Kung Fu Panda

Pandas. If you’re somehow not aware of them (which, like, how, they’re basically the poster-animal for endangered species), they’re not exactly what you’d call limber. While the great felines of the world regularly perform feats of stunning acrobatics and athleticism, those of the ursine persuasion, especially panda bears, are stuck lumbering around with all the speed and agility of a wheelchair made out of bricks. This is fine for Youtube compilations of pandas failing to exhibit a strong grasp of even basic motor skills, but if you’re an enterprising young film studio aiming to center a martial arts series around ailuropoda melanoleuca then I’m afraid animation is your first, last, and only port of call, and you’ll have to do more than a little bit of anthropomorphizing even then. When that’s done what you’re left with is something called Kung Fu Panda, a 2008 animated film directed by Mark Osborne and John Stevenson and the progenitor of the tragically long-lived Kung Fu Panda franchise. Kung Fu Panda was popular enough on release and memories of our heroic black-and-white bear are typically fond, so when lifelong panda fan Nathan Magalhães’s own memories were stoked upon hearing of a fourth (kill me) installment, he and his brother had to return to where it all began to see if it holds up. So, when you’re done Kung Fu fighting along to that earworm of an end credits song, jump kick that play button and get on with the episode!

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