March 3, 2025 • 52 mins
- High trust society
- Let's celebrate cash
- Good things happen to bad people
- Text from mum
@thebuckuppodcast
@katelangbroek
@nathvalvo
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Imagine, if you will, that you are in a place
of great beauty.
Speaker 2 (00:11):
Some teenage boys.
Speaker 1 (00:12):
Walk past you, they yell out, they bitch tits. The
world you see is a place of paradox of beauty
and cruelty. It will cut you off at the knees
then gift.
Speaker 2 (00:28):
You a pair of easies.
Speaker 1 (00:31):
And that, my friends, is why.
Speaker 3 (00:34):
You always always need a buck up.
Speaker 2 (00:39):
Ba ba ba ba KNITCHI wah.
Speaker 3 (00:51):
You know it's gonna sound very weird when people don't
know you just got off a plane.
Speaker 2 (00:54):
From literally this morning, I got off a plane.
Speaker 3 (00:58):
Well they maybe they need to know that before you
carry on with your little voice there, I think, do
you like that that I'm so demure?
Speaker 2 (01:07):
Oh my goodness.
Speaker 3 (01:08):
This is like in high school when someone came back
from America for two weeks and they had an accent.
Speaker 2 (01:12):
Oh yeah, that's right.
Speaker 4 (01:14):
But I can't do the accent because although they don't
care about cultural appropriation, they'd never be happier than if
everyone's tripping around in a kimono.
Speaker 3 (01:23):
Welcome Katelin, mischief face.
Speaker 2 (01:29):
You know who's very Japanese?
Speaker 3 (01:31):
Who oh yeah, why so I just her size?
Speaker 2 (01:37):
She could shop there.
Speaker 4 (01:41):
And just no, no, not that part say hello, Sash,
that's enough can ware. Anyway, I brought presents people that.
Speaker 3 (01:54):
Bring presents from holidays.
Speaker 2 (01:58):
And I did some vintage shopping.
Speaker 3 (02:00):
Did even she comes with her Gucci handbag. Folks look
at that?
Speaker 2 (02:05):
How's that? Because you know there's no copies in Japan?
So they say, well, so they say so, they say
it was a legit boot in a car.
Speaker 4 (02:16):
Leg I went to the factory. I saw the guy
with his hot glue gun.
Speaker 3 (02:23):
Handcrafted.
Speaker 2 (02:24):
Isn't it stunny?
Speaker 3 (02:26):
Is if anyone was to say, what's a Kate Lanebrook bag?
There it is red and.
Speaker 2 (02:31):
Brilliant, little, bigly, not frilly a good way. Now you're okay,
Now what so tassels?
Speaker 4 (02:40):
No brilliant big is like.
Speaker 2 (02:45):
When you think of Kate lane Brook.
Speaker 3 (02:47):
I'm sorry, but if anything about women they like being
called frilly and big.
Speaker 2 (02:55):
Wow, you're getting what is this? Oh my god? Folks
has given me.
Speaker 3 (03:01):
Kalua the greatest, all the way from Japan, all the
way from Japan. It is much a flavor.
Speaker 4 (03:08):
Now, pa is insane because as we know, Kalua is
a coffee liqueur, and that chase it is tea.
Speaker 2 (03:20):
And it's not a good tasting one. Either.
Speaker 3 (03:22):
So this is something.
Speaker 2 (03:25):
So I thought of you and I haven't tried it.
We haven't tried. It is going to be an experiment.
And hang on, I'm going to give I give Sasha
hers while you pour us drinks. Of course, yeah, okay,
because Sasha French, I got you for me? All right?
What are these? All the Japanese girls use them.
Speaker 4 (03:44):
They're patches that you put on your legs or your
feet are tied. And apparently they're amazing, and you know you.
Speaker 2 (03:50):
You yeah, hot feet, Yeah.
Speaker 4 (03:52):
You get hot feet, refreshed sheet, very good, and also
some cherry sauce.
Speaker 2 (03:59):
And also they.
Speaker 3 (04:02):
I'm just laughing at the sentence I get hot feet.
Speaker 2 (04:08):
Are they gorgeous?
Speaker 3 (04:10):
I think your boyfriend alt chuck those socks on your
stinking hot feet.
Speaker 2 (04:17):
Your bit stinking they don't stink so free.
Speaker 4 (04:22):
You're such a It reminds me of I told you
what my mom once said about gaming.
Speaker 2 (04:27):
Why do women love gay men? You know they're the enemy.
You both want the same thing.
Speaker 4 (04:33):
And the more time I spend with you, oh my goodness,
it's green.
Speaker 3 (04:39):
The much a klure looks absolutely awful.
Speaker 2 (04:44):
It looks like you wrongs. You've got me a bottle
of it's a terrible dark green oil.
Speaker 3 (04:51):
It's taste.
Speaker 2 (04:55):
Ruined. Okay, hang it mm hmm. I can't taste the
much at all. I taste it at the start, but
not at the end. Who cares? Thank you so much
for my presence. That a great novelty, you know what.
I saw it first, and then I said, why didn't
I just get it?
Speaker 4 (05:15):
You know, when you're traveling you just don't think you don't.
And then I went, we drink kolure all the time.
What better for our Japanese episodes then to drink much.
Speaker 2 (05:26):
I like that coffee. Look you up.
Speaker 3 (05:28):
I love a much, love a much. I love much
of kid kats from Japan.
Speaker 2 (05:33):
You playing at home? Oh yes you can. We brought
some back.
Speaker 3 (05:37):
You are a lot of things much a flavored considering
you think it's a disgusting, well.
Speaker 2 (05:42):
Because you like the novelty of it. Pushing me, just
pushing me.
Speaker 4 (05:48):
It's so amazing. I know it's annoying to hear people say,
but let me this is a good tip for I've
never been our listeners. Well I've been before, but not properly.
I went on a cruise with We took my parents
on a cruise and.
Speaker 2 (06:03):
The kids were little. I saw quite a lot of it. Yeah,
we saw quite a lot, but it was not like
this time.
Speaker 4 (06:08):
We had five days in Tokyo and five days skiing,
and then we were.
Speaker 3 (06:13):
In Osaka and you hate skiing.
Speaker 2 (06:15):
I didn't go skiing.
Speaker 3 (06:17):
You sent us a pit lying on the couch like comfortable.
And I have to admit, behind you it was the
most beautiful looking scenery I've ever seen the same. I
think it would even get.
Speaker 2 (06:28):
Me out there.
Speaker 4 (06:28):
It was so incredible enough for you to like go
out there. No, I did go out there, but not skiing.
But I did say, and you know I hate walking.
I hate well, you know I have a good walk.
Speaker 2 (06:39):
I'm like, get if God wanted me to walk a
car car, thank you, thank you.
Speaker 3 (06:47):
You heard of an e scooter, but I had rollerblades.
Speaker 2 (06:51):
Two of the greatest walks. In fact, every night a
heavy snow walk, heavy snow walk.
Speaker 4 (06:59):
I can't faie to you the magic of it. It's
proper magic.
Speaker 2 (07:04):
Well you I could.
Speaker 3 (07:05):
I've got a glimpse of it in the background of
you lying on the couch in the pic.
Speaker 2 (07:08):
Yeah, it was just magical.
Speaker 4 (07:11):
And such of course had been the year before with
her boyfriend.
Speaker 2 (07:16):
Anyway. Wow, for someone who said that heaps to talk about.
Speaker 4 (07:26):
No, I've got okay, so you know how I am.
Speaker 3 (07:30):
I hope you never get a job on Getaway your
episode of Getaway? Is you going I hate walking?
Speaker 2 (07:44):
No? You know how? I love the things about Japan. Okay.
It's as cheap as chips.
Speaker 3 (07:50):
As in daily life, there is cheap foods cheap, so cheap.
Is the a com really expensive though?
Speaker 4 (07:56):
No, no it's not, no, not really, not compared to
in Sydney, that shit old Sydney.
Speaker 3 (08:03):
Hey, Sydney buckets. What's going on with don't even I
get an offer for a comedy room or to do
a show and you go yeah, then you work out
the math of the hotel room.
Speaker 2 (08:12):
You're like, I'm going to lose money, Sydney. It's crazy. Okay.
Speaker 4 (08:16):
So what's happened is this is bad for the Japanese people.
I imagine who knows, but their economy is collapsed, oh dear.
Something to do with the fact that Honda and Nissan
or is the Americans called it. Nissan also get we're
going to have a merger, right, They're going to have
a merger because their car industry is being destroyed by
(08:39):
the Chinese.
Speaker 2 (08:40):
Are they going electric or what?
Speaker 4 (08:42):
No, they brought in the first highbrid they were a
bit early with it or the first electric. Yeah, Toyota
is not involved in the merger anyway. The merger fell
over while we were there, and gee, how exchange rate
just went through the roof, so we were getting like
nine yeen. So it was basically you one tenths everything.
(09:04):
So you go out for a stunning.
Speaker 3 (09:07):
Temperaud on Yumo ten bucks love it?
Speaker 2 (09:11):
Ten bucks at the air? What at the air? I
mean it had Marcher in it, but it was always
March anyway. It was stunning.
Speaker 4 (09:23):
And also the other thing about Japan that is amazing
is it's a high trust society.
Speaker 3 (09:30):
Everyone always has clean I thought you were about to
say it.
Speaker 2 (09:34):
I'll tell you what. My bits have never been never
like whenever you like. The toilet's just constantly.
Speaker 3 (09:42):
Constantly, just constantly.
Speaker 4 (09:45):
You're constantly yeap Like did you ever see that movie Silkwood, No,
with Meryl Streets. She works in a uranium factory and
if you're ever exposed to the polonium at the end,
they all the alarms golf and they put you in
a sh and it's a shower like you've never had before.
Speaker 2 (10:03):
Like she's practically getting.
Speaker 4 (10:04):
That's what the toilets in Japan due to your your
front bit. Although you can and you can press different bits.
Speaker 2 (10:11):
You can press favorite.
Speaker 4 (10:13):
No, I didn't have a favorite. I'm not really that
into it, to be honest. I found it a bit much.
Speaker 3 (10:20):
I can never decide on what I want the hose.
When I have to hose the garden out the bark
and coat is away. Do I go the hard long one?
Speaker 2 (10:26):
Right? The wide spray? Okay? Well this is you would
really have.
Speaker 4 (10:32):
I'm good at decisions. For me, it's all little pictures.
And after a while we knew the pictures.
Speaker 3 (10:37):
It was on the pictures.
Speaker 2 (10:39):
One's a little bottom and the jets like right in
the middle of the cheeks.
Speaker 4 (10:45):
And one is what's the girl one such it just
has a different angle. I think it's intrusive. Yeah, it's intrusive.
Speaker 3 (10:52):
Yeah, the wrong setting old hot feed over there.
Speaker 2 (11:01):
Dear feet were hot after she gave this a good hosing,
a good silkwood hosing.
Speaker 3 (11:06):
Did anyone in your family enjoy the Japanese toileting?
Speaker 2 (11:09):
Oh they all love men love it, do they? Yeah?
Men love it?
Speaker 4 (11:13):
Men are mad on that sort of stuff, So it's
a little men love it because I think.
Speaker 2 (11:17):
Of your prostate.
Speaker 4 (11:19):
Because of your prostate, you enjoy things we don't like
rogering each other up the bot part, What setting was that?
Speaker 2 (11:31):
What was the what was the image for that one?
Speaker 4 (11:34):
But you know, they's like it's there's a whole world
of possibility. And also the toilets do this thing that
when you sit on them, they make a background noise,
which is disconcerting because it sounds like it's flushing, but
it's not. It's just water running, so that outside you're
not your part privacy.
Speaker 3 (11:53):
I think anyone listening to our podcast runs toilets of
some sort. Can every single toilet in the world have
music playing loudly for the comfort of everybody?
Speaker 2 (12:03):
Yes, well you can choose music or you can have
the water sound. Anyway. My husband loved it, and he goes,
I newly put one in in our bathroom. But the
four thousand dollars no goodbye, normal one for four hundred.
Speaker 3 (12:16):
I mean, just listen to a podcast.
Speaker 2 (12:18):
Dreams so much for me.
Speaker 3 (12:20):
It's good lady to hear any sounds of a creek
while she's on the duney. Yeah, he wants that beautiful.
Speaker 4 (12:28):
So high trust society is an amazing experience if you
come from a country like Australia once was a high
trust society. And I'm not going into the reasons why
it's no longer. You can probably work that out for yourself.
Speaker 3 (12:42):
I think that involves a bit of a cook.
Speaker 4 (12:44):
But this is how a high trust society manifests itself.
Now people have done stuff like this online and you
can check it. Like they've done things that they've left
a briefcase at the busiest train station in Tokyo, Shinjuku
or whatever. They've left it there and two hours later
they come back and pick it up and it's there.
Speaker 3 (13:05):
Crazy, right, But this was just so amazing.
Speaker 4 (13:09):
Once you start noticing it, you're just like literally not
one person when you're getting on these trains. How many
people live in Japan thirty million or something, millions millions,
millions of people on these trains, so busy when you're
in New York, when you're in Australia, there's always messages,
please look after it. In Europe, look after your belongings.
There are pickpockets on the train.
Speaker 2 (13:30):
How many one hundred and twenty four million. What in Tokyo, Japan? Oh?
How many in Tokyo? Anyway? Whatever, you busy yourself? Take that?
Do you want some ice for your feet?
Speaker 4 (13:42):
Fourteen fourteen point eight million, city of fourteen point eight million.
Speaker 3 (13:47):
Tiny, The city is very smallest.
Speaker 2 (13:50):
No, it's spread out. It's actually it's actually.
Speaker 3 (13:53):
The actual city city party is small.
Speaker 2 (13:56):
Smaller than No, I don't think so. I don't think so.
Speaker 1 (14:00):
Is that.
Speaker 2 (14:00):
I think it's spread because.
Speaker 4 (14:02):
It's not particularly high rise, not particularly high rise anyway,
so constantly, once you're aware of it, you're like, this
is just amazing. There's not a rubbish bin anywhere, which
drives you crazy. So people carry their own rubbish with
them and dispose of thoughtfully.
Speaker 2 (14:21):
There's not a cigarette.
Speaker 4 (14:22):
But we were in train stations happenes love us.
Speaker 2 (14:27):
Now they have to do it furtively.
Speaker 4 (14:29):
There's a lot of signs in the street saying no
smoking now, which some people would find annoying if they
wanted for perhaps to kick off. But so and they
sell cigarettes everywhere. I don't know what's happening with that.
But you can go into a bar and smoke in
a tiny room the size of a closet anyway.
Speaker 3 (14:49):
Did you see all the drunk businessmen on a Friday night? Okay,
keep that up on the internet. It's a great thing.
And they will go our car absolutely maggeted after work.
And there's all this footage of Andese men passed out
at train stations.
Speaker 2 (15:03):
Nice to them. Everyone puts bottles of water around them.
Speaker 4 (15:06):
And in Osaka it was Monday night and they were
all bars hospital night, and the girls who work at
the bars would all come downstairs with them and got
mas and got to Kazmer saying I'm waving goodbye, and
the men would go lurching off down the street. And
then as soon as they were out of I shot,
the girls would start talking to each other and giggling.
Speaker 3 (15:27):
Laughing at him, laughing at them.
Speaker 4 (15:30):
But my son mocked me from my attempt at Japanese.
Speaker 2 (15:34):
Well, yeah, I mean fair enough. Did you hear how
I said that? Then? I mean it was okay.
Speaker 3 (15:38):
I don't know what what were you Sayings?
Speaker 2 (15:42):
Is it you full formed character? Thank you? Thank you
very much, mel Streams.
Speaker 4 (15:47):
And I know that's what I'm Sayings got to kazimas
so lewis traveling with tree suns.
Speaker 2 (15:57):
They'll humiliate you.
Speaker 3 (15:58):
I mean traveling with them. They would say, traveling with
mom humiliated me.
Speaker 4 (16:03):
Okay, they would, But Lewis started doing this thing where
he would mock my accent every time I tried to
speak Japanese, and then you know it starts off funny.
Speaker 3 (16:13):
Well, it's just like when my mom used to order
food in an accent when she was ordering for the family.
If my mom called her restaurant, yeah, what she'd order
in a bloody accent.
Speaker 4 (16:22):
Which you're not going to audition demon state from correct.
I talked you about my friend's dad who used to
add a Chinese restaurant, go to crab Crawl. We'd always
been like, not to the way, don't say crab craw.
Speaker 2 (16:37):
Anyway. What do we always secretly say to each other?
What crab claw? Anyway? So, Lewis, have you got him there? Okay,
call him.
Speaker 4 (16:48):
I'm just going to say this is what every time
we spoke Japanese.
Speaker 2 (16:53):
Just Louis Lewis's buck up debuty. I think.
Speaker 3 (17:00):
So dramatic when we call.
Speaker 2 (17:01):
I'm not sure about the tea taste at the start.
Speaker 3 (17:04):
That's not good.
Speaker 2 (17:04):
The caller, I love you, it's really terrible. It's not
going to.
Speaker 3 (17:11):
He answered his mom, I.
Speaker 2 (17:12):
Answer the phone. No, SA, she's calling. I understand why
it's not answer. She's like a mother to him.
Speaker 3 (17:23):
I getting a teenage way to answer a call. That's
a huge gay, you know, roment for the I know.
Speaker 2 (17:29):
His girlfriend gets upset because he doesn't answer the phone.
Speaker 3 (17:32):
Just text. What on earth couldn't just be a text?
We always think that what what on earth couldn't be
a text? Like when someone your mother's text it.
Speaker 2 (17:44):
I'll get to it.
Speaker 4 (17:47):
No, you know, there's some things that require and also
sometimes you need the warm.
Speaker 5 (17:51):
Anyway, we just went to one hundred so quick.
Speaker 2 (18:05):
Your mother look to.
Speaker 3 (18:11):
You know what I mean?
Speaker 4 (18:11):
You want as for an example, anyway, I can't forget
him moved on dead to me.
Speaker 2 (18:17):
I'm just going to say this one thing to you.
Speaker 4 (18:19):
Yes, high trust society. So I would say it to
the kids all the time. High trust society. You don't litter,
You wait, you're very respectful, You wait for other people
to get off the train before you get on. They
just make you be better, and it's really exhausting. At
one point I said better, I'm done with this country
(18:40):
carrying a bag full of litter around until I can
dispose bowing to people of Constant. I'm too big for them,
too big, you too better. They taste in the mouth unpleasant, unpleasant. Anyway,
this summed just perfectly what it means to live in
(19:02):
a hydrast society, and we don't have it.
Speaker 2 (19:05):
So we went.
Speaker 4 (19:06):
We went to Harrodjuku, where the Harrodjuku girls are of
Gwen Stefani fame. Right, we'd been there before the kids
were little. Then we took them back now and it's
a big scene on the weekend.
Speaker 2 (19:17):
It's fun.
Speaker 4 (19:17):
You know, there's some people dressed up, and there's lots
of little Lamewys and kookie shops and lots of Lalita
girls think.
Speaker 3 (19:24):
Some like cool punk rock or they love like heavy
met Oh.
Speaker 2 (19:27):
Yeah, they love that. They love you. Yeah. We did
a lot of vintage shopping. I mean like a gig.
Oh no, no, no, we didn't know. We didn't go
to rock.
Speaker 4 (19:36):
There were a lot of rock bars anyway, this girl.
So we were down in this train station and there
was a Starbucks and Peter went, oh, I really feel
like a frappuccino. That Constant quest to just get a
coffee frappucino, whereas they've got all these flavors in Starbucks.
I don't understand anyway, this is what happened in the Starbucks,
and I couldn't believe it.
Speaker 2 (19:57):
It was a tiny little shop, so.
Speaker 4 (19:59):
It was probably the size of two bedrooms, right, crammed
with people, everyone, every table full.
Speaker 3 (20:04):
So Starbucks pumps in Japan.
Speaker 4 (20:06):
There's no, no, not not particularly, but they've got everything's
a chain, but they're mostly Japanese chained, so we're like,
we're happy with that, and a lot of individual restaurants. Anyway,
this girl comes in dressed really beautifully. She's got a
little Chanelle's suit on and a handbag. They're very well dressed,
and she's got shopping bags dangling from every wrist. She
comes in, she sees a table, She heads straight for
(20:29):
the table. She puts her shopping bag on the chair,
she puts her handbag, her handbag on the table, She
leaves it and comes to where we are standing like
twenty feet away from her. She orders and waits for
(20:49):
her drink while her shopping and her handbag is unattended
in a train's station with twenty million people.
Speaker 2 (21:01):
Hang on, wait, wait, wait, hang on. I couldn't tell
if that.
Speaker 3 (21:06):
Was like celebrating high trust or you're angry at her
for doing that and taking us. I love it, you imagine,
So did you steal.
Speaker 2 (21:16):
In the bow?
Speaker 4 (21:17):
You know that's my first thought because I'm not a
high trust society it is your guccie.
Speaker 2 (21:23):
Bag had got to becazemas for the sulvanir bag. The
tussles stower bucks girl. How's that just a concept?
Speaker 4 (21:33):
And so Peter and I were like, I don't think
they widely travel abroad, but gee, they must get a
shock when they come and they see how fat and
dirty we are with our dirty bottoms.
Speaker 2 (21:49):
Amazing welcome home. It was just wait till I write
my book.
Speaker 3 (21:56):
And I'm so happy you survived economy class.
Speaker 2 (21:58):
On the way home.
Speaker 4 (21:59):
Oh my goodness, that was really a woman of the people.
That was really something. One of the flight atteen.
Speaker 2 (22:05):
Women of the people.
Speaker 4 (22:06):
Peter said to me, she doesn't think you belong here.
This flight attendant was so nice to me. She kept
bringing me extra little things.
Speaker 2 (22:14):
She could tell. It wasn't right. I said to Peter,
do you feel like do you feel like you know how?
You just bang on about high trust society banged on,
banged on? Interesting? Isn't the language interesting?
Speaker 3 (22:39):
You have to speak up and bang on to I
can over your tartles.
Speaker 4 (22:44):
Okay, banged on and now it's time for him to
wake up. Go on, look hag On big really banged on.
Speaker 3 (22:54):
Very popular podcast r I p.
Speaker 2 (22:56):
Rip Rip with our friends. Okay, so go on, I forgot.
I was going to start giving you a buck up.
Speaker 3 (23:05):
Oh you say high trust society. I want to celebrate
cash society. I want cash back, Kate. What a few
weeks ago talking my l A few weeks ago, I
did a gig old school envelope in the hand at
the end of the gig right, good paid gig like
(23:27):
a garade, So you got award? I got a ward right,
and I was it was in an envelope. I was like, this, kitty,
it's like pretty and what.
Speaker 2 (23:40):
Right, let's just die?
Speaker 3 (23:42):
This is what I mean.
Speaker 2 (23:43):
Yeah.
Speaker 3 (23:44):
I was like, okay, I thought you were dude the
usual in.
Speaker 2 (23:47):
Voice, what do you the money? Shadow? Hello? The money around?
Can't you? I think I can't get the bank and
it would take and the clear.
Speaker 3 (24:00):
Do you want to be my manager?
Speaker 2 (24:02):
That was really good, that cash.
Speaker 3 (24:07):
So I was shocked that they got the cash and
I thank you. And I haven't had cash in ages.
I've got a twenty or a ten here.
Speaker 2 (24:13):
And now no one has.
Speaker 4 (24:15):
And you know what that has side note, guess who's
been put out of business as a result too.
Speaker 2 (24:21):
I am my guard, Oh my.
Speaker 3 (24:23):
God, gone on.
Speaker 4 (24:24):
Yeah, you know you used to see them all the time,
and always fantasy always impairs and fantasize about how you
hold up the truck.
Speaker 3 (24:31):
You look at them and go, I could take them on, Na, you.
Speaker 2 (24:33):
Can buy the whole company for twenty parts.
Speaker 3 (24:36):
So for the last few weeks of my life, I
have been using oh cash, and there is something I know.
I've earned it and it's real money.
Speaker 2 (24:45):
Yeah, it doesn't feel real.
Speaker 3 (24:47):
No, everything feels free. It's like that was cash. But
hello to our hospital workers, Hello to our cafe bart
listening the looks I am getting love looks, No you
aren't getting I am. I'm trying to pay with cash
and they're like, are you s stilling me?
Speaker 2 (25:07):
Cafes No, cafes love cash.
Speaker 3 (25:11):
Not the ones I've been going to. I've been getting
what are you going to?
Speaker 2 (25:15):
Ones in darbles. But they're trying to start a one
world government.
Speaker 3 (25:18):
They've got to give you change.
Speaker 2 (25:20):
They don't mind. They love the cash.
Speaker 3 (25:23):
What's really shifted what I've been buying my groceries with cash.
I have not done that. Yes, I don't think I've
ever done.
Speaker 2 (25:32):
That in my entire life. And do you know what.
Speaker 4 (25:34):
Using the machine, use some self check social credit score,
there's going to be a big glitch of two weeks
where they're like, what happened to him in that time?
Speaker 2 (25:42):
Because they can track everything.
Speaker 3 (25:44):
Fine, I am paying cash. And let me tell you,
you think you're young and your hip and you're cool
and you're with Katelin and Brook, nothing will aid you
more than fishing in money into a self shared checkout
at Wallly's. I'm crouched over to it. I'm like, where
does the fifty go? I'm pushing it. That's the wrong one,
(26:06):
that's the one where it comes out.
Speaker 4 (26:07):
But actually that makes you seem young. No, they've got
young ones wouldn't know how to do it. The old
ones would all know how to do it.
Speaker 3 (26:14):
And then I'm putting it in the lady's looking at
me like what are you doing?
Speaker 2 (26:18):
Playing with money? They love cash in Japan. Yeah, they
love cash in Japan.
Speaker 3 (26:23):
Cash back, bring cash back. I'm the richest person in
the worst back the second buck, two bucks for you
too bad, two bucks. You don't have to be careful
with coffee and all stimulants, right.
Speaker 2 (26:36):
Oh yes, a.
Speaker 3 (26:38):
Few months ago I had my first Vietnamese iced coffee.
Speaker 2 (26:41):
You remember, Oh yeah, that condensed milk. Condensed milk blowsion,
the sugar explosions, the sugarshes.
Speaker 3 (26:47):
The coffee, the anxiety. There was a wild run.
Speaker 2 (26:51):
You said you had two hours of absolute peaking, running
around a room. Yeah, alone.
Speaker 3 (27:00):
After the toilet, every five minutes going.
Speaker 4 (27:02):
This is the best thing I've ever had. Longing for
a Japanese flash.
Speaker 3 (27:05):
I have a new coffee experience similar, but god, it
was good. It's taking a wanky wanky Melbourne Cafes by storm.
Speaker 2 (27:14):
So not everyone has this. What is it?
Speaker 3 (27:17):
It is called a mont Black. You say a B
B L A CS and you pronounced black.
Speaker 2 (27:24):
I'd say so.
Speaker 4 (27:25):
Mont Blanc is a famous mountain and a pin. It's
not mont Blanc, which is a famous mountain called mont Blanc.
Blanc has in white because it's got snow on the
top of it.
Speaker 2 (27:35):
Proceed.
Speaker 3 (27:38):
These are the ingredients mont black Cold drip coffee about cold.
Speaker 4 (27:45):
It's cold drip more powerful, but it's cold drip like
what the Americans do know the percola?
Speaker 2 (27:51):
No, I don't know. No, because and it's not weaker.
Why is it cold drip?
Speaker 3 (27:56):
I don't know.
Speaker 2 (27:57):
But does it come out cold? It's cold.
Speaker 3 (27:58):
It's a cold drink like you're buying a can. No,
I got it from a cafe.
Speaker 2 (28:04):
What are you asking? Well, I did proceed.
Speaker 3 (28:06):
I don't know, like filter ish, I'm guessing some sort
of filter coffee whatever?
Speaker 2 (28:12):
Cream?
Speaker 3 (28:14):
Yeah, worm, whipped whipped No? No, okay, orange zest?
Speaker 2 (28:19):
What? Nutmeg? And sugar syrup? And it was so and
it's small. Get that?
Speaker 4 (28:29):
Were you a Gloria Jean, No, that's a Gloria Jean coffee.
Speaker 2 (28:36):
Cool?
Speaker 1 (28:38):
It was.
Speaker 2 (28:38):
It was small too.
Speaker 3 (28:39):
It wasn't as big as a small when you say
smallish like yeah that yeah, okay, all right, I loved
it so much.
Speaker 2 (28:48):
Well that's a delicious dream.
Speaker 3 (28:49):
And I pinned off my face for three hours.
Speaker 2 (28:52):
Well, basically, I can't wait to tell the buck. Aside
from the orange and the what was the spice? Nutmeg? Nutmeg?
Speaker 4 (29:01):
Aspide from that, you basically just made a Vietnamese coffee
cream and sugar syrup.
Speaker 2 (29:05):
Oh yeah, I found my head made. That's what it
was like.
Speaker 3 (29:09):
Overpriced and winking with expensive together.
Speaker 2 (29:12):
Maybe we'll have one at the next show.
Speaker 3 (29:14):
No, I'm not shitting my pants in front of two
hundred buckets.
Speaker 2 (29:18):
No, I mean a show in here. What did it
make you put your pants? No? I mean I was
in control.
Speaker 3 (29:24):
But at the same time, I was a busy boy.
Let's just say I needed a Japanese dog. Really really,
but I was a busy boy.
Speaker 2 (29:32):
Hang on a seat.
Speaker 3 (29:33):
I'm very sensitive to stimulate. Okay, all right, all right, right,
your mom's dead.
Speaker 2 (29:54):
We're buck We're But I've got a message for people.
Speaker 4 (30:07):
You know, there's a saying. I think it's from the Bible.
Actually must be, because it's got involving God.
Speaker 3 (30:14):
I should remember this as a Catholic boy.
Speaker 2 (30:16):
God makes it rain on the righteous and the unrighteous. Right,
that's the gift.
Speaker 4 (30:22):
You know, people go through life and they go wide
as why do bad why these bad people thriving or whatever?
Speaker 2 (30:28):
Because that is this life. Yeah, that's how life works.
Speaker 4 (30:32):
But here's some good news that I have learnt firsthand
that even if you're a bad person, and I think
we've established on this podcast.
Speaker 2 (30:40):
I'm not the worst. No, I know worse. Yeah, I'm
not the worst, but I'm not a good person, you know,
and I don't. I don't those people that want to
align themselves with constant goodness. It's not why people say
to me, you're so nice. I'm like, I'm actually not so.
Don't it just anyway?
Speaker 3 (31:01):
Yes you are, you're kind to people.
Speaker 2 (31:06):
Yeah, no I'm not. I find honesty very kind. Well
I do cruel to be kind.
Speaker 3 (31:11):
You're not cruel to be kind.
Speaker 2 (31:13):
That's what honesty is.
Speaker 3 (31:15):
Yeah. People that think being honest is cruel, they're what
issues they've got to deal with it.
Speaker 4 (31:19):
Well, see, you're one of my people, so we get on.
You're not nice either, and she's lovely.
Speaker 3 (31:27):
She's the nice one out of Kate and I.
Speaker 2 (31:36):
Oh, like you know what that was? No, it wasn't
you know what. It was like a cat watching a laser.
She was just like so you could say she was.
Speaker 4 (31:48):
Trying to make it, but nothing would make sense of it.
Speaker 3 (31:52):
I wouldn't work as someone that's not nice.
Speaker 2 (31:54):
No, no, but it's not it would say not nice.
Speaker 4 (31:57):
Our industry is full of correct but well we're not them.
But they all cloak themselves in that fate niceness. It's
like whenever I meet normies and they say what's so
and so like, oh, and I was like.
Speaker 2 (32:11):
Eh, really nice. And I have to lie on behalf
of them.
Speaker 4 (32:16):
It's like when my girlfriend was a mistress, I had
to lie on behalf.
Speaker 3 (32:19):
Of her secret going.
Speaker 2 (32:21):
Yeah, keep the secret going anyway.
Speaker 4 (32:22):
Whatever, we're not the business of the outing people for
being assholes, or we'd be very busy anyway. My point
is I'm not selling myself as a good person. And
if you want to be find a good person, this
is not the podcast for you.
Speaker 2 (32:36):
If you want some resilient, interesting.
Speaker 4 (32:39):
Funny here we go people, then this is the podcast
for you. Up yeah for sharing it with your friends.
Speaker 2 (32:46):
Love that share it with your friends anyway.
Speaker 4 (32:57):
So God makes it rain on the righteous and the unright.
And sometimes if you're a bad person, good.
Speaker 2 (33:04):
Things happened to you. And that's what happened to me.
What happened all right?
Speaker 4 (33:10):
So when we were going to Japan, and you know,
there was a five days skiing and there was a
source of concern, moderate lip service concern from my husband.
Speaker 2 (33:20):
Well, what are you going to do for five days?
I hope you're not bored? Do you know me? Would
I be bored?
Speaker 4 (33:25):
Having five days on my ownis my Dear of Heaven.
Speaker 2 (33:29):
There was WiFi. Just have them at night. Oh yeah
they came. Yeah, yeah, you're just having annoying.
Speaker 4 (33:36):
Anyway, stunning until Lewis took two days off skiing and
then we hung out together. Anyway, But what the point was?
You know, I'm writing a book this year and it's
one of my many extra jobs I've got, and it's.
Speaker 2 (33:48):
A romance book. It's a narrative.
Speaker 4 (33:50):
And when I was going away, I'd say to my manager,
I've got this, and my publisher, I've got these five
days when we're in the snow.
Speaker 2 (33:59):
I'm not skiing. I'm just going to write.
Speaker 3 (34:02):
And if Stephen King movies have taught me anything, oh
my gods, where writers right your dirty right in the snow.
Watched that the other week and it's incredible, still unbelievable.
Speaker 4 (34:15):
Baits is, yeah, unbelievable, so great. But do you have
you read the book Misery?
Speaker 3 (34:21):
The book he actually did a very long time.
Speaker 4 (34:23):
Okay, so you know in the book they change it
to the movie, and the movie is actually more effective.
Speaker 2 (34:29):
I think they hobble him in that. She hobbles him
in the in the in the movie, doesn't she she
cripples by bashing his ankle.
Speaker 3 (34:40):
Ties ties his legs to a plank of wood. Yeah,
rather ankle.
Speaker 2 (34:45):
In the book, she cuts his foot.
Speaker 3 (34:48):
Off, probably kill him. That had to change it.
Speaker 4 (34:53):
Well, because wasn't she.
Speaker 2 (34:58):
And then that's revealed that she's an a.
Speaker 3 (35:00):
Nurse revealed in the movie history of being hospitals like
killing them or tormenting them spoiler anyway, that was me
in the snuff.
Speaker 2 (35:12):
Spoiler imagine, dang you.
Speaker 4 (35:20):
I was about to enjoy that forty year old movie
and they have ruined the ending. Anyway, So the whole
time that we're in Tokyo and going on the trip,
and even beforehand, I was like, I'm going to be
writing these five days. It's going to be intense.
Speaker 2 (35:35):
I have to break the back of it. I'm sort of.
It was on the back of my mind all the time,
right in the back of my mind.
Speaker 4 (35:41):
And then so the first day that everyone went up
to the thing, I was setting myself up. I was
reading another book and I'm like, oh, this is interesting.
Just to get juices flowing, Jesus, I did think about
asking Sash, how would I get Ai if I put
the character anyway, So the next day I'm like, I
(36:03):
get as soon as they leave. They were leaving early
to go to the snow. They were getting picked up,
like at eight forty. I was like, today's my writing day.
I get out my iPad that I've been carrying my
carry on. I unpack it, I get my Logitech keyboard.
Speaker 2 (36:19):
I start typing. I put in the name of the chapter,
and I'm like, that's weird. I was trying to write
the and it kept typing TE and it wouldn't put
the H. And I'm like, banging on the H. Banging
on the H is gone. My H was gone?
Speaker 3 (36:35):
I go, My AH was gone. Can you see?
Speaker 2 (36:38):
I think my m was gone?
Speaker 3 (36:40):
Few. I couldn't we're tight here we go.
Speaker 2 (36:44):
I couldn't convenient tired. That's what when Peter came out,
it was the first question the boys all had because
it had been on.
Speaker 4 (36:51):
Everyone knew that Mum was writing. I was writing. The
first thing they said was how did you writing?
Speaker 2 (36:57):
Go? And I said, I couldn't do any of the
I pad and we were in the middle of nowhere
in the snow. I couldn't just whip.
Speaker 3 (37:04):
There was zero sympathy in the studio sympathy.
Speaker 2 (37:08):
What I'm saying is it was the greatest.
Speaker 3 (37:12):
Actually could I couldn't.
Speaker 2 (37:14):
I couldn't.
Speaker 3 (37:15):
Wouldn't you know what they say the worst part about
writing is writing writing?
Speaker 4 (37:19):
Yeah, people say I hate writing, but I love having written.
Speaker 2 (37:25):
But then there was one thing, just slightly. I didn't
like that. Peter said to me, did you stand on
it before?
Speaker 3 (37:35):
Yeah?
Speaker 2 (37:36):
I don't want to write. I just just say thought that.
I but how magnificent magget. I was scared to tell
my manager take that, publisher.
Speaker 3 (37:46):
I love yeahline, I'm sorry my arquie didn't work. Before
we get to a text from mum, which is a
Pearler this week?
Speaker 2 (37:57):
By the way, is it lean? Oh, it's a Buckwhitt.
We've got a couple.
Speaker 3 (38:02):
Will choose one and another one we love will do
next week Bucket send him over us to change names.
Speaker 2 (38:07):
We will tex No. Before that, Oh good. I want
you to.
Speaker 3 (38:12):
Pick aside here in a fight that Cody and I
have been having for ten years.
Speaker 2 (38:15):
Oh, I love this. Ten does his head in? Oh?
I love it. Look at your eyes because you do.
And you know what we've got.
Speaker 4 (38:27):
You know, I think we understand why Cody spends so
much time running, don't we? Because him coming home to you.
You've got cabin fever, always by virtual the fact that
you don't leave.
Speaker 2 (38:39):
I only got pockets full of cabs.
Speaker 4 (38:42):
Eyes are just you're always looking for trouble to be
starting shit up with Cody.
Speaker 2 (38:46):
I love it.
Speaker 4 (38:47):
I've never approved of a quality in someone more. But
that's why that he's always.
Speaker 2 (38:53):
Running little shits.
Speaker 4 (38:53):
There are next you know what he's going to do
next year, What run across Antarctica?
Speaker 2 (38:59):
What he can not handle?
Speaker 3 (39:01):
And he gets so frustrated when I put petrol in
the car.
Speaker 2 (39:05):
Oh, you don't fill it out. I don't feel it.
Oh no, Valo, meet Sasha Freench.
Speaker 3 (39:11):
You're the same.
Speaker 2 (39:12):
Ah you people.
Speaker 3 (39:14):
So when I fill up the car, he says, when
do you know to stop? And do you know what
my answer is, because it's the truth. It's just a
vibe check. It's just whatever I feel like, that's what such.
So I put the nozzle in. Here comes the petrol,
and I might give it twenty bucks, thirty bucks, whatever
I'm in the mood for, what I've got on for
the day, what the weather is. There's so many factors
(39:34):
at play. If there's a car behind me, are you medicated?
Sometimes I am?
Speaker 2 (39:38):
Yeah, make a difference. When I don't make a difference.
Speaker 3 (39:41):
If I'm medicated, you can fill it out maybe, but yeah,
so what Yeah, that's not the argument.
Speaker 2 (39:46):
No, but it's interesting now you're prob far right when
it suits you. So he just I see his eye twitch. Yeah,
I put a quarter in half a in. Why do
you like going to put petrol in the.
Speaker 3 (40:02):
Cart like it's gonna eventually put you like you like
putting petrol eventually?
Speaker 2 (40:09):
Yeah, but with a certain amount of output from you.
Speaker 3 (40:12):
So you go absolute full every single time you go
to the servo chent op every single time.
Speaker 2 (40:18):
See, but you do not. No, I don't know, but
you told me you've because I hear your voice in
my head every recent time, and there are times I
fill up now, But there are also times when I'm
like a hazy boyfriend about it. Does he feel your car?
Never you car he drives? You know your dirty little secret?
Did you have a car accident? Sash? Your cars are
(40:40):
banged up on my side when I pulled out. That's
from years ago.
Speaker 4 (40:44):
Anyway, that's always the side I get in on the
passenger side.
Speaker 2 (40:47):
I've never noticed. I think I'm with Cody. You're going
to be with me? No, I'm not, and you know why,
only because it's such a false economy.
Speaker 3 (40:58):
This is where you draw the line your yair and
toothbrushes yew.
Speaker 2 (41:01):
Yeah, yeah, this is the heel, this is the heill.
Speaker 4 (41:06):
No, you know why because I think for so many
years I was so povo that I could only put
ten dollars of petrol in my car, and you know,
you eke it out. But then one of my great
pleasures in life is filling up the not a pleasure,
I don't like it, but I hate the job of
(41:27):
it so much. I'm like, I want to do this
job as little as possible.
Speaker 2 (41:30):
So when you leave the petrol station.
Speaker 3 (41:32):
When I used to leave Saturday night church with the family,
I was in the best mood ever, like the Simpsons.
Speaker 2 (41:37):
Because he'd had it because.
Speaker 3 (41:38):
It's the part of the week where the next church
is the furthest away it will.
Speaker 2 (41:42):
Be yes, yes, right, that's exactly right. So I don't
have to. I just never want to be pulling into
service stations to fill up my card on board. How
often do you end up doing it in a week? Mate?
Sometimes three?
Speaker 3 (41:56):
Tell him, I say, I you've got such an issue
with it, you do it? And then he goes, does
he do? Sometimes he goes another?
Speaker 2 (42:02):
I love it. I do love that last night, nothing
more than when Peter tops up me tank and when
he puts petrol in my car.
Speaker 3 (42:10):
Who does he go forward like whoo whoa, who whoo
whoo woo whooah wooo whoa.
Speaker 2 (42:16):
He's high octane about a bad bad, bad bad as
he's diesel rapid flow diesel. Hello, he's not going green?
Oh no, he's no matcher match a flavored petrol.
Speaker 3 (42:31):
It's a text from.
Speaker 2 (42:32):
Mom, It's a text from Can we just reflect on
this for a moment? Sure? One of the ironies in
life that the dabbler has finally been he's been backed
up in an argument by me Callisi eight and he's
one of my daggins.
Speaker 3 (42:52):
Thanks, you're like a stalker because you write him little
notes for me to give him. Can we get little
gifts and nice stuff? You give this to Cody, write
you're missing out on dabbler, and then they take it
home to it.
Speaker 4 (43:03):
And then he's like, but look, he got backed up
in the argument. But because he's only a dirty dabbler,
he'll probably never have this moment of vindication.
Speaker 2 (43:15):
He just got back from South Africa.
Speaker 1 (43:17):
What was he doing?
Speaker 3 (43:19):
It's a awfu the chicken. I'm like, he has a
job that involves a lot of travel, or this guy
has got a secret family somewhere. There's no proof he
was on the flight that was.
Speaker 2 (43:35):
I don't know what.
Speaker 4 (43:36):
About his points? He must be racking up points. You're
going to have the greatest Does he fly bees?
Speaker 3 (43:40):
I'm going to say the wonkier sentence that anyone can. Okay,
and like a thirteen year old girl when I say this,
is everyone ready?
Speaker 2 (43:49):
Yeah, my husband's platinum. Oh he's a ploody dog.
Speaker 4 (43:55):
I don't even know what it means, but I know
at schooled he's a plotty dog.
Speaker 2 (43:58):
And what does that mean? Can he can go anywhere?
Not me? But like, but Connie, you're his husband, but.
Speaker 3 (44:04):
We hardly travel together. We we are together on a
plane like once or twice a year if that.
Speaker 4 (44:09):
Well, yes that's normal, idiot, because we have the plan
both buying a lot.
Speaker 2 (44:15):
But it's all just for work. You're not Megan and
Harry as is what is it? As as eva as
as ever as ever?
Speaker 3 (44:24):
Sorry, my husband's a putin and what does that means?
Speaker 2 (44:27):
I don't know what I actually don't know what it means.
He means means just it's a lot of points.
Speaker 3 (44:32):
But it means he gets like the seat next to
him gets blocked if when it's not sold out, he
gets like all the good rows if he wants if
he says, why would.
Speaker 2 (44:42):
That block a seat in business next to.
Speaker 3 (44:44):
He doesn't have to fly business even in economy, he flands.
Speaker 2 (44:47):
Economy or sometimes what is he me his work pays
for it, the successful one in the relationship in his economy.
Speaker 3 (44:57):
That's why I love his secret husband.
Speaker 2 (45:00):
Is that to be terrible?
Speaker 3 (45:03):
I've met some men that fills the petrol take up
all the way and Cody fell for it.
Speaker 2 (45:10):
Where's the interest in that? Exactly? Yeah.
Speaker 4 (45:12):
Never go out with anyone who's got the same skill
set as you.
Speaker 3 (45:16):
That's so true.
Speaker 2 (45:17):
Never, that's why I'm married, yeshy smart.
Speaker 3 (45:20):
Yeah, water's plants, Yeah, that's it fills all your wholes. Hello,
we have a text from mom from Oriana, Oriana, that
beautiful name, Oriana Italian.
Speaker 4 (45:36):
Yes, yes, in fact, I'm going to tell you an
Anne Lange Brooks story.
Speaker 2 (45:41):
That's my mother.
Speaker 4 (45:41):
And I was waiting for the story when I was
at school. And you know you don't know what you
want to study. And I especially didn't my guidance teacher
or whatever. My English teacher or whatever said you're really
good at English, one that you study journalism. I didn't
know anything about journalism. So I go home and I'd
say to my mom, I think I'm going to apply
for journalism.
Speaker 2 (46:01):
And mom goes, oh, you're going to be a real
Orianna Falerci. And I go, who's Oriana Falaci? Mum goes,
you want to.
Speaker 3 (46:10):
Be a journalist and you don't even know who Orianna?
Speaker 2 (46:13):
For LUNCHI is. I'm like, no, I don't know that
is my mother.
Speaker 3 (46:21):
But who's a journalist?
Speaker 4 (46:23):
She's a journalist, some journalists, probably from the nineteen sixties,
some Italian. But like she's screams, not screams, but bellows
at me in Queensland.
Speaker 2 (46:36):
I was seventeen, like you, I don't know who. Everyone
loves my mom, that's all. Yeah, everyone loves her.
Speaker 3 (46:42):
She filled the car up, wouldn't She's got to real
fill the car up to its full.
Speaker 2 (46:46):
Not only does she fill it up, but she's got
a supermarket docket. Yes, and you know, okay, can we
just raise this what's going on with those supermarket dockets.
They've been four cents off literally for twenty five years.
Speaker 3 (47:03):
What crank it up? Well, I'm sorry, but if inflation
goes up, so does my discount.
Speaker 2 (47:08):
And it doesn't, I don't do it. I've never done that.
I should too. I was alloyed.
Speaker 4 (47:14):
Literally, I went, I've got the back seat full of shopping.
There's a docket in there, and I couldn't be bothered
taking it out.
Speaker 3 (47:21):
You can just you know, you can attach your account.
Speaker 2 (47:23):
You're not attaching any phone. You're a cash person now,
you're not attaching shep.
Speaker 3 (47:28):
The amount of things I don't do properly because I
can't be bothered with one extra tar.
Speaker 2 (47:32):
But you have no loyal you're a cash person. Any
loyalty now you're a cash person. You don't. Yeah, that's
you know what. You're not a slave to the system.
You're a cashy. Hear that you're a cashy. Reward points?
Ye wish I've got that? Four things? I want a discount. Oh,
(47:54):
I'm getting wrapped up.
Speaker 3 (47:56):
My husband is platinum Oreana text from mum Oriana Falaci
and Savord for therapy the Calo.
Speaker 4 (48:12):
Down.
Speaker 2 (48:13):
Okay.
Speaker 3 (48:14):
The reason I love this text from him so much
is because my mum did this. I would love to
know if you did this or no, if Buckhead's mums
have done this, Sash, I reckon, you've done it. Here
we go, all right, Orianna's mum text that heard this,
just letting you know that this is a bag of
your hair from when it was long. You're a kid?
Speaker 2 (48:33):
Do you want it? And attached is a bag? Look
at that hair? My goodness, why do you keep ship? Okay,
you're one hundred percent creepy. You know.
Speaker 4 (48:47):
I've got ring boxes full of teeth and I've got
envelopes full of hair.
Speaker 3 (48:52):
What happens to the hair? Doesn't it's something happened to
it one Okay, I really have to be attached to
a human to live.
Speaker 4 (48:59):
Okay, No, it's all deep. Once it leaves the scalp,
hair is all dead.
Speaker 2 (49:03):
I get.
Speaker 3 (49:04):
I'm not thinking it's growing in the envelope, but like.
Speaker 2 (49:09):
Disintegrate eventually. No, I don't think so. Actually that's really interesting.
Speaker 3 (49:14):
Would be even weird if you put it in some
sort of like jar and it's floating in liquid.
Speaker 4 (49:18):
Oh, it's so Once hair leaves, whose hair have you got?
I've got lewises and I've got Sundays. I'm not going
to tell you why I've got lewises or really sharp shot.
Speaker 3 (49:26):
Okay, well yeah, off.
Speaker 4 (49:33):
And then she totally ruined the conversation with cancer. She
just brought up his cancer. Yes, hair, But one day
Sunday came in.
Speaker 3 (49:45):
Did that start it for you?
Speaker 2 (49:46):
For the for Sunday? No, I think he'd already cut
Sunday's hair. She came in one morning. You know, kids,
if you don't get out of bed with them, they
get up to all thoughts cut in air.
Speaker 4 (49:56):
And then she came in one morning in the dark
and she said, shut my hair and weed. And I
reached out and I could just feel like much more
face than I could normally feel. And as I stroked
the side of a head of a giant clump came out.
We've got that the envelope, You've got Milo's hairsash, Yes,
that's enough.
Speaker 3 (50:17):
How was how old was Milo when he went snipping?
Speaker 2 (50:20):
It would have been like two. Did he cut himself? Oh? Yeah,
because he had long hairy Yeah.
Speaker 3 (50:24):
And the teeth, the teeth, that's even I think that's
even more.
Speaker 2 (50:28):
I don't know, why do you do? What would you
do with them? No? The question is what do you
do with them? Well? What? But no, you can't get
rid of them? What am I going to do? Throw
them in the bin?
Speaker 3 (50:38):
Well?
Speaker 2 (50:39):
Yes, I mean what happened in the teeth fall out?
When you're a kid in the tooth throw your child's
tooth in the bin, you know.
Speaker 3 (50:46):
I think about, well, why aren't dad's allowed to do this?
If someone went to a single dad's house and found
that he had school uniforms, teeth and sandwich bags of
the little girl's hair, he'd be arrested.
Speaker 2 (51:02):
But her mom does it. It's cute. Would you like
me to answer? Go on, I think you know the answer.
Speaker 3 (51:10):
Please message us again and tell us, Yeah, did you
take the hair?
Speaker 2 (51:14):
Collected the hair? Because Kate wants it. It's gonna add
it to a bag.
Speaker 4 (51:17):
No, I don't carry I'm not a creep. I don't
collect stranger's hair.
Speaker 2 (51:22):
Have you ever worn wigs? Yeah? The human wigs?
Speaker 3 (51:27):
No for for TV and stuff?
Speaker 2 (51:29):
Yeah yeah, never human? Not in life.
Speaker 3 (51:32):
I've never worn a week Well life, are you drunk?
Speaker 2 (51:42):
Stop talking? I'm devastated with the match at Kaloa.
Speaker 4 (51:46):
The buck Up podcast is hosted by me, Kate Lanebrook
and him Nathan Valvo. It's produced by the brilliant Sasha
French Audio and sound by the magnificent Yak Lawrence. You
might call him Jack and Dom Evans are We're lucky
Imagine, if you will, that you are in a place
of great beauty.
Speaker 2 (00:11):
Some teenage boys.
Speaker 1 (00:12):
Walk past you, they yell out, they bitch tits. The
world you see is a place of paradox of beauty
and cruelty. It will cut you off at the knees
then gift.
Speaker 2 (00:28):
You a pair of easies.
Speaker 1 (00:31):
And that, my friends, is why.
Speaker 3 (00:34):
You always always need a buck up.
Speaker 2 (00:39):
Ba ba ba ba KNITCHI wah.
Speaker 3 (00:51):
You know it's gonna sound very weird when people don't
know you just got off a plane.
Speaker 2 (00:54):
From literally this morning, I got off a plane.
Speaker 3 (00:58):
Well they maybe they need to know that before you
carry on with your little voice there, I think, do
you like that that I'm so demure?
Speaker 2 (01:07):
Oh my goodness.
Speaker 3 (01:08):
This is like in high school when someone came back
from America for two weeks and they had an accent.
Speaker 2 (01:12):
Oh yeah, that's right.
Speaker 4 (01:14):
But I can't do the accent because although they don't
care about cultural appropriation, they'd never be happier than if
everyone's tripping around in a kimono.
Speaker 3 (01:23):
Welcome Katelin, mischief face.
Speaker 2 (01:29):
You know who's very Japanese?
Speaker 3 (01:31):
Who oh yeah, why so I just her size?
Speaker 2 (01:37):
She could shop there.
Speaker 4 (01:41):
And just no, no, not that part say hello, Sash,
that's enough can ware. Anyway, I brought presents people that.
Speaker 3 (01:54):
Bring presents from holidays.
Speaker 2 (01:58):
And I did some vintage shopping.
Speaker 3 (02:00):
Did even she comes with her Gucci handbag. Folks look
at that?
Speaker 2 (02:05):
How's that? Because you know there's no copies in Japan?
So they say, well, so they say so, they say
it was a legit boot in a car.
Speaker 4 (02:16):
Leg I went to the factory. I saw the guy
with his hot glue gun.
Speaker 3 (02:23):
Handcrafted.
Speaker 2 (02:24):
Isn't it stunny?
Speaker 3 (02:26):
Is if anyone was to say, what's a Kate Lanebrook bag?
There it is red and.
Speaker 2 (02:31):
Brilliant, little, bigly, not frilly a good way. Now you're okay,
Now what so tassels?
Speaker 4 (02:40):
No brilliant big is like.
Speaker 2 (02:45):
When you think of Kate lane Brook.
Speaker 3 (02:47):
I'm sorry, but if anything about women they like being
called frilly and big.
Speaker 2 (02:55):
Wow, you're getting what is this? Oh my god? Folks
has given me.
Speaker 3 (03:01):
Kalua the greatest, all the way from Japan, all the
way from Japan. It is much a flavor.
Speaker 4 (03:08):
Now, pa is insane because as we know, Kalua is
a coffee liqueur, and that chase it is tea.
Speaker 2 (03:20):
And it's not a good tasting one. Either.
Speaker 3 (03:22):
So this is something.
Speaker 2 (03:25):
So I thought of you and I haven't tried it.
We haven't tried. It is going to be an experiment.
And hang on, I'm going to give I give Sasha
hers while you pour us drinks. Of course, yeah, okay,
because Sasha French, I got you for me? All right?
What are these? All the Japanese girls use them.
Speaker 4 (03:44):
They're patches that you put on your legs or your
feet are tied. And apparently they're amazing, and you know you.
Speaker 2 (03:50):
You yeah, hot feet, Yeah.
Speaker 4 (03:52):
You get hot feet, refreshed sheet, very good, and also
some cherry sauce.
Speaker 2 (03:59):
And also they.
Speaker 3 (04:02):
I'm just laughing at the sentence I get hot feet.
Speaker 2 (04:08):
Are they gorgeous?
Speaker 3 (04:10):
I think your boyfriend alt chuck those socks on your
stinking hot feet.
Speaker 2 (04:17):
Your bit stinking they don't stink so free.
Speaker 4 (04:22):
You're such a It reminds me of I told you
what my mom once said about gaming.
Speaker 2 (04:27):
Why do women love gay men? You know they're the enemy.
You both want the same thing.
Speaker 4 (04:33):
And the more time I spend with you, oh my goodness,
it's green.
Speaker 3 (04:39):
The much a klure looks absolutely awful.
Speaker 2 (04:44):
It looks like you wrongs. You've got me a bottle
of it's a terrible dark green oil.
Speaker 3 (04:51):
It's taste.
Speaker 2 (04:55):
Ruined. Okay, hang it mm hmm. I can't taste the
much at all. I taste it at the start, but
not at the end. Who cares? Thank you so much
for my presence. That a great novelty, you know what.
I saw it first, and then I said, why didn't
I just get it?
Speaker 4 (05:15):
You know, when you're traveling you just don't think you don't.
And then I went, we drink kolure all the time.
What better for our Japanese episodes then to drink much.
Speaker 2 (05:26):
I like that coffee. Look you up.
Speaker 3 (05:28):
I love a much, love a much. I love much
of kid kats from Japan.
Speaker 2 (05:33):
You playing at home? Oh yes you can. We brought
some back.
Speaker 3 (05:37):
You are a lot of things much a flavored considering
you think it's a disgusting, well.
Speaker 2 (05:42):
Because you like the novelty of it. Pushing me, just
pushing me.
Speaker 4 (05:48):
It's so amazing. I know it's annoying to hear people say,
but let me this is a good tip for I've
never been our listeners. Well I've been before, but not properly.
I went on a cruise with We took my parents
on a cruise and.
Speaker 2 (06:03):
The kids were little. I saw quite a lot of it. Yeah,
we saw quite a lot, but it was not like
this time.
Speaker 4 (06:08):
We had five days in Tokyo and five days skiing,
and then we were.
Speaker 3 (06:13):
In Osaka and you hate skiing.
Speaker 2 (06:15):
I didn't go skiing.
Speaker 3 (06:17):
You sent us a pit lying on the couch like comfortable.
And I have to admit, behind you it was the
most beautiful looking scenery I've ever seen the same. I
think it would even get.
Speaker 2 (06:28):
Me out there.
Speaker 4 (06:28):
It was so incredible enough for you to like go
out there. No, I did go out there, but not skiing.
But I did say, and you know I hate walking.
I hate well, you know I have a good walk.
Speaker 2 (06:39):
I'm like, get if God wanted me to walk a
car car, thank you, thank you.
Speaker 3 (06:47):
You heard of an e scooter, but I had rollerblades.
Speaker 2 (06:51):
Two of the greatest walks. In fact, every night a
heavy snow walk, heavy snow walk.
Speaker 4 (06:59):
I can't faie to you the magic of it. It's
proper magic.
Speaker 2 (07:04):
Well you I could.
Speaker 3 (07:05):
I've got a glimpse of it in the background of
you lying on the couch in the pic.
Speaker 2 (07:08):
Yeah, it was just magical.
Speaker 4 (07:11):
And such of course had been the year before with
her boyfriend.
Speaker 2 (07:16):
Anyway. Wow, for someone who said that heaps to talk about.
Speaker 4 (07:26):
No, I've got okay, so you know how I am.
Speaker 3 (07:30):
I hope you never get a job on Getaway your
episode of Getaway? Is you going I hate walking?
Speaker 2 (07:44):
No? You know how? I love the things about Japan. Okay.
It's as cheap as chips.
Speaker 3 (07:50):
As in daily life, there is cheap foods cheap, so cheap.
Is the a com really expensive though?
Speaker 4 (07:56):
No, no it's not, no, not really, not compared to
in Sydney, that shit old Sydney.
Speaker 3 (08:03):
Hey, Sydney buckets. What's going on with don't even I
get an offer for a comedy room or to do
a show and you go yeah, then you work out
the math of the hotel room.
Speaker 2 (08:12):
You're like, I'm going to lose money, Sydney. It's crazy. Okay.
Speaker 4 (08:16):
So what's happened is this is bad for the Japanese people.
I imagine who knows, but their economy is collapsed, oh dear.
Something to do with the fact that Honda and Nissan
or is the Americans called it. Nissan also get we're
going to have a merger, right, They're going to have
a merger because their car industry is being destroyed by
(08:39):
the Chinese.
Speaker 2 (08:40):
Are they going electric or what?
Speaker 4 (08:42):
No, they brought in the first highbrid they were a
bit early with it or the first electric. Yeah, Toyota
is not involved in the merger anyway. The merger fell
over while we were there, and gee, how exchange rate
just went through the roof, so we were getting like
nine yeen. So it was basically you one tenths everything.
(09:04):
So you go out for a stunning.
Speaker 3 (09:07):
Temperaud on Yumo ten bucks love it?
Speaker 2 (09:11):
Ten bucks at the air? What at the air? I
mean it had Marcher in it, but it was always
March anyway. It was stunning.
Speaker 4 (09:23):
And also the other thing about Japan that is amazing
is it's a high trust society.
Speaker 3 (09:30):
Everyone always has clean I thought you were about to
say it.
Speaker 2 (09:34):
I'll tell you what. My bits have never been never
like whenever you like. The toilet's just constantly.
Speaker 3 (09:42):
Constantly, just constantly.
Speaker 4 (09:45):
You're constantly yeap Like did you ever see that movie Silkwood, No,
with Meryl Streets. She works in a uranium factory and
if you're ever exposed to the polonium at the end,
they all the alarms golf and they put you in
a sh and it's a shower like you've never had before.
Speaker 2 (10:03):
Like she's practically getting.
Speaker 4 (10:04):
That's what the toilets in Japan due to your your
front bit. Although you can and you can press different bits.
Speaker 2 (10:11):
You can press favorite.
Speaker 4 (10:13):
No, I didn't have a favorite. I'm not really that
into it, to be honest. I found it a bit much.
Speaker 3 (10:20):
I can never decide on what I want the hose.
When I have to hose the garden out the bark
and coat is away. Do I go the hard long one?
Speaker 2 (10:26):
Right? The wide spray? Okay? Well this is you would
really have.
Speaker 4 (10:32):
I'm good at decisions. For me, it's all little pictures.
And after a while we knew the pictures.
Speaker 3 (10:37):
It was on the pictures.
Speaker 2 (10:39):
One's a little bottom and the jets like right in
the middle of the cheeks.
Speaker 4 (10:45):
And one is what's the girl one such it just
has a different angle. I think it's intrusive. Yeah, it's intrusive.
Speaker 3 (10:52):
Yeah, the wrong setting old hot feed over there.
Speaker 2 (11:01):
Dear feet were hot after she gave this a good hosing,
a good silkwood hosing.
Speaker 3 (11:06):
Did anyone in your family enjoy the Japanese toileting?
Speaker 2 (11:09):
Oh they all love men love it, do they? Yeah?
Men love it?
Speaker 4 (11:13):
Men are mad on that sort of stuff, So it's
a little men love it because I think.
Speaker 2 (11:17):
Of your prostate.
Speaker 4 (11:19):
Because of your prostate, you enjoy things we don't like
rogering each other up the bot part, What setting was that?
Speaker 2 (11:31):
What was the what was the image for that one?
Speaker 4 (11:34):
But you know, they's like it's there's a whole world
of possibility. And also the toilets do this thing that
when you sit on them, they make a background noise,
which is disconcerting because it sounds like it's flushing, but
it's not. It's just water running, so that outside you're
not your part privacy.
Speaker 3 (11:53):
I think anyone listening to our podcast runs toilets of
some sort. Can every single toilet in the world have
music playing loudly for the comfort of everybody?
Speaker 2 (12:03):
Yes, well you can choose music or you can have
the water sound. Anyway. My husband loved it, and he goes,
I newly put one in in our bathroom. But the
four thousand dollars no goodbye, normal one for four hundred.
Speaker 3 (12:16):
I mean, just listen to a podcast.
Speaker 2 (12:18):
Dreams so much for me.
Speaker 3 (12:20):
It's good lady to hear any sounds of a creek
while she's on the duney. Yeah, he wants that beautiful.
Speaker 4 (12:28):
So high trust society is an amazing experience if you
come from a country like Australia once was a high
trust society. And I'm not going into the reasons why
it's no longer. You can probably work that out for yourself.
Speaker 3 (12:42):
I think that involves a bit of a cook.
Speaker 4 (12:44):
But this is how a high trust society manifests itself.
Now people have done stuff like this online and you
can check it. Like they've done things that they've left
a briefcase at the busiest train station in Tokyo, Shinjuku
or whatever. They've left it there and two hours later
they come back and pick it up and it's there.
Speaker 3 (13:05):
Crazy, right, But this was just so amazing.
Speaker 4 (13:09):
Once you start noticing it, you're just like literally not
one person when you're getting on these trains. How many
people live in Japan thirty million or something, millions millions,
millions of people on these trains, so busy when you're
in New York, when you're in Australia, there's always messages,
please look after it. In Europe, look after your belongings.
There are pickpockets on the train.
Speaker 2 (13:30):
How many one hundred and twenty four million. What in Tokyo, Japan? Oh?
How many in Tokyo? Anyway? Whatever, you busy yourself? Take that?
Do you want some ice for your feet?
Speaker 4 (13:42):
Fourteen fourteen point eight million, city of fourteen point eight million.
Speaker 3 (13:47):
Tiny, The city is very smallest.
Speaker 2 (13:50):
No, it's spread out. It's actually it's actually.
Speaker 3 (13:53):
The actual city city party is small.
Speaker 2 (13:56):
Smaller than No, I don't think so. I don't think so.
Speaker 1 (14:00):
Is that.
Speaker 2 (14:00):
I think it's spread because.
Speaker 4 (14:02):
It's not particularly high rise, not particularly high rise anyway,
so constantly, once you're aware of it, you're like, this
is just amazing. There's not a rubbish bin anywhere, which
drives you crazy. So people carry their own rubbish with
them and dispose of thoughtfully.
Speaker 2 (14:21):
There's not a cigarette.
Speaker 4 (14:22):
But we were in train stations happenes love us.
Speaker 2 (14:27):
Now they have to do it furtively.
Speaker 4 (14:29):
There's a lot of signs in the street saying no
smoking now, which some people would find annoying if they
wanted for perhaps to kick off. But so and they
sell cigarettes everywhere. I don't know what's happening with that.
But you can go into a bar and smoke in
a tiny room the size of a closet anyway.
Speaker 3 (14:49):
Did you see all the drunk businessmen on a Friday night? Okay,
keep that up on the internet. It's a great thing.
And they will go our car absolutely maggeted after work.
And there's all this footage of Andese men passed out
at train stations.
Speaker 2 (15:03):
Nice to them. Everyone puts bottles of water around them.
Speaker 4 (15:06):
And in Osaka it was Monday night and they were
all bars hospital night, and the girls who work at
the bars would all come downstairs with them and got
mas and got to Kazmer saying I'm waving goodbye, and
the men would go lurching off down the street. And
then as soon as they were out of I shot,
the girls would start talking to each other and giggling.
Speaker 3 (15:27):
Laughing at him, laughing at them.
Speaker 4 (15:30):
But my son mocked me from my attempt at Japanese.
Speaker 2 (15:34):
Well, yeah, I mean fair enough. Did you hear how
I said that? Then? I mean it was okay.
Speaker 3 (15:38):
I don't know what what were you Sayings?
Speaker 2 (15:42):
Is it you full formed character? Thank you? Thank you
very much, mel Streams.
Speaker 4 (15:47):
And I know that's what I'm Sayings got to kazimas
so lewis traveling with tree suns.
Speaker 2 (15:57):
They'll humiliate you.
Speaker 3 (15:58):
I mean traveling with them. They would say, traveling with
mom humiliated me.
Speaker 4 (16:03):
Okay, they would, But Lewis started doing this thing where
he would mock my accent every time I tried to
speak Japanese, and then you know it starts off funny.
Speaker 3 (16:13):
Well, it's just like when my mom used to order
food in an accent when she was ordering for the family.
If my mom called her restaurant, yeah, what she'd order
in a bloody accent.
Speaker 4 (16:22):
Which you're not going to audition demon state from correct.
I talked you about my friend's dad who used to
add a Chinese restaurant, go to crab Crawl. We'd always
been like, not to the way, don't say crab craw.
Speaker 2 (16:37):
Anyway. What do we always secretly say to each other?
What crab claw? Anyway? So, Lewis, have you got him there? Okay,
call him.
Speaker 4 (16:48):
I'm just going to say this is what every time
we spoke Japanese.
Speaker 2 (16:53):
Just Louis Lewis's buck up debuty. I think.
Speaker 3 (17:00):
So dramatic when we call.
Speaker 2 (17:01):
I'm not sure about the tea taste at the start.
Speaker 3 (17:04):
That's not good.
Speaker 2 (17:04):
The caller, I love you, it's really terrible. It's not
going to.
Speaker 3 (17:11):
He answered his mom, I.
Speaker 2 (17:12):
Answer the phone. No, SA, she's calling. I understand why
it's not answer. She's like a mother to him.
Speaker 3 (17:23):
I getting a teenage way to answer a call. That's
a huge gay, you know, roment for the I know.
Speaker 2 (17:29):
His girlfriend gets upset because he doesn't answer the phone.
Speaker 3 (17:32):
Just text. What on earth couldn't just be a text?
We always think that what what on earth couldn't be
a text? Like when someone your mother's text it.
Speaker 2 (17:44):
I'll get to it.
Speaker 4 (17:47):
No, you know, there's some things that require and also
sometimes you need the warm.
Speaker 5 (17:51):
Anyway, we just went to one hundred so quick.
Speaker 2 (18:05):
Your mother look to.
Speaker 3 (18:11):
You know what I mean?
Speaker 4 (18:11):
You want as for an example, anyway, I can't forget
him moved on dead to me.
Speaker 2 (18:17):
I'm just going to say this one thing to you.
Speaker 4 (18:19):
Yes, high trust society. So I would say it to
the kids all the time. High trust society. You don't litter,
You wait, you're very respectful, You wait for other people
to get off the train before you get on. They
just make you be better, and it's really exhausting. At
one point I said better, I'm done with this country
(18:40):
carrying a bag full of litter around until I can
dispose bowing to people of Constant. I'm too big for them,
too big, you too better. They taste in the mouth unpleasant, unpleasant. Anyway,
this summed just perfectly what it means to live in
(19:02):
a hydrast society, and we don't have it.
Speaker 2 (19:05):
So we went.
Speaker 4 (19:06):
We went to Harrodjuku, where the Harrodjuku girls are of
Gwen Stefani fame. Right, we'd been there before the kids
were little. Then we took them back now and it's
a big scene on the weekend.
Speaker 2 (19:17):
It's fun.
Speaker 4 (19:17):
You know, there's some people dressed up, and there's lots
of little Lamewys and kookie shops and lots of Lalita
girls think.
Speaker 3 (19:24):
Some like cool punk rock or they love like heavy
met Oh.
Speaker 2 (19:27):
Yeah, they love that. They love you. Yeah. We did
a lot of vintage shopping. I mean like a gig.
Oh no, no, no, we didn't know. We didn't go
to rock.
Speaker 4 (19:36):
There were a lot of rock bars anyway, this girl.
So we were down in this train station and there
was a Starbucks and Peter went, oh, I really feel
like a frappuccino. That Constant quest to just get a
coffee frappucino, whereas they've got all these flavors in Starbucks.
I don't understand anyway, this is what happened in the Starbucks,
and I couldn't believe it.
Speaker 2 (19:57):
It was a tiny little shop, so.
Speaker 4 (19:59):
It was probably the size of two bedrooms, right, crammed
with people, everyone, every table full.
Speaker 3 (20:04):
So Starbucks pumps in Japan.
Speaker 4 (20:06):
There's no, no, not not particularly, but they've got everything's
a chain, but they're mostly Japanese chained, so we're like,
we're happy with that, and a lot of individual restaurants. Anyway,
this girl comes in dressed really beautifully. She's got a
little Chanelle's suit on and a handbag. They're very well dressed,
and she's got shopping bags dangling from every wrist. She
comes in, she sees a table, She heads straight for
(20:29):
the table. She puts her shopping bag on the chair,
she puts her handbag, her handbag on the table, She
leaves it and comes to where we are standing like
twenty feet away from her. She orders and waits for
(20:49):
her drink while her shopping and her handbag is unattended
in a train's station with twenty million people.
Speaker 2 (21:01):
Hang on, wait, wait, wait, hang on. I couldn't tell
if that.
Speaker 3 (21:06):
Was like celebrating high trust or you're angry at her
for doing that and taking us. I love it, you imagine,
So did you steal.
Speaker 2 (21:16):
In the bow?
Speaker 4 (21:17):
You know that's my first thought because I'm not a
high trust society it is your guccie.
Speaker 2 (21:23):
Bag had got to becazemas for the sulvanir bag. The
tussles stower bucks girl. How's that just a concept?
Speaker 4 (21:33):
And so Peter and I were like, I don't think
they widely travel abroad, but gee, they must get a
shock when they come and they see how fat and
dirty we are with our dirty bottoms.
Speaker 2 (21:49):
Amazing welcome home. It was just wait till I write
my book.
Speaker 3 (21:56):
And I'm so happy you survived economy class.
Speaker 2 (21:58):
On the way home.
Speaker 4 (21:59):
Oh my goodness, that was really a woman of the people.
That was really something. One of the flight atteen.
Speaker 2 (22:05):
Women of the people.
Speaker 4 (22:06):
Peter said to me, she doesn't think you belong here.
This flight attendant was so nice to me. She kept
bringing me extra little things.
Speaker 2 (22:14):
She could tell. It wasn't right. I said to Peter,
do you feel like do you feel like you know how?
You just bang on about high trust society banged on,
banged on? Interesting? Isn't the language interesting?
Speaker 3 (22:39):
You have to speak up and bang on to I
can over your tartles.
Speaker 4 (22:44):
Okay, banged on and now it's time for him to
wake up. Go on, look hag On big really banged on.
Speaker 3 (22:54):
Very popular podcast r I p.
Speaker 2 (22:56):
Rip Rip with our friends. Okay, so go on, I forgot.
I was going to start giving you a buck up.
Speaker 3 (23:05):
Oh you say high trust society. I want to celebrate
cash society. I want cash back, Kate. What a few
weeks ago talking my l A few weeks ago, I
did a gig old school envelope in the hand at
the end of the gig right, good paid gig like
(23:27):
a garade, So you got award? I got a ward right,
and I was it was in an envelope. I was like, this, kitty,
it's like pretty and what.
Speaker 2 (23:40):
Right, let's just die?
Speaker 3 (23:42):
This is what I mean.
Speaker 2 (23:43):
Yeah.
Speaker 3 (23:44):
I was like, okay, I thought you were dude the
usual in.
Speaker 2 (23:47):
Voice, what do you the money? Shadow? Hello? The money around?
Can't you? I think I can't get the bank and
it would take and the clear.
Speaker 3 (24:00):
Do you want to be my manager?
Speaker 2 (24:02):
That was really good, that cash.
Speaker 3 (24:07):
So I was shocked that they got the cash and
I thank you. And I haven't had cash in ages.
I've got a twenty or a ten here.
Speaker 2 (24:13):
And now no one has.
Speaker 4 (24:15):
And you know what that has side note, guess who's
been put out of business as a result too.
Speaker 2 (24:21):
I am my guard, Oh my.
Speaker 3 (24:23):
God, gone on.
Speaker 4 (24:24):
Yeah, you know you used to see them all the time,
and always fantasy always impairs and fantasize about how you
hold up the truck.
Speaker 3 (24:31):
You look at them and go, I could take them on, Na, you.
Speaker 2 (24:33):
Can buy the whole company for twenty parts.
Speaker 3 (24:36):
So for the last few weeks of my life, I
have been using oh cash, and there is something I know.
I've earned it and it's real money.
Speaker 2 (24:45):
Yeah, it doesn't feel real.
Speaker 3 (24:47):
No, everything feels free. It's like that was cash. But
hello to our hospital workers, Hello to our cafe bart
listening the looks I am getting love looks, No you
aren't getting I am. I'm trying to pay with cash
and they're like, are you s stilling me?
Speaker 2 (25:07):
Cafes No, cafes love cash.
Speaker 3 (25:11):
Not the ones I've been going to. I've been getting
what are you going to?
Speaker 2 (25:15):
Ones in darbles. But they're trying to start a one
world government.
Speaker 3 (25:18):
They've got to give you change.
Speaker 2 (25:20):
They don't mind. They love the cash.
Speaker 3 (25:23):
What's really shifted what I've been buying my groceries with cash.
I have not done that. Yes, I don't think I've
ever done.
Speaker 2 (25:32):
That in my entire life. And do you know what.
Speaker 4 (25:34):
Using the machine, use some self check social credit score,
there's going to be a big glitch of two weeks
where they're like, what happened to him in that time?
Speaker 2 (25:42):
Because they can track everything.
Speaker 3 (25:44):
Fine, I am paying cash. And let me tell you,
you think you're young and your hip and you're cool
and you're with Katelin and Brook, nothing will aid you
more than fishing in money into a self shared checkout
at Wallly's. I'm crouched over to it. I'm like, where
does the fifty go? I'm pushing it. That's the wrong one,
(26:06):
that's the one where it comes out.
Speaker 4 (26:07):
But actually that makes you seem young. No, they've got
young ones wouldn't know how to do it. The old
ones would all know how to do it.
Speaker 3 (26:14):
And then I'm putting it in the lady's looking at
me like what are you doing?
Speaker 2 (26:18):
Playing with money? They love cash in Japan. Yeah, they
love cash in Japan.
Speaker 3 (26:23):
Cash back, bring cash back. I'm the richest person in
the worst back the second buck, two bucks for you
too bad, two bucks. You don't have to be careful
with coffee and all stimulants, right.
Speaker 2 (26:36):
Oh yes, a.
Speaker 3 (26:38):
Few months ago I had my first Vietnamese iced coffee.
Speaker 2 (26:41):
You remember, Oh yeah, that condensed milk. Condensed milk blowsion,
the sugar explosions, the sugarshes.
Speaker 3 (26:47):
The coffee, the anxiety. There was a wild run.
Speaker 2 (26:51):
You said you had two hours of absolute peaking, running
around a room. Yeah, alone.
Speaker 3 (27:00):
After the toilet, every five minutes going.
Speaker 4 (27:02):
This is the best thing I've ever had. Longing for
a Japanese flash.
Speaker 3 (27:05):
I have a new coffee experience similar, but god, it
was good. It's taking a wanky wanky Melbourne Cafes by storm.
Speaker 2 (27:14):
So not everyone has this. What is it?
Speaker 3 (27:17):
It is called a mont Black. You say a B
B L A CS and you pronounced black.
Speaker 2 (27:24):
I'd say so.
Speaker 4 (27:25):
Mont Blanc is a famous mountain and a pin. It's
not mont Blanc, which is a famous mountain called mont Blanc.
Blanc has in white because it's got snow on the
top of it.
Speaker 2 (27:35):
Proceed.
Speaker 3 (27:38):
These are the ingredients mont black Cold drip coffee about cold.
Speaker 4 (27:45):
It's cold drip more powerful, but it's cold drip like
what the Americans do know the percola?
Speaker 2 (27:51):
No, I don't know. No, because and it's not weaker.
Why is it cold drip?
Speaker 3 (27:56):
I don't know.
Speaker 2 (27:57):
But does it come out cold? It's cold.
Speaker 3 (27:58):
It's a cold drink like you're buying a can. No,
I got it from a cafe.
Speaker 2 (28:04):
What are you asking? Well, I did proceed.
Speaker 3 (28:06):
I don't know, like filter ish, I'm guessing some sort
of filter coffee whatever?
Speaker 2 (28:12):
Cream?
Speaker 3 (28:14):
Yeah, worm, whipped whipped No? No, okay, orange zest?
Speaker 2 (28:19):
What? Nutmeg? And sugar syrup? And it was so and
it's small. Get that?
Speaker 4 (28:29):
Were you a Gloria Jean, No, that's a Gloria Jean coffee.
Speaker 2 (28:36):
Cool?
Speaker 1 (28:38):
It was.
Speaker 2 (28:38):
It was small too.
Speaker 3 (28:39):
It wasn't as big as a small when you say
smallish like yeah that yeah, okay, all right, I loved
it so much.
Speaker 2 (28:48):
Well that's a delicious dream.
Speaker 3 (28:49):
And I pinned off my face for three hours.
Speaker 2 (28:52):
Well, basically, I can't wait to tell the buck. Aside
from the orange and the what was the spice? Nutmeg? Nutmeg?
Speaker 4 (29:01):
Aspide from that, you basically just made a Vietnamese coffee
cream and sugar syrup.
Speaker 2 (29:05):
Oh yeah, I found my head made. That's what it
was like.
Speaker 3 (29:09):
Overpriced and winking with expensive together.
Speaker 2 (29:12):
Maybe we'll have one at the next show.
Speaker 3 (29:14):
No, I'm not shitting my pants in front of two
hundred buckets.
Speaker 2 (29:18):
No, I mean a show in here. What did it
make you put your pants? No? I mean I was
in control.
Speaker 3 (29:24):
But at the same time, I was a busy boy.
Let's just say I needed a Japanese dog. Really really,
but I was a busy boy.
Speaker 2 (29:32):
Hang on a seat.
Speaker 3 (29:33):
I'm very sensitive to stimulate. Okay, all right, all right, right,
your mom's dead.
Speaker 2 (29:54):
We're buck We're But I've got a message for people.
Speaker 4 (30:07):
You know, there's a saying. I think it's from the Bible.
Actually must be, because it's got involving God.
Speaker 3 (30:14):
I should remember this as a Catholic boy.
Speaker 2 (30:16):
God makes it rain on the righteous and the unrighteous. Right,
that's the gift.
Speaker 4 (30:22):
You know, people go through life and they go wide
as why do bad why these bad people thriving or whatever?
Speaker 2 (30:28):
Because that is this life. Yeah, that's how life works.
Speaker 4 (30:32):
But here's some good news that I have learnt firsthand
that even if you're a bad person, and I think
we've established on this podcast.
Speaker 2 (30:40):
I'm not the worst. No, I know worse. Yeah, I'm
not the worst, but I'm not a good person, you know,
and I don't. I don't those people that want to
align themselves with constant goodness. It's not why people say
to me, you're so nice. I'm like, I'm actually not so.
Don't it just anyway?
Speaker 3 (31:01):
Yes you are, you're kind to people.
Speaker 2 (31:06):
Yeah, no I'm not. I find honesty very kind. Well
I do cruel to be kind.
Speaker 3 (31:11):
You're not cruel to be kind.
Speaker 2 (31:13):
That's what honesty is.
Speaker 3 (31:15):
Yeah. People that think being honest is cruel, they're what
issues they've got to deal with it.
Speaker 4 (31:19):
Well, see, you're one of my people, so we get on.
You're not nice either, and she's lovely.
Speaker 3 (31:27):
She's the nice one out of Kate and I.
Speaker 2 (31:36):
Oh, like you know what that was? No, it wasn't
you know what. It was like a cat watching a laser.
She was just like so you could say she was.
Speaker 4 (31:48):
Trying to make it, but nothing would make sense of it.
Speaker 3 (31:52):
I wouldn't work as someone that's not nice.
Speaker 2 (31:54):
No, no, but it's not it would say not nice.
Speaker 4 (31:57):
Our industry is full of correct but well we're not them.
But they all cloak themselves in that fate niceness. It's
like whenever I meet normies and they say what's so
and so like, oh, and I was like.
Speaker 2 (32:11):
Eh, really nice. And I have to lie on behalf
of them.
Speaker 4 (32:16):
It's like when my girlfriend was a mistress, I had
to lie on behalf.
Speaker 3 (32:19):
Of her secret going.
Speaker 2 (32:21):
Yeah, keep the secret going anyway.
Speaker 4 (32:22):
Whatever, we're not the business of the outing people for
being assholes, or we'd be very busy anyway. My point
is I'm not selling myself as a good person. And
if you want to be find a good person, this
is not the podcast for you.
Speaker 2 (32:36):
If you want some resilient, interesting.
Speaker 4 (32:39):
Funny here we go people, then this is the podcast
for you. Up yeah for sharing it with your friends.
Speaker 2 (32:46):
Love that share it with your friends anyway.
Speaker 4 (32:57):
So God makes it rain on the righteous and the unright.
And sometimes if you're a bad person, good.
Speaker 2 (33:04):
Things happened to you. And that's what happened to me.
What happened all right?
Speaker 4 (33:10):
So when we were going to Japan, and you know,
there was a five days skiing and there was a
source of concern, moderate lip service concern from my husband.
Speaker 2 (33:20):
Well, what are you going to do for five days?
I hope you're not bored? Do you know me? Would
I be bored?
Speaker 4 (33:25):
Having five days on my ownis my Dear of Heaven.
Speaker 2 (33:29):
There was WiFi. Just have them at night. Oh yeah
they came. Yeah, yeah, you're just having annoying.
Speaker 4 (33:36):
Anyway, stunning until Lewis took two days off skiing and
then we hung out together. Anyway, But what the point was?
You know, I'm writing a book this year and it's
one of my many extra jobs I've got, and it's.
Speaker 2 (33:48):
A romance book. It's a narrative.
Speaker 4 (33:50):
And when I was going away, I'd say to my manager,
I've got this, and my publisher, I've got these five
days when we're in the snow.
Speaker 2 (33:59):
I'm not skiing. I'm just going to write.
Speaker 3 (34:02):
And if Stephen King movies have taught me anything, oh
my gods, where writers right your dirty right in the snow.
Watched that the other week and it's incredible, still unbelievable.
Speaker 4 (34:15):
Baits is, yeah, unbelievable, so great. But do you have
you read the book Misery?
Speaker 3 (34:21):
The book he actually did a very long time.
Speaker 4 (34:23):
Okay, so you know in the book they change it
to the movie, and the movie is actually more effective.
Speaker 2 (34:29):
I think they hobble him in that. She hobbles him
in the in the in the movie, doesn't she she
cripples by bashing his ankle.
Speaker 3 (34:40):
Ties ties his legs to a plank of wood. Yeah,
rather ankle.
Speaker 2 (34:45):
In the book, she cuts his foot.
Speaker 3 (34:48):
Off, probably kill him. That had to change it.
Speaker 4 (34:53):
Well, because wasn't she.
Speaker 2 (34:58):
And then that's revealed that she's an a.
Speaker 3 (35:00):
Nurse revealed in the movie history of being hospitals like
killing them or tormenting them spoiler anyway, that was me
in the snuff.
Speaker 2 (35:12):
Spoiler imagine, dang you.
Speaker 4 (35:20):
I was about to enjoy that forty year old movie
and they have ruined the ending. Anyway, So the whole
time that we're in Tokyo and going on the trip,
and even beforehand, I was like, I'm going to be
writing these five days. It's going to be intense.
Speaker 2 (35:35):
I have to break the back of it. I'm sort of.
It was on the back of my mind all the time,
right in the back of my mind.
Speaker 4 (35:41):
And then so the first day that everyone went up
to the thing, I was setting myself up. I was
reading another book and I'm like, oh, this is interesting.
Just to get juices flowing, Jesus, I did think about
asking Sash, how would I get Ai if I put
the character anyway, So the next day I'm like, I
(36:03):
get as soon as they leave. They were leaving early
to go to the snow. They were getting picked up,
like at eight forty. I was like, today's my writing day.
I get out my iPad that I've been carrying my
carry on. I unpack it, I get my Logitech keyboard.
Speaker 2 (36:19):
I start typing. I put in the name of the chapter,
and I'm like, that's weird. I was trying to write
the and it kept typing TE and it wouldn't put
the H. And I'm like, banging on the H. Banging
on the H is gone. My H was gone?
Speaker 3 (36:35):
I go, My AH was gone. Can you see?
Speaker 2 (36:38):
I think my m was gone?
Speaker 3 (36:40):
Few. I couldn't we're tight here we go.
Speaker 2 (36:44):
I couldn't convenient tired. That's what when Peter came out,
it was the first question the boys all had because
it had been on.
Speaker 4 (36:51):
Everyone knew that Mum was writing. I was writing. The
first thing they said was how did you writing?
Speaker 2 (36:57):
Go? And I said, I couldn't do any of the
I pad and we were in the middle of nowhere
in the snow. I couldn't just whip.
Speaker 3 (37:04):
There was zero sympathy in the studio sympathy.
Speaker 2 (37:08):
What I'm saying is it was the greatest.
Speaker 3 (37:12):
Actually could I couldn't.
Speaker 2 (37:14):
I couldn't.
Speaker 3 (37:15):
Wouldn't you know what they say the worst part about
writing is writing writing?
Speaker 4 (37:19):
Yeah, people say I hate writing, but I love having written.
Speaker 2 (37:25):
But then there was one thing, just slightly. I didn't
like that. Peter said to me, did you stand on
it before?
Speaker 3 (37:35):
Yeah?
Speaker 2 (37:36):
I don't want to write. I just just say thought that.
I but how magnificent magget. I was scared to tell
my manager take that, publisher.
Speaker 3 (37:46):
I love yeahline, I'm sorry my arquie didn't work. Before
we get to a text from mum, which is a
Pearler this week?
Speaker 2 (37:57):
By the way, is it lean? Oh, it's a Buckwhitt.
We've got a couple.
Speaker 3 (38:02):
Will choose one and another one we love will do
next week Bucket send him over us to change names.
Speaker 2 (38:07):
We will tex No. Before that, Oh good. I want
you to.
Speaker 3 (38:12):
Pick aside here in a fight that Cody and I
have been having for ten years.
Speaker 2 (38:15):
Oh, I love this. Ten does his head in? Oh?
I love it. Look at your eyes because you do.
And you know what we've got.
Speaker 4 (38:27):
You know, I think we understand why Cody spends so
much time running, don't we? Because him coming home to you.
You've got cabin fever, always by virtual the fact that
you don't leave.
Speaker 2 (38:39):
I only got pockets full of cabs.
Speaker 4 (38:42):
Eyes are just you're always looking for trouble to be
starting shit up with Cody.
Speaker 2 (38:46):
I love it.
Speaker 4 (38:47):
I've never approved of a quality in someone more. But
that's why that he's always.
Speaker 2 (38:53):
Running little shits.
Speaker 4 (38:53):
There are next you know what he's going to do
next year, What run across Antarctica?
Speaker 2 (38:59):
What he can not handle?
Speaker 3 (39:01):
And he gets so frustrated when I put petrol in
the car.
Speaker 2 (39:05):
Oh, you don't fill it out. I don't feel it.
Oh no, Valo, meet Sasha Freench.
Speaker 3 (39:11):
You're the same.
Speaker 2 (39:12):
Ah you people.
Speaker 3 (39:14):
So when I fill up the car, he says, when
do you know to stop? And do you know what
my answer is, because it's the truth. It's just a
vibe check. It's just whatever I feel like, that's what such.
So I put the nozzle in. Here comes the petrol,
and I might give it twenty bucks, thirty bucks, whatever
I'm in the mood for, what I've got on for
the day, what the weather is. There's so many factors
(39:34):
at play. If there's a car behind me, are you medicated?
Sometimes I am?
Speaker 2 (39:38):
Yeah, make a difference. When I don't make a difference.
Speaker 3 (39:41):
If I'm medicated, you can fill it out maybe, but yeah,
so what Yeah, that's not the argument.
Speaker 2 (39:46):
No, but it's interesting now you're prob far right when
it suits you. So he just I see his eye twitch. Yeah,
I put a quarter in half a in. Why do
you like going to put petrol in the.
Speaker 3 (40:02):
Cart like it's gonna eventually put you like you like
putting petrol eventually?
Speaker 2 (40:09):
Yeah, but with a certain amount of output from you.
Speaker 3 (40:12):
So you go absolute full every single time you go
to the servo chent op every single time.
Speaker 2 (40:18):
See, but you do not. No, I don't know, but
you told me you've because I hear your voice in
my head every recent time, and there are times I
fill up now, But there are also times when I'm
like a hazy boyfriend about it. Does he feel your car?
Never you car he drives? You know your dirty little secret?
Did you have a car accident? Sash? Your cars are
(40:40):
banged up on my side when I pulled out. That's
from years ago.
Speaker 4 (40:44):
Anyway, that's always the side I get in on the
passenger side.
Speaker 2 (40:47):
I've never noticed. I think I'm with Cody. You're going
to be with me? No, I'm not, and you know why,
only because it's such a false economy.
Speaker 3 (40:58):
This is where you draw the line your yair and
toothbrushes yew.
Speaker 2 (41:01):
Yeah, yeah, this is the heel, this is the heill.
Speaker 4 (41:06):
No, you know why because I think for so many
years I was so povo that I could only put
ten dollars of petrol in my car, and you know,
you eke it out. But then one of my great
pleasures in life is filling up the not a pleasure,
I don't like it, but I hate the job of
(41:27):
it so much. I'm like, I want to do this
job as little as possible.
Speaker 2 (41:30):
So when you leave the petrol station.
Speaker 3 (41:32):
When I used to leave Saturday night church with the family,
I was in the best mood ever, like the Simpsons.
Speaker 2 (41:37):
Because he'd had it because.
Speaker 3 (41:38):
It's the part of the week where the next church
is the furthest away it will.
Speaker 2 (41:42):
Be yes, yes, right, that's exactly right. So I don't
have to. I just never want to be pulling into
service stations to fill up my card on board. How
often do you end up doing it in a week? Mate?
Sometimes three?
Speaker 3 (41:56):
Tell him, I say, I you've got such an issue
with it, you do it? And then he goes, does
he do? Sometimes he goes another?
Speaker 2 (42:02):
I love it. I do love that last night, nothing
more than when Peter tops up me tank and when
he puts petrol in my car.
Speaker 3 (42:10):
Who does he go forward like whoo whoa, who whoo
whoo woo whooah wooo whoa.
Speaker 2 (42:16):
He's high octane about a bad bad, bad bad as
he's diesel rapid flow diesel. Hello, he's not going green?
Oh no, he's no matcher match a flavored petrol.
Speaker 3 (42:31):
It's a text from.
Speaker 2 (42:32):
Mom, It's a text from Can we just reflect on
this for a moment? Sure? One of the ironies in
life that the dabbler has finally been he's been backed
up in an argument by me Callisi eight and he's
one of my daggins.
Speaker 3 (42:52):
Thanks, you're like a stalker because you write him little
notes for me to give him. Can we get little
gifts and nice stuff? You give this to Cody, write
you're missing out on dabbler, and then they take it
home to it.
Speaker 4 (43:03):
And then he's like, but look, he got backed up
in the argument. But because he's only a dirty dabbler,
he'll probably never have this moment of vindication.
Speaker 2 (43:15):
He just got back from South Africa.
Speaker 1 (43:17):
What was he doing?
Speaker 3 (43:19):
It's a awfu the chicken. I'm like, he has a
job that involves a lot of travel, or this guy
has got a secret family somewhere. There's no proof he
was on the flight that was.
Speaker 2 (43:35):
I don't know what.
Speaker 4 (43:36):
About his points? He must be racking up points. You're
going to have the greatest Does he fly bees?
Speaker 3 (43:40):
I'm going to say the wonkier sentence that anyone can. Okay,
and like a thirteen year old girl when I say this,
is everyone ready?
Speaker 2 (43:49):
Yeah, my husband's platinum. Oh he's a ploody dog.
Speaker 4 (43:55):
I don't even know what it means, but I know
at schooled he's a plotty dog.
Speaker 2 (43:58):
And what does that mean? Can he can go anywhere?
Not me? But like, but Connie, you're his husband, but.
Speaker 3 (44:04):
We hardly travel together. We we are together on a
plane like once or twice a year if that.
Speaker 4 (44:09):
Well, yes that's normal, idiot, because we have the plan
both buying a lot.
Speaker 2 (44:15):
But it's all just for work. You're not Megan and
Harry as is what is it? As as eva as
as ever as ever?
Speaker 3 (44:24):
Sorry, my husband's a putin and what does that means?
Speaker 2 (44:27):
I don't know what I actually don't know what it means.
He means means just it's a lot of points.
Speaker 3 (44:32):
But it means he gets like the seat next to
him gets blocked if when it's not sold out, he
gets like all the good rows if he wants if
he says, why would.
Speaker 2 (44:42):
That block a seat in business next to.
Speaker 3 (44:44):
He doesn't have to fly business even in economy, he flands.
Speaker 2 (44:47):
Economy or sometimes what is he me his work pays
for it, the successful one in the relationship in his economy.
Speaker 3 (44:57):
That's why I love his secret husband.
Speaker 2 (45:00):
Is that to be terrible?
Speaker 3 (45:03):
I've met some men that fills the petrol take up
all the way and Cody fell for it.
Speaker 2 (45:10):
Where's the interest in that? Exactly? Yeah.
Speaker 4 (45:12):
Never go out with anyone who's got the same skill
set as you.
Speaker 3 (45:16):
That's so true.
Speaker 2 (45:17):
Never, that's why I'm married, yeshy smart.
Speaker 3 (45:20):
Yeah, water's plants, Yeah, that's it fills all your wholes. Hello,
we have a text from mom from Oriana, Oriana, that
beautiful name, Oriana Italian.
Speaker 4 (45:36):
Yes, yes, in fact, I'm going to tell you an
Anne Lange Brooks story.
Speaker 2 (45:41):
That's my mother.
Speaker 4 (45:41):
And I was waiting for the story when I was
at school. And you know you don't know what you
want to study. And I especially didn't my guidance teacher
or whatever. My English teacher or whatever said you're really
good at English, one that you study journalism. I didn't
know anything about journalism. So I go home and I'd
say to my mom, I think I'm going to apply
for journalism.
Speaker 2 (46:01):
And mom goes, oh, you're going to be a real
Orianna Falerci. And I go, who's Oriana Falaci? Mum goes,
you want to.
Speaker 3 (46:10):
Be a journalist and you don't even know who Orianna?
Speaker 2 (46:13):
For LUNCHI is. I'm like, no, I don't know that
is my mother.
Speaker 3 (46:21):
But who's a journalist?
Speaker 4 (46:23):
She's a journalist, some journalists, probably from the nineteen sixties,
some Italian. But like she's screams, not screams, but bellows
at me in Queensland.
Speaker 2 (46:36):
I was seventeen, like you, I don't know who. Everyone
loves my mom, that's all. Yeah, everyone loves her.
Speaker 3 (46:42):
She filled the car up, wouldn't She's got to real
fill the car up to its full.
Speaker 2 (46:46):
Not only does she fill it up, but she's got
a supermarket docket. Yes, and you know, okay, can we
just raise this what's going on with those supermarket dockets.
They've been four cents off literally for twenty five years.
Speaker 3 (47:03):
What crank it up? Well, I'm sorry, but if inflation
goes up, so does my discount.
Speaker 2 (47:08):
And it doesn't, I don't do it. I've never done that.
I should too. I was alloyed.
Speaker 4 (47:14):
Literally, I went, I've got the back seat full of shopping.
There's a docket in there, and I couldn't be bothered
taking it out.
Speaker 3 (47:21):
You can just you know, you can attach your account.
Speaker 2 (47:23):
You're not attaching any phone. You're a cash person now,
you're not attaching shep.
Speaker 3 (47:28):
The amount of things I don't do properly because I
can't be bothered with one extra tar.
Speaker 2 (47:32):
But you have no loyal you're a cash person. Any
loyalty now you're a cash person. You don't. Yeah, that's
you know what. You're not a slave to the system.
You're a cashy. Hear that you're a cashy. Reward points?
Ye wish I've got that? Four things? I want a discount. Oh,
(47:54):
I'm getting wrapped up.
Speaker 3 (47:56):
My husband is platinum Oreana text from mum Oriana Falaci
and Savord for therapy the Calo.
Speaker 4 (48:12):
Down.
Speaker 2 (48:13):
Okay.
Speaker 3 (48:14):
The reason I love this text from him so much
is because my mum did this. I would love to
know if you did this or no, if Buckhead's mums
have done this, Sash, I reckon, you've done it. Here
we go, all right, Orianna's mum text that heard this,
just letting you know that this is a bag of
your hair from when it was long. You're a kid?
Speaker 2 (48:33):
Do you want it? And attached is a bag? Look
at that hair? My goodness, why do you keep ship? Okay,
you're one hundred percent creepy. You know.
Speaker 4 (48:47):
I've got ring boxes full of teeth and I've got
envelopes full of hair.
Speaker 3 (48:52):
What happens to the hair? Doesn't it's something happened to
it one Okay, I really have to be attached to
a human to live.
Speaker 4 (48:59):
Okay, No, it's all deep. Once it leaves the scalp,
hair is all dead.
Speaker 2 (49:03):
I get.
Speaker 3 (49:04):
I'm not thinking it's growing in the envelope, but like.
Speaker 2 (49:09):
Disintegrate eventually. No, I don't think so. Actually that's really interesting.
Speaker 3 (49:14):
Would be even weird if you put it in some
sort of like jar and it's floating in liquid.
Speaker 4 (49:18):
Oh, it's so Once hair leaves, whose hair have you got?
I've got lewises and I've got Sundays. I'm not going
to tell you why I've got lewises or really sharp shot.
Speaker 3 (49:26):
Okay, well yeah, off.
Speaker 4 (49:33):
And then she totally ruined the conversation with cancer. She
just brought up his cancer. Yes, hair, But one day
Sunday came in.
Speaker 3 (49:45):
Did that start it for you?
Speaker 2 (49:46):
For the for Sunday? No, I think he'd already cut
Sunday's hair. She came in one morning. You know, kids,
if you don't get out of bed with them, they
get up to all thoughts cut in air.
Speaker 4 (49:56):
And then she came in one morning in the dark
and she said, shut my hair and weed. And I
reached out and I could just feel like much more
face than I could normally feel. And as I stroked
the side of a head of a giant clump came out.
We've got that the envelope, You've got Milo's hairsash, Yes,
that's enough.
Speaker 3 (50:17):
How was how old was Milo when he went snipping?
Speaker 2 (50:20):
It would have been like two. Did he cut himself? Oh? Yeah,
because he had long hairy Yeah.
Speaker 3 (50:24):
And the teeth, the teeth, that's even I think that's
even more.
Speaker 2 (50:28):
I don't know, why do you do? What would you
do with them? No? The question is what do you
do with them? Well? What? But no, you can't get
rid of them? What am I going to do? Throw
them in the bin?
Speaker 3 (50:38):
Well?
Speaker 2 (50:39):
Yes, I mean what happened in the teeth fall out?
When you're a kid in the tooth throw your child's
tooth in the bin, you know.
Speaker 3 (50:46):
I think about, well, why aren't dad's allowed to do this?
If someone went to a single dad's house and found
that he had school uniforms, teeth and sandwich bags of
the little girl's hair, he'd be arrested.
Speaker 2 (51:02):
But her mom does it. It's cute. Would you like
me to answer? Go on, I think you know the answer.
Speaker 3 (51:10):
Please message us again and tell us, Yeah, did you
take the hair?
Speaker 2 (51:14):
Collected the hair? Because Kate wants it. It's gonna add
it to a bag.
Speaker 4 (51:17):
No, I don't carry I'm not a creep. I don't
collect stranger's hair.
Speaker 2 (51:22):
Have you ever worn wigs? Yeah? The human wigs?
Speaker 3 (51:27):
No for for TV and stuff?
Speaker 2 (51:29):
Yeah yeah, never human? Not in life.
Speaker 3 (51:32):
I've never worn a week Well life, are you drunk?
Speaker 2 (51:42):
Stop talking? I'm devastated with the match at Kaloa.
Speaker 4 (51:46):
The buck Up podcast is hosted by me, Kate Lanebrook
and him Nathan Valvo. It's produced by the brilliant Sasha
French Audio and sound by the magnificent Yak Lawrence. You
might call him Jack and Dom Evans are We're lucky
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