Podcast Like It's ...

Phil and Emily kick off a brand-new miniseries exploring the films and television of legendary director Mike Nichols in the 2000s. First up: the notorious 2000 sci-fi romantic comedy “What Planet Are You From?”, starring Gary Shandling, Annette Bening, and John Goodman.

Joined by critic and returning guest Emma Stefansky, the trio dive deep into this infamous box-office bomb unpacking its chaotic tone, lack of internal logic, an...

Phil and Emily wrap up their Oscar-winning Best Director follow-ups mini series with Joel and Ethan Coen’s Burn After Reading. They’re joined by Brooke Solomon and Jordan Gustafson, from the podcast The Queer Quadrant, to dig into this razor-sharp dark comedy that skewers espionage, bureaucracy, and human foolishness in equal measure.

From the Coens’ tonal whiplash to the film’s biting satire of post-9/11 paranoia, the conversat...

Phil and Emily continue their Oscar-Winning Best Director Follow-Ups miniseries with Ang Lee’s provocative espionage drama Lust, Caution. Joined by Danette Chavez (Editor-in-Chief of The A.V. Club), they dig into the film’s bold mix of eroticism, politics, and moral ambiguity, exploring how Lee followed Brokeback Mountain with a risky and divisive project that tested both audiences and censors. From the performances of Tony Leung a...

Phil and Emily continue their mini series on Oscar-winning Best Director follow-ups from the 2000s with Clint Eastwood’s Flags of Our Fathers. Joined by Mitchell Beaupre, editor and podcast host at Letterboxd, they dig into Eastwood’s haunting take on the Battle of Iwo Jima and the myth making around Joe Rosenthal’s famous photograph of soldiers raising the flag.

The conversation unpacks Eastwood’s bold decision to explore both ...

Phil and Emily continue our Patreon mini series on Oscar-winning Best Director follow-ups from the 2000s with Peter Jackson’s ambitious epic King Kong. Joined by critic, screenwriter, and podcaster Drew McWeeny, they revisit Jackson’s sprawling remake of the 1933 classic and unpack how the film reflects both his greatest strengths and his boldest excesses in the wake of The Lord of the Rings.

From Naomi Watts’s luminous performa...

Phil and Emily continue their mini series on Oscar-winning Best Director follow-ups from the 2000s with Oliver Twist (2005), Roman Polanski’s adaptation of Charles Dickens’ classic. They’re joined by writer and producer Bryan Cogman, who may be one of the few people to have actually seen the film in theaters.

The conversation dives into Polanski’s unexpected choice to follow The Pianist with this family-oriented Dickens adaptati...

Phil and Emily continue their miniseries on Oscar winning Best Director follow ups from the 2000s with Ron Howard’s The Missing. With guest Patrick Cotnoir (The George Lucas Talk Show), they revisit this overlooked Western thriller starring Cate Blanchett and Tommy Lee Jones.

The discussion explores Blanchett’s powerful performance, Jones’ turn as an estranged father, Daniel Craig’s early role, and why the film faded from memory...

Phil and Emily continue their miniseries on Oscar winning Best Director follow ups from the 2000s with Road to Perdition, Sam Mendes’ ambitious second feature after American Beauty. Joining them is film journalist and podcaster Blake Howard (One Heat Minute Productions), who helps unpack the film’s technical brilliance, subdued emotional core, and unique place in early 2000s cinema.

Together, they dive into Mendes’ leap from sta...

Phil and Emily continue their miniseries on Oscar-winning Best Director follow-ups from the 2000s with Steven Soderbergh’s effortlessly cool Ocean’s 11. Joined by screenwriter Liz Hannah and producer Brian Millikin, they unpack how this slick, stylish remake redefined the modern heist film. From its razor-sharp script and effortless ensemble chemistry to Soderbergh’s precision, tonal balance, and inventive production choices, the d...

We are kicking off a brand new miniseries on Oscar-winning Best Director follow-up films from the 2000s, starting with Steven Spielberg’s bold and deeply divisive “A.I. Artificial Intelligence.” TV critic and Vulture writer Roxana Hadadi joins Phil and Emily for a wide-ranging conversation that digs into the movie’s legacy, Kubrick’s influence, and how the film hit differently post-Oscars and post-9/11.

They dive into the unique...

Emily and Phil close out their “Films of the Todds” mini series, spotlighting the distinct visions of Haynes, Phillips, Solondz, and Field, with a thoughtful conversation about Todd Solondz’s darkly comic Life During Wartime (2009). Joining them is film critic and podcaster Chris Feil, who brings sharp insight to this follow-up to Happiness and its meditation on forgiveness, trauma, and the ways the past lingers in the present.

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Emily and Phil continue their “Films of the Todds” mini series, exploring the work of Haynes, Phillips, Solondz, and Field. This week, they take a look at Todd Phillips’ culture-shifting comedy The Hangover. Joining them is writer and cultural critic Jude Ellison Doyle, who brings a sharp, thoughtful perspective to one of the 2000s most talked-about comedies.

Together, they discuss how The Hangover redefined studio comedy, the f...

Emily and Phil continue their “Films of the Todds” mini series as they take on Todd Haynes’s ambitious and unconventional biopic I’m Not There. They are joined by film critic and podcaster Ryan Marker for a conversation about this multi-layered portrait of Bob Dylan, identity, and the myth of American celebrity.

Together, they break down the film’s innovative structure, discuss Cate Blanchett’s acclaimed performance and the dari...

Emily and Phil continue their “Films of the Todds” mini series, spotlighting the work of Haynes, Phillips, Solondz, and Field, with a deep dive into Todd Field’s haunting suburban drama Little Children (2006). Joining them is writer and producer Libby Hill, who brings sharp insight into the film’s complex characters, morally murky relationships, and the atmosphere of quiet desperation that runs through Field’s vision of American su...

Emily and Phil continue their “Films of the Todds” mini series—highlighting the work of Haynes, Phillips, Solondz, and Field—by revisiting Todd Phillips’ under-the-radar 2006 comedy School for Scoundrels.

They break down the film’s blend of mean-spirited humor and underdog charm, its place in the landscape of mid-2000s comedies, and how Billy Bob Thornton and Jon Heder play off each other as mismatched teacher and student. Phil ...

Emily and Phil continue their mini series on the films of "The Todds" Haynes, Phillips, Solondz, and Field with a deep dive into Todd Solondz’s challenging and provocative Palindromes (2004). Joining them is filmmaker and returning guest Simon Ennis, who brings thoughtful insight into one of Solondz’s most controversial and layered films.

They explore the film’s shifting lead actors, its exploration of identity, morality, and adoles...

This week on Podcast Like It's the 2000s, Emily and Phil are joined by screenwriter and podcast host Clay Keller (@claykeller) to revisit Todd Phillips’ Starsky & Hutch (2004), the action comedy that helped cement early 2000s buddy cop nostalgia.

As they continue their deep dive into the films of "The Todd’s" Haynes, Phillips, Solondz, and Field they examine how Starsky & Hutch fits into the era’s obsession with 70s thro...

On this episode of Podcast Like It’s 2000s, Emily and Phil continue their “Films of the Todds” mini-series spotlighting Haynes, Phillips, Solondz, and Field with a look at Todd Phillips’ breakout hit, Old School (2003).

Joining them is actor and podcaster Griffin Newman (@grifflightning), who helps examine how Old School shaped 2000s studio comedy, its impact on the careers of its leads, and where it fits in the larger story of ...

Emily and Phil continue their deep dive into The Todds—Haynes, Phillips, Solondz, and Field—with Todd Haynes’ lush and heartbreaking 2002 masterpiece Far From Heaven. Joining them is writer and culture critic Marie Bardi-Salinas (@mariebardi), bringing her sharp insight and deep love for this era of filmmaking.

Together, they explore how Haynes channels Douglas Sirk to tell a daring, subversive story about race, sexuality, and subur...