like she's she's been in she's she's really
with the ships, like she's been out here for a minute.
So shout out, Isla. You know what I mean, business woman,
entrepreneur type ship. You know what I mean, getting to
the bag as as usual. So of course you know
what I mean. Of course a woman that he could
never attain his entire life would end up on Ian
(21:27):
Miles Strong's fucking radar, Like, of course of course she would,
because this is how you be mad at ass by
the way, like you you see this beautiful woman who
does not need you at all, and you go.
Speaker 3 (21:39):
Change.
Speaker 4 (21:41):
Also, I don't want to see twenty four.
Speaker 3 (21:46):
Going down her page. All of her pictures are her
covered up.
Speaker 4 (21:50):
All of her pictures are like listen, they all look
like fucking Renaissance panies.
Speaker 5 (21:54):
Everybody.
Speaker 3 (21:55):
He's covered up in most of them. But she has
regular long dresses on.
Speaker 4 (21:59):
This is not fucking molecule of Areola. And this ship,
this ship is like the ship that you jerk off
to when you're fucking like when you first discover that
your penis has sensations.
Speaker 3 (22:08):
You know what I'm saying, I'm tired of knowing how
fucking weird people are bro and they keep rejecting their
weird ship on us.
Speaker 4 (22:15):
And if you look at goddamn, I'm trying to hold on.
If I was reading the news, guys, Uh the Guyana
ships getting out of the droll.
Speaker 5 (22:26):
Uh if you if he if damn Guyana. I'm looking
at the map. I'm not looking at Isla David at all.
You know what I'm saying. Every time that we off
that night right now, it is not I'm not looking
at nipples. Listen, she played Saturn. Goddamn yeah, goddamn ye.
(22:59):
But shorty, I'll take all resources. You know what I'm saying.
Give you that timber.
Speaker 3 (23:03):
Yeah, that don't sound let's yo.
Speaker 4 (23:06):
But I want to show me homies face. Please just
show me Home's face one time. I know that you
enjoy yourself right now.
Speaker 5 (23:13):
There's no there's no like look at you, would you
would do this?
Speaker 2 (23:17):
Look?
Speaker 4 (23:18):
Look, I've never seen a motherfucker in my life that
had such intense gravitational pull on his fucking eyes. Bro.
Speaker 3 (23:27):
He looked like the terrorists in the Evil movie.
Speaker 4 (23:30):
Like it looks like somebody is doing this on his
like under his eyelids, like pulling him, just down with
your fingers. See when they pull the ship like loony
toes and they pulled the way, he melts, his molt
(23:52):
runs into him and he fucking explodes.
Speaker 5 (23:54):
That's what my son looked like.
Speaker 3 (23:55):
He look like.
Speaker 4 (23:56):
Now, this motherfucker looks like he was in the middle
of getting an almost successful cleft palace surgery and then
he started melting, yo, and then he started melting, Oh
my god, right in the middle of it.
Speaker 5 (24:07):
Yeah. So anyway, fuck Ian Milestrong. I think you're I
think you're a fucking creepy weirdo because.
Speaker 4 (24:14):
You know, I know your boso because you're wearing a
fucking button up shirt on top of a half zip.
Speaker 5 (24:19):
Yeah, that's Boso behavior. Be also, your Malaysian bro, minds
your Malaysian ass business bro.
Speaker 4 (24:26):
You between you, Tom.
Speaker 5 (24:28):
Fucking McDonald and any other Canadian in America, Yo, mind
your fucking business.
Speaker 4 (24:34):
Man listens, go make your fucking bundles.
Speaker 11 (24:38):
You know what, I'm the fuck bro twenty I need
a twenty eight Brazilian wavey immediately.
Speaker 5 (24:46):
Is that racist? Is it?
Speaker 3 (24:47):
I don't know, I don't know.
Speaker 4 (24:49):
It's Ian Miles strong fu. Yeah.
Speaker 5 (24:51):
We can say whatever you want about this mouck that game.
He's a he's a yo.
Speaker 4 (24:56):
To bring back another Dominican term that we taught y'all.
You know what I'm saying very early on the show,
this motherfucker is the king Loambung Bro. Like, bro, if
you're getting money and you're like yo, right wing yo.
If Donald Trump came up to him tomorrow, it was like, Ian,
I really want you to deep throat my cack. I
want to feel that. I want to hit the back
of your throat. He'd be like, absolutely, Donald, right now,
(25:19):
let's do it.
Speaker 5 (25:19):
Let's get it.
Speaker 4 (25:19):
Let's get it shaking yeah.
Speaker 5 (25:21):
And then he and then he'd tweet about how awesome
it was to me.
Speaker 4 (25:25):
Amazing.
Speaker 5 (25:26):
It was so amazing, bro. But you know what else
is amazing? These ads?
Speaker 2 (25:29):
Baby.
Speaker 5 (25:32):
If you want to buy a Ukrainian tennis record, stay
right there.
Speaker 3 (25:42):
Thank you for listening. My beautiful brown bald light dog
brothers and sisters.
Speaker 4 (25:48):
Yellow everybody.
Speaker 3 (25:52):
That's just a part of them, that's just a part
of the fan base. Now, if you listen to Victory
really like you are bald?
Speaker 2 (26:01):
Is the bald?
Speaker 3 (26:04):
You know what it is is because once you, once
you bald, even as a woman, you reach the next
level of consciousness. Nobody else is tapped that. I can't
do that and not.
Speaker 5 (26:13):
Yet Amber was in here. I could see her.
Speaker 3 (26:17):
Aura even past the jury, past the jury. No, Ambrose
literally glows in the dark. Did Andy tell you that
he couldn't even look her in the eye when they
walked past each other.
Speaker 5 (26:33):
Yeah, that's crazy. But you know what else is fucking crazy?
Larry David attacking Elmo on Live TV.
Speaker 4 (26:42):
That sounds like an Onion headline, not even Onion like
it's like it's weekly world news.
Speaker 5 (26:46):
That that that's that doesn't sound like something that actually happened.
Speaker 3 (26:50):
It sounds like a episode of his shows.
Speaker 4 (26:54):
Like what are you doing?
Speaker 2 (26:54):
Larry?
Speaker 4 (26:56):
Like Larry believe that some guys of media.
Speaker 10 (27:02):
Larry, you bulled, asshole, you kicked almost ass you fucking
bulled piece of ship.
Speaker 4 (27:09):
Which, by the way, almost here with his pops on
the Today Show with Holder and is that Don Lemon
is that like my cousin.
Speaker 7 (27:17):
I'm like, yo, you look, that's get out down Lemon.
It's like this model won't get out of pockets.
Speaker 4 (27:22):
No, that's Mo.
Speaker 5 (27:24):
Yeah yeah you know that. Don't Lemon, don't lea mong.
Speaker 4 (27:30):
Yo. But Yo, I wanted to. I just want to
come right out and say it. I've said it before.
Almost that smokes mad weed. Bro, Almost that smokes mad
weed and plays acoustic guitar with no shoes on it.
Speaker 5 (27:41):
But that explains why. That explains why almost so chill.
He's like, beginness, I can't smoke my own life.
Speaker 3 (27:49):
All I'm saying is my pops will never let me
get stalled on on live TV facts and I'll do
it about it.
Speaker 5 (27:55):
Almost pops to shut up like three years ago. Right, Yeah,
he's just he's new. He's like Nigga like a bum. No, no,
he hasn't been a bum because Elmo's three.
Speaker 4 (28:06):
He's he's like, I just can't using a nikki. So
I love this. I love this clip.
Speaker 5 (28:14):
Because, like, so, just for the uninitiated, Elmo and his
pops are on what show is this? I don't even
know what the news and Jenna Holda and Jenna it's
like the Good Morning America. They're on the Today. Yeah,
they're on Good Morning Today America sometimes now eventually Hello today, Yeah,
good morning. Elmo and his pops are there. Larry David
(28:37):
comes from off screen and just yokes Elmo's whole city.
Speaker 11 (28:44):
Yea euro STIPs past broker choke, but I love how
Right after this, Elmo gives us the look to the
camera like, yo, if if we were somewhere else right now.
Speaker 5 (29:00):
Yeah, I saw that.
Speaker 3 (29:04):
That little last second when he looked into the camera.
Ye have a camera.
Speaker 4 (29:07):
That's look, that's that's all. That's media trained, you know what.
The only thing he heard his head was yeah, yeah,
hold look hold right now, Elmo's over there, Like, does
Elma look like bitch your word, I'll pussy? Does I'm pussy?
(29:32):
And that fucking like Don Lemon, Michael straighthand Hybrid is like,
why yes, why yes you are pussy yo, and yo,
I broke it. Listen, listen, I swear to God, listen
to me. Look at me, everybody signed Victor Liz Rady,
everybody look at me, right fucking now. All right, I've
been on them, Manjaro. Shit, I went from two seventy
(29:53):
five to two twenty I'm two twenty right now. If
I ever look like this nigga or Al Sharpton, you
niggas been a fuck me up and take me to
Chick fil A immediately.
Speaker 3 (30:04):
Like chick.
Speaker 2 (30:09):
The same body just gets.
Speaker 4 (30:12):
I look nah, if I ever get like, funk me up, bro,
because I got to be able to throw right hook be.
Speaker 5 (30:22):
If you ever look like a lowercase B, just.
Speaker 4 (30:32):
Don't worry.
Speaker 5 (30:33):
We're gonna get you.
Speaker 4 (30:34):
Bronte collect me. You know what I'm saying, because you
al brokan guy here the shiny time station could conduct
the suit. You know what I'm saying, Like he ready
to mans he got, bro, they don't even do they
make those. He got the little like pocket watch clip like.
Speaker 5 (30:49):
He's like, no, they don't. They don't make those. They
gott inherit that joint. They don't make those anymore.
Speaker 4 (30:56):
He said that.
Speaker 5 (30:56):
He's like, Yo, what was that?
Speaker 4 (30:58):
He's had that?
Speaker 5 (30:59):
He's had that since eighteen thirty. Yeah, yeah, Al Roker
in the Vampire Yeah Nelix next month interview with Al Roker.
He's like, hey, guys, yeah, you might you might have
giving me your neck. Take a look at my neck,
look like Larry David, Like, what's my neck. Take a
(31:21):
look at my neck. Now I feel bad because I
just called Bro like don straight hand.
Speaker 4 (31:27):
But he's a real person. Hold his laughing, Like, yeah,
he called you straight nig say that?
Speaker 5 (31:33):
Oh my god.
Speaker 4 (31:34):
First Larry David punch out on now he called you
a fucking behybrant?
Speaker 5 (31:37):
What does this pop saying? Pos?
Speaker 3 (31:39):
Like, Yo, those guns?
Speaker 4 (31:42):
It's really harsh than.
Speaker 3 (31:45):
He said.
Speaker 5 (31:45):
You should have been ship.
Speaker 3 (31:47):
Honestly, my favorite part about this is the fact that
people have been reacting exactly how they would in the
fucking episode is really like, why would you assault Elmo
right on live TV? Why would you hit him right
like in front of his pops? Wow?
Speaker 4 (32:02):
You know what the crazy ship about this whole thing
is like he basically just gave some.
Speaker 5 (32:06):
Random dude to handshake. Yeah you know what I mean, Yo.
But also if anybody can do this, it's Larry David. Yeah,
like anybody else trying to ship. It's like, yo, motherfucker,
you know it's Almos the Yo.
Speaker 4 (32:20):
What the.
Speaker 5 (32:23):
I'm gonna be I'm gonna be on I g live later,
Like Yo, Larry David stopped hiding. We're coming for you, bro.
We slided for Elmo.
Speaker 4 (32:30):
Bro.
Speaker 5 (32:31):
You we really yo, we all street no sense to
youre talking about talking about we like that.
Speaker 3 (32:36):
Yeah, we really like that, but outside we're not gonna
jump you.
Speaker 2 (32:43):
Yo.
Speaker 5 (32:44):
Al Roker, I love Al Roker. Bro I Roka is
like a hundred Yo.
Speaker 4 (32:47):
This what the fucking yo dog I s would have
got every fucking Thanksgiving Day parade. This nigga's been at
every parade since the first Thanksgiving.
Speaker 5 (32:55):
Like, I love our brokers, been our brokers, been at
thanks Giving Me parage since before there was colored television.
Speaker 4 (33:05):
Damn man, nobody knew he was playing.
Speaker 3 (33:09):
Wow, that's crazy.
Speaker 4 (33:15):
Aha, you know like they.
Speaker 5 (33:20):
Don't know, They have no idea. I just came back
from Jamaica. They think I'm telling oh Ship, how was it? Sandals?
It's fucking new John Hancock.
Speaker 4 (33:30):
Yo, Yo, all rug has been out here cooking for
mad Log.
Speaker 5 (33:34):
You know what I'm saying. He was the first balloon
and the thanks and then.
Speaker 3 (33:37):
The Day May sparade.
Speaker 4 (33:38):
He's the first one, you know what I'm saying. He's
been cooking successfully for mad Log. Has also been consistent,
consistently cooking for a little bit, you know what I'm saying,
cooking do her things insecure rap Ship Barbie. You know
what I'm saying, Like American fiction bro Peabody Trailblazer Award.
She been wild wild and cooking doing it. But she's
(34:02):
out here telling them motherfucking like Will Smith and setting
concussion the truth, you know what I'm saying, Like, there's
gatekeepers at the top of this shit, bro that like,
for example, you're very funny, you know what I'm saying,
you deserve a shot at some type of like you know, Hollywood,
show business, whatever the fuck.
Speaker 5 (34:25):
Nobody's gonna give you that shot.
Speaker 4 (34:27):
Because there's very stupid people at the top of the
food chain that somehow got they either got there by luck,
but they dad fucked the right person, you know what
I'm saying, And here they are. But Era is a
meritocracy type of person. Her shit hit, you know what
I'm saying. And recently they canceled rapshit, you know what
(34:48):
I mean, which was going well, you know what I mean,
Like they canceled it, and she said, the people at
the top of this whole shit, they're like fucking venture capitalists.
Speaker 5 (34:57):
They're not artists, you know what I'm saying.
Speaker 4 (34:59):
So it's saying, if you if you're running my show,
I know that I'm in good his because it's like, Yo, Liz,
she gets my sense of humor. She knows what to
tell me and ready to do to maximize what we got.
You know what I'm saying, that's what you get. You
know what I mean when you put in somebody that's
just looking at numbers, they don't know shit about ship
bro like you know what I mean. They don't know
(35:20):
what's good or what's bad. They just know, Yo, this
performed well. They don't know, Yo, this is this is
culturally relevant, This is good music, This is good art.
Speaker 5 (35:29):
They don't know nothing about that. Back to them, like
like the music, ship it's all it's all a numbers game.
They're not gonna hedge their bets on somebody new when
they already know that like Vince Vaughan or like Will
Arnett or whatever, it's gonna get butts in seats. The
movie could be garbage, but it's Vince Vaughan or whoever.
You know what I mean. I sold it off the
name Boom.
Speaker 4 (35:48):
That's it.
Speaker 5 (35:48):
Yeah, you know what I mean.
Speaker 4 (35:49):
And and yo, listen before you I don't want what
did this articles come out? Because I don't want to
say this And be wrong. Yes, the title is well
February four. Yes, so I could I could confidently say
that this quote was said by Victor Lopez before Ray
Ray said.
Speaker 7 (36:10):
Sorry, let me find it there, and I quote, I'm sorry.
Speaker 4 (36:13):
But there aren't a lot of smart executives anymore, and
a lot of them have aged now and holding on
to their positions and refusing to let young blood get in.
Speaker 7 (36:25):
I mean, so I currently have an EEOC complaint against
what was at the time Showtime, which was owned by
just C CBS, but then they merged with Viacomed, became
Viacom CBS, and they're now all Paramount Global. And it's
not because they're doing a good job. Let me say
(36:47):
that much belongs to sure. That's not a revolutionary statement
in terms of like what you were telling me, Like
for a long time, I've been saying everybody talks about
talent in front of the camera and like talent like
people like Merrow, maybe an independent producer like me, But
none of that works if there's no executive level talent.
And that's the thing, you know, Artists have been saying
this for a long time. There a lot of the
(37:08):
stuff's new, a lot of it isn't. But what is
new right now is that media is suffering more than
ever and it's not from the decision making of artists,
actual artists, jay Z. Some of you do not belong
in the category. Some of you are just politicking to
be there. But yeah, man, she's not wrong, and they
(37:29):
you know, I will say this much. I'm not going
to get on a soapbox here. You can't have as
racist an institution as Hollywood has traditionally been without the
help of several actors, So it's easy to blame an
executive and look at all of them. Talent distributes randomly,
nobody decided to Nicola Jokic is going to be probably
(37:50):
the best player in the NBA. No shots at Lebron, fine,
second best player. That man's from Serbia and likes buying horses.
But he's also like the one of the illest play
in the NBA.
Speaker 5 (38:00):
And also hates basketball.
Speaker 7 (38:03):
The reason you'll see less of it in sports now.
I'm not saying that sports does not have a serious
This country at large doesn't have a serious racism issue.
But what I will say is when you have to
go hand to mouth and make decisions that feed you,
that keep you solvent, there's pretty much there there's a
lot less wiggle room for racism, and I'm gonna stop there.
But and to explain what eo C is, it's the
(38:26):
Equal Employment Opportunity Commission, I think, so you can't get
rolled by the employer.
Speaker 2 (38:31):
Yeah.
Speaker 7 (38:32):
So one of the reasons like we have like voting
rights is because JFK got popped and Lynda B.
Speaker 10 (38:37):
Johnson came inspect man that ship like he was on DVD.
JFK got clipped.
Speaker 5 (38:52):
You've got it. They got him up.
Speaker 4 (38:53):
Body here.
Speaker 7 (38:54):
Linda Johnson comes in and uh, you know, rides the
wave and he's just like now civil rights now and
it you know, sixty four blah blah, bah blah whatever.
Speaker 2 (39:02):
This isn't a history podcast, but this was.
Speaker 7 (39:05):
One of the things that was implemented because it was
understood that, you know, one person alone like is a bigot,
but there is an informal system that is racism, Like
there's you know, a racist is a part of a system.
They never stand alone. And that was supposed to help
and that it's a federal department that's supposed to help
(39:26):
dismantle these systems of racism that we know exist. But
it's also been severely defunded.
Speaker 4 (39:32):
So for a long time, you know what I'm saying,
Vic has been saying this, and as a race said
it as well. I'm sorry, but there aren't a lot
of smart executives anymore, she says, and a lot of
them have aged out and are holding onto the positions
and refusing to let young blood get in preach.
Speaker 5 (39:48):
He's a you know what I'm saying, talk shit.
Speaker 2 (39:53):
Let you.
Speaker 5 (39:56):
How about that term is gender neutral yo? Whoever it is?
Speaker 2 (40:01):
Yeah?
Speaker 7 (40:02):
Yeah, you know, for a lot of people want to
like blame talent when shows don't work out, but you
forget that a company, an industry just can't work without
executive level talent. And if you look at what's going
on right now, I mean is she lying, yeah, Like
if there was a lot of executive level talent, you
wouldn't see large media companies constantly looking to get sold,
(40:25):
looking to be acquired.
Speaker 2 (40:26):
Yeah, because literally they.
Speaker 7 (40:28):
Shaken bed at night like knowing that like Charlie Demilio
or somebody's out there making a TikTok, like are you
really that nice? A kid with the finance like iPhone
is killing you right now?
Speaker 5 (40:39):
Ask this ship that fucking that got these motherfuckers under pressure.
Speaker 7 (40:42):
Bro.
Speaker 4 (40:43):
They look at fucking mister Beast and they're like, fuck, bro,
what are we gonna do?
Speaker 10 (40:48):
This?
Speaker 5 (40:48):
Motherfucker's on YouTube.
Speaker 4 (40:49):
He got fucking burger chains, he got candy balls, he
got all this ship, he got the everybody in a
fucking choke hold and he has he's not paying nobody,
He's not paying on net work. He's not he's cashing
out and he has pledged to give away every cent
by the end of his career. So like he's on
record saying that he's like yo, like, by the way,
(41:10):
like all this ship, all these give backs I do,
Like this isn't just for like I make way more
money than I know what to do with. Of course
I'm going to like build a well in Africa, you
know what I mean, Like optics be damned right, Like yeah,
white Savior, Okay, sure these people have water now, like.
Speaker 5 (41:25):
The CEO whatever the fuck is like fun that I'm
buying a pool house.
Speaker 4 (41:28):
Yeah, yeah, exactly.
Speaker 7 (41:30):
Yeah then I can get no bitches in yeah yeah,
bitchless existence that I can see that, my thin lippt
ugly wife.
Speaker 2 (41:38):
And I've seen that, bitch, I've seen.
Speaker 5 (41:42):
Listen, how do you how do you feel about like
this like rays sentiment? Because I feel like you've been
on the ray train since awkward black girl, right, like
you've been Yeah, I love you.
Speaker 3 (41:54):
Sorry, I believe her, Bro, I believe her because why
is it so hard if the public is asking for
these things? You see the ratings, you see even the
backlash when rap shit was fucking canceled. You don't understand
what the culture wants. Why don't you let these fucking
people create what the fuck we want? Yeah, I don't understand, Like,
(42:15):
why do you You know that you are expire talent.
All you have to offer is capital. You know that
you can fund some creative people, find creative people and
let them do what they do.
Speaker 5 (42:26):
Let them cook, let them do what the fuck they do.
Speaker 3 (42:28):
They know what the public likes, let them create what
the fuck they want. Bro, I find myself and shit
like that.
Speaker 7 (42:33):
I can give you the short answer, which is because
you guys don't pay for it.
Speaker 2 (42:37):
Yeah.
Speaker 5 (42:37):
Oh wait, I've seen I've also seen this sentiment on
online of like, oh, there's no movie stars anymore, and
it's like, yeah, it's because no one's making anything worth
caring about. Because all they care about is what's profitable.
It's like like like on that show, like on the
Last of Us, they're talking about all like the Bill
episode did so well, like they wont like best story
(43:00):
or a fuck nick Offerman won Best Supporting Actor for that.
So immediately off the reception of that, they go, oh,
Bill is getting his own spin off. Bro, we just
saw that man's whole life story in that hour long.
We don't need a fucking spin off. But because it's
the highest rated episode on premium cable television that whole year,
they go, oh, money, money, money, money, money, and and
(43:21):
they're gonna be and it's gonna become soulless and yeah,
that's why there's no movie stars anymore, because like, you
just take whatever TikTok kid is out who has like
a single out like transition into music. You take his
fucking minute and forty second single, You pluck him out
of there. You put a you put a kid who's
never show Yeah, you put a kid who's never performed
live ever in his life with one song that's a
(43:42):
minute and forty seconds long, and you throw him on
Rolling Loud.
Speaker 3 (43:44):
What the fuck?
Speaker 5 (43:45):
What the fuck do you expect to happen.
Speaker 4 (43:47):
Yeah, I don't know what these fucking hads are brough,
I promise, but this victory light will be right back.
Speaker 2 (43:53):
Yo.
Speaker 12 (43:53):
Listen is the end of the show and we go
to the bad of the man where you ask about
your life.
Speaker 3 (44:05):
We don't need no more marrow vocals.
Speaker 5 (44:09):
Four.
Speaker 4 (44:10):
This is yo today, alright, real that is old Bleaks.
O Bleaks says, I'm meeting my boyfriend's mom later this week.
How do I leave a good impression? My boyfriend in
seven months has arranged for me to meet his mom
(44:32):
in a coffee shop in a few days. Of course
he's going to be present. I was just wondering how
to leave a good first impression?
Speaker 3 (44:39):
Square ouphae, who really down? So see who's really gonna
die for this ship?
Speaker 4 (44:53):
Say yo? I think yo, holy.
Speaker 7 (45:05):
Yo?
Speaker 5 (45:06):
I told my man's is the other day.
Speaker 3 (45:08):
Bro.
Speaker 4 (45:08):
Well you we was coming up when you was a
kid in a high school June or whatever, and somebody
had the free crib, and you go to the free crib,
and free crib. Usually, man, there's no parents here, there's
no adults here. We're gonna wild out, We're gonna smoke weed,
We're gonna watch smack dv D whatever. If you went
(45:29):
to the free crib and moms was there, it's like, yo, Yo,
your mom's is ahead.
Speaker 5 (45:37):
Broad, you could close the door.
Speaker 4 (45:43):
You can close the door.
Speaker 3 (45:46):
What kind of what kind of what kind of what
kind of house are you living in?
Speaker 4 (45:49):
Bro?
Speaker 5 (45:50):
What short these pops that will let you in? Oh? Yeah,
you could go in there.
Speaker 2 (45:55):
It's fine.
Speaker 4 (45:57):
No Yo, bleep the name Yo, make him some bangs
that I swear to guy.
Speaker 5 (46:04):
Yo, I love you, Bro. It's like six forty five.
This nigga was a military nigga. Bro, he woke up.
Speaker 4 (46:09):
We crashed, bro, because Yo, you know j Bro, that's
my road dog.
Speaker 5 (46:13):
Bro, we go back. It never was like yo, let's fuck.
It was never nothing like that. It was like, brother,
it's just from jump.
Speaker 4 (46:19):
So like we ran around doing graffiti and ship and
it's mad easy to do graffiti when you're with a girl,
you know what I mean.
Speaker 5 (46:24):
Because it's like, oh, look at this.
Speaker 4 (46:25):
Cute couple walking down the street of Southern Boulevard.
Speaker 5 (46:28):
You know what I'm saying, Like they're not so she
would go out with me. We go bombing and ship
like that, We go racking and ship.
Speaker 2 (46:37):
Bro.
Speaker 4 (46:37):
I remember I statue limitations. The ship is the petty
loss in me.
Speaker 2 (46:41):
She's a lawyer now in facts.
Speaker 4 (46:43):
Canal Jeans, remember Canal is that ship still exists?
Speaker 3 (46:46):
Canal Jeans.
Speaker 5 (46:47):
I don't even know what that is.
Speaker 4 (46:48):
It was it was it's it was like a denim
store like downtown like soho, like I don't know, yeah
where like the there's like the Puma stoes right there.
Speaker 5 (46:57):
Whatever. It's like all the little you know what I mean.
Speaker 4 (46:59):
Whatever, So Canal Jeans had purses and Diesel was like
was it at the time. My girlfriend at the time,
who was who had weirdly had a fight with jazz
girl like fist the cuffs in like the park, damn
mad weird.
Speaker 5 (47:15):
But then we all end up hanging out.
Speaker 4 (47:17):
So she the the Cosmopolitan has a purse of the
month and it's a Diesel purse with like a leather whatever.
It was a fucking purse. I go to Canal Jeans.
They got ten of them, fifteen twenty. The motherfucker's on
a rack, but they got the little wire shit like
attached to it. My shorty worked at a copy place
(47:38):
called pop not pop copy, you neque copy, but it
was based on pop copy. It was I saw my mama. Bro,
all my mom and my kids.
Speaker 5 (47:46):
Bro, Bro all my mom and my kids.
Speaker 4 (47:49):
Bro. That skit was based on them because it was
for the Minigan shorties. One of them was named Betty
mad big short named Betty my ex girl, and then
two other shorties working there.
Speaker 5 (48:01):
It was no dudes, it was just them and it
was all.
Speaker 4 (48:03):
In there, just just chilling, like chilling, chilling.
Speaker 5 (48:07):
And this is like West Broadway, like like fourth.
Speaker 4 (48:11):
And like broway whatever, like like kind of like Nick
asked the place where the Towel Records used to be
that big as Towel Records right across the street.
Speaker 5 (48:18):
From that shit. Bro.
Speaker 4 (48:20):
I go in there and I'm like, Yo, I need
fucking wiree cutters. She's like, what you mean, what fuck
you mean white cutters? For I go, I get the
white cutters, go back to canal jeans. I'm like, snip snip, snip, snip,
snip snip snip snip snip snip snip.
Speaker 5 (48:31):
Jazz outside on the phone. She's like, YO, you're gonna
come inside.
Speaker 4 (48:35):
I walk out of this shit with like twenty presses
on my arm like that, Like I just walked straight
out the front door. Ain't nobody says shit to me. Bro,
I was like, yo, fam, I felt like I fucking
robbed like fort Knox. You know what I'm saying, like,
because usually when I bushit, I'm like, yo, throwing it
down the leg and the jacket and the thing.
Speaker 5 (48:53):
I got a bag with the illuminum foil.
Speaker 4 (48:55):
Yeah, so listen. The way to impress your your your
potential with mother in law is by being like, Yo,
look what I stole for you.
Speaker 3 (49:04):
You know what I mean?
Speaker 5 (49:04):
And give the bitch a diesel purse.
Speaker 2 (49:06):
You're welcome.
Speaker 5 (49:07):
Yeah, oh man, the way you man. I want to
answer this earnestly but honestly. Man, uh, I think the
way to impress your your partner's parent on the first day,
uh is to end this fucking episode so I can go.
Speaker 2 (49:25):
The never again.
Speaker 5 (49:41):
For more hours.
Speaker 3 (49:44):
We can run another one.
Speaker 4 (49:49):
H h.
Speaker 3 (49:58):
Legitly like las nick knack.
Speaker 1 (50:01):
Nag nag nag
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