Eurovision might best be described as “the Olympics meets American Idol”: a singing contest where countries face off for the number one spot in musical glory. It’s incredibly campy, silly, and mostly very fun.
But this year’s Eurovision — which wrapped on the weekend — was dogged by controversy, as organizers faced protests for allowing Israel to compete amid the ongoing war in Gaza.
The European Broadcasting Union, which runs Eurovision, insists the contest is “non-political”. But our guest today argues that geo-political ideals and tensions have coursed through this competition since its inception in 1956.
Tess Megginson — a PhD candidate studying central and eastern European history at the University of North Carolina at Chapel Hill — explains.
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