All Episodes

October 22, 2025 56 mins
From the Acme Studios in Mayville, Wisconsin. It is our annual salute to the most frightening Vintage Rock songs in our library. Deep tracks from Alice Cooper, Rush, Moly Hatchet, Black Sabbath and more. It's the Halloween Spooktacular!.
Mark as Played
Transcript

Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
The following program is brought to you in living color.
To the barrow.

Speaker 2 (00:10):
It sound somebody up, Please that.

Speaker 3 (00:20):
My God, it's God. I see God.

Speaker 1 (00:25):
You will provide the grand design.

Speaker 4 (00:29):
We didn't say it'd be good.

Speaker 5 (00:35):
It's one hour of Radio Anarchy broadcasting for the ACNE
Studios in Mayville, Wisconsin.

Speaker 6 (00:41):
Where the hell is Mayville?

Speaker 3 (00:43):
Then it rocked.

Speaker 5 (00:43):
It's been bottled up way too long. Welcome to Don's basement.

Speaker 7 (00:54):
It's us down and time is fleeting.

Speaker 8 (01:00):
Madness takes its toll.

Speaker 1 (01:05):
But listen closely, not for very much longer.

Speaker 8 (01:11):
I've got to keep control, Doc.

Speaker 9 (01:43):
It's just a jump to the less with your hands
on your hip.

Speaker 10 (02:12):
It's a dreamy, my fantasy freely so you can't see no,
not at all, in another dimension with Boyaristick in turn
well sucluded. I see you all with a bit of

(02:34):
her mind. You're into the time slip.

Speaker 5 (02:39):
And nothing can never be the same.

Speaker 11 (02:44):
Must be startled sensation.

Speaker 12 (02:47):
Like you're under city. Well, I was poking down the street.
Did to have a thing waking me d way he

(03:07):
shouldn't be back.

Speaker 13 (03:09):
Surprise he had a big gas riding Demo's as step.

Speaker 14 (03:14):
Jump.

Speaker 9 (03:28):
It's just a jump to the nest, put your hands
on your hips.

Speaker 4 (03:59):
All these years later, we still know the steps the
time ore from the Rocky Horror Picture Show. Hello there,
how are you welcome back in? I'm Don Clark. Thank
you so much for coming down and hanging out with
us once again down here in Don's basement. And please
watch your step. The stairs this time of year have

(04:22):
a tendency to be a little creepy. This is the
Halloween Spectacular, our annual salute to some of the most
frightening vintage rock songs of all time. And thanks to
your suggestions, we've got some I haven't seen the light
of day in a long long time. Digging deep into

(04:46):
the Specter's album blo Oyster Cult, this is Godzilla. Welcome
to down Spaceman, where.

Speaker 14 (05:02):
The premous Little Crims had a terrible sound. He calls
the spinning I sent.

Speaker 15 (05:06):
You wise down.

Speaker 16 (05:10):
Helpless cream some way, say speak my godas here.

Speaker 1 (05:17):
That s all.

Speaker 15 (05:23):
He picks.

Speaker 17 (05:23):
Some of us said it doesn't back down.

Speaker 2 (05:25):
As he went through the billage the center upside. Oh no,
let's say he's got no no, not God do no

(05:47):
that gon not me, not Goddell No, I said, he

(06:19):
don't no, no, no, no, no, that don't don't no, no.

Speaker 18 (06:31):
No, no.

Speaker 14 (06:45):
Not finish astill actually actually.

Speaker 13 (07:04):
Cool, that's said dot no b Godzilla, no.

Speaker 15 (07:23):
That b goda.

Speaker 2 (07:41):
History shows of Canada can help. It's once a football.

Speaker 15 (07:48):
Godzilla.

Speaker 3 (07:51):
History shows like Canada can help.

Speaker 14 (07:54):
It's once a football. Three shows. There's three shows. What's up.

Speaker 17 (08:19):
Godzilla?

Speaker 5 (08:20):
It's always a little creepy in the basement the night?

Speaker 17 (08:24):
What's amused?

Speaker 5 (08:27):
Happy Halloween? From Don's basement.

Speaker 17 (08:52):
You should have seen.

Speaker 19 (08:53):
Him lying alone and help the silence in the night.

Speaker 1 (09:02):
You should have seen him.

Speaker 12 (09:04):
You would have seen his eye reflecting in the light.

Speaker 3 (09:35):
For the old man.

Speaker 1 (09:36):
I should ask you, do you haven't just to just.

Speaker 12 (09:44):
No one would seen me, No one would guilty shadow secret,
So to.

Speaker 17 (10:29):
You call me about.

Speaker 14 (10:32):
Tis to wise on.

Speaker 1 (10:36):
Saying about the.

Speaker 14 (11:57):
Inn indust.

Speaker 20 (12:00):
Loud of about us, till I could tell the sound
was not within night ears.

Speaker 1 (12:10):
You should have seen me.

Speaker 12 (12:11):
You would have seen my eyes grow white and cold.

Speaker 1 (12:14):
With where all the things you see hand.

Speaker 21 (12:23):
I've seen many things in the air about as won't
should die.

Speaker 1 (12:29):
I'm a cold thing on you.

Speaker 12 (12:31):
It's the eye on down to you.

Speaker 14 (12:32):
All it.

Speaker 12 (12:42):
Tat me away now, But let the silence sound the
beating of his heart.

Speaker 1 (12:51):
That came from the.

Speaker 14 (12:54):
US, Thinking and a.

Speaker 4 (12:57):
Se The album Tales and Mystery and Imagination at Garrel
and Poe, the debut album from the Alan Parsons Project.
Welcome in to the Halloween Spectacular, our annual salute to

(13:18):
some of the most frightening vintage rock songs of all time.
But which one is the scariest you'll find out a
little later on this hour. In the meantime, if you
need a tale to send a chill down your spine,
read how Robert Johnson became one of the greatest guitarists
of all time my selling his soul to the Devil

(13:40):
at the Crossroads at Midnight. Eric Clapton reached back and
redid some of those songs for the album Me and
Mister Johnson, This is Me and the Devil Blues in
Don's Basement.

Speaker 14 (13:55):
It is.

Speaker 1 (13:57):
Not the Bone.

Speaker 19 (14:04):
Early this morning knocked a ponone my dog, Ain't I said,
he or say it. I believe It's time.

Speaker 1 (14:26):
Me and the Devil.

Speaker 3 (14:29):
One walking side by side.

Speaker 1 (14:36):
He and the Devil.

Speaker 3 (14:40):
Wa walking side by side. I'm gonna beat.

Speaker 1 (14:47):
My woman until I get side.

Speaker 3 (14:52):
It's bad, she said. You don't see why.

Speaker 1 (15:01):
That I'm a dog around.

Speaker 3 (15:04):
Maybe you're going to do it.

Speaker 17 (15:07):
Set you.

Speaker 1 (15:08):
I'll see why that I'm a dog around. There must
be that an evil spirit, so ded not.

Speaker 22 (15:24):
Ground you.

Speaker 3 (16:06):
Always, I don't get away. You may have volume always.

Speaker 1 (16:22):
Oh no, he must be round.

Speaker 3 (16:26):
Tata grab.

Speaker 14 (16:31):
Mm hmm.

Speaker 5 (16:34):
It's always a little creepy. In the basement.

Speaker 4 (16:37):
I met this.

Speaker 23 (16:39):
Six year old child with this blank, pale, emotionless face
and the blackest eyes the devil's. I spent eight years
trying to reach him, and then another seven trying to
keep him locked up because I realized that what was
living behind that by his eyes was purely and simply.

Speaker 5 (17:03):
Happy Halloween from John's basement.

Speaker 14 (17:29):
They're not like you the witness.

Speaker 13 (17:32):
Valance when the side the way.

Speaker 15 (17:35):
Alone and.

Speaker 1 (17:38):
Freak it was up the leg.

Speaker 14 (17:44):
They're the lady Safey.

Speaker 24 (17:49):
And e's right from my hands. Were in a cry
and shouting sun out and reread where you'll stand, lady
emo Emo.

Speaker 14 (18:04):
It's a massical massic.

Speaker 24 (18:07):
Lady emo Eve my knife screen on.

Speaker 1 (18:13):
The night.

Speaker 15 (18:17):
An no place.

Speaker 24 (18:30):
South Winches Valley where the save the rain song from
the rocks the sky it makes the great.

Speaker 1 (18:44):
And the lady they.

Speaker 24 (18:46):
Say means the starness to Carn't phrase the life where
they all shouting to mind the mount and Hairy the ball,
the knife, Matty game.

Speaker 14 (19:04):
With the madical mastic.

Speaker 24 (19:08):
Lady Gun my mind, friend of the mine, on on on.

Speaker 14 (20:02):
Wow, So get the witts. Don't free you are.

Speaker 16 (20:16):
Close your life and never trust your shiner in the bar.

Speaker 14 (20:25):
Don't that's a lead, I know, take your fresh and.

Speaker 16 (20:30):
Turning all around.

Speaker 13 (20:34):
Things you leave I what's a bread last?

Speaker 15 (20:39):
Never find.

Speaker 24 (20:41):
Lady Gabo, She's a mastic domestic full Lady g.

Speaker 14 (20:51):
I fll los my mind s, the Rill.

Speaker 4 (21:26):
The voice of Ronnie James d l and Black Sabbath
from the Heaven and Hell album and Lady Evil on
the Halloween Spooctacular. We love doing this show every year,
but every year we warn you stay away from the swamp.
It will cause nothing but trouble. But do you listen? No,

(21:46):
here's Jim Stafford in Don's basement.

Speaker 25 (21:49):
Blackwater Heady left back in the swamp with strange green reptiles, growls,
snakes hang thick from the cypress trees, black sauce, gen,
the smokehouse wall, Whether swamp.

Speaker 7 (22:03):
Is alive, the Thousand Eyes and all I'm watching you
stay off the track of Hattie Shack in the back
of the Black by.

Speaker 26 (22:23):
Way up the road from Hattie Shack lies to sleep
a little over Joba Town. The talk of swamp which
your Hattie lock you in when the sun go down.
Rumors of what you'd done, and rumors of.

Speaker 14 (22:38):
What you do.

Speaker 7 (22:42):
Kept folks off a track of Hattie Shack in the
back of the Black by.

Speaker 25 (22:47):
You, and one day brought the rain. The rain stayed
on and the swamp water overflowed skeeters, and the fever
grabbed the town like a fist.

Speaker 11 (23:02):
Doctor Jackson was the first to lord. Some said the
plague was.

Speaker 5 (23:07):
Brought by Hattie.

Speaker 7 (23:08):
There was talk of a hang in two, but the
talk got shackled by the house and the cackles from
the bowels of the Black bye you.

Speaker 25 (23:25):
Early one morning, between dark and dawn, when the shadows
filled the sky and came an unseen collar on a
town where the hole run dry.

Speaker 7 (23:36):
The square that was found a big black round, fat.

Speaker 25 (23:40):
Full of gurgling grooves, whispering sounds as the folks gathered
around it came from the Black Bill. They't much pride
when you're trapped inside. As slow as sank and ship
scooped up the liquid, deep and green, and the old

(24:02):
town took herself. Fever went away, and the very next
day of the skies again were blue. That's thy cold
Hattie for saving our town.

Speaker 7 (24:14):
We'll fetch it from the black value.

Speaker 25 (24:23):
Hardy. Ten of the town's best men headed for Hattie.
Shack said, swamp which magic was useful and good, and
they're gonna bring Hattie back. Never found Hattie, and they
never found a Shack.

Speaker 1 (24:37):
I never made a trip back in.

Speaker 14 (24:41):
It was a part of my note.

Speaker 25 (24:42):
They found tact to a stump, said, don't come looking again.

Speaker 5 (25:16):
It's always a little creepy in the basement.

Speaker 27 (25:18):
Aplicad a man's leg and you can still feel it tickling.

Speaker 7 (25:22):
Tell me, mom, when your little girl is on the slab,
where will it tickle you?

Speaker 28 (25:28):
Like this thing?

Speaker 5 (25:29):
Back to Baltimore, Happy Halloween from Dan's basement.

Speaker 1 (25:35):
You're in for supper, You're in for a shop.

Speaker 28 (25:42):
In London town streets when there's dart, nurse and far.

Speaker 1 (25:49):
When you least expect me and you turn your back all.

Speaker 11 (26:00):
I'm sneaking.

Speaker 1 (26:02):
Shadows by the wall. I know when I'm creeping, but
you won't give me at all.

Speaker 28 (26:13):
Morning, Never turn you back on the rim off, shake
with THEA and never knowing I fana, I'm sying, I'm shameless,
no tnal nameless.

Speaker 1 (26:34):
Sad for the rima or if you like, checks the night.

Speaker 15 (27:31):
In the back ally.

Speaker 21 (27:33):
Streets where we probably meet underneath, but guess lam where
he is cold and damn.

Speaker 14 (27:44):
I'm an ask me surprise.

Speaker 1 (27:47):
I'm a devil in misties. I'm a far step Beninde.

Speaker 13 (27:54):
I'm a spad the side.

Speaker 15 (27:58):
Oh my.

Speaker 4 (28:20):
Vintage vinyl from the Sad Wings of Destiny album Judas
Priest and the Ripper. These are the most frightening vintage
rock songs of all time. But which one is the
scariest We'll find out soon enough. This is the Halloween Spectacular.

Speaker 29 (28:42):
Halloween Night a small American town, fifteen years ago, Michael.

Speaker 14 (29:01):
Halloween.

Speaker 23 (29:02):
I spent eight years trying to reach him, and then
another seven trying to keep him locked up, because I
realized that what was living behind that boy's eyes was
purely and simply.

Speaker 4 (29:13):
Even Halloween.

Speaker 5 (29:20):
Night he came home, it's always a little creepy in
the basement.

Speaker 27 (29:27):
Your detective told you he couldn't come right back because
he was going to question Norman Bates's mother. Right, Yes,
Norman Bates' mother has been dead and buried for the
past ten years.

Speaker 1 (29:39):
I mean that old woman I saw sit in the
window out there wasn't bates mother.

Speaker 27 (29:42):
Well the woman up there is missus Bates. Who's that
woman buried out in Green Lawn Cemetery?

Speaker 5 (29:49):
Happy Halloween from Don's basement.

Speaker 1 (30:00):
Listen to my stomach.

Speaker 30 (30:06):
Life fiskeit and strange of bad back and a travel long.

Speaker 1 (30:13):
Even deals no rom between bread and rolls.

Speaker 11 (30:20):
Say it's gonna be.

Speaker 3 (30:21):
Your coast, dyn mad.

Speaker 17 (30:23):
However the creeper.

Speaker 3 (30:27):
Watch ask for a steam lead baby behind shinny and.

Speaker 17 (30:32):
Lord said it's gonna be your coat, d man. The
creeper come along dead.

Speaker 1 (30:47):
He's told he showed up. He's fastest.

Speaker 30 (30:50):
Then he's half a vengeancies out to win us. The
road it wokes is dark and dim, little, it's you'll
cut your tha baby stick in the back, which okay, small,
trouble nail things you think you.

Speaker 1 (31:13):
Can't to sugar lead again, Say it's gonna.

Speaker 13 (31:18):
Be a coat, doc.

Speaker 17 (31:19):
Now when the creeping come, get your feelings animate of society.

Speaker 1 (32:17):
Of people?

Speaker 31 (32:17):
Ever ad.

Speaker 1 (32:20):
A lot said to catch him mad, But that just
a full no way.

Speaker 3 (32:27):
I say it's gonna be leave coase do.

Speaker 17 (32:31):
The creep will come along.

Speaker 30 (32:35):
Watch as for the sting made behind the shiny long.

Speaker 11 (32:41):
I say it's gonna be coase, not.

Speaker 14 (32:47):
Creep.

Speaker 17 (32:48):
Come loud, is gonna believe Come Dot.

Speaker 4 (33:08):
It's from the debut album from Molly Hatchett and the
Creeper Don Clark in Don's Basement and the Halloween Spectacular.
And if you're gonna have a ghost in the house,
this is the one to have. You're gonna have an
awful lot of fun with that creature. This is Buddy

(33:30):
Guy and Whiskey Ghost in Don's Basement.

Speaker 11 (33:35):
Whiskey ghosts.

Speaker 20 (33:39):
Keep on honting me. Whiskey ghos just won't let me
be kill him a long time ago, but he after me,

(34:03):
poured out that bottle, laid it in the grave.

Speaker 11 (34:08):
Paid my last respect, and I walked away. But I
still can feel him in the.

Speaker 3 (34:15):
Dead of the night.

Speaker 20 (34:17):
He had to see a good man trying to do riding.
Whiskey GOLs just keep on haunting me. Killed him a
long time ago, but.

Speaker 11 (34:36):
Still after me.

Speaker 20 (34:40):
He's out there tonight, and some low down dye waiting
in the shadow. The same old life might be Jack Black,
might be jim Bee smiling in the corner, Saint the
first one over me.

Speaker 11 (34:59):
Whiskey Goals keep a whole hold of men.

Speaker 20 (35:08):
Kill him a long time ago, but he look at
here instead, won't let me be in here.

Speaker 11 (36:12):
In the middle of the night, I feel a chill
read chun against my will.

Speaker 20 (36:22):
I smelled the taste and I started to scream, scaled
out the hell right out of me.

Speaker 11 (36:30):
Whiskey Golds keep on hollering me.

Speaker 20 (36:40):
And kill him a long time ago, but he stead
after me. Mm hmmm, whom He's still after me?

Speaker 11 (37:04):
He Whiskey Goose.

Speaker 5 (37:19):
It's always a little creepy in the basement.

Speaker 1 (37:26):
Where wold?

Speaker 17 (37:28):
Where?

Speaker 9 (37:29):
Wolf?

Speaker 1 (37:31):
Yeah?

Speaker 26 (37:32):
What there?

Speaker 3 (37:34):
Wolf? The Castos?

Speaker 20 (37:38):
Why are you talking that way?

Speaker 17 (37:40):
I thought you wanted to No, I don't want to
shuit yourself.

Speaker 5 (37:44):
Amazing Happy Halloween from Don's basement?

Speaker 1 (38:04):
Have there nothing that love? Since the day I saw
the cat at my door?

Speaker 32 (38:12):
So I came into you, sweet lady, answers and your
missed good call. Crystal load on the table, shown my
future the past, same cat with them.

Speaker 1 (38:30):
He all lives, and I knew it was a spast.

Speaker 15 (38:34):
She cast.

Speaker 33 (38:37):
She's just a terrible woman. Believ a lot of man.
Beware the terrible woman. She's gonna get you.

Speaker 17 (38:45):
She's just a terrible woman.

Speaker 15 (38:47):
Believe a lot of.

Speaker 1 (38:49):
Man to beware the terrible woman.

Speaker 32 (38:51):
She's gonna get you from me. Get me the ring
on your finger, let me see that. Let's go ahead.

Speaker 17 (39:10):
I can see me a stranger calling you.

Speaker 11 (39:14):
What you had planned?

Speaker 1 (39:18):
I bring the motion.

Speaker 15 (39:19):
She o me.

Speaker 1 (39:22):
I found myself on the flor then I'm fil green.
Ask me and I came up.

Speaker 33 (39:34):
She's just a double wama with evil lot of Beware
the table woman, and she's gonna get you.

Speaker 1 (39:42):
She's just a double wama.

Speaker 33 (39:44):
I'm with evil lot of man. Beware the table Wama.
She's gonna get you from that.

Speaker 1 (40:00):
Still waving.

Speaker 14 (40:03):
Look at.

Speaker 1 (40:07):
If you're a long motherhood night.

Speaker 11 (40:11):
We can love them neighborhood strains.

Speaker 1 (40:16):
Have a lady along black hair. She gon know when
you with the feminine raise crystal ball on the table,
shall have the future.

Speaker 15 (40:29):
The last.

Speaker 1 (40:32):
Saint catwin.

Speaker 15 (40:33):
Then you betta get out of that fast.

Speaker 14 (40:40):
She's just a terrible woman.

Speaker 33 (40:42):
And read evil love of man, Beware the terrible woman,
and she's gonna get you.

Speaker 1 (40:48):
She's just a terrible woman.

Speaker 14 (40:50):
Read evil lot of man. Beware the terrible woman.

Speaker 15 (40:54):
She's gonna get you.

Speaker 33 (40:56):
If she's just a terrible woman with evil lives, she's
going to get you.

Speaker 15 (41:04):
She's just a.

Speaker 4 (41:08):
Cliff Richard and double woman. And that Halloween spooccaculars. So
what is the most frightening finder rock song of all time?
It's actually a trifecta and we'll hear it after a
trip to the Twilight Zone from twenty one to twelve.

Speaker 31 (41:23):
This is Rush in that Spaceman Gamepapo Reach You is
all that believed to meet you beneath.

Speaker 6 (41:37):
Sees now the bomb shut is greas.

Speaker 34 (42:02):
You have entered the twine lights all beyond the sports
range things alone.

Speaker 1 (42:11):
Use the key and lock the door.

Speaker 30 (42:15):
See you want to fade my coming, stop some export
your dreams creation.

Speaker 1 (42:23):
Answer the world of imagination? You what got lost? And
at the time.

Speaker 13 (42:44):
One require no one else?

Speaker 1 (42:47):
Look up blousy.

Speaker 15 (42:50):
Giant by.

Speaker 14 (42:52):
JUMPI gon.

Speaker 1 (42:57):
Nose came down.

Speaker 24 (42:58):
Laze too high, says flight.

Speaker 10 (43:11):
And.

Speaker 1 (43:16):
You have been to the Why I so be on
the swell strange things unknown? Use the lock the door.
See what you're made by having you start? Come explore
all dreams creation into this world. I've imagining shut.

Speaker 5 (44:11):
Bo had be Halloween from Don's basement.

Speaker 35 (44:36):
Here I go, walk again, up and done.

Speaker 1 (44:44):
No, no, oh, my friends went.

Speaker 18 (44:53):
Years ago.

Speaker 11 (45:06):
Oh my toys are broken.

Speaker 18 (45:12):
And so am my inside. Mom. The car of.

Speaker 1 (45:19):
Bo's closed.

Speaker 18 (45:24):
Years ago. Shop.

Speaker 1 (46:14):
I'm little boy.

Speaker 4 (46:19):
No mer grat d man.

Speaker 1 (46:25):
No, let's spelling, little board.

Speaker 18 (46:30):
A little wild gave me an hour?

Speaker 4 (46:35):
No excuse me, you have to go back down.

Speaker 5 (46:40):
It's better long colling.

Speaker 35 (47:28):
I don't want to see you go. I don't even
want to be there. I will cover up my eyes
and pray it gold.

Speaker 15 (47:50):
The way.

Speaker 35 (47:54):
You only lived a minute of your life. I must
be dreaming. Please stop screaming.

Speaker 12 (48:07):
I don't like to hear you cry.

Speaker 1 (48:13):
You just don't know how.

Speaker 35 (48:15):
Deep that tells me.

Speaker 18 (48:19):
So I will cover up black eyes.

Speaker 1 (48:26):
And it will go away.

Speaker 35 (48:32):
You've only left a minute of your life.

Speaker 1 (48:39):
I must be dreaming. Please stop screaming.

Speaker 14 (49:00):
It's someone calling me, I my name, say.

Speaker 3 (49:06):
That I see brinded with the strains of bay.

Speaker 22 (50:55):
I don't want to feel you die, but.

Speaker 11 (51:02):
That's the way that God has planned you.

Speaker 3 (51:06):
Oh good, pennies on your eyes.

Speaker 18 (51:12):
And go away.

Speaker 22 (51:19):
See you've only left minute. Oh yeah, I must be dreaming.

Speaker 18 (51:38):
Someone no.

Speaker 1 (51:44):
I think I heard a voice.

Speaker 18 (51:47):
It's upside.

Speaker 14 (51:48):
Do you want the name?

Speaker 15 (52:05):
What do you want? Why do you want to know?
What you want?

Speaker 1 (52:14):
I say?

Speaker 18 (53:04):
I wake up in the basement.

Speaker 14 (53:09):
I'm shungry.

Speaker 18 (53:11):
I'm trying. I must be here, sleep walking, listening.

Speaker 34 (53:43):
Up from my easyue, looking for my word, following a
trail of Crimson spots he leading to the night.

Speaker 17 (54:08):
Suddenly I realize I see it all.

Speaker 12 (54:12):
To realize these Crimson's wants up to be.

Speaker 18 (54:27):
It makes me feel lack a man.

Speaker 4 (55:10):
Every Halloween that we do the Halloween Spectacular, we ask
what's the most frightening vintage rock song of all time?
And those three always rise to the top, from Welcome
to My Nightmare, Alice Cooper and Years Ago Steven and
the Awakening, putting the wraps on our Halloween Spoctacular. Big

(55:31):
thanks to all the radio stations up and down the
dial that take the time to run our show each week,
including our flagship station ninety nine point nine FMWYML and
WYML dot US and Chicago. Thank you, Joe and Jeff.
Thanks to the iHeartRadio Network and Amazon Music for getting
the word out about Don Spaceman tapes. Thanks to mister
Lee Peak, the voice of Don Spaseman and thank you

(55:54):
for coming down here each and every week and hanging
out in the basement. I'm Don Clark. Peace.
Advertise With Us

Popular Podcasts

Stuff You Should Know
Ruthie's Table 4

Ruthie's Table 4

For more than 30 years The River Cafe in London, has been the home-from-home of artists, architects, designers, actors, collectors, writers, activists, and politicians. Michael Caine, Glenn Close, JJ Abrams, Steve McQueen, Victoria and David Beckham, and Lily Allen, are just some of the people who love to call The River Cafe home. On River Cafe Table 4, Rogers sits down with her customers—who have become friends—to talk about food memories. Table 4 explores how food impacts every aspect of our lives. “Foods is politics, food is cultural, food is how you express love, food is about your heritage, it defines who you and who you want to be,” says Rogers. Each week, Rogers invites her guest to reminisce about family suppers and first dates, what they cook, how they eat when performing, the restaurants they choose, and what food they seek when they need comfort. And to punctuate each episode of Table 4, guests such as Ralph Fiennes, Emily Blunt, and Alfonso Cuarón, read their favourite recipe from one of the best-selling River Cafe cookbooks. Table 4 itself, is situated near The River Cafe’s open kitchen, close to the bright pink wood-fired oven and next to the glossy yellow pass, where Ruthie oversees the restaurant. You are invited to take a seat at this intimate table and join the conversation. For more information, recipes, and ingredients, go to https://shoptherivercafe.co.uk/ Web: https://rivercafe.co.uk/ Instagram: www.instagram.com/therivercafelondon/ Facebook: https://en-gb.facebook.com/therivercafelondon/ For more podcasts from iHeartRadio, visit the iheartradio app, apple podcasts, or wherever you listen to your favorite shows. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Dateline NBC

Dateline NBC

Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com

Music, radio and podcasts, all free. Listen online or download the iHeart App.

Connect

© 2025 iHeartMedia, Inc.