November 12, 2025 • 56 mins
Oh, you know the songs. But what are their titles. this week, we're featuring deep tracks of Vintage Rock from Kansas, Robert Plant, Steely Dan and Rush. Song With Titles That Never Show Up in the Lyrics, on the next Don's Basement Tapes.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
The following program is brought to you in living color.
Speaker 2 (00:07):
Some call in to the borrow e sound.
Speaker 3 (00:11):
Somebody tell me that you said.
Speaker 4 (00:16):
Please that son, My.
Speaker 1 (00:22):
God, it's gone. I see God, you will provide.
Speaker 2 (00:26):
The grand design.
Speaker 5 (00:29):
We didn't say it'd be good.
Speaker 6 (00:33):
It's one hour of radio anarchy broadcasting for the ACNE
Studios in Mayville, Wisconsin.
Speaker 2 (00:41):
Where the hell is Mayville?
Speaker 7 (00:43):
Then it rocked.
Speaker 2 (00:43):
It's been bottled up way too long. Welcome to Don's basement.
Speaker 8 (00:59):
Thank you about the times you drove in my car
thinking that Anne, I drove me too far, and I'm.
Speaker 9 (01:17):
Thinking of the Lord that you laid on my tam.
Speaker 2 (01:28):
I told you not to warm the rod and the Don.
Speaker 8 (01:37):
I told you about the swans that they live in
the park.
Speaker 4 (01:46):
Then I told you about a kid.
Speaker 9 (01:48):
Now he's married to men.
Speaker 2 (02:05):
The sun told you.
Speaker 9 (02:07):
That the lode was a long to know this not
Rebo found in the bad to sell but wrong love.
Before that, you caud no, just before that the turn.
Speaker 5 (03:26):
It was a favor among friends. Really, the Beatles had
asked Eric Clapton to play on while my guitar gently
weeps on the White album. So when Cream put their
farewell album together, Eric Clapton reached out to George Harrison
and asked him to play on one of the cuts.
And while they're in the studio, George Harrison goes over
to the music and he wrote on the top of
(03:47):
the score bridge, and his handwriting was so bad that
Clapton looked at it and said, oh, badge, a great
name for a song, and a song was born. And
hello there, how are you welcome back in Don Clark,
Thanks so much for coming down and hanging out with
us once again down here in Don's basement. Oh, you
know the songs, You just don't know them by the
(04:08):
original title because that title never shows up in the lyrics.
And thanks to your suggestions, we've got some that haven't
seen the light of day in a long long time.
It was a song that was written about time travel,
about meeting Napoleon and where did you get those shoes?
It's the title cut from Pretzel Logic. Here's Steely Dan,
(04:29):
welcome to Don's Basement.
Speaker 10 (04:40):
I would love to tamas Aclin in a traveling mysterl show. Yes,
I'd love to tamas Satline in a traveling mysteryl show.
Speaker 11 (05:00):
Yes, I'm dying to be a start and make damn
laugh sound just like a record.
Speaker 2 (05:07):
Home phono graph.
Speaker 3 (05:10):
Those days a dongo ribber.
Speaker 4 (05:13):
Over a long time ago.
Speaker 12 (05:17):
Oh yeah, heykay, I have never messed a pollion, but
I plan too fine a time. I have never messed
(05:39):
a polion, but I plan too find the time.
Speaker 11 (05:45):
Yes I do, because he looks so fine about that.
Speaker 4 (05:51):
Hell, they tell me he was holy. He's low lest
here those.
Speaker 2 (05:58):
Days a gongo ribber.
Speaker 13 (06:01):
Long trouble.
Speaker 14 (06:04):
So yeah, stepped.
Speaker 1 (07:06):
Upon the platform.
Speaker 2 (07:08):
The man came to the news.
Speaker 1 (07:11):
He said, you must be joking song.
Speaker 2 (07:13):
Where did you get tho shoes? Where did you get
a shoes?
Speaker 11 (07:25):
The last cinemon sye the movie show? They said that
has to change in black just on know these things
are gone for Robert over a long time.
Speaker 15 (07:43):
Oh yeah yeah.
Speaker 6 (08:42):
Celebrating ten years of wasting your time one hour a week.
Oh you spend more time than that clearing your browser
history before your wife gets.
Speaker 11 (08:50):
On the computer.
Speaker 2 (08:51):
Welcome to Don's basement.
Speaker 13 (09:02):
I know you. I don't think that.
Speaker 16 (09:07):
You don't get shot a domna, don't have something else?
Speaker 14 (09:40):
Do you think you don't know your friend?
Speaker 17 (09:44):
What you do know?
Speaker 18 (10:23):
Stop where?
Speaker 19 (11:16):
If you're gone that way? Must where?
Speaker 5 (12:12):
It was the first single off the second album James
Gang Rides Again in Funk forty nine, Joe Walsh on
the Guys and Don Clark and Don's Baseman with the
songs where the title never shows up in the lyrics,
and Jeff Lynn and Roy Wood are in the studio
and they're working on this cut that's named after a prisoner,
but they didn't want to use the prisoner's name. They
wanted to use his number, one zero five to three.
(12:35):
And the engineer looks at him and says, why don't
you add eight to the number? It don't sound betta,
And the one zero five three eight overture was born.
You can find it on the debut album from Electric
Light Orchestra.
Speaker 20 (12:47):
In Don Spaceman.
Speaker 21 (13:02):
S S S S.
Speaker 13 (13:30):
S S S.
Speaker 2 (16:28):
You know that feeling when you hear a song you
haven't heard of years?
Speaker 14 (16:31):
We have dud.
Speaker 1 (16:39):
You feel that way all the time.
Speaker 2 (16:41):
Vintage rock from Don's Basement.
Speaker 22 (17:07):
M M.
Speaker 19 (17:36):
No no no no no no no no no no
no no no no no no no no no no
no no.
Speaker 14 (17:41):
No no no no no no no.
Speaker 13 (17:45):
That m M.
Speaker 1 (18:32):
No little And they think like a blue.
Speaker 13 (19:26):
Late enole And.
Speaker 1 (19:30):
Don't think I get up look.
Speaker 13 (20:07):
No no.
Speaker 2 (20:10):
Mony, Yeah yeah.
Speaker 7 (21:51):
Real y Mary.
Speaker 13 (22:31):
E Bay.
Speaker 5 (23:19):
Well, there's not exactly a lot of lyrics in it anyway,
unless you count some gibberish and some yodeling from the
band Focus and hocus Pocus and Don Clark and Don
Spaceman with the songs where the title never shows up
in the lyrics. And it was a song that these
three guys wrote about being on the road and making memories.
And that's up next. I'm Don Clark, Welcome to Don Spaseman.
Speaker 23 (23:42):
You wanted more, you got it? Prepare Rush the Snakes
and Arrows two or two thousand and eight Mousey Saturday,
July nineteenth, Nissan Pavilion for more Good, Rush dot Com
Reserved in general admission tickets on so February twenty ninth,
(24:04):
at ten a.
Speaker 5 (24:04):
I'm Gonna take It.
Speaker 23 (24:05):
Master locations by calling seven oh three five seven three
seater online at livenation dot com.
Speaker 3 (24:09):
Rush produced by Live Nation, Go Classic Rock, Monday.
Speaker 2 (24:12):
Warrior, Mean Means Right, Today's Tom Say.
Speaker 7 (24:15):
You mean me.
Speaker 6 (24:17):
There's Village Rocks, Then there's this place.
Speaker 2 (24:45):
This is Don's basement. Stop buy good every day.
Speaker 12 (25:00):
Time is nine when the first time been a knots
It's the time Father live there.
Speaker 2 (25:06):
That's how he is again find us. You will long lely.
Speaker 24 (25:10):
See y'all the hustle, so we just keep smiling, Wanda
the every day trying to keep five bunks.
Speaker 7 (25:22):
Away from home.
Speaker 2 (25:25):
We're traveling all around the time.
Speaker 1 (25:28):
To settle down and sell this spy.
Speaker 2 (25:30):
Y'all wonder lost the road?
Speaker 13 (25:34):
You know what happened?
Speaker 2 (25:35):
Good day, severn? What you gonna last? You just didn't
look proper?
Speaker 9 (25:40):
There I past.
Speaker 2 (25:42):
Them, not be to worry, visit to be sad. I remember,
remind us baby road lost time.
Speaker 13 (25:51):
So fast.
Speaker 24 (25:59):
We see you shine see and a hundred specially still
a girl home digging there ever, show the simpy's in
the land are extend the welcome air until the morning
when it's time for rest to day.
Speaker 1 (26:46):
Were the dollar day?
Speaker 6 (26:49):
Simple?
Speaker 2 (26:49):
Don't laugh.
Speaker 25 (26:51):
You just didn't look father, feel no need tod reason
to be sad.
Speaker 5 (27:34):
Three guys on the road and making memories. They wrote
that while they were out supporting their fly by Night album,
Rush and Don Clark and Down's Basement. If you're looking
at a band that's probably the master of having songs
where the title never shows up in the lyrics. It's
gotta be Zeppelin, An Immigrants song, Misty Mountain Hop, black.
Speaker 20 (27:51):
Dog, and on and on.
Speaker 5 (27:52):
So when Robert Plant came out with his debut solo album,
Pictures at eleven, it was only fitting that he did it.
This is burning down on one side in down Spaceman.
Speaker 14 (28:03):
Ship, nobody.
Speaker 3 (28:08):
Good short drink.
Speaker 4 (28:12):
About to.
Speaker 13 (28:18):
Show my feeling.
Speaker 2 (28:28):
Beside my dis I wave my head. It's really.
Speaker 13 (28:36):
So by fire rides, but it so my friends.
Speaker 19 (28:46):
Spelling harder and this smile, smile Try somebody t come,
(29:16):
make I come.
Speaker 7 (29:19):
Can't thank you?
Speaker 2 (29:20):
Make your saying.
Speaker 4 (29:23):
Do sneak.
Speaker 13 (29:27):
Snee do me too?
Speaker 19 (29:33):
I'm real bet my win?
Speaker 13 (29:38):
Did my flee?
Speaker 2 (29:41):
Don't find nobody go away?
Speaker 26 (29:45):
I don't know when did my man say tries some boys?
Speaker 13 (29:52):
I may?
Speaker 2 (29:54):
I can't thank you? Make you say.
Speaker 13 (30:17):
Sure she night?
Speaker 4 (30:26):
How looks always.
Speaker 2 (30:31):
Ye see excuse him?
Speaker 13 (30:37):
Same?
Speaker 17 (30:39):
Oh no, no, no, I'm away my dreaming. Listenally nice Mama.
Speaker 6 (31:27):
I'm not gonna say there was some funny stuff going
on down there, but every time we opened the basement
door at the top of the stairs.
Speaker 11 (31:32):
It looked like a new pulpe had just been elected.
Speaker 27 (31:35):
Welcome to Death's basement.
Speaker 25 (32:06):
Well, it's stone you when you're trying to be so good.
Speaker 2 (32:12):
This stone you, just like they said, there was.
Speaker 7 (32:17):
The stone you.
Speaker 1 (32:18):
When you're trying to boom.
Speaker 25 (32:22):
There'ton you when you're there all along, But I will
not feel so well along everybody musket stone where stone you?
Speaker 2 (32:38):
When you're walking on the stream.
Speaker 9 (32:42):
They're starn you.
Speaker 1 (32:43):
When you're back cheep your seat.
Speaker 4 (32:47):
They'll have stone you when.
Speaker 25 (32:49):
You're walking on the floor. They're storn you when you're
walking through the door.
Speaker 2 (32:57):
But I was not missed so long alone.
Speaker 7 (33:03):
They kind of abidy. Musket stone.
Speaker 25 (33:08):
Left stone you went. You're at the practice table. This
stone you went to a Unian table.
Speaker 2 (33:18):
This stone you.
Speaker 25 (33:19):
When you're trying to make a book, they stone you in.
Speaker 28 (33:24):
Then they'll say good look.
Speaker 2 (33:28):
Then that I would not be so full alone.
Speaker 25 (33:33):
Everybody musket stone.
Speaker 2 (34:09):
Where that stone you and say that it's the end.
Speaker 25 (34:14):
There they're stone you, And then you'll come back again.
They've stone you when you're riding.
Speaker 4 (34:22):
In your car.
Speaker 14 (34:24):
That's stone you.
Speaker 4 (34:26):
When you're thinking your guitar.
Speaker 2 (34:29):
Dby will not be a so all alone.
Speaker 25 (34:35):
My body must get stone.
Speaker 7 (35:10):
Well.
Speaker 25 (35:10):
They've stone you. When you are all alone, they'll stone you.
And you are walking home.
Speaker 20 (35:21):
They've stone you, and and say, they'll all breathe, they've.
Speaker 25 (35:26):
Stone you and you'll sit down in your bathe.
Speaker 2 (35:31):
But I would not feel so all alone.
Speaker 25 (35:37):
And my body musket stone.
Speaker 5 (35:55):
Yeah, you knew that was coming, didn't you. Sure? Bob
Dylan Rainy Day Women number twelve and thirty five. So
when these guys put this song together, they named it
after a Caribbean voodoo princess, and the main idea behind
the song is the allure of the Caribbean lifestyle and
living in the little latitudes heading back to Jamaica. For
(36:15):
the Doobie Brothers, this is Mama Loy in Don's basement.
Speaker 29 (36:29):
You see, she said, I can't believe. I don't know what,
(37:04):
but you could give up when the men come, seems.
Speaker 4 (37:07):
All start to die away.
Speaker 1 (37:10):
She gives me a charm and protect me to the
deck lets let's talk about see.
Speaker 2 (37:15):
But I'm domastic. I's too strong.
Speaker 4 (37:17):
It won't let me all this time.
Speaker 28 (37:20):
You really sad.
Speaker 4 (37:26):
Case you get back to Jamake, I want to want to.
Speaker 30 (37:29):
Go, they said, fall case you get back to Jamaica.
Speaker 27 (38:27):
Man, the seventies were good to this guy. Welcome to
Don's basement, Shake round the.
Speaker 2 (39:15):
Lola and ft make the bna shut gone into the room,
and I have.
Speaker 13 (39:25):
To keep it on all out.
Speaker 31 (39:28):
It's rafact just to take it hand, to shadow me,
how to make the ho cat far cap, to let
you keep and.
Speaker 14 (39:41):
Watch the mind.
Speaker 2 (39:42):
The showers are bad.
Speaker 7 (39:47):
My shake it up.
Speaker 2 (40:39):
From the rock.
Speaker 13 (40:41):
I bought Jake to hit me.
Speaker 9 (40:46):
Down a bullet said, I'm down unto the rock, holding.
Speaker 2 (40:57):
Get right addressed.
Speaker 4 (41:55):
In contact connect.
Speaker 2 (42:06):
Don't do the same. I canna tell the drink.
Speaker 13 (42:13):
He got the b.
Speaker 2 (42:17):
S prospection of Joy if the jo I cannot know that.
Speaker 13 (42:46):
I ay you know.
Speaker 5 (44:14):
I haven't tried this, but I bet if you went
over to Google and typed in whiskey voice, her picture
would pop up. The band is Babe Ruth. Her name
is Jenny Hahn. And that's Wells Fargo and Don Clark
and down Spacemen with the songs where the title never
shows up in the lyrics. It's the song that kicked
off side too of their masterpiece from left Overture. This
(44:35):
is Kansas an Opus insert in down Spaceman.
Speaker 13 (45:00):
Pass.
Speaker 19 (45:03):
Something before. That's the stage between on the lights.
Speaker 4 (45:15):
Somebody can cut, but there's so man is like my
brand and we just get out.
Speaker 18 (45:24):
Of waste the way.
Speaker 2 (45:26):
Well it's my nan a precious.
Speaker 19 (45:28):
Thing, my brand, and we can't wait another day. That is,
don't shut come back to see it.
Speaker 28 (45:49):
But there's nothing that we can do my brand, but
the spirit is with us. Spear is a man you
can be surrounding.
Speaker 7 (46:02):
As flat.
Speaker 2 (47:47):
And we just get out of my stay.
Speaker 13 (47:51):
What does stick?
Speaker 2 (47:55):
And we can't wait An.
Speaker 6 (48:40):
Brian cuts a vintage rocks and selected by the baseman
Dwelt there.
Speaker 2 (48:46):
This is John's basement. As you.
Speaker 14 (49:10):
Say, I saw.
Speaker 2 (49:14):
What they said, must be doing.
Speaker 4 (49:22):
Something by out down.
Speaker 2 (49:33):
You miss your miss.
Speaker 3 (49:45):
Bess talking time as.
Speaker 4 (49:59):
You pay to be.
Speaker 11 (50:02):
In the bands, the monk seeing.
Speaker 4 (50:10):
The back.
Speaker 2 (50:12):
Back to stop the band mass.
Speaker 13 (50:30):
Best sissing.
Speaker 22 (50:59):
Web bub bub bub bub bub bub yaw mass meadow
(51:34):
mass menos and your mass mellow.
Speaker 26 (51:44):
Massa, your mass met your mass man as your massas.
Speaker 27 (52:40):
This music had so much meaning still does bringing it
back one scratchy album at a time. This is Don's basement.
Speaker 20 (52:54):
There's something happened in here. What it is paintings exactly clear.
There's a man with a gun over there telling me
I got to be where.
Speaker 1 (53:12):
I think it's time we stopped children. Wat's that sound?
Speaker 28 (53:15):
Everybody?
Speaker 1 (53:16):
Look what's going now?
Speaker 20 (53:28):
There's battle lines being wrong. Nobody's right if everybody's wrong.
Young people speaking in their minds are getting so much
resistance from me. Hide in time we stopped me? What's
(53:48):
that sound?
Speaker 13 (53:49):
Everybody?
Speaker 3 (53:50):
Look what's going now?
Speaker 20 (54:02):
While the field day fall, the heat, A thousand in
the street singing songs and to carry inside, mostly.
Speaker 11 (54:16):
Saying you way for our side.
Speaker 2 (54:20):
It's time we stop. Hey, what's that sound?
Speaker 7 (54:23):
Never looty?
Speaker 1 (54:24):
Look what's going now?
Speaker 20 (54:36):
Argia strikes dee.
Speaker 2 (54:40):
Into your life.
Speaker 7 (54:42):
It will creep.
Speaker 20 (54:45):
Starts when you're always afraid.
Speaker 10 (54:49):
Step out the line.
Speaker 20 (54:51):
The man come and take you away.
Speaker 2 (54:54):
You better stop me?
Speaker 20 (54:56):
What's that sound?
Speaker 4 (54:57):
Never got it?
Speaker 1 (54:58):
Look what's going now?
Speaker 8 (54:59):
Stop?
Speaker 5 (55:14):
Song that was written so many years ago and still
has so much meaning today, Buffalo Springfield for what it's worth,
putting the raps on the songs where the title never
shows up in the lyrics. We want to thank all
the radio stations up and down the dial to take
the time to run our show each week, including our
flagship station ninety nine point nine FM WYML and WYML
dot us in Chicago. Thank you Joe and Jeff Big.
(55:37):
Thanks to the iHeartRadio Network, iHeart Podcast Channel, and Amazon music.
For getting the word out about Don Spaceman tapes. Check
out our website Don's Basement Productions dot com. Big thanks
to mister Lee Peak, he is the voice of Don Spaceman.
Big thank you to you for coming down here each
and every week and hanging out with us in the basement.
We appreciate it. I'm Don Clark.
Speaker 20 (55:57):
Peace
The following program is brought to you in living color.
Speaker 2 (00:07):
Some call in to the borrow e sound.
Speaker 3 (00:11):
Somebody tell me that you said.
Speaker 4 (00:16):
Please that son, My.
Speaker 1 (00:22):
God, it's gone. I see God, you will provide.
Speaker 2 (00:26):
The grand design.
Speaker 5 (00:29):
We didn't say it'd be good.
Speaker 6 (00:33):
It's one hour of radio anarchy broadcasting for the ACNE
Studios in Mayville, Wisconsin.
Speaker 2 (00:41):
Where the hell is Mayville?
Speaker 7 (00:43):
Then it rocked.
Speaker 2 (00:43):
It's been bottled up way too long. Welcome to Don's basement.
Speaker 8 (00:59):
Thank you about the times you drove in my car
thinking that Anne, I drove me too far, and I'm.
Speaker 9 (01:17):
Thinking of the Lord that you laid on my tam.
Speaker 2 (01:28):
I told you not to warm the rod and the Don.
Speaker 8 (01:37):
I told you about the swans that they live in
the park.
Speaker 4 (01:46):
Then I told you about a kid.
Speaker 9 (01:48):
Now he's married to men.
Speaker 2 (02:05):
The sun told you.
Speaker 9 (02:07):
That the lode was a long to know this not
Rebo found in the bad to sell but wrong love.
Before that, you caud no, just before that the turn.
Speaker 5 (03:26):
It was a favor among friends. Really, the Beatles had
asked Eric Clapton to play on while my guitar gently
weeps on the White album. So when Cream put their
farewell album together, Eric Clapton reached out to George Harrison
and asked him to play on one of the cuts.
And while they're in the studio, George Harrison goes over
to the music and he wrote on the top of
(03:47):
the score bridge, and his handwriting was so bad that
Clapton looked at it and said, oh, badge, a great
name for a song, and a song was born. And
hello there, how are you welcome back in Don Clark,
Thanks so much for coming down and hanging out with
us once again down here in Don's basement. Oh, you
know the songs, You just don't know them by the
(04:08):
original title because that title never shows up in the lyrics.
And thanks to your suggestions, we've got some that haven't
seen the light of day in a long long time.
It was a song that was written about time travel,
about meeting Napoleon and where did you get those shoes?
It's the title cut from Pretzel Logic. Here's Steely Dan,
(04:29):
welcome to Don's Basement.
Speaker 10 (04:40):
I would love to tamas Aclin in a traveling mysterl show. Yes,
I'd love to tamas Satline in a traveling mysteryl show.
Speaker 11 (05:00):
Yes, I'm dying to be a start and make damn
laugh sound just like a record.
Speaker 2 (05:07):
Home phono graph.
Speaker 3 (05:10):
Those days a dongo ribber.
Speaker 4 (05:13):
Over a long time ago.
Speaker 12 (05:17):
Oh yeah, heykay, I have never messed a pollion, but
I plan too fine a time. I have never messed
(05:39):
a polion, but I plan too find the time.
Speaker 11 (05:45):
Yes I do, because he looks so fine about that.
Speaker 4 (05:51):
Hell, they tell me he was holy. He's low lest
here those.
Speaker 2 (05:58):
Days a gongo ribber.
Speaker 13 (06:01):
Long trouble.
Speaker 14 (06:04):
So yeah, stepped.
Speaker 1 (07:06):
Upon the platform.
Speaker 2 (07:08):
The man came to the news.
Speaker 1 (07:11):
He said, you must be joking song.
Speaker 2 (07:13):
Where did you get tho shoes? Where did you get
a shoes?
Speaker 11 (07:25):
The last cinemon sye the movie show? They said that
has to change in black just on know these things
are gone for Robert over a long time.
Speaker 15 (07:43):
Oh yeah yeah.
Speaker 6 (08:42):
Celebrating ten years of wasting your time one hour a week.
Oh you spend more time than that clearing your browser
history before your wife gets.
Speaker 11 (08:50):
On the computer.
Speaker 2 (08:51):
Welcome to Don's basement.
Speaker 13 (09:02):
I know you. I don't think that.
Speaker 16 (09:07):
You don't get shot a domna, don't have something else?
Speaker 14 (09:40):
Do you think you don't know your friend?
Speaker 17 (09:44):
What you do know?
Speaker 18 (10:23):
Stop where?
Speaker 19 (11:16):
If you're gone that way? Must where?
Speaker 5 (12:12):
It was the first single off the second album James
Gang Rides Again in Funk forty nine, Joe Walsh on
the Guys and Don Clark and Don's Baseman with the
songs where the title never shows up in the lyrics,
and Jeff Lynn and Roy Wood are in the studio
and they're working on this cut that's named after a prisoner,
but they didn't want to use the prisoner's name. They
wanted to use his number, one zero five to three.
(12:35):
And the engineer looks at him and says, why don't
you add eight to the number? It don't sound betta,
And the one zero five three eight overture was born.
You can find it on the debut album from Electric
Light Orchestra.
Speaker 20 (12:47):
In Don Spaceman.
Speaker 21 (13:02):
S S S S.
Speaker 13 (13:30):
S S S.
Speaker 2 (16:28):
You know that feeling when you hear a song you
haven't heard of years?
Speaker 14 (16:31):
We have dud.
Speaker 1 (16:39):
You feel that way all the time.
Speaker 2 (16:41):
Vintage rock from Don's Basement.
Speaker 22 (17:07):
M M.
Speaker 19 (17:36):
No no no no no no no no no no
no no no no no no no no no no
no no.
Speaker 14 (17:41):
No no no no no no no.
Speaker 13 (17:45):
That m M.
Speaker 1 (18:32):
No little And they think like a blue.
Speaker 13 (19:26):
Late enole And.
Speaker 1 (19:30):
Don't think I get up look.
Speaker 13 (20:07):
No no.
Speaker 2 (20:10):
Mony, Yeah yeah.
Speaker 7 (21:51):
Real y Mary.
Speaker 13 (22:31):
E Bay.
Speaker 5 (23:19):
Well, there's not exactly a lot of lyrics in it anyway,
unless you count some gibberish and some yodeling from the
band Focus and hocus Pocus and Don Clark and Don
Spaceman with the songs where the title never shows up
in the lyrics. And it was a song that these
three guys wrote about being on the road and making memories.
And that's up next. I'm Don Clark, Welcome to Don Spaseman.
Speaker 23 (23:42):
You wanted more, you got it? Prepare Rush the Snakes
and Arrows two or two thousand and eight Mousey Saturday,
July nineteenth, Nissan Pavilion for more Good, Rush dot Com
Reserved in general admission tickets on so February twenty ninth,
(24:04):
at ten a.
Speaker 5 (24:04):
I'm Gonna take It.
Speaker 23 (24:05):
Master locations by calling seven oh three five seven three
seater online at livenation dot com.
Speaker 3 (24:09):
Rush produced by Live Nation, Go Classic Rock, Monday.
Speaker 2 (24:12):
Warrior, Mean Means Right, Today's Tom Say.
Speaker 7 (24:15):
You mean me.
Speaker 6 (24:17):
There's Village Rocks, Then there's this place.
Speaker 2 (24:45):
This is Don's basement. Stop buy good every day.
Speaker 12 (25:00):
Time is nine when the first time been a knots
It's the time Father live there.
Speaker 2 (25:06):
That's how he is again find us. You will long lely.
Speaker 24 (25:10):
See y'all the hustle, so we just keep smiling, Wanda
the every day trying to keep five bunks.
Speaker 7 (25:22):
Away from home.
Speaker 2 (25:25):
We're traveling all around the time.
Speaker 1 (25:28):
To settle down and sell this spy.
Speaker 2 (25:30):
Y'all wonder lost the road?
Speaker 13 (25:34):
You know what happened?
Speaker 2 (25:35):
Good day, severn? What you gonna last? You just didn't
look proper?
Speaker 9 (25:40):
There I past.
Speaker 2 (25:42):
Them, not be to worry, visit to be sad. I remember,
remind us baby road lost time.
Speaker 13 (25:51):
So fast.
Speaker 24 (25:59):
We see you shine see and a hundred specially still
a girl home digging there ever, show the simpy's in
the land are extend the welcome air until the morning
when it's time for rest to day.
Speaker 1 (26:46):
Were the dollar day?
Speaker 6 (26:49):
Simple?
Speaker 2 (26:49):
Don't laugh.
Speaker 25 (26:51):
You just didn't look father, feel no need tod reason
to be sad.
Speaker 5 (27:34):
Three guys on the road and making memories. They wrote
that while they were out supporting their fly by Night album,
Rush and Don Clark and Down's Basement. If you're looking
at a band that's probably the master of having songs
where the title never shows up in the lyrics. It's
gotta be Zeppelin, An Immigrants song, Misty Mountain Hop, black.
Speaker 20 (27:51):
Dog, and on and on.
Speaker 5 (27:52):
So when Robert Plant came out with his debut solo album,
Pictures at eleven, it was only fitting that he did it.
This is burning down on one side in down Spaceman.
Speaker 14 (28:03):
Ship, nobody.
Speaker 3 (28:08):
Good short drink.
Speaker 4 (28:12):
About to.
Speaker 13 (28:18):
Show my feeling.
Speaker 2 (28:28):
Beside my dis I wave my head. It's really.
Speaker 13 (28:36):
So by fire rides, but it so my friends.
Speaker 19 (28:46):
Spelling harder and this smile, smile Try somebody t come,
(29:16):
make I come.
Speaker 7 (29:19):
Can't thank you?
Speaker 2 (29:20):
Make your saying.
Speaker 4 (29:23):
Do sneak.
Speaker 13 (29:27):
Snee do me too?
Speaker 19 (29:33):
I'm real bet my win?
Speaker 13 (29:38):
Did my flee?
Speaker 2 (29:41):
Don't find nobody go away?
Speaker 26 (29:45):
I don't know when did my man say tries some boys?
Speaker 13 (29:52):
I may?
Speaker 2 (29:54):
I can't thank you? Make you say.
Speaker 13 (30:17):
Sure she night?
Speaker 4 (30:26):
How looks always.
Speaker 2 (30:31):
Ye see excuse him?
Speaker 13 (30:37):
Same?
Speaker 17 (30:39):
Oh no, no, no, I'm away my dreaming. Listenally nice Mama.
Speaker 6 (31:27):
I'm not gonna say there was some funny stuff going
on down there, but every time we opened the basement
door at the top of the stairs.
Speaker 11 (31:32):
It looked like a new pulpe had just been elected.
Speaker 27 (31:35):
Welcome to Death's basement.
Speaker 25 (32:06):
Well, it's stone you when you're trying to be so good.
Speaker 2 (32:12):
This stone you, just like they said, there was.
Speaker 7 (32:17):
The stone you.
Speaker 1 (32:18):
When you're trying to boom.
Speaker 25 (32:22):
There'ton you when you're there all along, But I will
not feel so well along everybody musket stone where stone you?
Speaker 2 (32:38):
When you're walking on the stream.
Speaker 9 (32:42):
They're starn you.
Speaker 1 (32:43):
When you're back cheep your seat.
Speaker 4 (32:47):
They'll have stone you when.
Speaker 25 (32:49):
You're walking on the floor. They're storn you when you're
walking through the door.
Speaker 2 (32:57):
But I was not missed so long alone.
Speaker 7 (33:03):
They kind of abidy. Musket stone.
Speaker 25 (33:08):
Left stone you went. You're at the practice table. This
stone you went to a Unian table.
Speaker 2 (33:18):
This stone you.
Speaker 25 (33:19):
When you're trying to make a book, they stone you in.
Speaker 28 (33:24):
Then they'll say good look.
Speaker 2 (33:28):
Then that I would not be so full alone.
Speaker 25 (33:33):
Everybody musket stone.
Speaker 2 (34:09):
Where that stone you and say that it's the end.
Speaker 25 (34:14):
There they're stone you, And then you'll come back again.
They've stone you when you're riding.
Speaker 4 (34:22):
In your car.
Speaker 14 (34:24):
That's stone you.
Speaker 4 (34:26):
When you're thinking your guitar.
Speaker 2 (34:29):
Dby will not be a so all alone.
Speaker 25 (34:35):
My body must get stone.
Speaker 7 (35:10):
Well.
Speaker 25 (35:10):
They've stone you. When you are all alone, they'll stone you.
And you are walking home.
Speaker 20 (35:21):
They've stone you, and and say, they'll all breathe, they've.
Speaker 25 (35:26):
Stone you and you'll sit down in your bathe.
Speaker 2 (35:31):
But I would not feel so all alone.
Speaker 25 (35:37):
And my body musket stone.
Speaker 5 (35:55):
Yeah, you knew that was coming, didn't you. Sure? Bob
Dylan Rainy Day Women number twelve and thirty five. So
when these guys put this song together, they named it
after a Caribbean voodoo princess, and the main idea behind
the song is the allure of the Caribbean lifestyle and
living in the little latitudes heading back to Jamaica. For
(36:15):
the Doobie Brothers, this is Mama Loy in Don's basement.
Speaker 29 (36:29):
You see, she said, I can't believe. I don't know what,
(37:04):
but you could give up when the men come, seems.
Speaker 4 (37:07):
All start to die away.
Speaker 1 (37:10):
She gives me a charm and protect me to the
deck lets let's talk about see.
Speaker 2 (37:15):
But I'm domastic. I's too strong.
Speaker 4 (37:17):
It won't let me all this time.
Speaker 28 (37:20):
You really sad.
Speaker 4 (37:26):
Case you get back to Jamake, I want to want to.
Speaker 30 (37:29):
Go, they said, fall case you get back to Jamaica.
Speaker 27 (38:27):
Man, the seventies were good to this guy. Welcome to
Don's basement, Shake round the.
Speaker 2 (39:15):
Lola and ft make the bna shut gone into the room,
and I have.
Speaker 13 (39:25):
To keep it on all out.
Speaker 31 (39:28):
It's rafact just to take it hand, to shadow me,
how to make the ho cat far cap, to let
you keep and.
Speaker 14 (39:41):
Watch the mind.
Speaker 2 (39:42):
The showers are bad.
Speaker 7 (39:47):
My shake it up.
Speaker 2 (40:39):
From the rock.
Speaker 13 (40:41):
I bought Jake to hit me.
Speaker 9 (40:46):
Down a bullet said, I'm down unto the rock, holding.
Speaker 2 (40:57):
Get right addressed.
Speaker 4 (41:55):
In contact connect.
Speaker 2 (42:06):
Don't do the same. I canna tell the drink.
Speaker 13 (42:13):
He got the b.
Speaker 2 (42:17):
S prospection of Joy if the jo I cannot know that.
Speaker 13 (42:46):
I ay you know.
Speaker 5 (44:14):
I haven't tried this, but I bet if you went
over to Google and typed in whiskey voice, her picture
would pop up. The band is Babe Ruth. Her name
is Jenny Hahn. And that's Wells Fargo and Don Clark
and down Spacemen with the songs where the title never
shows up in the lyrics. It's the song that kicked
off side too of their masterpiece from left Overture. This
(44:35):
is Kansas an Opus insert in down Spaceman.
Speaker 13 (45:00):
Pass.
Speaker 19 (45:03):
Something before. That's the stage between on the lights.
Speaker 4 (45:15):
Somebody can cut, but there's so man is like my
brand and we just get out.
Speaker 18 (45:24):
Of waste the way.
Speaker 2 (45:26):
Well it's my nan a precious.
Speaker 19 (45:28):
Thing, my brand, and we can't wait another day. That is,
don't shut come back to see it.
Speaker 28 (45:49):
But there's nothing that we can do my brand, but
the spirit is with us. Spear is a man you
can be surrounding.
Speaker 7 (46:02):
As flat.
Speaker 2 (47:47):
And we just get out of my stay.
Speaker 13 (47:51):
What does stick?
Speaker 2 (47:55):
And we can't wait An.
Speaker 6 (48:40):
Brian cuts a vintage rocks and selected by the baseman
Dwelt there.
Speaker 2 (48:46):
This is John's basement. As you.
Speaker 14 (49:10):
Say, I saw.
Speaker 2 (49:14):
What they said, must be doing.
Speaker 4 (49:22):
Something by out down.
Speaker 2 (49:33):
You miss your miss.
Speaker 3 (49:45):
Bess talking time as.
Speaker 4 (49:59):
You pay to be.
Speaker 11 (50:02):
In the bands, the monk seeing.
Speaker 4 (50:10):
The back.
Speaker 2 (50:12):
Back to stop the band mass.
Speaker 13 (50:30):
Best sissing.
Speaker 22 (50:59):
Web bub bub bub bub bub bub yaw mass meadow
(51:34):
mass menos and your mass mellow.
Speaker 26 (51:44):
Massa, your mass met your mass man as your massas.
Speaker 27 (52:40):
This music had so much meaning still does bringing it
back one scratchy album at a time. This is Don's basement.
Speaker 20 (52:54):
There's something happened in here. What it is paintings exactly clear.
There's a man with a gun over there telling me
I got to be where.
Speaker 1 (53:12):
I think it's time we stopped children. Wat's that sound?
Speaker 28 (53:15):
Everybody?
Speaker 1 (53:16):
Look what's going now?
Speaker 20 (53:28):
There's battle lines being wrong. Nobody's right if everybody's wrong.
Young people speaking in their minds are getting so much
resistance from me. Hide in time we stopped me? What's
(53:48):
that sound?
Speaker 13 (53:49):
Everybody?
Speaker 3 (53:50):
Look what's going now?
Speaker 20 (54:02):
While the field day fall, the heat, A thousand in
the street singing songs and to carry inside, mostly.
Speaker 11 (54:16):
Saying you way for our side.
Speaker 2 (54:20):
It's time we stop. Hey, what's that sound?
Speaker 7 (54:23):
Never looty?
Speaker 1 (54:24):
Look what's going now?
Speaker 20 (54:36):
Argia strikes dee.
Speaker 2 (54:40):
Into your life.
Speaker 7 (54:42):
It will creep.
Speaker 20 (54:45):
Starts when you're always afraid.
Speaker 10 (54:49):
Step out the line.
Speaker 20 (54:51):
The man come and take you away.
Speaker 2 (54:54):
You better stop me?
Speaker 20 (54:56):
What's that sound?
Speaker 4 (54:57):
Never got it?
Speaker 1 (54:58):
Look what's going now?
Speaker 8 (54:59):
Stop?
Speaker 5 (55:14):
Song that was written so many years ago and still
has so much meaning today, Buffalo Springfield for what it's worth,
putting the raps on the songs where the title never
shows up in the lyrics. We want to thank all
the radio stations up and down the dial to take
the time to run our show each week, including our
flagship station ninety nine point nine FM WYML and WYML
dot us in Chicago. Thank you Joe and Jeff Big.
(55:37):
Thanks to the iHeartRadio Network, iHeart Podcast Channel, and Amazon music.
For getting the word out about Don Spaceman tapes. Check
out our website Don's Basement Productions dot com. Big thanks
to mister Lee Peak, he is the voice of Don Spaceman.
Big thank you to you for coming down here each
and every week and hanging out with us in the basement.
We appreciate it. I'm Don Clark.
Speaker 20 (55:57):
Peace
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