The Breakfast Club Sits Down With Gerard Butler & O'Shea Jackson Jr. To Discuss 'Den Of Thieves 2', 50 Cent, Kobe Bryant, California. Listen For More!
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Speaker 1 (00:00):
Wake that ass up in the morning. Breakfast Club.
Speaker 2 (00:04):
Morning, everybody, It's the j n V. Jess, Hilarrys Charlamagne
to God. We are the Breakfast Club. Long the roasters
filling in for Jess, and we got some special guests
in the building. There's been some time since you've been
here before, like seven years last time you're up here
promoting dinner these one Errod Butler and Oh Jackson Welcome.
How how you feeling?
Speaker 3 (00:22):
Man? He just pretend it's an audience.
Speaker 1 (00:24):
Here's no shak appreciate well.
Speaker 2 (00:28):
First and foremost, how were you doing? I know you're
out in La and I see the fires are crazy
in La? How is that with you in the family.
Speaker 4 (00:34):
I'm literally talking waiting for updates right now. There was
it's something starting near the valley area. So I'm just
checking on my daughter and things like that, so, you know,
little little on edge. But I mean, it's nothing I
gonna do from here except worry.
Speaker 2 (00:51):
Is that an evacuation plan? Like if this goes go
this route, I go this or.
Speaker 4 (00:55):
I mean, yeah, but as much as you can. I
wasn't expecting some of them to be as close as
they are when I got up. But yeah, so I'm
just trying to be a helicopter dad right now as
much as I can.
Speaker 2 (01:09):
Absolutely. Now, let's talk about DN Thieves two seven years.
Why did it take so long to show to shoot
part two?
Speaker 5 (01:14):
Yeah, tell us Gerard, Well, you know, because oh, Shay
is a nightmare and he's such a princess trying to
get him to.
Speaker 6 (01:26):
I heard.
Speaker 5 (01:28):
Uh no, there was it was a bit of that,
you know, and a little sprinkle of this, and uh
it just it took longer than we thought. And by
the way, truly for various reasons. One one of the
main reasons is when we first started writing the script
is I thought we we really hit gold in the
first one, and it was very different.
Speaker 3 (01:46):
It was very clever. You know.
Speaker 5 (01:47):
It took a long time for that first script to
get to that stage. So not to just turn out
something and go, well, here's the second one. You guys
like the first one. But to be honest, it took
a long time to make that script work. This one,
you know, kind of all the twists and turns and
how because there's a lot going on in this movie,
and you would always get to the stage we're okay,
this is good, but this still doesn't work and to
(02:10):
make it all kind of like a like a jigsaw
puzzle and then sing and then other shit happened.
Speaker 7 (02:17):
You know, you guys were a part of the writing
or you mean just mean a script that was brought
to you. Guys, you get to kind of dissect it
and say, yes, I know this certain stuff.
Speaker 5 (02:22):
Well, yeah, I'm involved in the writing. Christian wrote the script,
but then I worked on the development of both scripts,
but especially this one for and this took there was
a good three Yeah, I produced a movie, gotcha, so.
Speaker 7 (02:34):
It had it has more of a depth to you
when you're on camera with it too, because it's your
actual baby behind the scenes as well.
Speaker 3 (02:40):
Big time.
Speaker 5 (02:41):
I have to say that, you know, talk about what
you do to prepare for a rope. Probably my main
preparation is any script I do. Now I've been with
it for a long time, and you're sitting with it
thinking of every moment, every part of the character, where
you can take that. So when you get to the movie,
you both know where you should be and you kind
(03:01):
of hate to say this, you're kind of cheating. You
also know what each moment is kind of going to
hopefully achieve with the audience so yeah, it's been well
thought about.
Speaker 2 (03:11):
Now you kill fifty cent in the first one, you
kill they killed fifty cent in the first one. But
he's back on this as an EPE thing we learned,
So why was it important to bring it back as
an EP and how was he working as an EP?
Speaker 1 (03:31):
I mean, fifty fifty one. His hand is something. It's
really no denying you know that, dude.
Speaker 4 (03:40):
He's been very instrumental and you know my thought process
on a lot of things, especially moving forward. Super excited
about this. He's been giving me some great words of praise.
But you know, he's the man and whatever he touches
really turns in the goal. So he knew he couldn't
let go to dinner.
Speaker 2 (03:58):
Thy you've stop it now, you got whipped a lot.
They whip chat.
Speaker 1 (04:01):
That's the worst part of the first one. But you
grow so good.
Speaker 7 (04:04):
Though, because you wouldn't like towards the end of it,
it all turns around. You would have never expected it
because you played the character so well as like this
person that was not in control, but you were very
in control.
Speaker 1 (04:19):
Yeah, it's always funny.
Speaker 4 (04:22):
When that movie was coming out to see people's tweets
from the beginning of the movie where it was just like, man,
I don't know if I was cute, I wouldn't have
let him did this. And then by the end they
you know, they talk about how dope the film was,
but it really was our imitating life a little bit
because Dinner Thieves won.
Speaker 1 (04:40):
That's my third movie ever, and.
Speaker 4 (04:43):
There was already and there's already an ideology of who
I am because of my father and what I'm gonna
bring to the table, or a sense of entitlement or
that I'm not here to work.
Speaker 1 (04:55):
And Donnie in.
Speaker 4 (04:56):
The first one, it's just somebody who wants to keep
his head down, focus on what you gotta do, get
in and get out.
Speaker 1 (05:02):
And that was the same with me at that portion
in my career.
Speaker 4 (05:06):
And then for the for the second one, you know,
for it to take as much time as it had,
I got a lot more projects under my belt, so
the confidence was there for me to be able to lead,
get it down, get me a crew to be in
charge of, and not get my ass kicked for two hours.
Speaker 2 (05:26):
So are you tired of that? I feel like it's
over now. I feel like you proved yourself enough with
people are not saying the only reason you're in this
industry is because of your dad or do you still
get that a lot? Do you still feel like you
gotta fight through that?
Speaker 4 (05:35):
It'll forever be there, you know? And I don't have
a problem with that. It's just people that don't know.
And I can't. I can't concern myself with people who
just ignorant to it or try to fight it.
Speaker 1 (05:47):
I mean, I got a kid. I gotta focus on
me man getting it done.
Speaker 5 (05:51):
Can I think in a couple of those people are
going to be looking at ice Cube going.
Speaker 6 (05:55):
Hey, look there's.
Speaker 3 (06:09):
I don't have a very time.
Speaker 5 (06:11):
I don't have a very powerful voice, so I have
to get close to that.
Speaker 8 (06:18):
I forget it.
Speaker 7 (06:19):
So in the second one, because now we know kind
of like your role a bit more, and how did
you prepare differently? Because the first time you're prepared as
an actor, it's like you got to kind of hide
who you really are the whole time. This time it's
like it's you know, it's big you, not the little one.
Speaker 4 (06:34):
I mean that was that was really my excitement was
that I'm able to play the same character but a
different character at the same time. And a lot of
the prep was just remembering where Donnie is who Donnie
really is. And honestly, I watched a lot of John Jones.
John Jones and the beginning of his fights is just
(06:58):
so cold and just stick ill, and you can tell
just his his focus and his prep and it's a
lot of the same things with Donnie and what he does.
Speaker 9 (07:07):
So you learned the fighting this one because in the
first one, I'm.
Speaker 4 (07:14):
Kicking ass, and but just the idea of a fighter
where it's it's what how Donnie thinks in its simplest
form of one simple mistake and I'm done one simple
mistake and Donnie is in prison forever. So the same
thing with a fighter, if one slip up and you sleep,
you know. So it was a lot of studying studying
(07:34):
fighters for me.
Speaker 2 (07:35):
Did y'all ask about fifty I just walked into Yeah,
we had about fifty ep.
Speaker 9 (07:38):
Okay, how did how did that happens?
Speaker 7 (07:40):
Why?
Speaker 1 (07:40):
Why?
Speaker 8 (07:40):
Why aren't all the all producers on the film? How
does he die in the first movie?
Speaker 1 (07:44):
They come back? You gotta check the credits.
Speaker 2 (07:47):
I was gonna ask, you know what this movie? It
seemed like this movie leveled up a lot, right it
as far as scenes action, it looks totally different. Do
you guys do your own stunts? And how was the
process of it leveling up so much the first one?
I'm not gonna say. I mean you could just tell
just from the airplane scene and the airport like they
(08:10):
spent a lot of money on that. Does that mean
more pressure the definitely.
Speaker 4 (08:14):
You know, with a sequel, there's so many things that
go into it that could make it go the wrong way.
A lot of times sequels will rely so much on
the first one, giving you so many nods to the
first one that it kind of cheapens why you fell
in love with it in the first place. But uh,
I don't know. Budget that's like really gerards, you know point,
But like, definitely you have to step it up. But
(08:35):
we were able to change the entire dynamic of the film,
and the first one is more cops versus robbers, and
this one is much more of a buddy action and
I think we use that to our advantage. Plus I'm
a different character than I was in the first one,
So you're gonna you're getting a film that can not
only stand alone, but at the same time give you
what you already loved from Genni.
Speaker 7 (08:52):
Fili even the coloring is different, like I noticed that too.
Like in the first one, I feel like it was
a lot warmer. This one's a lot more like cooler tones.
I don't know if that was on purpose too, but
it just changes the energy.
Speaker 5 (09:02):
Yeah, yeah, yeah, Now I think the idea was to
give a very kind of different tone. Like Christian's a
big fan of kind of new wave of European cinema.
So it's like Osh says, yeah, you keep the same
that the same story. Basically you're following these characters, but
you cinematically it looks very different and it's still kind
of has a grittiness to it, but it also it
(09:24):
looks very beautiful and captivating and shows a different kind
of esthetic in a different tone. So I'm glad you
noticed that because it is cinematically this movie is beautiful.
Speaker 3 (09:35):
If that's all it was, we still look amazing.
Speaker 5 (09:36):
But fortunately there's a hell of a lot more going
on than just the you know.
Speaker 3 (09:41):
The scope, but the scope is huge too. I mean,
we've got a.
Speaker 5 (09:43):
Lot more money for this one, and well we did
basically that's it. We got more money and we got
more time. I mean, people make a joker, how long
it took. It's true, it shouldn't have taken that long.
But the thing that did give is was to get
everything in order and to get those little more magic moments.
Always find that when you developed in a script, if
you know, often the more time you get to let
(10:04):
it kind of sit there and think about it, and
then you find all these extra moments and more layers
and more nuanced and maybe even bigger surprises. Because this
movie is it's so full of twists and turns and surprise.
You just never know where it's gonna go, Where He's
gonna go, where I'm gonna go, where the panthers are
going to go?
Speaker 3 (10:21):
Who the hell?
Speaker 1 (10:21):
You know?
Speaker 5 (10:22):
We have a ton of people after is too. In
the heist itself is just there's a lot going on.
So it's kind of throwing you all around.
Speaker 2 (10:29):
It's so crazy how you turn off your well, how
I don't hear the accent in the movie like in
the movie American all day long, but but now I
can hear it go in and out. Is crazy. How
you're able to do that as an actor? Yeah, is
that difficult.
Speaker 6 (10:41):
It takes work.
Speaker 5 (10:42):
I've done it a lot now, but yeah, I mean
every morning when I go to set. I have to
do like forty minutes of voice lessons, you know, the sounds,
learning to kind of speak, like make more of the vowels,
because in Scotland we hit the consonants, right, we hit
the c's and the k's and the t's, and in America,
you guys come off the constance. You're more like, yeah,
so I started exercises, but actually I do. I do
(11:04):
exercise like well, and you start talking.
Speaker 1 (11:07):
Like this, and now you're.
Speaker 3 (11:10):
Yeah, yeah, America, because that pic Nicks is the.
Speaker 1 (11:14):
Whole time, and it depends where you act.
Speaker 9 (11:16):
I say I'm from South Carolina, so I say straight
street strong.
Speaker 3 (11:20):
Okay, yeah that's true.
Speaker 5 (11:21):
I mean, if it's more urban than like just playing
in this country, no, but I just played that a
New York character and that was very much like, you know,
yeah dude, he did he didn't, you know, like that.
Speaker 3 (11:35):
Kind of thing so urban urban, but that was like
that was that was New York. That was New York
master urban.
Speaker 4 (11:42):
Wait his his American murder versus your Scotland murder.
Speaker 3 (11:47):
Oh yeah, that's just calling you go. And then America
is kind of like murder.
Speaker 5 (11:53):
And I couldn't say that took me years and there
was a movie once I was shooting.
Speaker 3 (11:57):
What I had to say, no, not if you murdered.
And I couldn't say. I'm like, no, not if he's
murdered because we have such a thick R and D
you know, but.
Speaker 8 (12:06):
You an American nigga in a Scotland nigga.
Speaker 4 (12:11):
So it's not about it's about the challenge.
Speaker 6 (12:17):
Ye, how many careers is he ruined?
Speaker 2 (12:23):
It's not about the money. Is about the challenge. Let's
talk about that phrase. That's a phrase that's mentioned a
lot in the movie. Do y'all live by that?
Speaker 1 (12:29):
No?
Speaker 4 (12:32):
You know, like I was talking to him and uh
for more pressed for this because that quote keeps coming up.
It's a little bit about the money, like you're I'm
robbing the Federal Reserve in the World Diamond Center.
Speaker 9 (12:45):
It's a little bit about thought some about in real life.
Speaker 1 (12:48):
Real life. That's about real life.
Speaker 4 (12:49):
I mean, you know about Dion Sanders and my pops
have a quote, you know, if everybody doing it for
the love, I'll do it for the love. But if
everybody you know, we all getting paid, we all getting paid.
It's just the world that we live in. But you
have to take those challenges to uplift yourself, to get
yourself to a new tier. I'm very I'm easily content.
(13:12):
It's easy to get stagnant when you don't need much.
So if you don't take those challenges, if you don't
take those risks, you're just going to be in the
same spot every single time. And one of the there
was a portion in my career where I felt stagnant
where I felt like, you know, we're not We're not
going up, but we're not going down either, And one
(13:36):
night I might have been faded. I DM Kobe Bryant
and Kobe Yeah, I asked him. I was like, dude,
you've done everything. How do you keep yourself wanting more?
How do you keep like away from being comfortable? Give
me some movies, give me some books, give me a quote,
a mantra or anything.
Speaker 1 (13:56):
He gave me his.
Speaker 4 (13:57):
Number, so I'm.
Speaker 1 (13:59):
Not about to call Kobe like right then and there.
Speaker 4 (14:02):
So I hit him and he was like, all right,
I'm gonna call you in a few days. So for
like two weeks I was waiting by my phone, just
waiting for Kobe to hit me. And then I was
in an uber coming back from a table read and
he called me, and I remember I told the Uber driver.
I was like, hey, can you turn the radio down.
Kobe Bryant's calling me. He was like, yeah, So now
(14:24):
the driver is looking in the mirror while I'm on
the phone.
Speaker 1 (14:27):
And I talked to Kobe for twenty five minutes.
Speaker 4 (14:29):
He said that feeling that you have not done enough,
or that where you are isn't good enough and you
want more and you don't know why you want more,
hold on to it because that's the only thing that's
gonna make you want to take shots, take risks and
uplift yourself. And then like that was the first and
(14:49):
only conversation I had with my hero, because two months
later he was gone, Wow, I would.
Speaker 8 (14:54):
Think maybe I'm just just me in my mind and
what I think your life is, Like I thought you
was having being around these type of people all the time.
I'm around them, but it's not like I ain't got
the number to just be like, you know, hit them
up and call them. But it's just one of those
things like if I didn't take that challenge, that risk
to even message him.
Speaker 1 (15:13):
I wouldn't have never had that conversation. Do you ever
ask your pops like your pops.
Speaker 9 (15:16):
Can you connect me to such and such that you
just always try to make your own connection.
Speaker 1 (15:18):
No, I try to do it on my own. I don't.
You know. It's just so it's realer if you do
it organically.
Speaker 4 (15:25):
So, you know, luckily I've been able to work with
some amazing people where I can call you know, fifty,
ask him some stuff. I can talk to Girard, I
can you know, rest in peace radio to being able
to work with him and things like that. So it's
just about keeping my head down and then when I
when I see the opportunity to take a challenge, knock
it out.
Speaker 1 (15:45):
The part question did you go to school for screen
writing USC? Yeah, University of Southern California.
Speaker 8 (15:50):
So it's interesting to me, Like I MB said it earlier,
just he asked the question about you know, do you
still do you get respect for yourself?
Speaker 1 (15:56):
Now?
Speaker 8 (15:56):
I'm like, you know, you really put in the work,
like what really studied your your craft?
Speaker 1 (16:00):
They don't give it.
Speaker 7 (16:01):
Damn get dragged for the nepotism conversation. I think you
unfairly get that too.
Speaker 1 (16:08):
Yeah, but I love it. You know what I mean.
You're not about to make.
Speaker 4 (16:10):
Me feel bad of just like, oh, you had a
good life. I'm sorry, man, you know, I hope y'all
all grow to have nepple babies yourself.
Speaker 1 (16:20):
But I'm not. I'm not running from that.
Speaker 4 (16:23):
You're not about to make me feel bad for you know,
my blessings or my family and.
Speaker 1 (16:28):
Try to run from it.
Speaker 4 (16:29):
You know, get mad, get glad, get heavyweight trash bags.
Speaker 1 (16:33):
I don't give a damn.
Speaker 9 (16:34):
We always felt like that.
Speaker 4 (16:35):
I mean no, it takes a lot for you to
get there. You you start to believe and listen to people.
Any talks of that getting out of a shadow are
from the outside looking in. It's not a shadow man,
Your your parents or whoever did not put it in
the work for you to feel ashamed.
Speaker 1 (16:55):
For all the sacrifice that they went through.
Speaker 4 (16:58):
So it's just like the way that I look at it,
it's been happening for centuries. It's not a shadow. It's
taking the Jackson name and pushing it even further. And
then when when she's ready, my daughter is gonna have
to do the exact same thing. So when you look
back at the you know, the ends of time were
still there.
Speaker 2 (17:15):
Are you surprised by your voice? Sometimes? Like like how
big people look at you like I seen when I
think it was you said something about Andrew Schultz, right
and with viral like crazy. Were you surprised about that
or was it one of those things you just with
the homie like this is how I feeling. You just
thought it was gonna in there?
Speaker 1 (17:29):
Yeah I did.
Speaker 4 (17:30):
I mean I didn't think my mind words even meant
that much.
Speaker 1 (17:34):
And I don't have a problem with Scholtz at all.
I just thought the comment was weird.
Speaker 4 (17:38):
It's not that I had some soapbox moment where I
put up four or five paragraphs on Twitter or even
continue to do so. It's just I mean, the comment
was weird, and that's it. I don't I sometimes don't
recognize that people give a shit because I've said so
much that you didn't give a shit about before, So
(17:58):
like you know, they pick and choose what sticks, and
you never know what does, and you know, sometimes I
gotta just remember that you do have a little bit
of way, And you know, I don't mean nothing by it.
Speaker 1 (18:10):
It just was on my mind.
Speaker 4 (18:11):
And you said you was a fan, Yeah, exactly, bro, Like,
first of all, he's fucking hilarious and tires love tires,
But like it's just it's just how.
Speaker 1 (18:20):
People are going wrong with it.
Speaker 4 (18:21):
And even when you do interviews and stuff like that,
you have to be conscious of like what's gonna get clipped,
what's going to be spread out there?
Speaker 1 (18:29):
People are not going to click the link to.
Speaker 4 (18:32):
The full interview. It's just not gonna happen. So you
just got to be mindful of the stuff. It's just
the game of the internet.
Speaker 2 (18:38):
Has La, how has LA changed from everything that's going
on in the last year. Right, you're a huge LA fan,
huge Lakers fan, huge Dodges.
Speaker 9 (18:46):
Fan, huge Kendrick fan.
Speaker 2 (18:48):
Yeah, and we've seen this has been laz last year.
So how have you seen the change of LA. As
far as people are outside the.
Speaker 4 (18:55):
Scene, I feel like every region, every now and then,
whether it be the South, you know, East, East coast,
West coast, every now and then there's something that jokes
them where they got the sound and right now I
feel like with Dot with Tyler.
Speaker 1 (19:12):
We got the sound.
Speaker 4 (19:13):
You know, my Pops and Snoop put out album, like
the sound is there. There's absolute blue Lips like you like,
the sound is there right now? And uh, even other
artists like Thojah and Billie Eilish. My man evinced like,
we got like twenty people out right now, and so
(19:33):
it's a you know, it's a beautiful time. On top
of the Dodgers just being disgusted. I'm sorry, New York Bro,
I'm sorry.
Speaker 7 (19:40):
Like that nothing with the base sound so clear?
Speaker 1 (19:47):
Was it? Listen? He take it serious, Bro, this is what's.
Speaker 9 (19:53):
The reason that they want?
Speaker 7 (19:54):
Like, how do you feel about that? Like they're like, oh,
he's the reason part, Like he's a part of the wind,
Like he's a part of the motivation of doing that's
the guy.
Speaker 1 (20:03):
Talking about. Dave Roberts. Bro, Dave Roberts, Yeah, that's wild,
but uh, it was.
Speaker 9 (20:10):
It was a beautiful feeling.
Speaker 1 (20:16):
It was. It was a beautiful feeling. You know.
Speaker 4 (20:18):
I'm I'm not gonna act like I'm this die hard
baseball fan. I've always said baseball needs more dunks and touchdowns.
But so going to that game, seeing that field, having
that nervous feeling of the World Series, and then watching
my guy walk the entire field doing his thing, being
(20:39):
in his element, it being so clear, and him knocking
it out of the park.
Speaker 1 (20:44):
It's just one of the one of the proudest moments
that I've had as his son.
Speaker 4 (20:50):
And when he was done, I looked over at my brother.
Speaker 1 (20:54):
And my sister and was just like, man, he did it.
You know. It's just one of those weird feelings that
are out of a movie.
Speaker 4 (21:01):
Help that we won too, because I and man, it
would have been I would have been upset. But even
for him to do it at the parade, it's just
one of those things where it's just like, how could you?
How could I ever run away from being blessed by
that dude?
Speaker 8 (21:16):
I want to say I wanted. I got a couple
more questions for you. But we talked about l A.
I feel like LA really needed the year that it
just had. Yeah, I don't think we talk about the
loss of Nipsey, the loss of Kobe. La took some
real big other And there was a part when during
the Popular Show, Kendrick said that Kendrick, because like Yoda,
City ain't felt the same since.
Speaker 9 (21:35):
Nipsey died, And I don't think people talk about that enough.
Speaker 4 (21:38):
Yeah, I think period at the time of Nipsy passing,
he was so obvious like this is gonna be yeah,
like and so when you take away, you know, just
like it's just like a ripple effect, and yeah, man,
they're they're still not over it, you know. I was
(21:59):
just like, I can't help but talk about Kobe. We
were just talking about Nip last night at the after
after party. So it's it's it really was a feeling.
This is this the healing factor that that had to
take has finally come to a spot where we are
forced to be wrecking with right now. I know a
lot of people are gonna be tired of it, but
(22:20):
like it is what it is, but.
Speaker 8 (22:22):
Not what you just said is a good way to
put it in paraphrasm. But yeah, it feel like the
city's healing.
Speaker 1 (22:26):
Yeah, it's here.
Speaker 4 (22:27):
And then like right now I'm looking at my phone
to see who's affected by the fires right now. So
like it's just it's just another another thing. But we're
in a beautiful place artistically, and I'm proud of everybody
who who's from the city doing their thing.
Speaker 2 (22:42):
They gotta go too.
Speaker 8 (22:43):
Okay, when it comes to screenwriting, what did you learn
at USC that your that your father didn't learn because
I'm only getting this from the strade out of Compty
movie just writing Friday in his house like it was nothing,
just just.
Speaker 4 (22:55):
What you know what goes into the just the in
and out the difference really the difference between mean popcorn
movies and cinema. You know what they view as cinema.
We've all seen a movie have crazy box office, but
don't get no oscar recognition because there there's a mindset
within Hollywood of popcorn films and cinema and just the
(23:19):
difference in what that goes into. And I mean personally,
I feel like, Girard, you don't get enough credit for
you being able to pull off that American accent. Like
there's so many actors that get this praise for their
dialect and all this stuff when you've been doing it forever.
Speaker 1 (23:36):
Man.
Speaker 4 (23:36):
So I just want to give you big ups while
this topic is there that you deserve so much more
recognition for doing it as much as you did, because
it still trips me out when you start talking like
how to train your dragon?
Speaker 8 (23:48):
One word you could say right now that would make
everybody be like, oh wow.
Speaker 4 (23:51):
I get I don't care.
Speaker 2 (23:58):
This weekend.
Speaker 5 (24:00):
One know I've been looking this way.
Speaker 2 (24:05):
Butler, oh Jackson, we appreciate you. Dinner Thieves three that
are threeves Dead of Thieves three working on it. Maybe
possibility a long time.
Speaker 5 (24:16):
So yeah, this one, by the way, that's if everybody
goes to see this movie. You know, come on, I
think you're getting a great movie. But I yeah, there's
something I wouldn't even say in the works. There's there's
an idea that's brewing right now, but it's just an idea.
Speaker 1 (24:32):
Okay.
Speaker 2 (24:32):
We appreciate you all for joining us. Make sure you'll
go see it this weekend. It's The Breakfast Club. Good morning,
wake that ass up in the morning.
Speaker 1 (24:41):
The Breakfast Club
Wake that ass up in the morning. Breakfast Club.
Speaker 2 (00:04):
Morning, everybody, It's the j n V. Jess, Hilarrys Charlamagne
to God. We are the Breakfast Club. Long the roasters
filling in for Jess, and we got some special guests
in the building. There's been some time since you've been
here before, like seven years last time you're up here
promoting dinner these one Errod Butler and Oh Jackson Welcome.
How how you feeling?
Speaker 3 (00:22):
Man? He just pretend it's an audience.
Speaker 1 (00:24):
Here's no shak appreciate well.
Speaker 2 (00:28):
First and foremost, how were you doing? I know you're
out in La and I see the fires are crazy
in La? How is that with you in the family.
Speaker 4 (00:34):
I'm literally talking waiting for updates right now. There was
it's something starting near the valley area. So I'm just
checking on my daughter and things like that, so, you know,
little little on edge. But I mean, it's nothing I
gonna do from here except worry.
Speaker 2 (00:51):
Is that an evacuation plan? Like if this goes go
this route, I go this or.
Speaker 4 (00:55):
I mean, yeah, but as much as you can. I
wasn't expecting some of them to be as close as
they are when I got up. But yeah, so I'm
just trying to be a helicopter dad right now as
much as I can.
Speaker 2 (01:09):
Absolutely. Now, let's talk about DN Thieves two seven years.
Why did it take so long to show to shoot
part two?
Speaker 5 (01:14):
Yeah, tell us Gerard, Well, you know, because oh, Shay
is a nightmare and he's such a princess trying to
get him to.
Speaker 6 (01:26):
I heard.
Speaker 5 (01:28):
Uh no, there was it was a bit of that,
you know, and a little sprinkle of this, and uh
it just it took longer than we thought. And by
the way, truly for various reasons. One one of the
main reasons is when we first started writing the script
is I thought we we really hit gold in the
first one, and it was very different.
Speaker 3 (01:46):
It was very clever. You know.
Speaker 5 (01:47):
It took a long time for that first script to
get to that stage. So not to just turn out
something and go, well, here's the second one. You guys
like the first one. But to be honest, it took
a long time to make that script work. This one,
you know, kind of all the twists and turns and
how because there's a lot going on in this movie,
and you would always get to the stage we're okay,
this is good, but this still doesn't work and to
(02:10):
make it all kind of like a like a jigsaw
puzzle and then sing and then other shit happened.
Speaker 7 (02:17):
You know, you guys were a part of the writing
or you mean just mean a script that was brought
to you. Guys, you get to kind of dissect it
and say, yes, I know this certain stuff.
Speaker 5 (02:22):
Well, yeah, I'm involved in the writing. Christian wrote the script,
but then I worked on the development of both scripts,
but especially this one for and this took there was
a good three Yeah, I produced a movie, gotcha, so.
Speaker 7 (02:34):
It had it has more of a depth to you
when you're on camera with it too, because it's your
actual baby behind the scenes as well.
Speaker 3 (02:40):
Big time.
Speaker 5 (02:41):
I have to say that, you know, talk about what
you do to prepare for a rope. Probably my main
preparation is any script I do. Now I've been with
it for a long time, and you're sitting with it
thinking of every moment, every part of the character, where
you can take that. So when you get to the movie,
you both know where you should be and you kind
(03:01):
of hate to say this, you're kind of cheating. You
also know what each moment is kind of going to
hopefully achieve with the audience so yeah, it's been well
thought about.
Speaker 2 (03:11):
Now you kill fifty cent in the first one, you
kill they killed fifty cent in the first one. But
he's back on this as an EPE thing we learned,
So why was it important to bring it back as
an EP and how was he working as an EP?
Speaker 1 (03:31):
I mean, fifty fifty one. His hand is something. It's
really no denying you know that, dude.
Speaker 4 (03:40):
He's been very instrumental and you know my thought process
on a lot of things, especially moving forward. Super excited
about this. He's been giving me some great words of praise.
But you know, he's the man and whatever he touches
really turns in the goal. So he knew he couldn't
let go to dinner.
Speaker 2 (03:58):
Thy you've stop it now, you got whipped a lot.
They whip chat.
Speaker 1 (04:01):
That's the worst part of the first one. But you
grow so good.
Speaker 7 (04:04):
Though, because you wouldn't like towards the end of it,
it all turns around. You would have never expected it
because you played the character so well as like this
person that was not in control, but you were very
in control.
Speaker 1 (04:19):
Yeah, it's always funny.
Speaker 4 (04:22):
When that movie was coming out to see people's tweets
from the beginning of the movie where it was just like, man,
I don't know if I was cute, I wouldn't have
let him did this. And then by the end they
you know, they talk about how dope the film was,
but it really was our imitating life a little bit
because Dinner Thieves won.
Speaker 1 (04:40):
That's my third movie ever, and.
Speaker 4 (04:43):
There was already and there's already an ideology of who
I am because of my father and what I'm gonna
bring to the table, or a sense of entitlement or
that I'm not here to work.
Speaker 1 (04:55):
And Donnie in.
Speaker 4 (04:56):
The first one, it's just somebody who wants to keep
his head down, focus on what you gotta do, get
in and get out.
Speaker 1 (05:02):
And that was the same with me at that portion
in my career.
Speaker 4 (05:06):
And then for the for the second one, you know,
for it to take as much time as it had,
I got a lot more projects under my belt, so
the confidence was there for me to be able to lead,
get it down, get me a crew to be in
charge of, and not get my ass kicked for two hours.
Speaker 2 (05:26):
So are you tired of that? I feel like it's
over now. I feel like you proved yourself enough with
people are not saying the only reason you're in this
industry is because of your dad or do you still
get that a lot? Do you still feel like you
gotta fight through that?
Speaker 4 (05:35):
It'll forever be there, you know? And I don't have
a problem with that. It's just people that don't know.
And I can't. I can't concern myself with people who
just ignorant to it or try to fight it.
Speaker 1 (05:47):
I mean, I got a kid. I gotta focus on
me man getting it done.
Speaker 5 (05:51):
Can I think in a couple of those people are
going to be looking at ice Cube going.
Speaker 6 (05:55):
Hey, look there's.
Speaker 3 (06:09):
I don't have a very time.
Speaker 5 (06:11):
I don't have a very powerful voice, so I have
to get close to that.
Speaker 8 (06:18):
I forget it.
Speaker 7 (06:19):
So in the second one, because now we know kind
of like your role a bit more, and how did
you prepare differently? Because the first time you're prepared as
an actor, it's like you got to kind of hide
who you really are the whole time. This time it's
like it's you know, it's big you, not the little one.
Speaker 4 (06:34):
I mean that was that was really my excitement was
that I'm able to play the same character but a
different character at the same time. And a lot of
the prep was just remembering where Donnie is who Donnie
really is. And honestly, I watched a lot of John Jones.
John Jones and the beginning of his fights is just
(06:58):
so cold and just stick ill, and you can tell
just his his focus and his prep and it's a
lot of the same things with Donnie and what he does.
Speaker 9 (07:07):
So you learned the fighting this one because in the
first one, I'm.
Speaker 4 (07:14):
Kicking ass, and but just the idea of a fighter
where it's it's what how Donnie thinks in its simplest
form of one simple mistake and I'm done one simple
mistake and Donnie is in prison forever. So the same
thing with a fighter, if one slip up and you sleep,
you know. So it was a lot of studying studying
(07:34):
fighters for me.
Speaker 2 (07:35):
Did y'all ask about fifty I just walked into Yeah,
we had about fifty ep.
Speaker 9 (07:38):
Okay, how did how did that happens?
Speaker 7 (07:40):
Why?
Speaker 1 (07:40):
Why?
Speaker 8 (07:40):
Why aren't all the all producers on the film? How
does he die in the first movie?
Speaker 1 (07:44):
They come back? You gotta check the credits.
Speaker 2 (07:47):
I was gonna ask, you know what this movie? It
seemed like this movie leveled up a lot, right it
as far as scenes action, it looks totally different. Do
you guys do your own stunts? And how was the
process of it leveling up so much the first one?
I'm not gonna say. I mean you could just tell
just from the airplane scene and the airport like they
(08:10):
spent a lot of money on that. Does that mean
more pressure the definitely.
Speaker 4 (08:14):
You know, with a sequel, there's so many things that
go into it that could make it go the wrong way.
A lot of times sequels will rely so much on
the first one, giving you so many nods to the
first one that it kind of cheapens why you fell
in love with it in the first place. But uh,
I don't know. Budget that's like really gerards, you know point,
But like, definitely you have to step it up. But
(08:35):
we were able to change the entire dynamic of the film,
and the first one is more cops versus robbers, and
this one is much more of a buddy action and
I think we use that to our advantage. Plus I'm
a different character than I was in the first one,
So you're gonna you're getting a film that can not
only stand alone, but at the same time give you
what you already loved from Genni.
Speaker 7 (08:52):
Fili even the coloring is different, like I noticed that too.
Like in the first one, I feel like it was
a lot warmer. This one's a lot more like cooler tones.
I don't know if that was on purpose too, but
it just changes the energy.
Speaker 5 (09:02):
Yeah, yeah, yeah, Now I think the idea was to
give a very kind of different tone. Like Christian's a
big fan of kind of new wave of European cinema.
So it's like Osh says, yeah, you keep the same
that the same story. Basically you're following these characters, but
you cinematically it looks very different and it's still kind
of has a grittiness to it, but it also it
(09:24):
looks very beautiful and captivating and shows a different kind
of esthetic in a different tone. So I'm glad you
noticed that because it is cinematically this movie is beautiful.
Speaker 3 (09:35):
If that's all it was, we still look amazing.
Speaker 5 (09:36):
But fortunately there's a hell of a lot more going
on than just the you know.
Speaker 3 (09:41):
The scope, but the scope is huge too. I mean,
we've got a.
Speaker 5 (09:43):
Lot more money for this one, and well we did
basically that's it. We got more money and we got
more time. I mean, people make a joker, how long
it took. It's true, it shouldn't have taken that long.
But the thing that did give is was to get
everything in order and to get those little more magic moments.
Always find that when you developed in a script, if
you know, often the more time you get to let
(10:04):
it kind of sit there and think about it, and
then you find all these extra moments and more layers
and more nuanced and maybe even bigger surprises. Because this
movie is it's so full of twists and turns and surprise.
You just never know where it's gonna go, Where He's
gonna go, where I'm gonna go, where the panthers are
going to go?
Speaker 3 (10:21):
Who the hell?
Speaker 1 (10:21):
You know?
Speaker 5 (10:22):
We have a ton of people after is too. In
the heist itself is just there's a lot going on.
So it's kind of throwing you all around.
Speaker 2 (10:29):
It's so crazy how you turn off your well, how
I don't hear the accent in the movie like in
the movie American all day long, but but now I
can hear it go in and out. Is crazy. How
you're able to do that as an actor? Yeah, is
that difficult.
Speaker 6 (10:41):
It takes work.
Speaker 5 (10:42):
I've done it a lot now, but yeah, I mean
every morning when I go to set. I have to
do like forty minutes of voice lessons, you know, the sounds,
learning to kind of speak, like make more of the vowels,
because in Scotland we hit the consonants, right, we hit
the c's and the k's and the t's, and in America,
you guys come off the constance. You're more like, yeah,
so I started exercises, but actually I do. I do
(11:04):
exercise like well, and you start talking.
Speaker 1 (11:07):
Like this, and now you're.
Speaker 3 (11:10):
Yeah, yeah, America, because that pic Nicks is the.
Speaker 1 (11:14):
Whole time, and it depends where you act.
Speaker 9 (11:16):
I say I'm from South Carolina, so I say straight
street strong.
Speaker 3 (11:20):
Okay, yeah that's true.
Speaker 5 (11:21):
I mean, if it's more urban than like just playing
in this country, no, but I just played that a
New York character and that was very much like, you know,
yeah dude, he did he didn't, you know, like that.
Speaker 3 (11:35):
Kind of thing so urban urban, but that was like
that was that was New York. That was New York
master urban.
Speaker 4 (11:42):
Wait his his American murder versus your Scotland murder.
Speaker 3 (11:47):
Oh yeah, that's just calling you go. And then America
is kind of like murder.
Speaker 5 (11:53):
And I couldn't say that took me years and there
was a movie once I was shooting.
Speaker 3 (11:57):
What I had to say, no, not if you murdered.
And I couldn't say. I'm like, no, not if he's
murdered because we have such a thick R and D
you know, but.
Speaker 8 (12:06):
You an American nigga in a Scotland nigga.
Speaker 4 (12:11):
So it's not about it's about the challenge.
Speaker 6 (12:17):
Ye, how many careers is he ruined?
Speaker 2 (12:23):
It's not about the money. Is about the challenge. Let's
talk about that phrase. That's a phrase that's mentioned a
lot in the movie. Do y'all live by that?
Speaker 1 (12:29):
No?
Speaker 4 (12:32):
You know, like I was talking to him and uh
for more pressed for this because that quote keeps coming up.
It's a little bit about the money, like you're I'm
robbing the Federal Reserve in the World Diamond Center.
Speaker 9 (12:45):
It's a little bit about thought some about in real life.
Speaker 1 (12:48):
Real life. That's about real life.
Speaker 4 (12:49):
I mean, you know about Dion Sanders and my pops
have a quote, you know, if everybody doing it for
the love, I'll do it for the love. But if
everybody you know, we all getting paid, we all getting paid.
It's just the world that we live in. But you
have to take those challenges to uplift yourself, to get
yourself to a new tier. I'm very I'm easily content.
(13:12):
It's easy to get stagnant when you don't need much.
So if you don't take those challenges, if you don't
take those risks, you're just going to be in the
same spot every single time. And one of the there
was a portion in my career where I felt stagnant
where I felt like, you know, we're not We're not
going up, but we're not going down either, And one
(13:36):
night I might have been faded. I DM Kobe Bryant
and Kobe Yeah, I asked him. I was like, dude,
you've done everything. How do you keep yourself wanting more?
How do you keep like away from being comfortable? Give
me some movies, give me some books, give me a quote,
a mantra or anything.
Speaker 1 (13:56):
He gave me his.
Speaker 4 (13:57):
Number, so I'm.
Speaker 1 (13:59):
Not about to call Kobe like right then and there.
Speaker 4 (14:02):
So I hit him and he was like, all right,
I'm gonna call you in a few days. So for
like two weeks I was waiting by my phone, just
waiting for Kobe to hit me. And then I was
in an uber coming back from a table read and
he called me, and I remember I told the Uber driver.
I was like, hey, can you turn the radio down.
Kobe Bryant's calling me. He was like, yeah, So now
(14:24):
the driver is looking in the mirror while I'm on
the phone.
Speaker 1 (14:27):
And I talked to Kobe for twenty five minutes.
Speaker 4 (14:29):
He said that feeling that you have not done enough,
or that where you are isn't good enough and you
want more and you don't know why you want more,
hold on to it because that's the only thing that's
gonna make you want to take shots, take risks and
uplift yourself. And then like that was the first and
(14:49):
only conversation I had with my hero, because two months
later he was gone, Wow, I would.
Speaker 8 (14:54):
Think maybe I'm just just me in my mind and
what I think your life is, Like I thought you
was having being around these type of people all the time.
I'm around them, but it's not like I ain't got
the number to just be like, you know, hit them
up and call them. But it's just one of those
things like if I didn't take that challenge, that risk
to even message him.
Speaker 1 (15:13):
I wouldn't have never had that conversation. Do you ever
ask your pops like your pops.
Speaker 9 (15:16):
Can you connect me to such and such that you
just always try to make your own connection.
Speaker 1 (15:18):
No, I try to do it on my own. I don't.
You know. It's just so it's realer if you do
it organically.
Speaker 4 (15:25):
So, you know, luckily I've been able to work with
some amazing people where I can call you know, fifty,
ask him some stuff. I can talk to Girard, I
can you know, rest in peace radio to being able
to work with him and things like that. So it's
just about keeping my head down and then when I
when I see the opportunity to take a challenge, knock
it out.
Speaker 1 (15:45):
The part question did you go to school for screen
writing USC? Yeah, University of Southern California.
Speaker 8 (15:50):
So it's interesting to me, Like I MB said it earlier,
just he asked the question about you know, do you
still do you get respect for yourself?
Speaker 1 (15:56):
Now?
Speaker 8 (15:56):
I'm like, you know, you really put in the work,
like what really studied your your craft?
Speaker 1 (16:00):
They don't give it.
Speaker 7 (16:01):
Damn get dragged for the nepotism conversation. I think you
unfairly get that too.
Speaker 1 (16:08):
Yeah, but I love it. You know what I mean.
You're not about to make.
Speaker 4 (16:10):
Me feel bad of just like, oh, you had a
good life. I'm sorry, man, you know, I hope y'all
all grow to have nepple babies yourself.
Speaker 1 (16:20):
But I'm not. I'm not running from that.
Speaker 4 (16:23):
You're not about to make me feel bad for you know,
my blessings or my family and.
Speaker 1 (16:28):
Try to run from it.
Speaker 4 (16:29):
You know, get mad, get glad, get heavyweight trash bags.
Speaker 1 (16:33):
I don't give a damn.
Speaker 9 (16:34):
We always felt like that.
Speaker 4 (16:35):
I mean no, it takes a lot for you to
get there. You you start to believe and listen to people.
Any talks of that getting out of a shadow are
from the outside looking in. It's not a shadow man,
Your your parents or whoever did not put it in
the work for you to feel ashamed.
Speaker 1 (16:55):
For all the sacrifice that they went through.
Speaker 4 (16:58):
So it's just like the way that I look at it,
it's been happening for centuries. It's not a shadow. It's
taking the Jackson name and pushing it even further. And
then when when she's ready, my daughter is gonna have
to do the exact same thing. So when you look
back at the you know, the ends of time were
still there.
Speaker 2 (17:15):
Are you surprised by your voice? Sometimes? Like like how
big people look at you like I seen when I
think it was you said something about Andrew Schultz, right
and with viral like crazy. Were you surprised about that
or was it one of those things you just with
the homie like this is how I feeling. You just
thought it was gonna in there?
Speaker 1 (17:29):
Yeah I did.
Speaker 4 (17:30):
I mean I didn't think my mind words even meant
that much.
Speaker 1 (17:34):
And I don't have a problem with Scholtz at all.
I just thought the comment was weird.
Speaker 4 (17:38):
It's not that I had some soapbox moment where I
put up four or five paragraphs on Twitter or even
continue to do so. It's just I mean, the comment
was weird, and that's it. I don't I sometimes don't
recognize that people give a shit because I've said so
much that you didn't give a shit about before, So
(17:58):
like you know, they pick and choose what sticks, and
you never know what does, and you know, sometimes I
gotta just remember that you do have a little bit
of way, And you know, I don't mean nothing by it.
Speaker 1 (18:10):
It just was on my mind.
Speaker 4 (18:11):
And you said you was a fan, Yeah, exactly, bro, Like,
first of all, he's fucking hilarious and tires love tires,
But like it's just it's just how.
Speaker 1 (18:20):
People are going wrong with it.
Speaker 4 (18:21):
And even when you do interviews and stuff like that,
you have to be conscious of like what's gonna get clipped,
what's going to be spread out there?
Speaker 1 (18:29):
People are not going to click the link to.
Speaker 4 (18:32):
The full interview. It's just not gonna happen. So you
just got to be mindful of the stuff. It's just
the game of the internet.
Speaker 2 (18:38):
Has La, how has LA changed from everything that's going
on in the last year. Right, you're a huge LA fan,
huge Lakers fan, huge Dodges.
Speaker 9 (18:46):
Fan, huge Kendrick fan.
Speaker 2 (18:48):
Yeah, and we've seen this has been laz last year.
So how have you seen the change of LA. As
far as people are outside the.
Speaker 4 (18:55):
Scene, I feel like every region, every now and then,
whether it be the South, you know, East, East coast,
West coast, every now and then there's something that jokes
them where they got the sound and right now I
feel like with Dot with Tyler.
Speaker 1 (19:12):
We got the sound.
Speaker 4 (19:13):
You know, my Pops and Snoop put out album, like
the sound is there. There's absolute blue Lips like you like,
the sound is there right now? And uh, even other
artists like Thojah and Billie Eilish. My man evinced like,
we got like twenty people out right now, and so
(19:33):
it's a you know, it's a beautiful time. On top
of the Dodgers just being disgusted. I'm sorry, New York Bro,
I'm sorry.
Speaker 7 (19:40):
Like that nothing with the base sound so clear?
Speaker 1 (19:47):
Was it? Listen? He take it serious, Bro, this is what's.
Speaker 9 (19:53):
The reason that they want?
Speaker 7 (19:54):
Like, how do you feel about that? Like they're like, oh,
he's the reason part, Like he's a part of the wind,
Like he's a part of the motivation of doing that's
the guy.
Speaker 1 (20:03):
Talking about. Dave Roberts. Bro, Dave Roberts, Yeah, that's wild,
but uh, it was.
Speaker 9 (20:10):
It was a beautiful feeling.
Speaker 1 (20:16):
It was. It was a beautiful feeling. You know.
Speaker 4 (20:18):
I'm I'm not gonna act like I'm this die hard
baseball fan. I've always said baseball needs more dunks and touchdowns.
But so going to that game, seeing that field, having
that nervous feeling of the World Series, and then watching
my guy walk the entire field doing his thing, being
(20:39):
in his element, it being so clear, and him knocking
it out of the park.
Speaker 1 (20:44):
It's just one of the one of the proudest moments
that I've had as his son.
Speaker 4 (20:50):
And when he was done, I looked over at my brother.
Speaker 1 (20:54):
And my sister and was just like, man, he did it.
You know. It's just one of those weird feelings that
are out of a movie.
Speaker 4 (21:01):
Help that we won too, because I and man, it
would have been I would have been upset. But even
for him to do it at the parade, it's just
one of those things where it's just like, how could you?
How could I ever run away from being blessed by
that dude?
Speaker 8 (21:16):
I want to say I wanted. I got a couple
more questions for you. But we talked about l A.
I feel like LA really needed the year that it
just had. Yeah, I don't think we talk about the
loss of Nipsey, the loss of Kobe. La took some
real big other And there was a part when during
the Popular Show, Kendrick said that Kendrick, because like Yoda,
City ain't felt the same since.
Speaker 9 (21:35):
Nipsey died, And I don't think people talk about that enough.
Speaker 4 (21:38):
Yeah, I think period at the time of Nipsy passing,
he was so obvious like this is gonna be yeah,
like and so when you take away, you know, just
like it's just like a ripple effect, and yeah, man,
they're they're still not over it, you know. I was
(21:59):
just like, I can't help but talk about Kobe. We
were just talking about Nip last night at the after
after party. So it's it's it really was a feeling.
This is this the healing factor that that had to
take has finally come to a spot where we are
forced to be wrecking with right now. I know a
lot of people are gonna be tired of it, but
(22:20):
like it is what it is, but.
Speaker 8 (22:22):
Not what you just said is a good way to
put it in paraphrasm. But yeah, it feel like the
city's healing.
Speaker 1 (22:26):
Yeah, it's here.
Speaker 4 (22:27):
And then like right now I'm looking at my phone
to see who's affected by the fires right now. So
like it's just it's just another another thing. But we're
in a beautiful place artistically, and I'm proud of everybody
who who's from the city doing their thing.
Speaker 2 (22:42):
They gotta go too.
Speaker 8 (22:43):
Okay, when it comes to screenwriting, what did you learn
at USC that your that your father didn't learn because
I'm only getting this from the strade out of Compty
movie just writing Friday in his house like it was nothing,
just just.
Speaker 4 (22:55):
What you know what goes into the just the in
and out the difference really the difference between mean popcorn
movies and cinema. You know what they view as cinema.
We've all seen a movie have crazy box office, but
don't get no oscar recognition because there there's a mindset
within Hollywood of popcorn films and cinema and just the
(23:19):
difference in what that goes into. And I mean personally,
I feel like, Girard, you don't get enough credit for
you being able to pull off that American accent. Like
there's so many actors that get this praise for their
dialect and all this stuff when you've been doing it forever.
Speaker 1 (23:36):
Man.
Speaker 4 (23:36):
So I just want to give you big ups while
this topic is there that you deserve so much more
recognition for doing it as much as you did, because
it still trips me out when you start talking like
how to train your dragon?
Speaker 8 (23:48):
One word you could say right now that would make
everybody be like, oh wow.
Speaker 4 (23:51):
I get I don't care.
Speaker 2 (23:58):
This weekend.
Speaker 5 (24:00):
One know I've been looking this way.
Speaker 2 (24:05):
Butler, oh Jackson, we appreciate you. Dinner Thieves three that
are threeves Dead of Thieves three working on it. Maybe
possibility a long time.
Speaker 5 (24:16):
So yeah, this one, by the way, that's if everybody
goes to see this movie. You know, come on, I
think you're getting a great movie. But I yeah, there's
something I wouldn't even say in the works. There's there's
an idea that's brewing right now, but it's just an idea.
Speaker 1 (24:32):
Okay.
Speaker 2 (24:32):
We appreciate you all for joining us. Make sure you'll
go see it this weekend. It's The Breakfast Club. Good morning,
wake that ass up in the morning.
Speaker 1 (24:41):
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